Tracey Moffatt
Tracey Moffatt is one of Australia’s most renowned contemporary artists, both nationally and internationally. Working predominantly in photography and film for over three decades, Moffatt is known as a powerful visual storyteller. The narrative is often implied and self-referential, exploring her own childhood memories, and the broader issues of race, gender, sexuality and identity.
Moffatt has held over 100 solo exhibitions of her work in Europe, the United States and Australia. Her films, including Nightcries – A Rural Tragedy, 1989, and Bedevil, 1993, have been screened at the Cannes Film Festival, the Dia Centre for the Arts in New York and the National Centre for Photography in Paris.
Tracey Moffatt presented Australia at the 57th Venice Biennale, 2017 with her solo exhibition MY HORIZON in the Australian Pavilion, curated by Natalie King. Moffatt has exhibited in numerous national and international art exhibitions and film festivals for three decades. In 2012, a retrospective programme of her films was held at the Museum of Modern Art, New York. Moffatt first gained significant critical acclaim when her short film, Night Cries, was selected for official competition at the 1990 Cannes Film Festival. Her first feature film, beDevil, was also selected for Cannes in 1993. Moffatt was selected for the international section of the 1997 Venice Biennale (curated by Germano Celant) and has also featured in the Biennales of Sydney, Sao Paulo (1998) and Gwangju (1995). She held a major exhibition at the Dia Center for the Arts in New York in 1997-98 and in 2003, a large retrospective exhibition of her work was held at the Museum of Contemporary Art, Sydney which also travelled to the Hasselblad Museum in Sweden. In 2007, her photographic series, Scarred For Life, was exhibited at the Guggenheim Museum and her video, LOVE, at the Brooklyn Museum in New York. The same year, she was awarded the prestigious Infinity Award for art photography, selected by an International panel at the International Center of Photography in New York.
Tracey Moffatt The Burning
Roslyn Oxley9 Gallery, 2024
Ten Thousand Suns
24th Biennale of Sydney, 2024
Group Show, The First 40 Years
Roslyn Oxley9 Gallery, 2024
Group Show, nightshifts
Buxton Contemporary, 2023
Thinking Historically in the Present
Sharjah Biennial 15, 2023
Free/State
Adelaide Biennial of Australian Art, 2022
Tracey Moffatt A Haunting
Castlereagh Highway, Armatree, New South Wales, 2021-24
Tracey Moffatt Portals
Roslyn Oxley9 Gallery, 2019
Tracey Moffatt My Horizon
57th Venice Biennale, 2017
Tracey Moffatt Kaleidoscope
Perth Institute of Contemporary Art, Perth, 2015
Tracey Moffatt Spirit Landscapes
Roslyn Oxley9 Gallery, 2013
Group Show, Head On Photography Festival
Roslyn Oxley9 Gallery, 2011
Tracey Moffatt Plantation and Other
Roslyn Oxley9 Gallery, 2010
Tracey Moffatt Mother
Roslyn Oxley9 Gallery, 2009
Tracey Moffatt First Jobs Series
Roslyn Oxley9 Gallery, 2008
Tracey Moffatt Portraits and DOOMED
Roslyn Oxley9 Gallery, 2007
Tracey Moffatt Under the Sign of Scorpio
Roslyn Oxley9 Gallery, 2005
Tracey Moffatt Adventure Series
Roslyn Oxley9 Gallery, 2004
Group Show, Dirty Dozen
Roslyn Oxley9 Gallery, 2002
Group Show, The First 20 Years
Roslyn Oxley9 Gallery, 2002
Tracey Moffatt Fourth
Roslyn Oxley9 Gallery, 2001
Group Show, All Stars
Roslyn Oxley9 Gallery, 2000
Tracey Moffatt Invocations
Roslyn Oxley9 Gallery, 2000
Tracey Moffatt Scarred For Life II
Roslyn Oxley9 Gallery, 2000
Tracey Moffatt Laudanum
Roslyn Oxley9 Gallery, 1999
Tracey Moffatt Backyard Series
Online Gallery, 1998
Tracey Moffatt Up In The Sky
Roslyn Oxley9 Gallery, 1998
Group Show
Roslyn Oxley9 Gallery, 1997
Tracey Moffatt GUAPA (Goodlooking)
Online Gallery, 1995
Tracey Moffatt Beauties
Online Gallery, 1994
Tracey Moffatt Scarred For Life
Online Gallery, 1994
Tracey Moffatt Pet Thang
Online Gallery, 1991
Tracey Moffatt Something More
Online Gallery, 1989
TRACEY MOFFATT
Born 1960, Australia
Lives New York and Sydney
SOLO EXHIBITIONS
Fourth, Museo de Arte Contemporáneo Helga de Alvear Offices, Caceres, Spain
The Films of Tracey Moffatt, Spectacle Theatre, New York, USA
Tracey Moffatt and Gary Hillberg: Montages: The Full Cut 1999-2015, Artspace, Sydney, Australia (Travelling Exhibition):
www.artspace.org.au/montages
Caboolture Art Gallery, Caboolture, Australia
A Haunting (a site-specific art installation), Armatree (NSW), Australia
Tracey Moffatt: Montages, The Bass Museum of Art, Miami, USA
Tracey Moffatt and Gary Hillberg: Montages: The Full Cut 1999-2015 (Travelling Exhibition), Northsite Gallery, Cairns, Australia
Tracey Moffatt: Art Calls, Centre for Contemporary Photography, Melbourne, Australia, www.ccp.org.au/exhibitions/all/moving-images-tracey-moffatt-art-calls
Body Remembers & Vigil, R A Cook Chapel, Pembroke School, Adelaide, Australia
Montages: The Full Cut 1999-2015 (as part of the Photo 21 Festival), Art Gallery of Ballarat, Ballarat, Australia
Portals, Tyler Rollins Fine Art, New York, USA
Portals, Roslyn Oxley9 Gallery, Sydney, Australia
Tracey Moffatt: Body Remembers, Tarrawarra Museum of Art, The Yarra Valley, Australia
Tracey Moffatt: Body Remembers, Mosman Art Gallery, Sydney, Australia
Tracey Moffatt & Gary Hillberg: Montages: The Full Cut 1999-2015 (Travelling Exhibition):
Swan Hill Regional Gallery, Swan Hill, Australia
Wollongong Art Gallery, Wollongong, Australia
Broken Hill Regional Art Gallery, Broken Hill, Australia
Tracey Moffatt: Body Remembers, Hopper Gallery, Casula Powerhouse, Sydney, Australia
Vigils & The Travellers, Tyler Rollins Fine Art, New York, USA
My Horizon, Tyler Rollins Fine Art, New York, USA
Tracey Moffatt: Body Remembers, Art Gallery of South Australia, Adelaide, Australia
Tracey Moffatt: from the MAMA Collection, University of the Sunshine Coast, USC Art Gallery of Queensland, Sippy Downs, Australia
Tracey Moffatt & Gary Hillberg: Montages: The Full Cut 1999-2015 (Travelling Exhibition):
Anne & Gordon Samstag, Museum of Art at University of South Australia, Adelaide, Australia
Goulburn Regional Art Gallery, Goulburn, Australia
Lismore Regional Gallery, Lismore, Australia
My Horizon, Australian Pavilion, 57th Venice Biennale, Venice, Italy
Tracey Moffatt Montages, MASP, Sao Paulo, Brazil
Tracey Moffatt: Selected works from the MGA Collection, Global Art Projects in collaboration with Sofitel Melbourne, Melbourne, Australia
Tracey Moffatt, Bega Valley Regional Gallery, Bega, Australia
Tracey Moffatt & Gary Hillberg Montages: The Full Cut 1999-2015 (Travelling Exhibition):
Shepparton Art Museum, Shepparton, Victoria, Australia
Blacktown Art Centre, Sydney, Australia
Wagga Wagga Art Gallery, Wagga Wagga, Australia
Wanneroo Library and Cultural Centre, Wanneroo, Australia
Newcastle Art Gallery, Newcastle, Australia
Casula Powerhouse Arts Centre, Sydney, Australia
Bathurst Regional Art Gallery, Bathurst, Australia
Tracey Moffatt Other 2009, Len Lye Centre Cinema, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Laudanum and other works, Art Gallery of New South Wales, Sydney, Australia
Montages: The Full Cut, 1999-2015 (Travelling Exhibition), Artspace, Sydney, Australia
Kaleidoscope, Perth Institute of Contemporary Arts, Perth, Australia
Art Calls, Centre for Contemporary Photography, Melbourne, Australia
THE ART, Night Cap QT Hotel, Sydney Contemporary, Sydney, Australia
Tracey Moffatt: Spirited In the Gallery and on TV, Queensland Gallery of Modern Art, Brisbane, Australia
Spirit Landscapes, Tyler Rollins Fine Art, New York, USA
Spirit Landscapes, Roslyn Oxley9 Gallery, Sydney, Australia
Tracey Moffatt Film Series, Museum of Modern Art, New York, USA
Tracey Moffatt and Gary Hillberg, Vox Populi Gallery, Philadelphia, USA
Tracey Moffatt: Other, Art Gallery of Ballarat, Australia
Tracey Moffatt, Glasshouse Gallery, Port Macquarie, Australia
Tracey Moffatt: Narratives, Gosford Regional Gallery, Australia
Tracey Moffatt: Fourth, Maitland Regional Art Gallery, Australia
Tracey Moffatt: Still and Moving, Tyler Rollins Fine Art, New York, USA
Handmade, Artspace San Antonio, San Antonio, Texas, USA
Tracey Moffat: Video Montages, Gallery of Modern Art, Brisbane, Australia
Tracey Moffatt: Narratives, Art Gallery of South Australia, Adelaide, Australia
Tracey Moffatt: Up in the Sky, Art Gallery of New South Wales, Sydney, Australia
Tracey Moffatt: Narratives, Grafton Regional Gallery, Australia
Tracey Moffatt: Narratives, Wangaratta Regional Gallery, Australia
Tracey Moffatt: Montages, Bronx Museum, New York, USA
Tracey Moffatt, Artist, Bass Museum of Art, Miami, USA
Plantation & Other, Roslyn Oxley9 Gallery, Sydney, Australia
Tracey Moffatt: Narratives, Shepparton Art Gallery, Australia
Tracey Moffatt: Narratives, Redland Art Gallery, Australia
Tracey Moffatt: Narratives, Albury Art Gallery, Australia
Tracey Moffatt: First Jobs Series 2008 and selected films 1999-2008, Two Rooms, Auckland, New Zealand
Tracey Moffatt: First Jobs Series, Centre for Contemporary Photography, Melbourne, Australia
Tracey Moffatt: Mother, Roslyn Oxley9 Gallery, Sydney, Australia
Tracey Moffatt: Lismore Regional Gallery, Lismore, Australia
Tracey Moffatt: Social Edit, Location One, New York, USA
Tracey Moffatt: Invocations, Galeria Filomena Soares, Lisbon, Portugal
Tracey Moffatt: First Jobs Series, Roslyn Oxley9 Gallery, Sydney, Australia
Tracey Moffatt, Under the Sign of Scorpio, Doomed, Stux Gallery, New York, USA
Tracey Moffatt: Portraits and Doomed (in collaboration with Gary Hillberg), Roslyn Oxley9 Gallery, Sydney, Australia
Tracey Moffatt: Between Dreams and Reality, Spazio Oberdan, Milan, Italy and Montreal, Canada
Tracey Moffatt: Adventure Series, Stills Gallery, Edinburgh, UK
Tracey Moffatt: Adventure Series, Victoria Miro Gallery, London, UK
Love and Adventures, Steven Kasher Gallery, New York, USA
Under the Sign of Scorpio, L.A. Galerie, Frankfurt, Germany
Laudanum, Van Horn Gallery, Dusseldorf, Germany
Tracey Moffatt, L.A Gallery. Beijing, China
Tracey Moffatt, The Montreal Museum of Fine Arts, Montreal, Quebec, Canada
Tracey Moffatt: Under the Sign of Scorpio, Roslyn Oxley9 Gallery, Sydney, Australia
Tracey Moffatt: In Review, Monash Gallery of Art, Melbourne, Australia
Tracey Moffatt: Adventure Series, Institute of Modern Art, Brisbane, Australia
Tracey Moffatt: Fourth, Bendigo Art Gallery, Bendigo, Australia
Tracey Moffatt, L.A Gallery. Beijing, China
Love, Il Ponte Projects, Rome, Italy
Adventure Series, L.A. Galerie Lothar Albecht, Frankfurt, Germany
Adventure Series, Hasselblad Center, Goteborg, Sweden
Adventure Series, Roslyn Oxley9 Gallery, Sydney, Australia
Tracey Moffatt, John Curtin Gallery, Perth, Australia
Tracey Moffatt, Shanghai Contemporary, Shanghai, China
Tracey Moffatt, Museum of Contemporary Art, Sydney, Australia
Tracey Moffatt, Joslyn Art Museum, Omaha, Nebraska, USA
Tracey Moffatt, Galerie Six Friedrich Lisa Ungar, Munich, Germany
Tracey Moffatt, Saint Marys University Art Gallery, Hallifax, Canada
Tracey Moffatt, Galerie Karlheinz Meyer, Karlsruhe, Germany
Fourth, Fay Gold Gallery, Atlanta, USA
Tracey Moffatt, Wellington City Gallery, Wellington, New Zealand
Tracey Moffatt, Ausstellung im Kunstforum Baloise, Basel, Switzerland
Tracey Moffatt, Fruitmarket Art Gallery, Edinburgh, UK
Invocations, Victoria Miro Gallery, London, UK
Tracey Moffatt, Conner Contemporary Art, Washington D.C, USA
Tracey Moffatt, Australian Embassy, Washington D.C, USA
Fourth, L.A. Galerie, Frankfurt, Germany
Fourth, Paul Morris Gallery, New York, USA
Invocations, Rena Bransten Gallery, San Francisco, USA
Tracey Moffatt, Nassau County Museum of Art, Roslyn, New York, USA
Tracey Moffatt, California Museum of Photography, Riverside, California, USA
Tracey Moffatt, University of North Texas Art Gallery, Denton, Texas, USA
Tracey Moffatt, Tensta Konsthal, Tensta, Sweden
Tracey Moffatt, Artsonje Centre, Seoul, Korea
Tracey Moffatt, Artsonje Centre, Kyongju, Korea
Tracey Moffatt, Taipei Fine Arts Museum, Taipei, Taiwan
Tracey Moffatt, Kunstforum, Baloise, Basel, Switzerland
Invocations, Zinc Gallery, Stockholm, Sweden
Fourth, Rebeccca M. Camhi Gallery, Athens, Greece
Some Lads, plus early photographs and video, Conner Contemporary Art, Washington DC, USA
Tracey Moffatt, Auckland Art Gallery, New Zealand
Tracey Moffatt, Dunedin Public Art Gallery, New Zealand
Invocations from the collection of Patrick Corrigan AM, Drill Hill Gallery, The Australian National University, Canberra, Australia
Fourth, Roslyn Oxley9 Gallery, Sydney, Australia
Tracey Moffatt, Art Gallery of New South Wales, Sydney, Australia
Invocations, Photo & Company, Torino, Italy
Scarred for Life II, Il Ponte Contemporanea, Rome, Italy
Tracey Moffatt, Rose Art Museum, Waltham, Massachusetts, USA
Tracey Moffatt, Yerba Buena Center, San Francisco, USA
Invocations, Matthew Marks Gallery, New York, USA
Laudanum, Greg Kucera Gallery, Seattle, USA
Laudanum, Galeria Luisa Strina, São Paulo, Brazil
Laudanum, Robert Birch Gallery, Toronto, Canada
Invocations, Galerie Helga de Alvear, Madrid, Spain
Invocations, L.A. Galerie, Frankfurt, Germany
Tracey Moffatt, Kunstverein Freiburg im Marienbad, Germany
Tracey Moffatt, Nuer Leipziger Kunstverein Leipzig, Germany
Tracey Moffatt, The National Museum of Photography, Copenhagen, Denmark
Tracey Moffatt, Gemeente Museum Helmond, The Netherlands
Tracey Moffatt, Art + Public, Geneva, Switzerland
Tracey Moffatt (Travelling Exhibition):
Artspace, Auckland, New Zealand
Manawatu Art Gallery, Palmerston, New Zealand
Scarred for Life II, Goddard de Fiddes, Perth, Australia
Scarred for Life II, Roslyn Oxley9 Gallery, Sydney, Australia
Invocations, Roslyn Oxley9 Gallery, Sydney, Australia
Laudanum, Greg Kucera Gallery, Seattle, USA
Laudanum, L.A. Galerie, Frankfurt, Germany
Laudanum, Paul Morris Gallery, New York, USA
Laudanum, Victoria Miro Gallery, London, UK
Tracey Moffatt, Freiburger Kunstverein, Freiberg, Germany
Tracey Moffatt, Centre National de la Photographie, Paris, France
Tracey Moffatt, Neuer Berliner Kunstverein, Berlin, Germany
Laudanum, Rupertinum, Salzburg, Austria
Tracey Moffatt, Centro Galego de Arte Contemporain, Santiago de Compostela, Spain
Tracey Moffatt, Ulmer Museum, Ulm, Germany
Tracey Moffatt, Six Freidrich, Lisa Ungar Gallery, Munich, Germany
Tracey Moffatt, Torch Gallery, Amsterdam, The Netherlands
Tracey Moffatt, Lawing Gallery, Houston, Texas, USA
Tracey Moffatt, Le Case DArte, Milano, Italy
Tracey Moffatt, Galeria Helga de Alvear, Madrid, Spain
Tracey Moffatt, Fundacio 'La Caixa', Sala San Juan, Barcelona, Spain
Free Falling, ICA, Boston, USA
Tracey Moffatt, Rena Bransten Gallery, San Francisco, USA
Tracey Moffatt, Parko, Tokyo, Japan
Tracey Moffatt, Galleri Christian Larsen, Stockholm, Sweden
Tracey Moffatt, Galerie Laage-Salomon, Paris, France
Laudanum and Lip, Galleria Il Ponte Contemporanea, Rome, Italy
Laudanum, Roslyn Oxley9 Gallery, Sydney, Australia
Tracey Moffatt, Institute of Modern Art, Brisbane, Australia
Up in the Sky, Galeria Il Ponte Contemporanea, Rome, Italy
Tracey Moffatt, Galleri Larsen, Stockholm, Sweden
Tracey Moffatt, Victoria Miro Gallery, London, UK
Tracey Moffatt, Arnolfini, Bristol, UK
Tracey Moffatt, Arte/GE Bozen/Bolzano, Italy
Tracey Moffatt, Le Case DArte, Milano, Italy
Tracey Moffatt, Il Ponte Contemporanea, Rome, Italy
Free Falling, Renaissance Society, Chicago, USA
Tracey Moffatt, L.A. Galerie, Frankfurt, Germany
Tracey Moffatt, Wurtembergischer Kunstverein, Stuttgart, Germany
Tracey Moffatt, Voralberger Kunstverein, Bregenz, Austria
Tracey Moffatt, Kunsthalle Vienna, Vienna, Austria
Tracey Moffatt, Magazin 4 Voralberger Kunstverein, Bregenz, Austria
Heaven, Il Ponte Projects, Rome, Italy
