Rosalie Gascoigne

Rosalie Gacoigne, National Gallery of Victoria, Melbourne

Rosalie Gascoigne, Roslyn Oxley9 Gallery, Sydney

Rosalie Gascoigne: Plain Air, Wellington City Gallery, Wellington, New Zealand

Rosalie Gascoigne - Plein Air, Gow/Langsford Gallery, Sydney

From the studio of Rosalie Gascoigne, Drill Hall Gallery, Australian National University, Canberra

Roslyn Oxley9 Gallery, Sydney

Roslyn Oxley9 Gallery, Sydney

Greenaway Art Gallery, Adelaide

Material as Landscape, National Gallery of Australia, Canberra

Material as Landscape, Art Gallery of New South Wales, Sydney

National Gallery of Australia, Canberra

Greenaway Art Gallery, Adelaide

Roslyn Oxley9 Gallery, Sydney

Pinacotheca Gallery, Melbourne

Roslyn Oxley9 Gallery, Sydney

Pinacotheca Gallery, Melbourne

Roslyn Oxley9 Gallery, Sydney

Pinacotheca Gallery, Melbourne

Roslyn Oxley9 Gallery, Sydney

Pinacotheca Gallery, Melbourne

Pinacotheca Gallery, Melbourne

Fine Arts Gallery, University of Tasmania, Hobart

Pinacotheca Gallery, Melbourne

Rosalie Gascoigne, Sculpture 1975-1982, New Zealand touring exhibition

Pinacotheca Gallery, Melbourne

Ray Hughes Gallery, Brisbane

Survey 2: Rosalie Gascoigne, National Gallery of Victoria, Melbourne

Installations, Institute of Modern Art, Brisbane

Gallery A, Sydney

Macquarie Galleries, Canberra

All Light, All Air, All Space, Goldburn Regional Art Gallery, NSW

Found and Gathered: Rosalie Gascoigne | Lorraine Connelly-Northey, National Gallery of Victoria, Melbourne

Towards Abstraction, National Gallery of Australia, Canberra

Know My Name: Australian Women Artists 1900 to Now, National Gallery of Australia, Canberra

Every Brilliant Eye: Australian Art of the 1990s, National Gallery of Victoria, Melbourne

Vibrant Matter, TarraWarra Museum of Art, Healesville, Victoria.

Australia, Royal Academy of Arts, London.

GROUPS WHO, Roslyn Oxley9 Gallery, Sydney

Lucky Town, Roslyn Oxley9 Gallery, Sydney

Glimpse: Inside Gold Coast City Art Gallery’s Collection, Gold Coast City Art Gallery, Surfers Paradise, QLD

Tainted Love: Contemporary Developments in Landscape, Bendigo Art Gallery, Bendigo, Victoria, 3 June - 22 July (including All Summer Long)

Assembled: Works from the Holmes a Court Collection, Holmes a Court Gallery, Perth, 25 August -8 October 2006 (including Spring 1, 1982)

Revealing Secret Treasures: Women Artists from the Reg & Sally Richardson Collection, Mosman Art Gallery, Sydney

Home Sweet Home: Works from the Peter Fay collection, A National Gallery of Australia Travelling Exhibition, Academy Gallery, University of Tasmania, Launceston

MCA Unpacked II, Museum of Contemporary Art, Sydney

Home Sweet Home: Works from the Peter Fay collection, A National Gallery of Australia Travelling Exhibition, Canberra

Flagship: Australian Art in the National Gallery of Victoria, 1790 – 2000, The Ian Potter Centre, National Gallery of Victoria, Melbourne

Fieldwork: Australian Art 1968 – 2002, National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003)

Sublime:25 Years of the Wesfarmers Collection of Australian Art, Art Gallery of Western Australia, Perth, Western Australia