Up in the Sky, Roslyn Oxley9 Gallery, Sydney, Australia
Tracey Moffatt, Australian Centre for Contemporary Art, Melbourne, Australia
Tracey Moffatt, Curtin University Gallery, Perth, Australia
Tracey Moffatt, Monash University Gallery, Melbourne, Australia
Free Falling, Dia Center for the Arts, New York, USA
Tracey Moffatt, L.A. Galerie, Frankfurt, Germany
Tracey Moffatt, Galerie Andreas Weiss, Berlin, Germany
Tracey Moffatt, Galleri Faurschou, Copenhagen, Denmark
Tracey Moffatt: Films, Musee dArt Contemporain, Lyon, France
Short Takes, ArtPace, San Antonio, Texas, USA
Guapa (Goodlooking), Karyn Lovegrove Gallery, Melbourne, Australia
Guapa (Goodlooking), Mori Gallery, Sydney, Australia
Scarred for Life, Karyn Lovegrove Gallery, Melbourne, Australia
Tracey Moffatt, Centre for Contemporary Arts, Glasgow, UK
Pet Thang, Mori Gallery, Sydney, Australia
Something More, Australian Centre for Photography, Sydney, Australia
GROUP EXHIBITIONS
nightshifts, curated by Hannah Presley and Annika Aitken, Buxton Contemporary Art Museum, Melbourne, Australia
Sharjah Biennial 15: Thinking Historically in the Present, Sharjah Biennial 15, United Arab Emirates
Black Sky, Perth Festival, Lawrence Wilson Art Gallery, Crawley, Australia (forthcoming)
Dreamhome: Stories of Art and Shelter, Art Gallery of New South Wales, Sydney, Australia
Bewilderness: Recent aquisitions, Art Gallery of South Australia, Adelaide, Australia
WHO ARE YOU: Australian Portraiture, National Gallery of Australia, Canberra, Australia
Australiana: Designing a Nation, Bendigo Art Gallery, Bendigo, Australia
Viewfinder: Photography from the 1970s to Now, National Library of Australia, Canberra, Australia
FUGITIVE PRESENT, Foundation Opale, Lens, Switzerland
Where Words Falter: Art and Empathy, The Frances Young Tang Teaching Museum, New York City, USA
Our Selves: Photographs by Women Artists, Museum of Modern Art, New York City, USA
Ever Present: First Peoples Art of Australia, National Gallery Singapore, Singapore
Land Abound, Ngununggula Art Museum at Retford Park, Bowral, Australia
Queer: Stories from the NGV Collection, NGV International, Melbourne, Australia
Free/State, 2022 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, Australia
No Master Territories, Haus der Kulturen der Welt, Berlin, Germany
The World That Feels Warm 有温度的世界, Incinerator Art Space, Sydney, Australia
Thessaloniki International Film Festival, Thessaloniki Cinema Museum, Thessaloniki, Greece
Les Rencontres d’Arles de la Photographie: Masculinity, The General Mechanic, Arles, France
A Year in Art: Australia in 1992, Tate Modern, London, United Kingdom
The Third Woman: Actionism, Performance, and Attitudes, Art Encounters Foundation, Timisoara, Romania
Aspex (life begins) at 40 (Part 2), Aspex, Portsmouth, United Kingdom
Wandamba yalungka...//Winds change direction: A Video Exhibition curated by Maura Reilly, Performa, New York, USA
True Fictions, Palazzo Magnani, Reggio-Emilia, Italy
New Light: Encounters and Connections, Museum of Fine Arts, Boston, USA
Mother!, Louisiana Museum Of Modern Art, Copenhagen, Denmark
Boomalli Paper and Prints: Making Space as an Art Collective, Kluge-Ruhe Gallery, Charlottesville, USA
The Wilfulness of Objects, The Bass Museum, Miami, USA
From the Shore, Dunedin Public Art Gallery in collaboration with Te Uru Gallery, Dunedin, New Zealand
The Arena, Orange Regional Gallery, Orange, Australia
Ever Present: First Peoples Art of Australia, Art Gallery of Western Australia, Perth, Australia
Now You See Me: Women Artists from the CGG Collection, Geraldton Regional Art Gallery, Geraldton, Australia
D+H Auction March 2021, Deutscher and Hackett, Paddington, Australia
On Fire: Climate and Crisis, Institute of Modern Art, Brisbane, Australia
Octopus 21: On Fire, Gertrude Contemporary, Melbourne, Australia
City in the Sun, Museum of Brisbane, Brisbane, Australia
False Sense of Security, The Lock-Up Gallery, Newcastle, Australia
Transition Contemporary: Works from the Collection, Wollongong Art Gallery, Wollongong, Australia
NAIDOC Week 2021, Arc Cinema, Canberra, Australia
Highlights from HOTA’s Collection, Home Of The Arts Gallery, Surfers Paradise, Australia
21x10, Arts West, University of Melbourne, Melbourne, Australia
IMA Gala and Benefit Function 2021, Institute of Modern Art, Brisbane, Australia
Rotating Main Exhibition, Museum of Old and New Art, Hobart, Australia
35 Years/35 Works, Wessel O’Connor Fine Art, Lahaska, USA
New Masculinities: Photography and Film from the 1960s to Now, Barbican Art Gallery, London, England
COVIDecameron:19 Artists from the Momentum Collection, Momentum Berlin, Berlin, Germany, momentumworldwide.org
Collective Exhibition, Filomena Soares Gallery, Lisbon, Portugal
The Discovery Collection, Museum Folkwang, Essen, Germany
Shadow Catchers, Art Gallery of New South Wales, Sydney, Australia
do it (australia), Kaldor Public Art Projects, Project #36, doit.kaldorprojects.org.au
COLLECTION, Murray Art Museum, Albury, Australia
Know My Name: Australian Women Artists 1900 to Now, National Gallery of Australia, Canberra, Australia
The Body Electric, National Gallery of Australia, Canberra, Australia
The Power of Language, Roslyn Oxley9 Gallery, Sydney, Australia
Sydney Contemporary, Carriageworks, Sydney, Australia
For Every Atom Belonging to me as Good Belongs to you: Selections from the Bailey Collection, Au Musee des Beaux Arts de Montreal, Montreal, Canada
Colección Sandretto Re Rebaudengo, Institut Valencià d'Art Modern, Valencia, Spain
DEFINING PLACE/SPACE: Contemporary Photography from Australia, San Diego, USA
She Who Tells a Story-Women and Photography Filomena Soares Gallery, Lisbon, Portugal
Chennai Photo Biennale, Tamil Nadu, India
Art Basel: Miami, Tyler Rollins Fine Art Booth, Miami Beach, USA
Aesthetic relations, VILLAM, La Reggia Di Caserta, Caserta, Italy
Continuous Fire, National Gallery of Canada, Ottawa, Canada
Acts of Seeing, Acts of Freeing, Harvard Film Archive, Cambridge, USA
The Husk in Turmoil, COMA Gallery Backroom, Darlinghurst, Australia
The Truth of What Occurred Remains: Tracey Moffatt and Hayley Millar-Baker, Broken Hill Regional Art Gallery, Broken Hill, Australia
Essential Australian Women Directors: 10 Trailblazers Selected by David Stratton, Sydney Film Festival, Sydney, Australia
Dressing up: clothing and camera, Monash Gallery of Art, Melbourne, Australia
Here We Are, Art Gallery of New South Wales, Sydney, Australia
The truth of what occurred remains, Broken Hill Regional Art Gallery, Broken Hill, Australia
Hope Dies Last: Art at the End of Optimism, Gertrude Contemporary, Melbourne, Australia
In Her Words (Touring Exhibition in association with National Exhibitions Touring Support Victoria):
Horsham Regional Art Gallery, Horsham, Australia
Logan Art Gallery, Logan, Australia
Wangaratta Art Gallery, Wangaratta, Australia
Deakin Gallery, Melbourne, Australia
Borrowed Scenery, Campbelltown Arts Centre, Sydney, Australia
Vis-ability: Artworks from the QUT Art Collection, Queensland University of Technology Art Museum, Brisbane, Australia
Electric! Portraits that pop!, National Portrait Gallery, Canberra, Australia
National Anthem, Buxton Contemporary, Melbourne, Australia
Tracey Moffatt and Sandra Selig: New Woman, Museum of Brisbane, Brisbane, Australia
The Husk in Turmoil, COMA Gallery, Sydney, Australia
Love, Displaced, Lawrence Wilson Art Gallery, Perth, Australia
National Anthem, Buxton Contemporary, Melbourne, Australia
Queer as folk lore: art works from the collections of Dr Dick Quan of Holdsworth House medical practice, Rayner Hoff Project Space, National Art School, Sydney, Australia
Defining Place/Space: Contemporary Photography from Australia, Museum of Photographic Arts, San Diego, California, USA
The Time. The Place: Contemporary Art from the Collection, Henry Art Gallery, Seattle, USA
Forever Young? Impermanence in Photography, Stedelijk Museum, Amsterdam, The Netherlands
Art Basel Hong Kong, Roslyn Oxley9 Gallery booth, Wan Chai, Hong Kong
Photographic Manipulations, Honolulu Museum of Art, Honolulu, USA
November – an attempt on a revolution, Haus am Lützowplatz, Berlin, Germany
The Festival, Le Printemps de Septembre, Toulouse, France
DANCING IS WHAT WE MAKE OF FALLING, Officine Grandi Riparazioni, Torino, Italy
Gothic Beauty: Victorian notions of love, loss and spirituality, Bendigo Art Gallery, Bendigo, Australia
In a World of Wounds, ArtBank, Sydney, Australia
Dark Rooms: Women Directing the Lens 1978 – 98, Griffith University Art Museum
Paper Empire, Bus Projects, Melbourne, Australia
Sydney Contemporary, Carriageworks, Eveleigh, Australia
Praying for Time, Rose Art Museum, Massachusetts, USA
All the Better to See You With: Fairy Tales Transformed, The Ian Potter Museum of Art, Melbourne, Australia
Outcasts: Women in the Wilderness, Wave Hill, The Bronx, USA
Drawing Freedom, Haifa Museum of Art, Haifa, Israel
Histories of Sexuality: Act Up!, MASP Sao Paulo, Brazil
Colonial Sugar, City Gallery Wellington, Wellington, New Zealand
The Boomalli Ten, Boomalli Aboriginal Artists Co-operative, Sydney, Australia
Up in the Sky: Landing Points, Penrith Regional Gallery & The Lewers Bequest, Penrith, Australia
An Unorthodox Flow of Images, Centre for Contemporary Photography, Melbourne, Australia
All the better to see you with: Fairy Tales transformed, Ian Potter Museum of Art, Melbourne, Australia
Video Easy, Sophie Gannon Gallery, Melbourne, Australia
Every Brilliant Eye: Australian Art of the 1990s, National Gallery of Victoria, Melbourne, Australia
BOARD, Lake Macquarie City Art Gallery, Hunter Region, Australia
The Unflinching Gaze: photo media & the male figure, Bathurst Regional Art Gallery, Bathurst, Australia
What We Call Love, Prospectif Cinema Screening, Centre Pompidou, Paris, France
In the future everything will be as certain as it used to be, Framer Framed (in collaboration with the Museum of Contemporary Aboriginal Art, Utrecht), Amsterdam, The Netherlands
Über den Umgang mit Menschen, wenn Zuneigung im Spiel ist (English Translation: Dealing with people when love is involved), Klein Collection (Kunstwork), Eberdingen, Germany
LOVE. L'arte contemporanea incontra l'amore, Chiostro del Bramante, Rome, Italy
The 16th New Media Festival, Seoul, South Korea
The Pleasure of love, The 56th October Salon, Belgrade, Serbia
Dear Betty: Run Fast Bite Hard curated by Lucrezia Calabro Visconti, Galleria d'Arte Moderna e Contemporanea, Rome, Italy
Thus Do They All, or The School For Lovers, Art Verona, Accademia Belle Arti, Verona, Italy
Le Paradis, un peu plus loin: curated by Theo-Mario Coppola, Galerie dix9- Helene Lacharmoise, Paris, France
Love Actually..., Kunstquartier Bethanien, Berlin, Germany
On limits: Estrangement in the Everyday, The Kitchen, New York, New York, USA
Filmic Imaginaries, Museum of New Zealand Te Papa Tongarewo, Wellington, New Zealand
Naya Wa Yungali (We Dance), Carriageworks, Sydney, Australia
Over the Fence: Contemporary Indigenous Photography from the Corrigan Collection, University of Queensland Art Museum, Brisbane, Australia
Black, White and Restive, Newcastle Art Gallery, Newcastle, Australia
Australian Exotica, Monash Gallery of Art, Melbourne, Australia
What We Coll love: From Surrealism to Now, Irish Museum of Modem Art, Dublin, Ireland
I SEE international Video Art Festival (Touring exhibition):
MOMENTUM Berlin, Germany
Institute of Provocation, Beijing, China
Times Museum, Guangzhou, China
Oct Art and Design, Shenzhen, China
Everywhere is the Same Sky, Centro de Cultura Contemporanea de. Castelo Branco, Castelo Branco, Portugal
...y el tiempo si hizo, Centro de Artes Visiuales Foundacion Helga de Alvear, Cáceres, Spain
Thinking Currents, Seattle Art Fair in association with Asia Contemporary Art Week, Lumen Field Event Center, Seattle, USA
Remain in light: Photography from the MCA Collections, (Touring Exhibition):
Maitland Regional Art Gallery, Maitland, Australia
Bendigo Art Gallery, Bendigo, Australia
Artspace Mackay, Mackay, Australia
Hawkesbury Regional Gallery, Windsor, Australia
Hung Out to Dry: Space, memory and domestic laundry practice, University of Queensland Art Museum, Brisbane, Australia
The Photograph and Australia, Art Gallery of New South Wales, Sydney, Australia
When the Ocean Turns to dust, Campbelltown Art Centre, Sydney, Australia
Activate, animate, complicate and grow: what new acquisitions can do for the collection, Ian Potter Museum of Art, University of Melbourne, Melbourne, Australia
The Photograph and Australia, Art Gallery of New South Wales, Sydney, Australia
THE ART: Sydney Contemporary, Carriageworks, Sydney, Australia
Deslize, Museu de Arte do Rio, Rio de Janeiro, Brazil
Remain in Light: Photography from the MCA Collections (Touring Exhibition):
Ipswich Art Gallery, Ipswich, Australia
Western Plains Cultural Centre, Dubbo, Australia
Harvest, Queensland Art Gallery of Modern Art, Brisbane, Australia
Five Centuries of Melancholia, University of Queensland Art Museum, Brisbane, Australia
ACID/GOTHIC, MOP Projects, Chippendale, Australia
Australia, Royal Academy of Arts, London, United Kingdom
The Wandering: Moving images from the MCA Collection, Museum of Contemporary Art, Sydney, Australia
Every day I am a day older: Portraiture from the Griffith University Art Collection, Griffith University Art Gallery, Brisbane, Australia
Mix Tape 1980′s: Appropriation, Subculture, Critical Style, National Gallery of Victoria, Melbourne, Australia
Under My Skin: Contemporary Australian Photography from the Corrigan Collection, Rockhampton Art Gallery, Rockhampton, Australia
Tomorrow Today: Contemporary Art from the Singapore Art Museum (2009- 2011), Singapore Art Museum, Singapore
Tyler Rollins Fine Art at Pulse Contemporary Art Fair, New York, New York, USA
Aesthetic Queeries, Institute of Contemporary Arts, London, United Kingdom
Ladies and Gentlemen!, Moderna Museet, MalmÃ, Sweden
Fruaen International Film Festival, Cologne, Germany
Hijacked III: Contemporary Photography From Australia and the United Kingdom (Touring Exhibition):
Quad Gallery, Derby, United Kingdom
Photofusion, London, United Kingdom
Perth Institute of Contemporary Art, Perth, Australia
Griffith University Gallery, Brisbane, Australia
Australian Centre for Photography, Sydney, Australia
Screen Worlds, Australian Centre for the Moving Image, Melbourne, Australia
Dissonant Visions, Monash University Museum of Art, Caulfield Campus, Melbourne, Australia
A Place for Art, University of Wollongong Art Collection, Wollongong, Australia
All You Need Is Love, Melbourne Art Foundation Witner Artspace, Melbourne, Australia
Return to Sender, University of Queensland Art Museum, Brisbane, Australia
Ace Bourke: A Collector’s Journey, Hazelhurst Arts Centre, Gymea, Australia
Singapore Biennale, Singapore
Architecture of Fear, Z33 House for Contemporary Art, Hasselt, Belgium
Photography Group Show: Destiny Deacon, Fiona Hall, Bill Henson, Tracey Moffatt, TV Moore, Julie Rrap, Anne Zahalka, Roslyn Oxley9 Gallery, Sydney, Australia
Long Way Home, Flinders University City Gallery, Melbourne, Australia
Thank you for the days: My teenage years, Lismore Regional Gallery, Lismore, Australia
21st Century: Art in the First Decade, Gallery of Modern Art, Brisbane, Australia
Colour Power: Abroginal Art Post 1984, National Gallery of Victoria, Melbourne, Australia
Kaldor Public Art Projects `Move: The Exhibition', Gallery of Modern Art, Brisbane, Australia
Being Born Again Couture, Fashion Collaboration, Sydney, Australia
Earth: Art of a Changing World, The Royal Academy of Arts, London, United Kingdom
Low Blow, Stefan Stux Gallery, New York, New York, USA