The Big River Show, Wagga Wagga Art Gallery

The First 20 Years, Roslyn Oxley9 Gallery, Sydney

MCA Unpacked, Museum of Contemporary Art, Sydney

The Art of Transformation, National Gallery of Australia, Canberra

12th Biennale of Sydney, Object Gallery, Customs House, Sydney

All Stars 2000, Roslyn Oxley9 Gallery, Sydney

Monochromes, University Art Museum, University of Queensland, Brisbane

Toi Toi Toi, Museum Fridericianum, Kassel, Germany; Auckland Art Gallery Toi o Tamaki, New Zealand

Clemenger Art Award, Museum of Modern Art, Heide, Melbourne

Expanse: Aboriginalities, spatialities and the politics of ecstasy, University of South Australia Art Museum, Adelaide

Every Other Day, Roslyn Oxley9 Gallery, Sydney

In Place (Out of Time), Museum of Modern Art Oxford, United Kingdom

Other Stories: Five Australian Artists, Asialink touring exhibition: Bangladesh Biennale, Dhaka; Kathmandu, Nepal; Colombo, Sri Lanka; Hanoi, Vietnam

In-Out, National Gallery of Australia, featuring Gascoigne’s Feathered Fence, Suddenly the Lake, Afternoon and Sky Lark, June - September 1996

Islands, National Gallery of Australia

Spirit + Place: Art in Australia 1861 – 1996, Museum of Contemporary Art, Sydney

Island to Island Australia to Cheju, Cheju Pre-Biennale, Korea

In the Company of Women: 100 Years of Australian Women’s Art from the Cruthers Collection, Perth Institute of Contemporary Art

Group Show, Roslyn Oxley9 Gallery

Perceived Differently, Canberra National Sculpture Forum 95, Drill Hall Gallery, Australian National University, Canberra

Aussemblage, Auckland City Art Gallery; City Gallery, Wellington, New Zealand

Reinventing the Grid, Robert Lindsay Gallery, Melbourne

Circle, Line, Square - Aspects of Geometry, Campbelltown Regional Gallery

Romantisystem, Canberra Contemporary Art Space

100% Tracy, 24 Hour Art, NT Centre for Contemporary Art, Darwin

Clemenger Triennial Exhibition of Contemporary Australian Art, National Gallery of Victoria, Melbourne

Identities: Art from Australia to Taiwan, Taipei Fine Arts Museum, Taiwan; Wollongong City Gallery

Conversions: Festival of Installation Works, Canberra Contemporary Art Space, Canberra

Diverse Visions, Queensland Art Gallery, Brisbane

Cross Currents: Contemporary New Zealand and Australian Art from the Chartwell Collection, Waikato Museum of Art, Hamilton, New Zealand

Rosalie Gascoigne - Colin McCahon: Sense of Place, Ivan Dougherty Gallery, Sydney; Ian Potter Gallery,Melbourne, Louise Pether curators

L'Ete Australian a Montpellier, Musée Fabre, Montpellier, France

Strange Harmony of Contrasts, Roslyn Oxley 9 Gallery, Sydney and touring, Nicholas Baume curator

Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, Mary Eagle curator

Eighth Biennale of Sydney: The Readymade Boomerang, Art Gallery of NSW, Sydney, René Block curator

What is Contemporary Art?, Rooseum, Malmö, Sweden, Dan Cameron curator

Australian Biennale 1988, Art Gallery of NSW (later at NGV), Nicholas Waterlow curator

Great Australian Art Exhibition, touring state galleries, Daniel Thomas curator

A New Romance, ANU, Drill Hall, Canberra

Third Australian Sculpture Triennial, National Gallery of Victoria, Melbourne

Contemporary Art in Australia, Museum of Contemporary Art, Brisbane

Australian Masters 1987, Solander Gallery, Canberra

Ten by Ten, 200 Gertrude Street, Melbourne, Lesley Dumbrell curator

Four Sculptors in Australia, Wollongong City Gallery, Wollongong (Augustine Dall'Ava, Peter Cole, Rosalie Gascoigne, Hossein Valamanesh)

Second Australian Sculpture Triennial, National Gallery of Victoria, Melbourne

Project 40 : Australian Artists at Venice and Kassel, National Gallery of Victoria and Art Gallery of New South Wales

Australian Perspecta 1983, Art Gallery of New South Wales, Sydney

Continuum 83, Gallery Yamaguchi, Tokyo, Japan

Venice Biennale (Australian Pavilion with Peter Booth), Venice, Italy

The Philip Morris Arts Grant: Australian Art of the Last Ten Years, Melville Hall, Australian National University, Canberra

First Australian Sculpture Triennial, Preston Institute of Technology and Latrobe University, Melbourne

Australian Perspecta 1981, Art Gallery of New South Wales, Sydney

Drawn and Quartered - Australian Contemporary Paperworks, Adelaide Festival Exhibition, Art Gallery of South Australia, Adelaide

Third Biennale of Sydney: European Dialogue, Art Gallery of New South Wales, Sydney

Australian National Gallery: Recent Acquisitions, Canberra Theatre Centre Gallery

Objects, Ray Hughes Gallery, Brisbane

Philip Morris Art Grant 3rd Annual Exhibition, Adelaide Festival Centre; Melbourne, Sydney

Artists' Choice, Gallery A, Sydney

Philip Morris Art Grant 2nd Annual Exhibition, City Square, Melbourne; Hyde Park, Sydney

Peter Haynes, ‘Artist Rosalie Gascoigne is articulate and subtle in Goulburn exhibition,’ Sydney Morning Herald, 13 July 2015

John McDonald, ‘Rosalie Gascoigne, National Gallery of Victoria’, The Sydney Morning Herald, February 28 – March 1, 2009, pp. 18 - 19

Rosalie Gascoigne, exb. cat. National Gallery of Victoria, 2009

Sasha Grishin, ‘Rosalie Gascoigne – 50 Most Collectable Artists,’ Australian Art Collector, Issue 43, January - March 2008, p136

Jason Grant, ‘Set the letters free’, eye magazine, Vol. 16, No. 64, Summer 2007 pp. 22-29

Michael Reid, ‘The Art Oracle’, The Good Weekender, The Sydney Morning Herald 2006

Jenny Sages, Artist’s Choice: Rosalie Gascoigne, 'Earth 9', Art & Australia, Vol 44 No 1 Spring 2006, p. 44

People’s Choice, Wollongong City Gallery exhibition catalogue p. 49

Richard Kalina, ‘Report from New Zealand: A Change of Empires’, Art in America, October 2005, pp. 83 - 89

Bendigo Art Gallery: Selected Works, Bendigo Art Gallery, Victoria, 2005, p. 32, 36, 37

Ken Bolton, “Australian Women Artists: Sailing to Tahiti,” Jamini: International Arts Quarterly, November, p. 68 – 79

Gregory O’Brien, “Of Magpie Song, Faded Things and the Desert Music: The concrete poetry/assemblage art of Rosalie Gascoigne,” P.N. Review, Issue 159, September-October, Vol 31 No. 1, p. 19 - 24

Janet Hughes, “Taking to the air – Rosalie Gascoigne: Plain Air,” New Zealand Books, vol. 14, no. 3 (issue 64), August 2004

Anne Loxley, “Late Blooms: Rosalie Gascoigne: Plain Air,” Australian Art Review, July-October, p. 14

Claire Armstrong, “Collector Profile: Dick Quan,” Art & Australia, Vol. 41 No. 4, Winter 2004, p. 615 – 617

Patricia Anderson, “Rosalie Gascoigne: Roslyn Oxley9 Gallery – An eye for poetry in the ordinary,” The Australian, p. 14

Christopher Harrod, “Rosalie Gascoigne – Kinetics, Air and Physical Montage, City Gallery Wellington,” NZ Art Monthly, May, New Zealand

Peter Hill, “Exceptions to a rule,” Sydney Morning Herald, Weekend Edition (Spectrum), April 24-25, p. 8, 9  

William McAloon, “Roadrunner: Rosalie Gascoigne, City Gallery, Wellington,” NZ Listener, 17 April, New Zealand

John Daly-Peoples, “Making great art from bits and pieces,” National Business Review, Auckland, New Zealand, 8 April