From Heaven to Hell, MUSAC from Spain in Mücsarmok Budapest, Hungary
Göteborg International Biennial for Contemporary Art, Göteberg, Sweden
Failed Art-The Art of Failure, Weimar, Germany
Graphic Biennial, Ljubljana, Slovenia
Mediated, California Museum of Photography, Riverside, USA
Flicks: The Cinematic in Art, Droichead Arts Centre, Drogheda, Ireland
Inheritance, Australian Centre for Photography, Sydney, Australia
Yapang Marruma: Making Our Waya (Stories of the Stolen), Lake Macquarie Art Gallery, Lake Macquarie, Australia
All-Inclusive. A Tourist World, Schirn Kunsthalle Frankfurt, Germany
Shaving the Mammoth, San Francisco Art Institute, San Francisco, USA
Cinema Remixed and Reloaded, Contemporary Arts Museum, Houston, USA
Tracey Moffatt, Marina Paris and Beatrice Pediconi, Sara Zanin Galleria, Rome, Italy
Just Different, Cobra Museum, Amstelveen, The Netherlands
Burning Down the House, Brooklyn Museum, New York, New York, USA
The Furious Gaze, Monthermoso Cultural Center, Vitoria, Spain
Liverpool Biennial: International, Liverpool, United Kingdom
Modern Ruin, Gallery of Modern Art, Brisbane, Australia
Revolutions - Forms That Turn, 16th Biennale of Sydney, Museum of Contemporary Art, Sydney, Australia
Supercharged: the car in contemporary culture (Touring exhibition):
Logan Art Gallery, Logan, Australia
Redcliffe Art Gallery, Redcliffe, Australia
The MGA Collection, Monash Gallery of Art, Melbourne, Australia
Concept: Photography - Dialogues and Attitudes, From the Traditional Forms of Photography to Auteur Photography (Touring Exhibition):
Ludwig Museum, Cologne, Germany
Museum of Contemporary Art, Budapest, Hungary
Mouth Open, Teeth Showing: Major Works from the True Collection, Henry Art Gallery, University of Washington, Seattle, USA
It etait une fois: Walt Disney, The Disney Studios' Artistic Sources, The Montreal Museum of Fine Art, Montreal, Canada
Family Pictures, Solomon Guggenheim Museum, New York, New York, USA
Global Feminisms, Brooklyn Museum, Brooklyn, New York, USA
Kiss Kiss Bang Bang, 45 Years of Art & Feminism, Museo de Bellas Artes de Bilbao, Bilbao, Spain
Tell Me a Story: Narrative Photography Now, Museum of Photographic Art, San Diego, USA
Three Australian Photographers, GEM Fotomuseum Den Haag, The Hague, The Netherlands
Andy and Oz-Parallel Visions, Andy Warhol Museum, Pittsburgh, USA
Workin' Down Under' Wood Street Galleries, Pittsburgh, USA
DeOverkant/Downunder, Den Haag Sculpture 2007, The Hague, The Netherlands
The Shadow, Palazzo delle Papesse, Centro Arte Contemporanea, Sienna, Italy
Waiting For Hammond, City Gallery, Wellington, New Zealand
Glimpse: Inside Gold Coast City Art Gallery's Collection, Gold Coast City Art Gallery, Surfers Paradise, Australia
Supercharged: the car in contemporary culture (Touring Exhibition):
24Hr Art, Darwin, Australia
Bathurst Regional Art Gallery, Bathurst, Australia
Pinnacles Gallery, Townsville, Australia
Mildura Art Centre, Mildura, Australia
Strange Cargo: Contemporary art as a state of encounter (Touring Exhibition):
Newcastle Region Art Gallery, Newcastle, Australia
Broken Hill Regional Art Gallery, Broken Hill, Australia
Bendigo Art Gallery, Bendigo, Australia
Orange Regional Gallery, Orange, Australia
Wagga Wagga Art Gallery, Wagga Wagga, Australia
Tweed River Regional Gallery, South Murwillumbah, Australia
Don Giovanni, Kunsthalle Vienna, Austria
Once Upon a Time, Walt Disney, The Disney Studios' Artistic Sources, Galeries Nationales du Grand Palais, Paris, France
Prism: Contemporary Art in Australia, Bridgestone Museum of Contemporary Art, Tokyo, Japan
Das Achte Feld, Geschlechter, Leben und Begehrenin der Kunst seit 1960, Museum Ludwig, Colgone, Germany
Supercharged: the car in contemporary culture (Touring Exhibition):
Institute of Modern Art, Brisbane, Australia
Latrobe Regional Gallery, Morwell, Australia
Screen Evolution: Syncity, d/Lux/MediaArts in association with Australian Centre for Photography, Sydney, Australia
Raised by Wolves, Art Gallery of Western Australia, Perth, Australia
CRASH (and other earthly pleasures), Lawrence Wilson Art Gallery, The University of Western Australia, Perth, Australia
Queensland Live: Contemporary Art on Tour (Touring Exhibition):
Gladstone Regional Art Museum, Gladstone, Australia
Logan Art Gallery, Logan, Australia
Bundaberg Arts Centre, Bundaberg, Australia
KickArts Contemporary Arts, Cairns, Australia
Ipswich Art Gallery, Ipswich, Australia
Redland Art Gallery, Cleveland, Redland, Australia
Artspace Mackay, Mackay, Australia
Toowoomba Regional Art Gallery, Toowoomba, Australia
Bangu Yilbara: Works from the MCA Collection, Museum of Contemporary Art, Sydney, Australia
Family Pictures: Contemporary Photography and Video from the collection of the Guggenheim Museum, Galleria Gottardo, Lugano, Switzerland
The World is a Stage: Stories Behind the Pictures, curated by Araki Natsumi, Mori Art Museum, Roppongi Hills, Mori Tower, Tokyo, Japan
(Hi)story, Kunstmuseum Thun, Switzerland
Seeing Double: Encounters with Warhol, The Andy Warhol Museum, Pittsburgh, USA
Sharjah Biennial, United Arab Emirates
Donna Donne, Palazzo Strozzi, Florence, Italy
Passionate Image, The Body in Art and Advertising (Travelling Exhibition):
Kim Light Gallery/Lightbox, Los Angeles, USA
Steven Kasher Gallery, New York, New York USA
I thought I knew but I was wrong: new video art from Australia (Travelling Exhibition):
Jamjuree Gallery, Chulalongkorn University, Nanyang, Thailand
Academy of Fine Arts, Singapore
Ssamzie Space, Seoul, Korea
Prague Biennale 2, Prague, Czech Republic
The All-Australian Show, Il Ponte Contemporanea, Rome, Italy
Colour Power: Aboriginal Art Post 1984, National Gallery of Victoria, Melbourne, Australia
A Touch of Glamour, Galerie Clairefontaine, Luxembourg
Contemporary Visions: Photographs and Videos from the Helga de Alvear Collection, Oulun City Art Museum, Oulu, Finland
The Anniversary Show, Rena Bransten Gallery, San Francisco, USA
Cromosoma X, Galleria D'Arte Sabrina Raffaghello, Ovada, Italy
A Promise of Photography: from the Collection of DZ Bank, Moscow House of Photography, Moscow, Russia
Koldo Mitxelena Kulturunea, San Sebastian, Spain
Zeitzonen - 3, Triennale Zeitgenossischer Kunst Oberschwaben, Kloster Weingarten, Weingarten, Germany
Fast Forward/ Avance Rapido: Media Art de coleccion Goetz, Centro Cultural Conde Duque, Madrid, Spain
Upon Further Review: Looking at Sports in Contemporary Art, Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, New York, USA
Prepossession (Touring Exhibition in collaboration with the Centre for Contemporary Art and Politics UNSW, Sydney and Ulster Gallery, Belfast):
Ivan Dougherty Gallery, Sydney, Australia
Golden Thread Gallery, Belfast, Ireland
Mixed-Up Childhood, Auckland Art Gallery Toi o Tamaki, Auckland, New Zealand
Face to Face: Photographs from the Albury Regional Art Gallery Collection, S.H. Ervin Gallery, Sydney, Australia
Perception, The Daryl Hewson Photographic Collection, Queensland Centre for Photography, Bulimba, Australia
The Difference Between You and Me, The Ian Potter Museum of Art, University of Melbourne, Melbourne, Australia
Blackspot: Contemporary Indigenous Photography from the Monash University Collection (Travelling Exhibition):
Switchback Gallery, Gippsland Centre for Art and Design, Gippsland, Australia
Monash University Museum of Art, Melbourne, Australia
Skin (Touring Exhibition):
Salamanca Arts Centre, Hobart, Tasmania, Australia
Cast Gallery, North Hobart, Tasmania, Australia
Burnie Regional Gallery, Burnie, Tasmania, Australia
Latrobe Regional Gallery, Victoria, Australia
THEMES Short Film Festival, Museum of Modern Art, New York, USA
Seeds and Roots: Selections from the Permanent Collection, The Studio Museum in Harlem, New York, USA
Just Love Me: Post/Feminist Positions of the 1990s from the Goetz Collection (Touring Exhibition in association with Kunsthalle Baden-Baden):
Fries Museum Leeuwarden, Leeuwarden, The Netherlands
The Bergen Art Museum, Bergen, Norway
SENI Singapore 2004: Art & the Contemporary, Singapore Art Museum (SENI Art Festival), Singapore
Relating to Photography: Highlights aus privaten Frankfurter Fotorgafie-Sammlungen, Fotografie Forum international, Frankfurt, Germany
blow up - Zeitgenössische Künstler-Fotografie, Ulmer Museum, Ulmer, Germany
Wirklich wahr! Realitätsversprechen von Fotografien, Ruhrlandmuseum, Essen, Germany
The Disembodied Spirit, Kemper Museum of Contemporary Art, Kansas City, USA
Outcasts and Sunday's Children - Acquisitions in 2003, De Hallen, Haarlem, The Netherlands
Video art & satire, BowaArt, London, United Kingdom
Nothing if not satirical, The Nunnery, London, United Kingdom
Esperando unha chamada, CGAC Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain
Only Skin Deep: Changing Visions of the American Self, ICP International Center of Photography, New York, New York, USA
Minority Report: Challenging Intolerance in Contemporary Denmark, Aarhus Festival of Contemporary Art, Aarhus, Denmark
Supernatural Artificial: Contemporary photo-based art from Australia (Travelling Exhibition):
Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Chulalangkorn Art Centre, Bangkok, Thailand
Colección Sandretto Re Rebaudengo, IVAM Institut d'Art Modern, Valencia, Spain
I thought I knew but I was wrong (Travelling Exhibition curated by Alexie Glass and Sarah Tutton):
Australian Centre for the Moving Image, Melbourne, Australia
Ssamzie Space, Seoul, South Korea
Sydney Indigenous Arts Festival, Parramatta, Australia
The Plot Thickens: Narratives in Australian Art (Travelling Exhibition):
Heide Museum of Modern Art, Melbourne, Australia
Ballarat Fine Art Gallery, Ballarat, Australia
In Focus: 5 contemporary women photo-artists, Campbelltown City Bicentennial Art Gallery, Campbelltown, Australia
2004 Adelaide Biennial of Australian Art: Contemporary Photo-media, Art Gallery of South Australia, Adelaide, Australia
Good Looking: Narrative Photographs Past and Present, Ian Potter Centre: National Gallery of Victoria Australia, Melbourne, Australia
Blak Insights, Queensland Art Gallery, Brisbane, Australia
6ft + clean: surf + art (Touring Exhibition):
Faculty of Art and Design Gallery, Monash University, Melbourne, Australia
Revealing Secret Treasures: Women Artists from the Reg & Sally Richardson Collection, Mosman Art Gallery, Sydney, Australia
Tradition Today: Indigenous Art in Australia, curated by Hetti Perkins, Ken Watson and Jonathan Jones, Art Gallery of New South Wales, Sydney, Australia
Depth of Field, Portrait photography from the collection, National Portrait Gallery, Canberra, Australia
Realities. Collections Without Frontiers II, The Zacheta Gallery of Art, Warsaw, Poland
Family Ties, Peabody Essex Museum, Salem, Massachusetts, USA
True Fictions. Inszenierte Fotokunst der 90er Jahre, Stadtgalerie Saarbrücken, Saarbrücken, Germany
Something More Than Five Revolutionary Seconds, Fondazione Davide Halevim, Milan, Italy
Fast Forward (Travelling Exhibition):
Sammlung Goetz, Munchen, Germany
Xin Rui She Ying, Shanghai, China
Kunstforum Baloise, Zwischenbilanz, Neuerwerbungen, Baloise-Gruppe, Basel, Switzerland
Just Love Me (Touring Exhibition):
Sammulung Gotez, Munich, Germany
Staatliche Kunsthalle Baden-Baden, Germany
Shine, Museum Boijamans Van Beuningen, Rotterdam, Holland
M_ARS, Neue Galerie, Graz, Switzerland
Phantom der Lust. Visionen des Masochismus in der Kunst, Neue Galerie Graz am Landesmuseum Joanneum, Graz, Austria
Der Rest der Welt, Neuffer am Park, Pirmasens, Germany
Melodrama, Museo de Arte Contemporánea de Vigo (MARCO), Vigo, Spain
Künstler der Galerie, L.A. Galerie Lothar Albrecht, Frankfurt, Germany
Selbstgespräch, Pinakothek der Moderne, Munich, Germany
Realities and Histoires d'Amour, Kunstverein Ulm, Ulm, Germany
Two of us, L.A. Galerie Lothar Albrecht, Frankfurt, Germany
Nan Goldin, Cindy Sherman, Tracey Moffatt, Barbara Kruger, The New Art Gallery Walsall, Walsall, United Kingdom
6ft + clean: surf + art (Touring Exhibition):
Gold Coast City Art Gallery, Surfers Paradise, Australia
Manly Art Gallery, Sydney, Australia
Noosa Regional Gallery, Noosa, Australia
Perc Tucker Regional Gallery, Townsville, Australia
Rockhampton Art Gallery, Rockhampton, Australia
Coffs Harbour City Art Gallery, Coffs Harbour, Australia
Mornington Peninsula Regional Art Gallery, Mornington, Australia
Stellar, Centre of Contemporary Photography Fundraising Auction, Centre of Contemporary Photography, Melbourne, Australia
Home & Away: Place and identity in recent Australian art (Travelling Exhibition):
Monash University Museum of Art, Melbourne, Australia
Customs House Art Gallery, Sydney, Australia
University of Queensland, Brisbane, Australia
New View: Indigenous Photographic Perspectives (Touring Exhibition):
Monash Gallery of Art, Melbourne, Australia
Mildura Arts Centre, Mildura, Australia
Gippsland Art Gallery, Gippsland, Australia
Migration Museum Adelaide, Adelaide, Australia
Broken Hill City Art Gallery, Broken Hill, Australia
Horsham, Regional Art Gallery, Horsham, Australia
Flagship: Australian Art in the National Gallery of Victoria 1790 – 2000, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia
Play, Academy Gallery, School of Visual and Performing Arts, University of Tasmania, Hobart, Australia
New Australiana (Touring Exhibition):
Perth Institute of Contemporary Art, Perth, Australia
Albury Regional Art Gallery, Albury, Australia
One Square Mile: Brisbane Boundaries, Museum of Brisbane, Brisbane, Australia
Fair Game: Art + Sport, NGV Response Gallery, National Gallery of Victoria, Melbourne, Australia
New Work, Conner Contemporary Art, Washington D.C, USA
Trauma (Travelling Exhibition), Museum of Modern Art, Oxford, UK
Receipts, Abbaye Saint Center dart Contemporain, Meymac, France
Iconoclash. Jenseeits der Reprasentationskrise, Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany
Video Works, Kunstnernes Hus, Oslo, Norway
Hollywood Revisited, Aarhus Kunstmuseum, Aarhus, Denmark
True Fictions, Ludwig Forum fur Internationale Kunst, Aachen, Germany and Kunstverein, Lingen, Germany
New Visions of the American West, Nassau County Museum of Art, Roslyn Harbor, USA
Connections - Contemporary Artists from Australia, House of Croatian Artists, Zagreb, Croatia
Collections Croisees, Musee dart Contemporain de Bordeaux, France
Melodrama. Lo excesivo en la imaginacion postmoderna, Centro-Museo Vasco de Arte Contemporaneo, Vitorio-Gasteiz, Spain
Barbara Kruger/ Marlene Dumas/ Tracey Moffatt, Monika Spruth Galerie, Koln, Germany
Spectator Sport, Cornerhouse, Manchester, United Kingdom
Goddess, Galerie Lelong, New York City, USA
Re: Action, Jan Weiner Gallery, Kansas City, USA
Fieldwork: Australian Art 1968 - 2002, National Gallery of Victoria, Melbourne, Australia
Love at First Sight: Self-made Women, Centre for Contemporary Photography, Melbourne, Australia
Points of View, University of Technology Sydney Art Collection, UTS, Sydney, Australia
2nd Sight Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, Australia
Roslyn Oxley9 Gallery - The First 20 Years, Roslyn Oxley9 Gallery, Sydney, Australia
Nocturne: Images of Night & Darkness from Colonial to Contemporary, Mornington Peninsula Regional Gallery, Mornington Peninsula, Australia
Other Views: an Exhibition from the Griffith University Art Collection, Griffith University, Brisbane, Australia
Reise ins Ich - Kunstler/ Selbst/ Ich - Kunstler des 20. Jahrhundert in Selbstdarstellung, Sammlung Essl, Klosterneuburg, Austria
Die Unheimliche Frau. Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Bielefeld, Germany
The Lightness of Being Unbearable, Sommer Contemporary Art, Tel-Aviv, Israel
Its a Wild Party and Were Having a Good Time, Paul Morris Gallery, New York, USA
LUMO 01, Passion (Travelling Exhibition):
Gallery Harmonia, Helsinki, Finland
The Museum of Central Finland, Jyvaskala, Finland
ARS 01 Kiasma Museum of Contemporary Art, Helsinki, Finland
Trauma (Travelling Exhibition), Hayward Gallery in collaboration with Dundee Contemporary Arts, London, UK
The Promise of Photography, Schirn Kunsthalle, Frankfurt, Germany
Ha Ha, Revolution Gallery, Ferndale, Michigan, USA
Sixth Annual Photography Auction and Benefit, Sothebys, New York, USA
Collaborations with Parkett: 1984 to Now, The Museum of Modern Art, New York, USA
Audit, Casino Luxembourg, Luxembourg
Melodrama, Tate Gallery, Liverpool, UK
24th International Biennale of Graphic Arts, Ljublijana, Slovenia
Ohne Zögern / Without Hesitation!, Neues Museum Weserburg, Bremen, Germany
Zeitgenossische Fotokunst aus Australien (Travelling Exhibition):
Stadtisches Kunstmuseum, Chenitz, Germany
Kulterzentrum der Stadt, Stuttgart, Germany
Other Peoples Lives, Eyre / Moore Gallery, Seattle, Washington, USA
Completing Identities, Center for Curatorial Studies Museum, Bard College, Annandale- on-Hudson, New York, USA
Missing Link, Kunsthaus Dresden, Dresden, Germany
True Fiction, Museum Bad Arolsen, Arolsen, Germany
Begijnhof III, Galeria Estrany-de la Mota, Barcelona, Spain
Anstoss, Kunst, Sport und Politik, Albrecht Durer Gesellschaft- Kunstverein Nurnberg, Nurnberg, Germany
Sport in der Zeitgenossischen Kunst, Kunsthalle Nurnberg, Nurnberg, Germany
Fotokunst der 90 er Jahre aus der Sammlung Sandretto de Rebaudengo, Kunsthalle Kiel, Germany
Encrucijada, Reflexiones en torno a la pintura actual, Sala de la Comunidad de Madrid, Madrid, Spain
Mujeres que hablan de mujeres, Espacio Cultural El Tanque, Santa Cruz de Tenerife, Spain
Kunst und Krieg, Symposium, Akademie de Bildenden Kunste Wien, Vienna, Austria
Feature: art, life and cinema, Govett-Brewster Art Gallery, New Plymouth, New Zealand
A person looks at a work of art . . . (Touring Exhibition):
The Michael Buxton Contemporary Art Collection, Melbourne, Australia
Heide Museum of Modern Art, Bulleen, Australia
World Without End: Aspects of 20th Century Photography, Art Gallery of New South Wales, Sydney, Australia
Telling Tales: The Child in Contemporary Photography (Travelling Exhibition):
Campbelltown Bicentennial Art Gallery, Sydney, Australia
University of South Australia Art Museum, Adelaide, Australia
Warnambool Art Gallery, Warnbool, Australia
Australian Art and Society 1901-2001, National Gallery of Australia, Canberra, Australia
Raconter des Histories Galerie Laage-Salomon, Paris, France
Paper Cuts, RenaBransten Gallery, San Francisco, USA
Photography Now, Contemporary Art Center, New Orleans, USA
Flight Patterns, Museum for Contemporary Art, Los Angeles, USA
Behind the Scenes, The Museum of Contemporay Photography, Chicago, USA
Deep Distance - Die Entfernung der Fotografie, Kunsthalle Basel, Switzerland
Izima Kaoru/ Tracey Moffatt/ Bill Owens/ Chris Verene, Rebecca Camhi Gallery, Athens, Greece
Zeitwenden, Kunstmuseum, Bonn, Germany
Zeitwenden, Museum moderner Kunst Stiftung Ludwig Wien, Austria
Presumed Innocent, capcMusée dArt contemporain de Bordeaux, France
Biennale de Lyon dArt Contemporain, Lyon, France
Hans Hemmert, Tracey Moffatt, Andres Pinal, Frank Thiel, Fotografos de los anos noventa en la collecion CGAC, Sala Alameda de la Diputacion de Malaga, Malaga, Spain
Zeitgenossische Fotokunst aus Australien (Touring Exhibition):
Neuer Berliner Kunstverein Berlin, Germany
Schlossmuseum, Velbert, Germany
High five, Galerie Schedler, Zurich, Switzerland
100 al 2000: il Secolo della Fotoarte, Fotology, Bologna, Italy
The Citibank Private Bank Photography Prize 2000, The Photographers Gallery, London, United Kingdom
Mommy Dearest, Gimpel Fils, London, United Kingdom
8e Biennale de limage en Mouvement, Centre pour limage contemporian, Geneva, Switzerland
Artist Films, Kunstverein Munchen, Munich, Germany
Kinder im 20. Jahrhundert, Mitterlhein-Museum, Koblenz, Germany
Kinder im 20. Jahrhundert, Galerie der Stadt Aschaffenburg, Germany
Contemporary Group Show, Fifty One Gallery, Antwepen, Netherlands
Aboriginal Art in Modern Worlds (Travelling Exhibition):
National Gallery of Australia, Canberra, Australia
State Hermitage Museum, St. Petersburg, Russia
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Ring of Fire, Aotea Centre, Carter
Hollt Harvey Gallery, Auckland, New Zealand
Drive - progress - power - desire, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Telling Tales: the child in contemporary photography (Touring Exhibition):
Monash University Gallery, Melbourne, Australia
Bendigo Art Gallery, Bendigo, Australia
Deconstructivism - life back into art, David Pestorius Projects, South Bank Corporation, Brisbane, Australia
Sporting Life, Museum of Contemporary Art, Sydney, Australia
12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia
Logo Merino, Sheep in Australian art and design, National Wool Museum, Geelong, Australia
Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia
Common Ground, University of Technology Gallery, Sydney, Australia
All Stars 2000, Roslyn Oxley9 Gallery, Sydney, Australia
Museum for Modern Kunst, Leipzig, Germany
girls girls girls, Galerie-Projektraum, Kunsthochule für Medien, Cologne, Germany
Konstruksjon eller virkelighet, Lillehammer Kunstmuseum, Lillenhammer, Norway
Life Cycles, Galerie für Zeitgenossische Kunst, Leipzig, Germany
From film, Victoria Miro Gallery, London, UK
La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria
Full Exposure: Contemporary Photography, New Jersey Centre for Visual Arts, New Jersey, USA
Wohin kein Auge reicht Deichtorhallen, Hamburg, Germany
Das Versprechen der Photographie (The Promise of Photography), Selections from the DG Bank Collection, PS1 Contemporary Art Centre, New York City, USA
Rosa für Jungs, Hellblau für Madchen, Neue Gesellschaft für Bildende Kunst, Berlin, Germany
In de Ban van de Ring, Provencial Centrum voor beeldene Kunst, Hasselt, Belgium
Kunstwelden im Dialog, Museum Ludwig, Koln, Germany
Female, Wessel & O Connor Gallery, Lahaska, USA
Wonderland: Fotomanifestatie Noorderlicht 1999, Noorderlicht fotogalerie, Groningen, The Netherlands
Nuevas Visiones, Nuevas Pasiones, Fundacion Marcelino Botin, Snatander, Spain
A Sangre y Fuego, Espai dart Contempitani de Castellon, Castellón de la Plana, Spain
Galerie Schnider, Ettlingen, Germany
Endzeit, Six Friedrich - Lisa Ungar, Munich, Germany
Telling Tales, Neue Galerie Gesellschaft für bildende, Germany
VH Biennale Internazionale Di Fotografia, Turin, Italy
Macht und Fürsoge, Trinitatskirche Cologne, Germany
Missing Link - Menschebilder in der Fotografie, Kunstmuseum Berlin, Germany
Museum van Hedendaagse Kunst Gent, Gent, Belgium
Family Viewing, Museum of Contemporary Art, Los Angeles, USA
Portraits, Paul Morris Gallery, New York City, USA
Echolot, Museum Fridericianum, Kassel, Germany
Foto Triennale Esslingen, Esslingen, Germany
Musee Departemantal dArt Contemporain, Rochechouart, France
Artenergie - Art in Jeans, Palazzo Corsini, Florence, Italy
Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany
Presumed Innocence, Anderson Gallery, Richmond, USA
Nature of Man, Lund Konsthall, Lund, Sweden
Roteiros x 7 XXVI Bienal de São Paulo, São Paulo, Brazil
Life is a bitch, De Appel Foundation, Amsterdam, Netherlands
Der Mensch (The Human Being), Kunstverein Schloß Plön, Germany
Pusan International Contemporary Art Festival, Pusan, Korea
Horizont, Brecht Haus am Weisensee, Berlin, Germany
Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany
Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of NSW, Sydney, Australia
Aperto, Venice Biennale, Venice, Italy
Group Show, Matthew Marks Gallery, New York City, USA
Group Show, Anthony Reynolds Gallery, London, UK
Printemps de Cahors, Paris, France
Steierischer herbst 97, Graz, Austria
Site Santa Fe, Santa Fe, New Mexico, USA
Campo 6, The Spiral Village, Bonnefanten Museum, Maastricht, Netherlands
Subject to Representation, Gallery 101, Ottawa, Canada
Group Show, Roslyn Oxley9 Gallery, Sydney, Australia
Fundacao Bienal de São Paulo, São Paulo, Brazil
'Campo 6’, The Spiral Village, Museum of Modern Art, Torino, Italy
Prospect 96, Schirn Kunsthalle, Frankfurt, Germany
Short Stories, Altes Rathaus, Göttingen, Germany
Jurassic Technologies Revenant, 10th Biennale of Sydney, Australia
Antipodean Currents,The Guggenheim Museum (Soho), New York, USA
Familiar Places, ICA, Boston, USA
95 Kwangju Biennale, Kwangju, Korea
New Works 95.2, ArtPace, San Antonio, Texas, USA
Perspecta 95, Art Gallery of New South Wales, Sydney, Australia
Antipodean Currents, The Kennedy Center, Washington, USA
Power Works, Govett Brewster Gallery, New Plymouth, New Zealand
Eidetic Experiences, Noosa Regional Gallery, Noosa, Australia
The Boundary Rider, 9th Biennale of Sydney, Sydney, Australia
Artists Projects, Adelaide Festival of the Arts, Adelaide, Australia
From the Empires End, Circulo de Bellas Artes, Madrid, Spain
Satellite Cultures, New Museum of Contemporary Art, New York City, USA
Shades of Light, National Gallery of Australia, Canberra, Australia
Art and Aboriginality, Aspex Gallery, Portsmouth, UK
Aboriginal Islander Photographs, Aboriginal Artists Gallery, Sydney, Australia
Pictures for Cities, Artspace, Sydney, Australia
Film and Video as Writer/Director
Vigil, 2 minute digital video with sound
The White Ghosts Sailed In, 2 minutes digital video with sound
The Art, 8 minute experimental video (collaboration with Gary Hillberg)
Other, 10 minute experimental video (collaboration with Gary Hillberg)
Mother, 20 minute experimental video (collaboration with Gary Hillberg)
Revolution, 10 minute experiemental video (collaboration with Gary Hillberg)
Doomed, 10 minute experimental video (collaboration with Gary Hillberg)
Love, 21 minute experimental video (collaboration with Gary Hillberg)
Artist, 10 minute experimental video (collaboration with Gary Hillberg)
Lip, 10 minute experimental video (collaboration with Gary Hillberg)
Heaven, 28 minute video (commission - Dia Center for the Arts) USA
My Island Home, Music Video (Christine Anu)
Let My Children Be, Music Video (Ruby Hunter)
The Messenger, Music Video (INXS)
Bedevil, 90 minute feature drama (Official Selection Cannes 1993)
Night Cries, 17 minute drama (Official Selection Cannes 1990)
Its Up to You, 9 minute health video
Moodeitj Yorgas, 22 minute documentary
A Change of Face, 3 part documentary SBS TV (co-director)
Watch Out, 5 minute dance video, Film Australia
Nice Coloured Girls, 16 minute experimental film
The Rainbow Serpent, Documentary series SBS TV (Stills Photographer)
AWARDS
Officer of the Order of Australia (AO)
Australia Council Visual Arts Laureate Award, Sydney
Infinity Award for Excellence in Art Photography, International Centre for Photography, New York
Honorary Doctorate from Griffith University, Brisbane
Award Campo 6, Gallerie Civica d'Arte Moderna e Contemporaranea, Turin, Italy
Creative Fellowship Award, Prime Minister Paul Keating, Australia
FILM AND VIDEO COLLECTIONS
Centre Pompidou, Paris, France
Goetz Collection, Munich, Germany
New York Public Library, New York, USA
National Library, Canberra, Australia
State Film and Video Library, Adelaide, Australia
Curtin University, Perth, Australia
Griffith University, Brisbane, Australia
Monash Gallery of Art Collection, Melbourne, Australia
Macquarie University, Sydney, Australia
University of Technology, Sydney, Australia
Sydney University, Sydney, Australia
State Film Centre, Melbourne, Australia
West Australian Film Centre, Perth, Australia
Institute of Aboriginal Studies, ANU Canberra, Australia
FundaciÃ3n “la caixa”, Barcelona, Spain
Castello di Rivoli Museo d'Arte Contemporanea, Torino, Italy
COLLECTIONS
The Frances Young Tang Teaching Museum, New York City, USA
Air New Zealand Collection, Melbourne, Australia
Albury Regional Art Gallery, Albury, Australia
Art Gallery of New South Wales, Sydney, Australia
Art Gallery of South Australia, Adelaide, Australia
Art Gallery of Western Australia, Perth, Australia
Artbank, Sydney, Australia
Australian National Gallery, Canberra, Australia
Australian Catholic University, Australia
Bard College, Annandale on Hudson, New York, USA
Baroness Lambert Collection, Switzerland
Bayerische Staatsgemäldesammlungen, Munich, Germany
Bendigo Art Gallery, Bendigo, Australia
BP Australia, Melbourne, Australia
Brooklyn Museum of Art, New York, USA
Buxton Contemporary Collection, Melbourne, Australia
Campbelltown Arts Centre, Campbelltown, Australia
Centre Galego de Arte Contemporanea, S. de Compostela, Spain
Centre national des arts plastiques, France
Collection Mr. and Mrs. Felten, Munich, Germany
Collection Mr. Kunne, Hannover, Germany
Collezione Ettore Molinario, Milan, Italy
Curtin University, Perth, Australia
DG-Bank, Frankfurt, Germany
Flinders University, Adelaide, Australia
Folkwang Museum, Essen, Germany
Frac Loarraine, Metz
Griffith University, Brisbane, Australia
Guggenheim Museum, New York, USA
Home of the Arts, Surfers Paradise, Australia
Houston Museum of Fine Arts, Houston, USA
Linda Pace Collection, San Antonio, USA
Louisiana Museum of Contemporary Art, Humlebaek, Denmark
M+ Museum, West Kowloon, Hong Kong
Melbourne Grammar School, Melbourne, Australia
Ministère de la Culture, Paris, France
Moderna Museet, Stockholm, Sweden
Monash University, Melbourne, Australia
Museet for Santidskunst, Oslo, Norway
Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
Museum of Contemporary Art, Los Angeles, USA
Museum of Contemporary Art, Sydney, Australia
Museum of Contemporary Photography, Tokyo, Japan
Museum of Fine Arts Boston, USA
Museum of Photographic Arts, San Diego, USA
Museum of Modern Art, New York, USA
National Gallery of Victoria, Melbourne, Australia
National Library, Canberra, Australia
National Portrait Gallery, Canberra, Australia
National Gallery of Australia, Canberra, Australia
Newcastle Regional Art Gallery, Australia
NRMA Collection, Sydney, Australia
Parkett, New York, USA
Parliament House Collection, Canberra, Australia
Queensland Art Gallery, Gallery of Modern Art, Brisbane, Australia
Refco Inc., Chicago, USA
RMIT University, Melbourne, Australia
Rockhampton Museum of Art, Rockhampton, Australia
Rose Art Museum, Boston, USA
Sammlung Goetz, Munich, Germany
Sorigue Foundation, Lleida, Spain
Steve Vizard Foundation, Melbourne, Australia
Stedelijk Museum, Amsterdam
Tasmanian State Institute of Technology, Hobart, Australia
Tate Gallery, London, UK
The National Museum of Photography, Copenhagen, Denmark
Trinity College Art Collection, Melbourne, Australia
Ulmer Museum Ulm, Germany
University Art Museum, University of Queensland, Brisbane, Australia
University of Technology, Sydney, Australia
University of Wollongong, Wollongong, Australia
Waverly City Gallery, Mt. Waverly, Australia
Xavier College, Melbourne, Australia
FILM AND VIDEO DISTRIBUTORS
Ronin Films, Canberra, Australia
Southern Star, Sydney, Australia
Australian Film Institute, Melbourne, Australia
Women Make Movies, New York, USA
Kim Lewis Marketing, Los Angeles, USA
Circles, London, UK
Jane Balfour, London, UK
Women in Focus, Vancouver, Canada
BIBLIOGRAPHY
Jane Ure-Smith, “Tate Modern’s Australia 1992-Welcome to Country”, The Financial Times (UK), 24 June, 2021
Susie Raven lecture, “A Morning at Grimwade House - The Arts”, Valder Hall, Grimwade House, Caulfield North, Victoria, Australia, 27 August, 2021)
Tiarney Miekus “Cinema and sci-fi flicker into view in the best of gallery offerings”, The Age, 15 January, 2021