Warren Feeney, “Disarming Charm - Rosalie Gascoigne: City Gallery Wellington, The Press – City Edition, Christchurch, New Zealand, 24 March

Galvan Mcnamara, “Visual Arts: Rosalie Gascoigne,” Sunday Star Times, Wellington, New Zealand, 21 March

Fran Dibble, “Scavenging for her art,” Manawatu Evening Standard, New Zealand, Friday, March 5

Christopher Moore, “Olé, Olé, amigos,” The Press – City Edition, Christchurch, New Zealand, 3 March

Shyamtara Ni Fhoghlu, “Art was Gascoigne’s purpose in life,” Wairapa News, Masterton, New Zealand, 3 March

Shyamtara Ni Fhoghlu, “Gascoigne immersed herself in art,” Upper Hutt Leader, Upper Hutt, New Zealand, 3 March

Shyamtara Ni Fhoghlu, “Art was Gascoigne’s purpose in life,” Kapi-Mana News, Wellington, New Zealand, 2 March

Shyamtara Ni Fhoghlu, “Gascoigne immersed herself in art,” Hutt News, Lower Hutt, New Zealand, 2 March

“Big yellow hits windy city,” Art Monthly Australia # 167 (Artnotes), March 2004, p. 36, 37

Mark Amery, “Visual Arts: What might have been,” The Dominion Post, Wellington, New Zealand, 27 February

Robyn McLean, “Essence of Life,” The Dominion Post (2^nd Edition), Wellington, New Zealand, 20 February

“Rosalie Gascoigne at City Gallery Wellington, 22 Feb – 16 May 2004,” NZ Art Monthly, May, New Zealand

“Spotlight on talented Kiwi,” Hawkes Bay Today, Hawkes Bay, New Zealand, 21 January

Glenis Israel, artwise contemporary: visual arts 7-10, John Wiley & Sons, pp. 92-3

John Cruthers, “Peter Fay: A life in art,” Art & Australia, 40^th Anniversary Issue, Winter, vol. 40, no. 4, p. 639 - 643

Stephen Naylor, “Getting into the Giardini di Castello: Australia’s representation at the Venice Biennale,” Art & Australia, 40^th Anniversary Issue, Winter, vol. 40, no. 4, p. 594 - 601

Isobel Crombie ed., Flagship: Australian Art in the National Gallery of Victoria, 1790 – 2000, The Ian Potter Centre, National Gallery of Victoria, Melbourne, p. 55, 63

Charles Green, “Into the 1990s: the decay of postmodernism,” Fieldwork: Australian Art 1968 – 2002, exh. cat., National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003), p. 100 – 111

Geoffrey Maslen, Auction plan: let the dealer beware, Sydney Morning Herald, 9 Feb

Mary Eagle (ed.) From the studio of Rosalie Gascoigne, catalogue, The Australian National University Drill Hall Gallery, Canberra

Bronwyn Oliver, Rosalie Gascoigne: Great blond paddocks, Art & Australia, Vol 37, No 4

Hannah Fink, Rosalie Gascoigne 1917-1999, Art & Australia, Vol 37, No 4

Judith White, Rosalie Gascoigne, Australian Art Collector, issue 11, Jan-Mar

Andrew Frost, ‘Australia’s 50 Most Collectable Artists,’ Australian Art Collector, Issue 11, Jan-Mar

William McAloon, home and away: contemporary Australian and New Zealand art from the Chartwell Collection, Auckland Art Gallery, 1999, p. 38-9, 135

Daniel Thomas, Natural artist revealed spirit of place, The Australian, Oct 29

John McDonald, A life littered with pure talent, The Sydney Morning Herald, Oct 27

Deborah Edwards, Rosalie Gascoigne: Obituary, The Sydney Morning Herald, Oct 28

Suzanne Brown, Leading artist dies, 82, The Age, October 27

Deborah Clarke, Rosalie Gascoigne: Obituary, Art Monthly Australia, no. 126, December 1999 – February 2000

Julie Ewington, Junk turns to truth, The Bulletin, November 9

Mary Eagle, Leading artist whose world glowed with emotion, New Zealand Times?, Auckland, NZ, November 7