Nick Gordon in virtual discussion, Tracey Moffatt-Cocktails and Contemporary, The Short Course, www.theshortcourse.org/cocktails-and-contemporary-tracey-moffatt, 14 March 2021
Loretta Barnaard, “Tracey Moffatt’s Up in the Sky”, www.australia-explained.com.au, 8 June, 2021
Laura Cumming, “A Year in Art: Australia, 1992 review – dreams and nightmares”, The Guardian (Australia), 13 June, 2021
Bevin Shields, “New Tate Exhibition isn’t rewriting our history-but it aims to fill the gaps” The Sydney Morning Herald, 8 June, 2021
Judy Annear, “Tracey Moffatt”, www.monash.edu/muma/collection, June, 2021 Johnny Milner “A Celebrated Urban Storyteller”, www.nfsa.gov.au, 2021
Unknown Author, “Performing Gender: Secondary School Learning Resource”, www.knowmyname.nga.gov.au, 2021
Natalie King “ Pet Thang”, HOTA Collects, Exhibition Catalogue, Surfers Paradise: Home Of The Arts, April, 2021
Elena Martinique “Know The Names of Australian Female Artists in New Landmark Show”, www.widewalls.ch, 2 November, 2020
“#EXIT82 Feelings”, Exit Photo Magazine, Madrid: EXITPRESS, November, 2020 Annette Lui “Tracey Moffatt interviewed by Annette Lui”, The Freedom of Ambiguity, New York: Musee Magazine, Identity: Issue 24, 15 September, 2020
Tracey Moffatt virtually interviewed by Silvia Karman in association with The Bass Museum of Art Miami, “Breakfast at the [virtual] Bass”, www.youtube.com/watch?v=p_x8j0nt3yo, 14 May, 2020
Tracey Moffatt interviewed by Mara Fortes in association with Ambulante en Casa Documentary Festival (Mexico City), “Conversation (Dis) montages: for a feminist and decolonial visual culture”, www.youtube.com/watch?v=RqB888IQ_nU, 18 May, 2020
Virtual Opening Reception, “Tracey Moffatt’s Montages: The Full Cut,1999-2015”,The Bass Museum of Art Miami and The New Tropic, www.vimeo com/406324674, 9 April, 2020
Shraddha Nair “The Bass expands their virtual collection with Tracey Moffatt Films”, www.stirworld.com, 8 August, 2020
Elspeth Pitt and Jessi England interviewed by Emma Kate-Wilson of OCULA Magazine, “Redressing Gender Imbalances at National Gallery of Australia”, www.ocula.com, 24 November, 2020
Elizabeth Fortescue, “Say my name, say my name: huge exhibition aims to put Australian women artists on the map” The Art Newspaper, 11 November, 2020
Laura Bannister “This Artwork Changed My Life: Tracey Moffatt’s Up in the Sky ”, www.artsy.net, 12 May 2020
Tracey Moffatt virtually interviewed by Hans Ulrich Olbrist in association with Kaldor Projects, “Hans Ulrich Obrist Marathon-do it (australia)”, www.vimeo.com/439883754, 12 July, 2020
Geoff Harrison “Tracey Moffatt-Body Remembers”, www.geoffharrisonarts.com, 13 June 2020
Kelly Burke “How photography-as-art came 'under siege': Bill Henson and Tracey Moffatt on the closure of the ACP”, The Guardian (Australia) , 24 November 2020 Ali Gumillya Baker “Body, remember: Wrap me in a sister cloak”, Artlink, September 2020
Briony Downes “Know Their Names”, Art Guide Australia, 12 November 2020
Jane Albert, “Just Do It: Leading Australian Creatives Invite You to Take Part in an Interactive Art Project”, broadsheet.com.au, 12 May 2020
Lindsay Ferris, “2020 Adelaide biennial artists announced in 30-year milestone exhibition”, www.balnavesfoundation.com, 2020
Unknown Author, “Tracey Moffatt & Hayley Millar-Baker: The Truth of What Occurred Remains”, Art Almanac, 29 January, 2020
Sasha Grishin, “The Body Electric review: A comment on sex and eroticism”, www.canberratimes.com.au, 11 July, 2020
Edwina Williams “Parke’s pics part of Gallery reopen”, www.timesnewsgroup.com.au/ballarat, 22 November, 2020
Alexandra Heller Nicholas, Paul Anthony Nelson and Flick Ford discuss “Primal Screen”, 3RRR (102.7FM), Melbourne, Australia, 26 October, 2020
Belinda Nolan-Price, “Montages; The Full Cut 1999-2015: Tracey Moffatt and Gary Hillberg”, Weekend Notes, 2020
Alana Wulff, “Photographer Greg Weight reveals the seven portraits that defined his career”, Vogue Living (Australia), 14 August, 2020
Troy Anthony Bayliss Talk (focusing on Moffatt’s work The Wizard of Oz,1956), “(En)queery” in association with Feast Festival, Guildhouse and AGSA, Art Gallery of South Australia, Adelaide, Australia,10 November, 2020
Nick Galvin, Kerrie O'Brien and Chloe Wolifson “Portrait of the artists in isolation”, The Sydney Morning Herald, 29 May, 2020
Favour J, “Tracey Moffatt”, shadesofnoir.org.uk, 10 September, 2020
Bansie Vasvani, “Tracey Moffatt’s Haunting Narratives”, www.cobosocial.com, 2 December, 2019
Gayatri Gopinath “Diaspora, Indigeneity, Queer Critique: Tracey Moffatt’s Aesthetics of Dwelling in Displacement”, Women and Migration, Deborah Willis, Ellyn Toscano, Kalia Brooks Nelson(eds.),Open Book Publishers, pp 345-362, 2019
Rex Butler, “The Hand of Art” , MeMo Magazine, 4 May, 2019
Unknown Author “Tracey Moffatt: Portals”, Musee Magazine (New York), 7 November, 2019
Chloe Wolifson “It took a lot of guts': Tracey Moffatt's eerie new portals” The Sydney Morning Herald, 5 July, 2019
John McDonald “Tracey Moffatt and Kartika Kain”, The Sydney Morning Herald, 20 July, 2019
Alice Clanachan "Alice Clanachan discusses Tracey Moffatt’s Body Remembers", Lunchtime Talk: Art Gallery of South Australia (ww.agsa.sa.gov.au), 2019
Courtney Kidd “Tracey Moffatt and Hayley Millar-Baker” Artist Profile, Issue 49, 2019
Tracey Moffatt “Portals” Artist Talk in association with the Get Arted event, Roslyn Oxley9 Gallery, Sydney, 24 July, 2019
Julie Ewington lecture, “Four Women: Australian Artists at the Venice Biennale”, Sir Raymond Ferrall Centre, University of Tasmania, Newnham Campus, Hobart, Australia, 9 April, 2019
Ben Neutze ‘Body Remembers’, Time Out (Melbourne), 25 March, 2019
Junni Chen, “Travelling throughout the art of Tracey Moffatt at Tyler Rollins Fine Art”, Art Radar, 14 July 2018
Maureen Catbagan and Amber Jamilla Musser, “TRACEY MOFFATT: Vigils and Travellers”, The Brooklyn Rail, 11 July 2018
Unknown Author “Art Out- Tracey Moffatt- The Travellers”, Musee Magazine (New York),13 June, 2018
Cindy Ingram “ Scarred for Life: Using Art to Analyze the Small Moments that Define Us”, artclasscurator.com, 4 April, 2018
Brittney, “Travelling through the art of Tracey Moffatt at Tyler Rollins Fine Art, New
York”, Art Radar Journal, 14 July, 2018
Elena Martinique, “Tracey Moffatt’s Venice Biennale Presentation Debuts in Australia”, www.widewalls.ch, 1 August, 2018
Nicholas Carolan,” All the Better to See You With”, Grazia Magazine (Australia), 2018
Rohan Shearn “Tracey Moffatt: Body Remembers”, Australian Arts Review, 31 July, 2018
Unknown Author, “All the Better to See You With: Fairytales Transformed”, Time Out (Melbourne), 2018
Unknown Author “Tracey Moffatt-Top Australian Artists”,
www.cookshillgalleries.com.au/pages/tracey-moffatt-artist, 2018
Tracey Moffatt Artist Talk “ CCP Fundraiser”, Centre for Contemporary Photography, Melbourne, Australia, 17 May, 2018
Tracey Moffatt interviewed by Joanna Lehan, Tracey Moffatt Imagines an Uncertain Future, Aperture Magazine,27 June, 2017
Julie Richard, “Women and Cultural Diversity are in the Spotlight for this 57th Venice Biennale”, AWARE Magazine, 16 August 2017
Natalie King, “Tracey Moffatt: In Conversation with Natalie King”, Ocula Magazine, 1 September 2017
Rebecca Harkins-Cross, Neue Aussicht, Art Das Kunstmagazin, May, 2017
Tracey Moffatt: My Horizon, Natalie King (ed.), Australia: Australia Council for the Arts in association and Thames & Hudson, 2017
Sebastian Henry-Jones, “Tracey Moffatt and the Politics of Representing the Marginalised”, Art and Australia, 19 December, 2017
Djon Mundine, “The Masque ball of Tracy Moffatt”, Art Link Magazine, Issue 37, June 2017
Peter Hill, Tracey Moffatt, MY HORIZON, Art Press, May 2017
Tim Douglas, “Tracey Moffatt's My Horizon works take her to Venice Biennale”, The Australian, 29 April, 2017
John McDonald “Venice Biennale 2017: Tracey Moffatt's My Horizon a roaring success” Sydney Morning Herald, 11 May, 2017
Stephanie Convery, “Tracey Moffatt, If it becomes a little terrifying then I'm interested”, The Guardian (Australia), Friday 24 March, 2017
Annemarie Kiely, “Tracey Moffatt”, Vogue Living Magazine (Australia) , pp 69-70 March/April, 2017
John Mcdonald,“Tracey Moffatt on success, failure and the 57th Venice Biennale”, Financial Review (Australia), 23 February 2017
Matthew Westwood, Life Stories in Stills, The Weekend Australian Review, 29-30 April, 2017
Nancia Guivarra, “Tracey Moffatt's 'Hell' at the 57th Venice Biennale”, National Indigenous Television (via sbs.com.au) , 27 March, 2017
Matthew Westwood, “Venice Biennale ‘a gig like no other' for indigenous photographer Tracey Moffatt”, The Australian, 24 March, 2017
Kimberley Moulton, “Tracey Moffatt: My Horizon” Art Almanac (Australia), 29 June, 2017
Maddee Clark, “Tracey Moffatt and Gary Hillberg: Montages,The Full Cut,1999-2015” Artlink, 17 March 2017
Tiziana Borghese “The Presence of Absence”, troublemag.com, 2017
Natalie King “I can see a shadow thinking: Tracey Moffatt in converstion”, Art Monthly, Chapter 6, Issue 298, May 2017
Kirsty Johansen “ Inside the Moffatt ‘memory bank’: Tracey Moffatt’s storytelling through art”, www.sbs.com.au , 20 May, 2017
Unknown Author “All the better to see you with: Fairy tales transformed”, Australian Arts Review, 17 November, 2017
James Horan “Tracey Moffatt Dreaming”, www.portrait.gov.au, 2017
Unknown Author, “Exhibition provides ‘unflinching gaze’ at male figure from a queer perspective”, The Star Observer, 17 October, 2017
Dr Lee-Anne Hall & Dr Hayley Megan French, Up in the Sky: Landing Points: Race, Place and Identity, Exhibition Catalogue, Penrith: Penrith Regional Gallery & The Lewers Bequest, pp 8-17, November, 2017
Unknown Author, “ Doomed”, carbonarts.org, March 2017
Anna Dunnill “All the Better to See You With: Fairytales Transformed”, Art Guide Australia, 7 December 2017
James Valentine, "The Mix: Tracey Moffatt, My Horizon exhibition at the 2017 Venice Biennale", The Mix: ABC TV, 3 June, 2017
Kaan Ozer, “Avangart Sanatçılardan 50 İlham Verici ve Devrimsel Alıntı”, (English Translation: 50 Inspirational and Revolutionary Quotes from Avante Garde Artists),
Tabut Magazine, Issue No. 501, 6 March, 2016
Louise Martin-Chew, IMA Winter Gala, Art Collector, Issue 77, p. 25, July-September 2016
Judy Annear, “Out of Time”, Look AGNSW Magazine, pp 26-27, 2016
Peter Gardiner, “Inspired to make her mark in the New York art world”, Sunshine Coast Daily, 26 January 2016
Inga Ting, “Australia Day Honours 2016: For women, getting nominated is the hard part”, The Sydney Morning Herald, 26 January 2016
Imogen Baker, “A Cheat Sheet to AGNSW's Tracey Moffatt Exhibition”, concreteplayground.com, 12 July 2016
Naomi Cass “Rewind: Tracey Moffatt’s Up in the Sky”, www.acca.melbourne.com (ACCA History), 2016
Peter Gardiner “Tracey Moffatt Honoured on Australia Day”,The Courier Mail, 28 January, 2016
Kate Robertson, “The Spectre at the Window: Tracey Moffatt’s bedevil”, Beyond The Babadook: Australian Women's Filmmaking and the Dark Fantastic, Issue 81, 2016
Dee Jefferson, “Tracey Moffatt”, Time Out (Sydney), 25 May, 2016
Lynne Lancaster, “Tracey Moffatt: Laudanum and other works”, artshub.com.au, 30 May 2016
Tara Callinan, “First Nations' recipients of Australia Day Honours 2016”, NITV News, 26 January, 2016
Julie Ewington, “Tracey Moffatt’s Laudanum and Other Works”, The Monthly, July, 2016
Nicholas Forrest, “Tracey Moffatt to Represent Australia at Venice Biennale 2017”, Blouin Artinfo, 14 December, 2015
Lyn DiCiero, “Tracey Moffatt, Calling out around the world”, The West Australian, 18 February, 2015
Tracey Moffatt “Up Close & Personal”, Artist Talk in association with the Kaleidoscope Exhibition at Perth Institute of Contemporary Arts, Octagon Theatre, University of Western Australia, Perth, Australia, 20 February, 2015
Tracey Moffatt, Artist Talk in association with ART CALLS show hosted by the Centre for Contemporary Photography, RMIT, Swanston Academic Building, Melbourne, Australia, 7 July, 2015
Claire Chapel-Stanley, “Suspending disbelief, 'The Photograph and Australia' “, Art Monthly Australia, Issue 284, October, 2015
John McDonald, “The photograph and Australia: Images that define a nation” The Sydney Morning Herald Spectrum, pp 28-29, March, 2015
Tracey Moffatt “Recent Work”, Artist Talk at SCA Auditorium, Sydney College of the Arts, Sydney, Australia, 4 March, 2015
Susan Johnson “In her GoMA show Tracey Moffatt shares her memories of growing up in Brisbane” The Courier Mail, 19 January, 2015
Margaraet Pomeranz and David Stratton ’Bedevil’, The Movie Show, Broadcast on SBS Australia, 2 November, 2015
Louise Martin-Chew “Tracey Moffatt: Spirited”, Artlink magazine, March 2015
Susan Johnson, “Cracks in the mirror”, Courier Mail: Q Weekend Magazine, 25-26 October, 2014
Tracey Moffatt in conversation with Julie Pitts, Miles Blow and Simon Wright, Artist Talk in association with the Spirited Exhibition at Queensland Art Gallery of Modern Art, QAGOMA, Brisbane, 26 October 2014
Andrew Stephens, Artist “Tracey Moffatt discusses new 'chat show' art work for Queensland Art Gallery/Gallery of Modern Art” , The Sydney Morning Herald, 31 October 2014
Rebecca Harkins-Cross “Tracey Moffatt’s Free Spirit” The Saturday Paper, 13-19 December, 2014
Annabelle Hazell “Tracey Moffatt”, www.austlit.edu.au/austlit/page/7305910 (in association with the University of Queensland), 2014
Richard Glover in conversation with Elizabeth Ann McGregor, “The World of Tracey Moffatt”, Self Improvement Wednesday , 26 February, 2014
Jeremy Eccles, “Tracey Moffatt is Spirited”, Aboriginal Art Directory, 2 December 2014
Holland Cotter, “Tracey Moffatt: Spirit Landscapes”, The New York Times, 19 December, 2013
Nicholas Forrest, “Tracey Moffatt and Juliana Engberg Receive Australia Council Awards”, Blouin Artinfo, 5 March, 2013
Unknown Author, “Tracey Moffatt wins Australia Council Award”, Artforum ,7 March, 2013
Bansie Vasvani, "Tracey MoffattL Spirit Landscape at Tyler Rollins Fine Art / Spectrum Queer Media at New Parkway Theater", www.dailyserving.com, 17 November, 2013
Rebecca Spear, “Tracey Moffatt - Spirit Landscapes”, concreteplayground.com,
September 2013
Sharne Wolffe, “Spirit Landscapes”, The Art Life, 20 September, 2013
Elizabeth Fortescue “Aussie artist makes it on a world stage”, Perth Now, 6 March, 2013
Helen Yeates, Do Look Now: re-imagining and re-purposing audiovisual creative practice. Unknown Author, Ejournalist, Volume 13, Issue 1, pp. 69-84, 2013
Unknown Author, “Tracey Moffatt”, Time Out (New York), 25 April, 2012
Amanda Woodward, 'Art Under 5k', Australian Art Collector, pp 108, 2012
Rachel K Gilles “Greatness: Tracey Moffatt’s ‘Fourth’ ”, www.discussphotography.wordpress.com/2012/07/30/greatness-tracey-moffatts-fourth/, 2012
Mark Brown, 'Australian art exhibitions proves there's life beyond Rolf', The Guardian (Australia), 1 November, 2012
Tracey Moffatt Artist Talk, “Tracey Moffatt in Conversation: Fourth”, Maitland Regional Gallery, 28 July, 2012
Brad Finger and Christiane Weidemann, 50 Contemporary Artists You Should Know, Munich : Prestel, pp 90-91, 2011
Dan R. Goddard, “Tracey Moffatt at Artspace: Cinematic mashups of mothers, lovers, artists, artistocrats and doom”, glasstire.com, 5 July 2011
Marie-Helene Gutberlet “Tracey Moffatt, Night Cries: A Rural Tragedy”, caringlabor.wordpress.com, 19 January 2011
Christopher Allen, 'Let me tell you a story', The Australian, p11,12 March, 2011 Sarah White, “Tracey Moffatt / Stop(the)Gap /tall man”, Artlink, June 2011
Uta Daur, “Tracey Moffatt's Muteness”, Australian and New Zealand Journal of Art, Vol. 10, No. 1, pp182-199, January 2011
Kate Britton, “Tracey Moffatt”, City Hub, 29 May, 2011
Catherine Summerhayes, Kaldor Art Projects “MOVE: The Exhibition”, 2010, Edited excerpt from “The Moving Images of Tracey Moffatt”, Charta, Milan, 2007
David Eggleton, 'Global Positioning Satellite', Art New Zealand, no. 133, Autumn 2010, p.36-40
Dominique Angeloro, 'It's not black and white', SMH-Metro, April 23-29, 2010, pp. 14, 2010
Ann Marsh, Look: Contemporary Australian Photography since 1980, Australia: Macmillan Art Publishing, 2010
Julie Ewington “Tracey Moffatt, Plantation”, The 6th Asia Pacific Triennial of Contemporary Art, exhibition catalogue, Queensland Art Gallery (ed.), Brisbane: Queensland Art Gallery, 2009
John Hurrell, “Moffatt Exhibition”, eye CONTACT, 29 April, 2009
Gabriella Coslovich, “Breaking down borders with inspiration and a smile”, The Sydney Morning Herald, p.12, 8 December, 2009
Marcus Bunyan “Review ‘first jobs by Tracey Moffatt at Centre for Contemporary Photography, Fitzroy, Melbourne”, artblart.com, 17 September, 2009
Richard Dorment, “Liverpool Biennial: Made Up”, The Telegraph (UK), 22 September 2008
Paul Laster, interview with Tracey Moffatt, ArtKrush, Issue 89, 23 July, 2008
David Smith, “It's a long way from incey-wincey”, The Observer (UK) ,21 September 2008
Alessandra Senzani, Women, Film and Oceans A/part: The Critical Humour of Tracey Moffatt, Monica Pellizzari and Clara Law, Boca Raton: Florida Atlantic University:, December 2008
Joseph R. Wolen, 'Tracey Moffatt, "Social Edit'', Time Out (New York), April 17 – 23 2008
Gerry Turcotte “Spectrality in Indigenous Women's Cinema: Tracey Moffatt and Beck Cole”, The Journal of Commonwealth Literature, Volume 1, Issue 43, pp 7-21, March, 2008
Blair French and Daniel Palmer, Twelve Australian Photo Artists, Australia: Piper Press, 2008
Current, Contemporary Art from Australia and New Zealand, Art and Australia (eds.), p 208, July 2013
2008 Biennale of Sydney: Revolutions - Forms That Turn, Carolyn Christov-Bakargiev (ed.), Australia: Thames & Hudson, 2008
Modern Ruin Gallery of Modern Art, Brisbane, Australia
Karen Rosenberg 'Show and Tell: Tracey Moffatt,', New York Magazine, 22-29 January, 2007
“The Goal Standard”, Michael Kimmelman, The New York Times (Style magazine), 3 March, 2007
Catherine Summerhayes, The Moving Images of Tracey Moffatt, Milan: Charta Artbooks, 2007
'About Face,' Deadly Vibe, Issue 125, pp. 8-9, June, 2007
Art News, cover illustration (Bibi Andersson from Under the Sign of Scorpio), February, 2007 Women’s Experimental Cinema: Critical Frameworks, Robin Blatez (ed), Durham: Duke University Press, 2007
Deborah Hart, “All the World’s a Stage, a film set, a television scenario, a photo-shoot: take1/take2/take3/take4”, nga.gov.au, September, 2007
Anna Holtzman, “Under the Sign of Scorpio”, Eyemazing magazine, Issue 2, 2006 Stephen Bull “Meanwhile...”. Source, Issue 46 (Spring), 2006
Vince Aletti, “Tracey Moffatt, Voice Choices”, The Village Voice, 29 March -4 April, 2006 Sue Hubbard “Australian Escapades”, The Independent (UK), 3 February, 2006
Prism; Contemporary Australian Art , Exhibition catalogue, Christine Nicholls (ed.), Bridgestone Museum of Art: Tokyo, Japan, pp 134-146, 2006
Lilly Wei, `Tracey Moffatt at Steven Kasher', Art in America, October 2006
Tracey Moffatt: Between Dreams and Reality, Filippo Maggia (ed), Milan: Skira Publications, 2006
Marcia Langton, `Intimate places and terrifying spaces', The Australian, p.16, 6 September, 2006
Queensland Live: Contemporary Art on Tour, exhibition catalogue, Brisbane: Queensland Art Gallery, pp. 32 – 35, 2006
George Alexander, `Tracey Moffatt: In Review, Monash Gallery of Art', Art Asia Pacific, no. 47, Winter, pp. 75-76, 2006
Unknown Author “Little yen for Australian artworks” The Age, 29 May, 2006
Unknown Author “Made in Australia, big in Japan”, The Sydney Morning Herald, 7 June, 2006 Catriona Moore and Jo Holder “Round-tables and Square Holes: Recovering Ground”Artlink, Issue 26, Volume 1, 2006
Supercharged: the car in contemporary culture, Exhibition Catalogue ,Brisbane: Institute of Modern Art, 2006
(Hi)story: Weaving stories, constructing history, exhibition catalogue, Felicity Lunn (ed.), Switzerland: Kunstmuseum Thun, 2005
Tim Laun, Upon Further Review: Looking at Sports in Contemporary Art, Exhibition catalogue, USA
Uta Grosnick, Women Artists in the 20th and 21st Century, Cologne: Taschen, 1 April, 2005
Georges Petitjean, “Tracey Moffatt, An image of the Undefined”, Sint-Lukas Galerie Brussel, p14, 5 April, 2005
Unknown Author Fast Forward/Avance Rápido: Media Art de la Colección Goetz
‘W, ex cat., Centro Cultural Conde Duque in Madrid, 2005
Art Photography Now, Susan Bright, Aperture Foundation publication, London, UK Family Pictures, Jennifer Blessing, Contemporary Photography and Video from the Collection of the Guggenheim Museum, Galleria Gottardo, Lugano, Switzerland, 2005
The Photograph as Contemporary Art, Charlotte Cotton, London: Thames & Hudson, 2005
Gallerie d’Art & Co, “A Bocca Aperte: In Australia ‘arte riesce a togliere il fiato, 2005
The World is a Stage, Stories Behind Pictures, Exhibition Catalogue, Tokyo: Mori Art Museum, 2005
Andrew Frost, ‘What’s so fashionable about video art in Australia right now?,’ Photofile (Winter), Issue 74, 2005
Gary Carsley, “Tracey Moffatt-The Adventure Series,” Photofile, No. 73, Summer, p 69, 2005
Mixed-up Childhood, Exhibition Catalogue, New Zealand: Auckland Art Gallery Toi o Tamaki, 2005
Hisa Abe “Behind the gloss”, The Courier Mail, 30 March, 2005
“IMA’s talented trifecta”, Gold Coast Bulletin,12 March, 2005
Unknown Author “Urban Adventure”, Rave Magazine, 15 March, 2005
Unknown Author “Action Items...”, Brisbane news, 6 April, 2005
Unknown Author “Best of the rest”, Australian Financial Review, 16 April, 2005 Unknown Author “Tracey Moffatt: Adventure Series and Love”, Brisbane City Search, 5 April, 2005
Unknown Author “Triple bill at the IMA”, Art Monthly Australia, Issue 178, April, 2005 Unknown Author ‘Moffatt’s Brisbane Adventure”, Style Magazine, April, 2005
Unknown Author “Snap, that’s Brisbane”, The Courier Mail, 16-17 April, 2005
Andrea Stretton, ‘Reading, Tracey Moffatt’, Art and Australia, Vol. 43 (Summer), no. 2, pp 282-84, 2005
Margaret Marsh, Michele Watts and Craig Malyon A.R.T. 2 practice, Melbourne: Oxford University Press, pp 94-5, 2005
Samantha Selinger-Morris, “The secret lives of Tracey Moffatt,” The Sydney Morning Herald (Spectrum), p 67, 30-31 July, 2005
Sarah Douglas, “Tracey Moffatt: New Work in New York,” Australian Art Collector, Issue 33, pp 100-105, July – September, 2005
“Moffatt: In Review”, Monash Gallery of Art Newsletter (Winter), pp. 6-8, 2005
Helen McDonald, ‘Francesca Alfano Miglietti (FAM), Extreme Bodies: The Use and Abuse of the Body in Art’, Art Monthly Australia, p 12, June, 2005
Naomi Cass, ‘Tracey Moffatt in review’, Artnotes Victoria, Art monthly, p 46, June 2005
Annette Larkin, Justin Miller and Damian Hackett, “ going, going, gone...Three auction house experts reveal their top 10 favourite Australian artists to watch...” Vogue Living (Australia), p 110, May-June, 2005
Jill Bennett, Felicity Fenner and Liam Kelly, Prepossession, exhibition catalogue, 2005 Tracey Moffatt, Adventure Series, exhibition brochure, Brisbane: IMA (Institute of Modern Art), 2005
Gael Newton, World of Dreamings, Canberra: National gallery of Australia, 2005 Unknown Author “Tracey Moffatt’s Adventure Series: Exhibitions to Watch” Artlink, p 76, 2005
Colour Power: Aboriginal Art Post 1984, Exhibition Catalogue, Australia: National Gallery of Victoria, 2005
Ron Radford, “LOVE,” IMA Newsletter, p 5, February-June, 2005
Courtney Pedersen, The Indefinitive Self: Subject as Process in Contemporary Art, Queensland University of Technology: Brisbane, Chapter two, pp 35-57, 2005
Andrea Stretton, “Readers in the frame”, Art & Australia, Autumn 2005, Vol 42, No. 3, p 442, 2005
Alicia Foster, Tate Women Artists, London: Tate Publishing, June 2004
Äventyr I Gränslandet, Hasse Persson, TaFOTO, No.10, 2004
Ulf Johanson, “Det är något bekant över Tracey Moffatts bilder”,te GÖTEBORGS- POSTEN Fredag, 11 June, 2004
Richard B. Woodward “Home Team Advantage”,The New York Times, 15 February, 2004
Nyanda Smith, “Tracey Moffatt,” Cause Celebre, April – May, 2004
Just Love Me, Exhibition Catalogue, Leeuwarden: Fries Museum Leeuwarden, 2004
Unknown Author “Sports”, Exit Magazine, Madrid: Olivares & Associates, Issue 15, 14 October, 2004
Poppy Diamantadis, “Tracey in My Room,” Cream 18 (entrée), 2004
Ken Bolton, “Australian Women Artists: Sailing to Tahiti,” Jamini: International Arts Quarterly, pp 68 – 79, November, 2004
Nellie Castan, “New York – The Armory Show 2004” ART EXPO, p 30, 2004
Catherine Summerhayes, “Haunting Series: Tracey Moffatt’s bedevil,” Film Quarterly, Autumn, Volume 58, pp 14 – 24, 2004
David Broker, “The Adelaide Biennial of Australian Art,” Eyeline, Issue 54, Winter, pp 44 – 46, 2004
Emma Muhlberger, “One Square Mile: Brisbane Boundaries, Museum of Brisbane,” Eyeline, Issue 54, pp 52-53, Winter, 2004
Margo Neale and Timothy Morell, “Who’s Laughing: Humour in Indigenous Australian Photography,” Photofile, Issue 72, pp 54 – 57, Spring, 2004
Darren Tofts, “Good Looking: Narrative Photographs Past and Present, Ian Potter Centre, National Gallery of Victoria ,” Photofile, Issue 72, pp 71 – 73, Spring, 2004 Ruark Lewis, “Review: Tracey Moffatt, Museum of Contemporary Art,” Photofile, Issue 71, Winter, p 66, 2004
Marie Bonnal, “Review: Tracey Moffatt, John Curtin Gallery,” Photofile, Issue 71, Winter, pp 66- 67, 2004
John McDonald, “In the Eye of the Beholder”, Financial Times Review (Australia) , 22 January, 2004
Unknown Author “The Plot Thickens”, www.theage.com.au, 13 August, 2004
Kendrah Morgan interviewed by Catherine Freyne “The Plot Thickens-Narratives in Australian Art” ABC Radio National, 15 September, 2004
Paola Anselmi “Tracey Moffatt: Mise en Scéne”, Contemporary Visual Arts and Culture Broadsheet, Vol. 33 No.2, June/August, 2004
“Home stays at heart of this girl’s art”, The Courier Mail, 12 November, 2004
Lisa Gye, “Novamedia: an Australian First”, realtimearts.net, 2004
Kate Rhodes, “When your heart is troubled: Tracey Moffatt’s Night Cries”, Colour Power, Aboriginal Art Post 1984, National Gallery of Victoria, p 144, 2004
Tradition Today: Indigenous Art in Australia, Sydney: Art Gallery of New South Wales, p 90, 2004
Lauren Dalla, “Depth of Field”, www.portrait.gov.au , 2004
Ruth Skilbeck, “Tracey Moffatt,” POL Oxygen (Special Collector’s Issue), Issue 10, pp 44 – 52, 2004
Fiona Prior, “Art review: Tracey Moffatt's Adventure Series,” chaosgeneration.com, August, 2004
Fiona Prior, “The Artful Ms Moffatt ..., “ ,www.henrythornton.com, 1 August, 2004 Tracey Moffatt, “The Story of Tracey Moffatt’s Adventure Series photo shoot in Brisbane, Australia,” Roslyn Oxley9 Gallery, 2004
Carmel Dwyer, “Moffatt’s adventure art soars to $3.5m,” The Weekend Australian Financial Review, p 8, 7-8 August, 2004
Peter Hill, “Better by design...,” Sydney Morning Herald (Spectrum), pp 8-9, 7-8 August,2004 Dominique Angeloro, “Strip Down,” Sydney Morning Herald (Metro), p 26, 6 August, 2004 Jeni Porter, “Bursting with talent,” Sydney Morning Herald (News), 31 July – 1 August, p 22, 2004
Victoria Hynes, “Tracey Moffatt – Adventure Series,” The (Sydney) Magazine, 28 July, p 94, 2004
Alison Kubler, “Brisvegas: Little city, big history – One Square Mile: Brisbane Boundaries at the Museum of Brisbane,” Art Monthly Australia, Issue 169, pp 31 – 33, May 2004
Nyanda Smith, “Moffatt expolores the Frontiers”, The West Australian,3 January, 2004 Kate Davidson, “Of Images and Episodes”, Art Monthly Australia, April, 2004
Lauren Dalla, “Depth of Field,” Portrait , Canberra : National Portrait Gallery, Issue 12, pp 20 – 24, 2004
“Portraits: Tracey Moffatt”, Harper’s Bazaar (Australia), April, p 125, 2004
Ruth Hessey, “Moffatt is a huge hit wherever she goes. Ruth Hessey explains why.”, Australian Art Review, Issue 4, pp 62-63, March –June, 2004
Elizabeth Ann Macgregor Tracey Moffatt, Exhibition catalogue, Sydney: Museum of Contemporary Art, 2004
Simon Blond “Moffatt Exposes Dark”, The West Australian, 14 February, 2004
Michael Fitzgerald, “Not Dying, Changing,” TIME (Australia) , pp 62-63, 22 March, 2004
Eve Sullivan, “The Juvenalia of Tracey Moffatt”, Art & Australia, January-February, 2004
“A conversation with Tracey Moffatt”, Deadly Vibe, February 2004
Susan McCulloch, The Weekend Australian, 27-28 March, 2004
Barbara Creed, “State of the Arts” January/March 2004
Russell Smith, “Tracey Moffatt: The International Look,” Broadsheet, Volume 33, Issue no. 1, pp 36 – 38, February-May, 2004
Natalya Lusty, “Something more about Moffatt,” The Financial Review (Australia), pp 8- 9, 27 February, 2004
Jackie Chowns, “Comic Turn” The Sydney Morning Herald, 16-22 January, 2004 Robert Nelson, “Tracey Moffatt: Museum of Contemporary Art, Sydney,” The Age, 14 January, 2004
Patricia Anderson, “Polished rituals of looking,” The Weekend Australian, p 19, 3-4 January, 2004
Geoffrey Maslen, “Something More – After Record Year”, The Sydney Morning Herald, February, 2004
Brenda L. Croft, New View: Indigenous Photographic Perspectives, Exhibition Catalogue, Melbourne: Monash University Library, 2004
“Tracey Moffatt: Vox Pop” Vogue Living (Australia) , November/December, 2004
Something More Than Five Revolutionary Seconds, Exhibition Catalogue, Milan: Fondazione Davide Halevim, 2003
Tracey Moffatt, “Shanghai Surprise - Artist Tracey Moffatt adventures in China”, V Magazine, Issue no. 23, May/June, 2003
Bill Owens “Scarred for Life: Heaven: Tracey Moffatt”, The Suburban Unconscious, or Stories of Nowhere: Quaderns d arquitectura i urbanisme, Barcelona: College of the Architects of Catalan, Issue. 237, pp. 2003
Sabine Himmelsbach, Mark Nash, Stephan Urbaschek, Peter Weibel, Fast Forward, Exhibition catalogue, Stephen Urbaschek and Ingvild Goetz (eds.), Munich: Hatje Cantz, 2003
Fast Forward, Exhibition Catalogue, Shanghai: Xin Rui She Ying, 2003
Kunstforum Baloise: Interim Balance, New Acquisitions, Exhibition Catalogue, Basel: Baloise-Gruppe, 2003
Just Love Me, Exhibition Catalogue, Bergen: Bergen Art Musuem, Munich: Sammulung Gotez, 2003
“New Wave, Shanghai Surprise: Artist Tracey Moffatts Adventures in China”, V Magazine, May/June 2003
Unknown Author , Entertainment Guide, City Weekend , 9-22 January, 2003
Unknown Author, Scene Shanghai, 1 January, 2003
Unknown Author High: art, our city and us, Shanghai, January 2003
Trevor Fairbrother, Family Ties: A Contemporary Perspective, Exhibition Catalogue, Salem: Peabody Essex Museum, 2003
Catherine Summerhayes “Who in "Heaven"? Tracey Moffatt: Men in Wet-Suits and the Female Gaze”, Journal of Narrative Theory, Vol. 33, Issue No. 1, Michigan: JNT, pp 63-80, Winter, 2003
“Women Vision: Women and the Moving Image in Australia,” Women Vision, Lisa French, Catherine Summerhayes (eds.), Melbourne: Damned Publishing, p 267, 2003
Peter Hill, “Once is not enough,” Sydney Morning Herald (Spectrum), pp. 18-19, 26-28 December, 2003
“Tracey Moffatt,” The (Sydney) Magazine, p. 118, 2003
Michael Fitzgerald, “Hearts in the picture,” Time Magazine (Australia), 22 December, 2003
Lenny Ann Low, “Zooming in on an artful tease,” The Sydney Morning Herald, p 14, 16 December, 2003
Eve Sullivan, “The Juvenilia of Tracey Moffatt,” Art & Australia, Summer, vol. 41, no. 2, pp 232 – 239, 2003
“Collecting”, Vogue Living (Australia), p 102, October/November. 2003
Ashley Crawford, “Tracey Moffatt”, See Here Now: Vizard Foundation Art Collection of the 1990s, Chris MacAuliffe and Sue Harvey (eds.), Melbourne: Ian Potter Museum of Art and Australia: Thames and Hudson, pp 90 – 93, 2003
Ashley Crawford, “The Art of Darkness” The Age, 27 September, 2003.