Artist won kudos in two countries, NZ Herald, October 27

Work was ‘purely visual’, Otago Daily Times, October 30

Josie McNaught, From ikebana to artistic debris, The Dominion, Wellington, November 13

Andrew Frost, ‘Australia’s 50 Most Collectable Artists,’ Australian Art Collector, Issue 7, Jan-Mar

Felicity Fenner, Landscape of Shards, Art in America, February

Deborah Edwards, Made from the land, Look, October

Hannah Fink, Out of the blue: The regional modernism of Rosalie Gascoigne, Exploring Culture and Community for the 21st Century, Global Arts Link, Ipswich

Toi Toi Toi, catalogue, Museum Fridericianum, Kassel

Vici MacDonald, Rosalie Gascoigne, monograph, Regaro Press, Sydney

Brigid Shadbolt, All air, all light, all understatement: Rosalie Gascoigne’s contested terrain, Broadsheet, 14, Vol. 27, No.1

Vivienne Webb, Rosalie Gascoigne: Material as Landscape, State of the Arts, March

Sebastian Smee, The prime of Rosalie Gascoigne, SMH Metro, April 3-9

Marion Halligan, Rosalie Gascoigne book review, Art Monthly Australia, May.

Diana Simmonds, Classical Gascoigne, The Bulletin, May 26

Adriana Alvarez, Landscapes For Your Mind, Revolver, 7 Sept

In Place: Out of Time, Museum of Modern Art, Oxford, exh cat., Rosalie Gascoigne

Material as Landscape, catalogue, Art Gallery of New South Wales, Sydney

Gerrit Fokkema, A late developer, Good Weekend, Nov .15

Sebastian Smee, Be Here Now, Sydney Morning Herald, Metro, Nov.14-20

Antonia Carver, In Place (Out of Time): Contemporary Art in Australia, Flash Art, Nov.

Christopher Allen, Art in Australia: From Colonization to Postmodernism, Thames and Hudson, U.K.

John McDonald, Charms to Soothe a Savage Critic, Sydney Morning Herald, Nov. 29

Hannah Fink, That sidling sight: wondering about the art of Rosalie Gascoigne, Art and Australia, Vol 35, No.2

Joanna Mendelssohn, Avant-garde magic out of the chrysalis, The Australian, Nov. 21

Annie Taylor, ‘Rosalie Gascoigne’, Womens Art Register Bulletin, No. 25 May

Donald Williams, Art Now, McGraw Hill Publications

Kate Davidson, Michael Desmond, Islands: Contemporary Installations(cat), National Gallery of Australia, pp 9-12

Joanna Mendelssohn, ‘Imants Tillers, Rosalie Gascoigne, Colin Lanceley’, The Australian, 8 Sept, p.14

John McDonald, ‘Masonite man heads west’, The Sydney Morning Herald, Spectrum 14A, 8 Sept.

‘Island to Island Australia to Cheju’ Cheju Pre-Biennale, Museum of Contemporary Art, Sydney

Anne Loxley, ‘The pleasures of the eye’, Sydney Morning Herald, Apr.

Elwyn Lynn, ‘Colour brings life back to the square’, The Australian, 23 Apr.

Jacques Delaruelle, ‘A different mode of thinking’, The Sydney Review, May

Ewen MacDonald, ‘Threadbare Landscapes’, Monument #3, 1994

Rachel Kent, Reinventing the Grid, cat. essay, Robert Lindsay Gallery, Oct

Harriet Edquist, ‘Material Matters - the Landscapes of Rosalie Gasgoigne’, Binocular

Jacques Delaruelle, ‘The Place and the Formula’, Art Monthly, May

John Massey,Diverse Visions, catalogue, p.14

Tracey Aubin, Adventures of a Cargo Carrier, The Bulletin, 30 Apr, pp. 110-111

Christopher Allen, Bill Robinson; Rosalie Gascoigne, Art Monthly, No. 27, Jan

L'ete Australien a Montepelier, print of 'Abundance', p. 87

Jacques Delaruelle, Strange Harmony and Magic Paintings, Art Monthly. Number 28, Mar