Daniel Palmer, “Tracey Moffatt”, Monash University Collection: Four Decades of Collecting, Jenepher Duncan and Linda Michael (eds.), Victoria: Monash University and Monash University Museum of Art, p 87, 2003
Cathy Leahy, 'The offset image: prints in the Collection”, Monash University Collection: Four Decades of Collecting, Jenepher Duncan and Linda Michael (eds), Victoria: Monash University and Monash University Museum of Art, pp 37 – 39, 2003
Margaret Plant, 'The Journey from Field to Fieldwork 1968 - 2003,' Eyeline, Issue 51, pp. 44 – 46, Autumn – Winter, 2003
Zara Stanhope, “Take a Good Look at My Face, Love at First Sight: artists and their relationship with the camera”, Eyeline, Issue 51, pp 26 – 29, Autumn - Winter, 2003
Clara Laccarino, “Collectors Art”, The Sun-Herald (Sunday Metro), p 9, 13 July, 2003 Katrina Strickland, “Black lives viewed from the inside”, The Australian (Arts), p 14, 29 May, 2003
Stuart Koop, 'Fieldwork: Australian Art 1968 - 2002, Broadsheet, vol. 32, no. 1, pp 8 - 11 March- May, 2003
Juliam Raxworthy, 'Love at First Sight,' Photofile, Issue 68, pp 69-70, April, 2003 Flagship: Australian Art in the National Gallery of Victoria, 1790 - 2000, Isobel Crombie (ed.), Melbourne: The Ian Potter Centre, pp 67, 74, 2003
Elizabeth Sarks, “Tracey Moffatt: 50 Most Collectable Artists”, Australian Art Collector, Issue 23, January – March, 2003
Brett Adlington, 6ft + clean: surf + art, Exhibition catalogue, Gold Coast: Gold Coast City Art Gallery, 2003
Sandra McLean, “Cool in Camera”, Courier Mail, 29 March, 2003
Diary, William Petley, The Sun-Herald, 21 September, 2003
Kim Appleby, 'A self-portrait in focus: Portrait #6’, National Portrait Gallery, Canberra, p 7, Summer, 2003
Ross Gibson, Poise: a brief meditation on the work of six photographers: Points of View Exhibition Catalogue, Sydney: University of Technology Sydney Art Collection, 2003
Hautnah Die Sammlung Goetz, Exhibition catalogue, Munich: Goetz Collection, August, 2002
Olaf Prytzbilla, 'Tanz-Rituale auf dem Rasen: Eine Ikonografie des Sports,' Die Welt, 22 September 2002
Just Love Me, Exhibition Catalogue, Baden- Baden: Staatliche Kunsthalle, 2002
Hannah Fink in conversation with Hetti Perkins and Nikos Papastergiadis, “Forking Tongues,” Asia-Pacific Triennial of Contemporary Art catalogue, p116, 2002
Catherine Summerhayes, “Film as Transformative Play in the Art of Tracey Moffatt,” INTER Sections, Vol 2, p 177, 2002
John McPhee, 'City Life: De Sydney à Melbourne,' Paris Photo Magazine International, Issue no. 22, September/October, pp 124 -131, 2002
Tracey Moffatt, Paula Savage and Lara Strongman (eds.),Wellington: City Gallery Wellington, March, 2002
Melodrama, Lo excesivo en la imaginacion postmoderna, Exhibition Catalogue, Vitorio- Gasteiz: Centro-Museo Vasco de Arte Contemporaneo, 2002
Hollywood Revisited, Exhibition Catalogue Aarhus: Aarhus Kunstmuseum, 2002 Veczoennections: Contemporary Artists from Australia, Exhibition Catalogue, Zagreb: House of Croatian Artists, 2002
True Fiction, Inzinierte Foto-Kunst der 1990 er Jahre, Exhibition Catalogue, Aachen: Ludwig Forum fur Internationale Kunst, 2002
Katerina Gregos, 'Tracey Moffatt,' Contemporary, January, 2002
E. Ann Kaplan, 'Between the Psyche and the Social, Psychoanalytic Social Theory,' Trauma, Cinema, Witnessing, 2002
Lisa Fischman, “Studio Visit: Neither Win, Place nor Show”, Art Papers Magazine, July/August, 2002
Hesse Mcgraw “Fiction and History: A Science of Disputed Signs”, Review, May/June, 2002
Unknown Author 'Zahranchi> Umelecky svet po 11. Zari 2001,' Atelier, 5 March, 2002
Jerry Cullum, 'The Excellence of the Also-Rans,' The Atlantic Journal-Constitution, 22 March, 2002
Felicia Feaster, 'Loser,' Atlanta.CreativeLoafing.com, 20-26 March, 2002
Unknown Author 'Just Like a Woman,' Harpers Bazaar (USA), March, 2002
Alice Throson, 'Everything Here is Not What it Seems,' The Kansas City Art Star, 3 May, 2002
Gregory Williams, 'Better Luck Next Time,' Cabinet, Summer, 2002
Cynthia Baron “Films by Tracey Moffatt: Reclaiming First Australians' Rights, Celebrating Women's Rites” Women's Studies Quarterly: Looking Across the Lens: Women's Studies and Film, Vol. 30, Issue No. 1/2, pp. 151-177, New York: The Feminist Press at the City University of New York, Spring - Summer, 2002
Jeff Gibson, 'Preview,' Artforum, January, 2002
Unknown Author 'Tracey Moffatt: Joslyn Art Museum, Omaha,' The Art Newspaper, February, 2002
Unknown Author 'Trauma Oxford,' The Guardian Guide (UK), 26 January, 2002
Gareth Evans, 'Between the Lines: Dial T for Trauma,' Sight & Sound, March, 2002 Charles Green, “Into the 1990s: the decay of postmodernism”, Fieldwork: Australian Art 1968 - 2002, Exhibition Catalogue, Melbourne,: National Gallery of Victoria, p. 100 – 111, November,2002 – February, 2003
Cover Image, Art Monthly Australia, Issue #156, December 2002- February 2003
Chris Chapman, 'Three uses of photography,' Photofile, Issue no. 67, pp. 4-8, December, 2002
2nd Sight Australian Photography in the National Gallery of Victoria, exhibition catalogue, Melbourne: National Gallery of Victoria, p 97, 2002
Images of Australian Men: Photographs from the Monash Gallery of Art Collection, Wheelers Hill: Monash Gallery of Art, Exhibition catalogue, May, 2002
Michael Fitzgerald, 'Brand New Gaze,' Time Australia, July,2002
Geoff Maslen, 'Painting by Numbers: Smart Art Fetches $200,000,' The Daily Telegraph, 27 April, 2002
Geoffrey Maslen, 'Something More - After Record Year,' SMH.com, 4 February, 2002
Unknown Author 'Canvas,' Art News, February, 2002
Carlo McCormick, Tracey Moffatt, Arts Drama Queen, December/January, 2002
Tracey Cooper, 'The Enduring Glance: 20th Century Australian Photography from the Corrigan Collection,' Antiques & Art in Victoria, Bendigo: Bendigo Art Gallery, 2002
Geoff Maslen, 'Nine Photographs Sell for $226,575,' The Sydney Morning Herald, 26 June, 2002
Unknown Author “Three Days of Lectures and Discussions at the ARS 01 Exhibition,' Unfolding Perspectives: Museum of Contemporary Art Kiasma, September 2001- January 2002
Unknown Author 'Dolores Clairborne y Cenicienta: Entre cuentos de hadas,' Celia Prado, Exit, November/January, 2001-2002
Neil Jones, 'Art and Society Interact in this 'Must See" Show,' Halstead Gazette (Essex), 5 October, 2001
Unknown Author, 'From Tomorrow, Art,' Evening Standard, 27 March, 2001
Unknown Author 'Review: Tracey Moffatt,' Ed, On Magazine, April-May, 2001
Unknown Author 'Trauma,' Scotland on Sunday - Art, 8 July, 2001
Alison Middleton, 'Exploring Traumatic Experiences,' Press & Journal, 7 July, 2001 Unknown Author 'Cultural Devolution?,' Tate Magazine, Summer 2001
John Beagles, 'Art: Trauma,' The List, 5 – 19 July, 2001
Amber Cowan 'Amber Cowans choice: Trauma,' Play, 7-13 July, 2001
Michael Cathcart ‘Australian Artist Tracey Moffatt’, Arts Today, 9 January, 2001
Nicky Bird, 'Trauma,' Art Monthly (UK), September, 2001
Unknown Author 'Previews,' Art Review (UK), September, 2001
Francesca Calvocoressi, 'Exhibition Reviews: The World in which We Live,' YoungMinds Magazine, Issue No. 54, 2001
Unknown Author 'A Journey into Disturbing Places,' Financial Times: The Arts (Scotland), 17 July, 2001
John Calcutt, 'Reviews: Trauma,' Scotland on Sunday, July, 2001
Elizabeth Mahoney, 'Arts: Scared for Life,' The Guardian (UK), 14 July, 2001
Heather Neill, 'Artbeat,' Times Educational Supplement, 14 September, 2001
'ARS 01,' Tema-Celeste: Contemporary Art (Finland), November – December, 2001
Helen McDonald, Erotic Ambiguities, The Female Nude in Art, London: Routledge, 2001
'Tracey Moffatt,' Art Asia Pacific, Issue 26, 2001
Maria Vlahou, 'Guest: Tracey Moffatt,' Ozon, October, 2001
Helen Monaghan, 'Tracey Moffatt,' The List, 29 March, 2001
Marina Sorbello, 'Contemporary Art Jamboree Goes Global,' The Art Newspaper, Issue No. 112, March, 2001
Franklin Sirmans, 'Art Review,' Time Out (New York), 22-29 November, 2001
Linas Alsenas, 'Calendar,' Interior Design, November, 2001
Edward Fox, 'Art,' Jalouse, November, 2001
Jessica Dawson, 'Moffatt: This Dogma Can Bite,' The Washington Post, 18 October, 2001
Leah Ollman, 'Switching Roles in Identity Power Plays,' Los Angeles Times, 25 April, 2001
'Photo Narratives: Where Fiction Meets Reality,' The Chronicle Review, 20 April, 2001
Devorah L. Knaff, 'Digital Artistry Raises Serious Issues,' The Press Enterprise, 20 April, 2001
Charles Hand, 'UCR Presents Images of Culture, Sex, and Age: Australian Photographers Work Seems to Have Taken over Museum,' The Californian, 19 April, 2001
Mitra Abbaspour, 'Tracey Moffatt,' Fototext: UCR-California Museum of Photography, Spring, 2001
Von Elke Buhr, 'Vierte Sieger: Neue Bilder & ganze Dramen von Tracey Moffatt in der L.A. Galerie Albrecht in Frankfurt,' Kulterspiegel, Frankfurter Rundschau, October, 2001
Brigitte Reinhard, 'Tracey Moffatt,' Int. Biennial of Graphic Arts Ljublijiana, 2001
Boris Kremer, 'Less Words,' Audit (Luxemborg), 2001
Chris Bollen, 'Beautiful Losers,' V Magazine, November/December, 2001
Ben Widdicombe, 'Consuming Passion,' Jalouse, Premiere Issue, 2001
Rosalind C. Morris, 'Tracey Moffatt: Laudanum,' Connect bi-yearly Magazine, 2001 Helen A. Harrison, 'Aboriginal Artist Faces Attitudes in Her Culture,' New York Times, 25 February, 2001
Fred A. Bernstein, ‘Quick Learner,’ Elle Décor, February/March, 2001
Art News, 'Tracey Moffatt on the Last of the Nuba,' February, 2001
Doreen Mellor, 'Invoking Tracey Moffatt,' MUSE, August 2001
Miguel Icassatti e Juliana Werneck, 'Heaven, Ela subiu aos cues,' TPM, Trip.parpa.mulher, July 2001
Ulrike Lehnmann, 'Zwischen Wirklichkeit und Fiktion,' Women Artists, 2001
Angela Lampe, 'Tracey Moffatt, Die Unheimliche Frau,' Kunsthalle Biefeld, September, 2001
Christian Muckl, 'Gleiten in der Galerie,' Feuilleton, 15 September, 2001
F.J. Broder, '"England grußt den Fuhrer," Bayerishe Staatszeitung und Bayerischer Staatsanzieger, 21 September, 2001
Samuel Herzog, 'Tracey Moffatt: Abenteuerliches Pasticcio,' Basler Magazin, Beilage der Basler Zeitung, Nr. 19, May, 2001
'Die Schopfung, Sieben Szenen,' DU- Die Zeitschrift der Kultur, No. 718, 2001
Anna Brodow, 'Modig Universitetskonst lamplig for illustration," Lordagen Den, 3 March, 2001
Sonia Hedstrand, 'Minnen och fordomar,' Arbetaren 16 February to 22 February, 2001
Milou Allerholm, 'Koloniala bindingar och uppbrott,' DN Stockholme, 2001
Marja-Terttu Kivirinta, 'Tukholman nayttelykarrtta on runsas,' Helsingin Sanomat, 5 March, 2001
Gunila Grahn-Hinnfors, 'Coolt eller ilsket,' Goteborgs-Posten Lordag, 3 March, 2001
Nils Forsberg, 'Resa via Mad Max,' Expressen, 22 February, 2001
Fotokunst der 90 er Jahre aus der Sammlung Sandretto Re Rebaudengo, Exhibition Catalogue, Zurich: Edition Oehrli, 2001
Sacha Craddock, 'Tracey Moffatt,' Tema Celeste,Issue 86, 2001
Audit, Casino Luxembourg, Luxembourg City: Forum dart Contemporain, September 2001
Unkown Author 'Gewinner der goldenen Ananas,' Frankfurter Allgemeine Zeitung, 29 December, 2001
Unknown Author 'Un mundo adolescente/ Teenage World,' EXIT, imagen y cultura, Issue No. 4, November, 2001
International Biennial of Graphic Art, Exhibition Catalogue, Ljubljana: International Center of Graphic Arts, 2001
Reisen Ins Ich, Kunstler/ Selbst/ Bild, Exhibition catalogue, Klosterneuburg : Sammlung Essl, 2001
Unknown Author 'Tracey Moffatt,' The New Yorker, 24 November, 2001
Unknown Author, The 1st Valencia Biennale, Communication between the Arts,' Exhibition catalogue, Valencia: Generalitat Valencia, Spain, 2001
Sport in der Zeitgenossischen Kunst, Exhibition catalogue, Nurnberg: Kunsthalle, 2001
Mujeres que hablan de mujeres, Exhibition catalogue, S. Cruz de Tenerife: Espacio Cultural El Tanque, 2001
Marie Feliciano, 'The World of Tracey Moffatt,' Taiwan News, 12 August, 2001 Elisabeth Mahoney, 'Tracey Moffatt,' The Guardian (UK) , Thursday, 19 April, 2001 Sally O Reilly, 'Tracey Moffatt,' Time Out (London), 17 April, 2001
Sebastian Smee, 'Just Dont call me an Aboriginal artist,' Independent, 16 April, 2001
Neil Cameron, 'An Aboriginal original,' The Scotsman, 10 April, 2001
Susannah Thompson, 'Tracey Moffatt,' The List, 26 April, 2001
Evening Standard, 'From Tomorrow, Art,' 27 March, 2001
'Review: Tracey Moffatt,' Ed, On Magazine, April-May, 2001
Penny Webb, 'A $74,000 auction record holder makes the pace with a portfolio of Olympic losers,' The Sydney Morning Herald, 3 August, 2001
Unknown Author 'Fictional world high in drama,' Canberra Sunday Times, 12 August, 2001
Tony Oates, 'Moffatt's Invocations portray enigmatic world,' ANU Reporter, Vol. 32, Issue No. 12, 17 August, 2001
Myra McIntyre, 'Childhood fantasies recalled,' Canberra Times, 11 August, 2001
Penny Webb, 'Leaps and boundaries,' The Age, 3 August, 2001
Peter Gotting, Buyer goes for something more,' The Age, 2 August, 2001
Peter Gotting, 'Looking for the next new thing in art? Its a snap,' The Sydney Morning Herald,1 August, 2001
Cassie Proudfoot, 'Fractured Fantasy,' Canberra Times (Times Out),19 July, 2001 Andrew Sayers, 'In Our Own Image,' The Australian Financial Review, January, 2001
Hossein Valamanesh, 'Visual Arts,' The Bulletin with Newsweek, 17 July, 2001
Frances Amble, 'Insightful,' Student Newspaper, 19 May, 2001
Fisun Guner, 'Tracey Moffatt: Invocations,' Metro Life, May, 2001
Moira Jeffrey, 'Little Miss Moffatt,' Sunday Herald, 15 April, 2001
Moira Jeffrey, 'The World of Wounds,' The Herald, 13 July, 2001
'Australia . . . land of the rising art sales,' The Sydney Morning Herald, 13 November, 2001
Katie Pollock, 'Tracey Moffatt: Invocations,' The Bulletin (The Perfect Week: Visual Arts), 17 July, 2001
Gabriella Coslovich, 'Moffatt's Ever Expanding Profile,' The Age, 2 May, 2001
Georgina Safe, 'Taking the Long March into Asia,' The Australian, 20 April, 2001
Terry Ingram, 'Market Cracks as Buyers Hold Back,' The Australian Financial Review, 30 November, 2001
Catherine Summerhayes, 'Still Film: Tracey Moffatts Invocations and bedevil,' Photofile, December 2001
Rex Butler and Morgan Thomas, 'From Something Singular... To Something More,' Eyeline, Autumn/Winter, 2001
Francisco Calvo Searraller, ‘Fin de Siglo,’ El País, 26 August, 2000