Catherine Lumby, Strange Harmony, in Tension 20, Mar, p. 60

Michael Desmond, Rosalie Gascoigne in Adelaide Biennale of Australian Art (curated Mary Eagle), pp. 42-43

Lynette Fern, Rosalie Gascoigne, Interior Architecture and Design, issue 23, pp. 180-185

Ewen McDonald, 'There are only Lovers and Others..' interview in Antic 8, Dec. pp 10-13 (published Auckland)

Ann Kirker, The Sculptor as Beachcomber: an Appraisal of RG's Assemblages, Art New Zealand 50, Autumn

Dan Cameron, What is Contemporary Art? Rooseum, Malmo, Sweden catalogue

Dan Cameron, Showdown at the Southern Cross, Artlink Vol 8 No 3 Sept

Rosalie Gascoigne, Diary, Australian Art Monthly, Sept

Mary Eagle, in catalogue for The Australian Biennale 1988, ABC Enterprises for the ABC and The Biennale of Sydney, p.132

Inner Journey, Vogue Living, Vol XX (1), p. 110-115

Graeme Sturgeon, exhibition catalogue for Four Sculptors in Australia, Wollongong City Gallery

Mildred Kirk, Different means to similar ends - Rosalie Gascoigne and Agnes Martin, Art and Australia Vol.24, No 4, p. 512

Mary Eagle, exhibition catalogue for New Work, Tasmanian School of Art, Hobart

Rosalie Gascoigne, Artist's Choice: Colin McCahon, Victory Over Death II, Art and Australia Vol 21,No 4, p. 490

Ken Scarlett in Encyclopaedia of Australian Sculpture, pp. 212-214

Ronald Miller, Requiescat in Venice, Art and Australia Vol 20 No 3, p. 329

Denise Levertov, Rosalie Gascoigne (poem), Meanjin 41, p. 20, also in Candles in Babylon New Directions Paperback 533, New York

Ian North, Signs of Light, catalogue for Venice Biennale, Visual Arts Board

Daniel Thomas, Australian National Gallery: An Introduction, published by Australian National Gallery, Canberra, p263,

Janine Burke, Art Network Issue 3 & 4, p. 26

Graeme Sturgeon: Recent Australian Sculpture, Meanjin 39, p. 212

Alison Carroll, Drawn and Quartered (exhibition catalogue), Art Gallery of South Australia

Janine Burke: Six Women Artists, Meanjin 38, p. 305, reprinted in Field of Vision, Penguin

Robert Lindsay, Survey 2 (exhibition catalogue), National Gallery of Victoria

Rosalie Gascoigne, Video Cassette for Survey 2, National Gallery of Victoria

Australian National Gallery, Some Recent Acquisitions of Australian Art

Mildred Kirk, Programme No. 13, Canberra

Fay Bottrell, The Artist Craftsmen in Australia, p. 38

Rosalie Gascoigne, Too Many Pine Trees, ABC talk

Art Gallery of New South Wales, Sydney

Australian National Gallery, Canberra

Art Gallery of South Australia, Adelaide

Art Gallery of West Australia, Perth

Artbank

Ballarat Art Gallery, Ballarat

Bendigo Art Gallery, Bendigo

Burnie Art Gallery, Burnie

Campbelltown City Art Gallery

Chartwell Trust, Hamilton, New Zealand

Geelong Art Gallery, Geelong

Latrobe Regional Gallery, Morwell, Victoria

Metropolitan Museum of Art, New York, USA

National Art Gallery, Wellington, New Zealand

National Gallery of Victoria, Melbourne

New Parliament House, Canberra

Newcastle Region Art Gallery, Newcastle

Phillip Morris Collection, Australian National Gallery

Preston Institute of Technology, Melbourne

Queen Victoria Museum and Art Gallery, Launceston

Queensland Art Gallery, Brisbane

Queensland University Art Museum, Brisbane

Queensland University of Technology Art Collection

Wollongong City Gallery, Wollongong