Jane Harrison, ‘Australiens Gestohlene Kinder,’ Frankfurter Rundschau, 9 September, 2000
Anne Ring Peterson, ‘Den utilpassede,’ Det Nationale Fotomuseum, 2000
Dan Jönsson, ‘Tracey Moffatt’s komplexa pussel,’ Jah for Sidsta, April 2000
Hanneke Huls, ‘Tracey Moffatt Laudanum,’ Torch, May 2000
Helmond Gemeentemuseum, Archis, Gemeentemuseum, 22 April, 2000
Ruth De Beer, ‘Introducing Tracey Moffatt,’ Museum Helmond, 2000
Unknown author “Zwetende lichamen in een onmetelijke woestijn”, Uitkrant, June 2000
Unknown author ‘SottShock,’ Man, May 2000
Unknown author ‘Australische Avante-Garde-Kunstenares,’ Rails, May 2000
Unknown author ‘Tracey Moffatt,’ Spits, May,2000
Unknown author ‘Tracey Moffatt,’ Carp, Helmond Gemeentemuseum , April 2000 Unknown author ‘Expositie Tracey Moffatt,’ Traverse, Helmond Gemeentemuseum, April, 2000
Unknown author ‘Fototentoonstelling Tracey Moffatt in Gemeentemuseum,’ Helmond, Nieuus, April, 2000
Unknown Author ‘Laudanum,’ Vitrine, March 2000
Unknown author ‘Mutitalent, Tracey Moffatt,’ Avante Garde, May 2000
Unknown author ‘Tentoonstelling: Tracey Moffatt,’ Style Magazine, April 2000 Unknown author ‘Mi Trabajo es de carácter universal,’ Cabello/ Carceller,
PhotoPeriódico, June 2000
Unknown author ‘Cronica de Una Fantasia,’ Cabello/ Carceller, El Periódico del Arte, May 2000
Unknown author ‘Tracey Moffatt in Babelia,’ El País, p.12 , 26 August , 2000
Helga de Alvear, ‘Tracey Moffatt,’ Arte de Parte, April/May 2000
Tom Jørgensen, ‘Brutal Aestetik,’ Det Nationale Fotomuseum, 8 April 2000
Unknown author “Snap Ruling: The Citibank Private Bank Photography Prize 2000”, Metro p.24-25, 5 Feburary, 2000
Unknown author ‘Finalists eye Citibank Private Bank Photography Prize,’ Citigroup, p.9, 2000
Unknown author ‘Campos del Color,’ El País de las Tentaciones, 5 May, 2000 Unknown author ‘Tracey Moffatt, Trans-Europe-Expos, December-January, 2000 Unknown author ‘Tracey Moffatt,’ Readers Digest (Canada), March 2000
Saul Anton, ‘Tracey Moffatt, Fractured Fairy Tales,’ Time Out (New York), 2-9 March, 2000
Simon Grant, ‘Rich pickings up for the prize,’ The Guide, 5-11 February, 2000
Natsumi Inokuchi, ‘Citibank Prize,’ Flash Art, January/February, 2000
Kristine Kern, ‘Opium til øjnene,’, Unknown media source, April 2000
Tracey Moffatt: Laudanum, Exhibition Catalogue, Copenhagen: Det Nationale Fotomuseum, February-April, 2000
Unknown author ‘Tracey Moffatt, Invocations,’ Artforum International, February, 2000
Corneilia H. Butler, Flight Patterns, Exhibition catalogue, Los Angeles: Museum for Contemporary Art, 2000
David S. Rubin, Photography Now, Exhibition Catalogue, New Orleans: Contemporary Art Center, 2000 Maartje den Breejen, “De roes van de Australische Tracey Moffatt”, Rarool, May, 2000
“Eerste museale expositie van de Australische Tracey Moffatt in Helmond”, Cranpetter, April, 2000
Paola van dee Velde, “Herkenbare gevoelens bij Tracey Moffatt”, De Telegraf, 2000 “Down under”, Eindhovens Dagblad, April 2000
Angelique Spaninks, “Buiden voor de larzen van een motorduivelin”, De Stern, May, 2000
Rutger Pontzen, “Egocentrisch zelfbeklag,”, Urij Nedeland, May, 2000
Karen Duking, “Wat gebeurde er met het aboriginalmeisje”, Dagbald de Limburger, May, 2000,
Sandra Smallenburg, ‘Kracht van Moffatt ligt in wat ze niet vertelt,’ NRC Handelsblad, May, 2000
Esma Moukhtar, “ Spookverhalen en”, Skrien, June 2000, Holland
Oscar Alonso Monlina, “Tracey Moffatt”, Arte y Parte, Issue no. 26, April/May, 2000
Ana Martinez-Collado, “Tracey Moffatt”, www.arts.zin, 2000
Eugenio Castro, “Por las riberas del sueño”, La Razon, June 2000
Mette Sandbye, “Down Under” Weekenddavisen, 11-17 February 2000
Tom Jorgensen, “Flot udstilling af den australske Tracey Moffatt”, Ekstra Bladet, 2 February, 2000
Camilla A. Stockmann, “Laudanum”, Nat & Dag, 5 February 2000
Malene La Cour Rasmussen, “Dramatiske drome”, Jyllands-Posten/Morgen visen, 10 March, 2000
Sarah Kent, “Mommy Dearest”, Time Out (London), 11-17 July, 2000
Inside Photography,’ Terrington Calas, New Orleans Art Review, September/October, 2000
Doug McCash, ‘New Developments,’ Lagniappe, 14 July, 2000
D. Eric Bookhardt, ‘The New New Thing,’ Gambit Weekly, 8 August, 2000
Elena Vozmeino, ‘Tracey Moffatt, Los Sueños,’ El Cultural, El Mondo, May, 2000 ‘Moffatt presenta una serie sobre ‘miedos y sueños’ a través de fotserigrafias,’
El País, 10 May, 2000
Juan Vincente Aliaga, ‘A Sangre Y Fuego: Imatges de la Violéncia a lart contemporani,’, A Sangre Y Fuego, 2000
Michael Guerrin, ‘Les photos fabriquées de lénigmatique Tracey Moffatt,’ Le Monde, 7 January, 2000
Susie Linfield, ‘Eclectic Eye,’ Artnews, February, 2000
Bridgit Somma, ‘Arbeiten im Schnittfeld von Mode, Design und Feminismus,’ (English translation: active on the interface between feminism, fashion and design), Lufthansa Magazine ,Issue No. 4, April, 2000
Simona Cresci, ‘Un artista australiana da seguire con grande interesse,’ Time Out (Rome), Issue No. 48, 7-13 December, 2000
Cabello/Carceller, ‘“Mi trabajo es de caracter universal,’ Photo Periodico, June, 2000
Oscar Alonso Molina, ‘Tracey Moffatt,’ Arte y Parte,Issue No. 26, p. 134, April-May, 2000
Unknown Author “Festival Off, las galerias se abren a la forografia”, El Punto, Año XV, Issue no. 573, p 8, 9-15 June, 2000
Carlota de Alfonso, “Tracey Moffatt: Invocaciones “, El Punto, Año XV, Issue no. 569, p 4, 12-18 May, 2000
Juan Botella, “Tracey Moffatt: Invocaciones” Anticuaria, Issue no. 184, pp 58-60, June, 2000
Santiago B. Olmo, “ Sueños de ficcion” Lapiz, Issue no. 164, 2000
Roni Feinstein, “The Biennale of Reconciliation”, Art in America, p 39, December, 2000
Christine Temin, “Dreamscape of darkness” The Boston Globe,29 September, 2000
Joseph D. Ketner, Tracey Moffatt: Invocations , Exhibition Catalogue, Boston: Rose Art Museum, September, 2000
Susan Shepard, ‘The Fine Art of Photography,’ New England News Group Agency, 20 September, 2000
“Calender/Choice”, The Boston Globe, 31 August, 2000
Duncan McLaren, “Citibank Private Bank Photography Prize” 20 February, 2000
‘5 Photographs at Citibank Display,’ The News Line, 23 February, 2000
Catherine Etoe, ‘They Shoot Horses, Don’t They?’, The West End, 18 February, 2000
Midori Kimura, “Interview with Tracey Moffatt”, BT (Bijutsu Techo), Vol. 52, Issue no. 784, March, 2000
“Very New Art 2000, (Millennium special)”, BT (Bijutsu Techo),Vol. 52, Issue no. 782, January, 2000
“Views from the Last Century: Tracey Moffatt, Anderson & Low” (Image) The Magazine of the Association of Photographers, Issue no. 292, January, 2000
Holland Cotter, “Art in Review: Tracey Moffatt”, The New York Times, 31 March, 2000
“Tracey Moffatt”, Time Out (New York), 2-9 March, 2000
Carol Squires, “Tracey Moffatt”, American Photo, January/February, 2000
Niru S. Ratman, “They Shoot Horses, Dont They?”, The Face, Issue no.38, March, 2000
Unknown Author “Contents” Vogue Hommes International, Spring/Summer, 2000
Simon Rees, ‘Make-Believe,’ Pavement, No. 39, February/March, 2000
Jonathan Turner, ‘Trace Element,’ Black + White Magazine, No. 41, February, 2000 ‘Arts Cool,’ W Magazine, January 2000, New York, USA
Judith Benhamou-Huet, ‘Lactualite des galeries Parisiennes de Francis Bacon, Shirin Neshat, Tracey Moffatt, nouvelle referance,’ Les Echos, 7 January, 2000
En bref: Tracey Moffatt, Faisons rêve, Le Figaro, 4 January, 2000
Yan C., ‘Histoires de Femmes, Tracey Moffatt, La Reveuse,’ Jalouse, January, 2000
Philippe Regnier, ‘Chocolat amrer, marmelade et contes de fees,’ January, 2000 ‘Familien-album,’ Album Magazin Frankfurter Rundschau, 9 September, 2000 Présumes innocents - Lart contemporain et lenfance, Exhibition Catalogue, Bordeaux: CapcMusée dart contemporian de Bordeaux, 2000
Kinder des 20. Jahrhunderts, Exhibition Catalogue, Koblenz: Galerie der Stadt Aschaffenburg & Mitterlhein-Museum, 2000
Bernice Murphy, “Zeitgenossische Fotokunst aus Australian (Contemporary Photographic Art from Australia)”, Neuer Berliner Kunstverein, 2000
Richard Lacayo, ‘Pictures From An Exhibitionist,’ Time Magazine (USA), 13 November, 2000
Stephen Mckee, “Landascape in variate - Landscape in variation”, Archis no. 8, 2000
Lucien Lecarme, “Tracey Moffatt – Laudanum”, Museumkr@nt, 12 June, 2000
Michele Hewitson, ‘Weird scenes and outback stories,’ New Zealand Herald, 31 January, 2000
T.J. Macnamara, “Fresh eye on the familiar”, New Zealand Herald, 14 February, 2000
Peter Simpson, “Up in the Sky and Heaven”, Sunday Star Times, 20 February, 2000
Greg Burke & Hanna Scott, Drive-progress-power-desire, Exhibition Catalogue, New Plymouth : Govett-Brewster Art Gallery, 2000
Jonathan Turner, “Tracey Moffatt”, Contemporary Art, 2000
Bruce James, ‘Breaking The Spell,’ The Sydney Morning Herald spectrum, 5 August, 2000
Jan Mckemish, “When Crimes an Art”, The Courier Mail, 12 August, 2000
Judy Annear, World Without End: Aspects of 20th Century Photography, Exhibition Catalogue, Sydney: Art Gallery of New South Wales, 2000
Samantha Vawdrey & Katarina Paseta, Telling Tales: The child in contemporary photography, Exhibition Catalogue, Melbourne: Monash University Gallery, 2000
Wally Caruana, ‘Aboriginal Art in Modern Worlds,’ Exhibition Catalogue, Canberra: National Gallery of Australia, 2000
Sporting Life , Exhibition Catalogue, Sydney: Museum of Contemporary Art, 2000
Gael Newton, ‘World of Dreamings’, www.nga.gov.au/Dreaming, November, 2000 Telling Tales: the child in contemporary photography, Exhibition Catalogue, Melbourne: Monash University Gallery, July, 2000
Victoria Laurie, ‘A Century in Graphic Detail,’ The Australian Magazine, 2000
John McEwan, “Portraits of an Artist” The Sunday Telegraph, 5 March, 2000
Lynne Cooke, Sydney Biennale 2000, Exhibition Catalogue, 2000
Lara Travis, ‘Mirage: Drysdale and Moffatt in the Australian outback,’ Art & Australia, vol. 37 , Issue no. 4, 2000
Belinda Gibbon, “In focus: Contemporary photography can be a far-sighted investment”, The Sydney Morning Herald, 15 March 2000
Sebastian Smee, “The pain remains the same”, The Sydney Morning Herald, 26 February, 2000
Robert Cook, “Moffatt reveals her new scars” The West Australian, 5 April, 2000 Unknown Author “Australias 50 Most Collectible Artists”, Australian Art Collector, Issue no. 11, January-March, 2000
Paco Barragan, “Tracey Moffatt”, ABC Cultural, Issue no. 437, p 36, June, 2000
‘Tracey Moffatt,’ Le Point, 31 December 1999
Myriam Boutoulle, ‘Une galerie dart: photographique,’ Le Magazine, December, 1999
‘Tracey Moffatt et Vik Muniz,’ Le Nouvel Observateur, 16 December 1999
Frédérique Chapuis, ‘Rude Bush,’ Télérama, 17 November 1999
‘Le moderner chic et faux de Muniz et Moffatt,’ Télérama, 1 December 1999 Emmanuelle Lequeux, ‘Tracey Moffatt: Sa vie en photo-drama,’ Le Monde, 2 December 1999
Rainer Fuchs, La Casa, il Corpo, il Cuore: Konstruktion der Identitäten, Exhibition Catalogue, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna: Ludwig Museum, 1999
‘Tracey Moffatt,’ Le Monde, 18 November, 1999
Brigitte Ollier, ‘Tracey Moffatt sans fard,’ Liberation, 6 December 1999
Rainer Zerbst, ‘Noch dreihundert Meilen bis nach Brisbane,’ Eßlinger Zeitung, 27 June 1999
Georg Linsenmann, ‘Im Auge des Chamäleons,’ Schwäbische Zeitung, 5 June 1999
Guillaume Tesson, ‘Lart du detournement,’ Unknown media source, 17 November 1999
Olivier Reneau, ‘Incon tournables,’ Beaux Arts Magazine, September 1999
Lynne Cooke & Stephanie Sembill für Zeitgenössiche Life Cycles, Exhibition Catalogue, Leipzig : Kunst, 1999
Christoph Doswald, Missing Link Menschbilder in der Fotografie, Exhibition Catalogue, Bern: Kunstmuseum Bern, Edition Stemmle, 1999
Art at the Turn of the Millenium, Burkhard Riemschneider, Uta Grosenik (eds.),Köln: Taschen, 1999
Alain Dister, ‘Centre dart et galerie,’
Loeil, November, 1999
Damien Sausset, ‘Tracey Moffatt, comme au ciné,’ Unknown Media Source, December 1999
Anne Vrignaud, ‘Muniz/ Moffatt: limaginaire en action,’ Azart, November,1999
Léa Gauthier, ‘Tracey Moffatt,’ Le Journal des Expositions, November, 1999
Pascale Rossignol, ‘Lart est sur images,’ Art & Cinema, November, 1999
‘Art Perspektiven Fotografie: Tracey Moffatt,’ Art Das Kunstmagazin, Issue no. 11, November 1999
Jane Burton, ‘Tracey Moffatt,’ ARTnews, October 1999
Michael Snelling, ‘Tracey Moffatt,’ Institute of Modern Art, 1999
Christian Kravagna, ‘Die Moderne im Rückspiegel,’ Springerin, 8 June, 1999
Puppen, Körper, Pia Müller-Tamm und Katharina Sykora Automaten: Phantasmen der Moderne, Exhibition Catalogue, Düsseldorf: Okatagon, 1999
Thomas Wolff, ‘Nuevas visiones Nuevas Passiones,
The Heat, the Joy and the Fear La colección Helga de Alvear, Exhibition Catalogue,Cantabria: Fundación Marcelino Botín, 1999
Rainer Hörmann, Rosa für Jungs,
Kindheit als Phänomen, Exhibition Catalogue, Berlin: Hellblau für Mädchen, April 1999
Wohin kein Auge reicht, Exhibition Catalogue, Hamburg: Deichtorhallen, 1999
Tracey Moffatt, Gerald Matt, Jaume Vidal Oliveras, “Tracey Moffatt” Arte y Parte, Issue number 21, June/July 1999
Stéphanie Lerouge, “Tracey Moffatt”, Beaux Arts Magazine,1999
Régis Durand, “Les Inquietantes Tracey Moffatt un théatre pour personne” Art press, 1999
Lola Garrido, “Tracey Moffatt: La Chica de Moda”, Foto, August, 1999
José Miguel G. Cortes, Juan Vicente Aliaga, A Sangre Y Fuego, exhibition catalogue, Spain: Espai dart contemporani de Castelló, 1999
Elvan Zaunyan, “ Tracey Moffatt”,Le Journal, Issue no.8, 1999
Michael MacInnnis, “Tracey Moffatt”, The New York Art World, May 1999
Edward Leffingwell, “Tracey Moffatt at Paul Morris”, Art in America, October 1999
Jean Dykstra, “Laudanum: Tracey Moffatt”, Art On Paper, vol. 4, Issue no. 1, Sept/Oct 1999
B. Cellis, “Tracey Moffatt- Artista Australiana”, El País, 20 May 1999
Daniel Bensinger Costello, “Art & Money”, The Wall Street Journal, 17 September, 1999
Stella Artois, “Exhibitionism”, Flaunt, June/July, 1999
Vince Aletti, “Male Female”, Aperture, Issue no. 156, Summer, 1999,
Vince Aletti, “Voice Choices: Photo”, The Village Voice, 11 May 1999
Kenneth Baker, “Tracey Moffatt”, ARTnews, Vol. 98, April 1999
Tracey Moffatt , Spanish/ Catalan/ French Exhibition catalogue, Marta Gili & Régis Durand (eds.), Barcelona :Fundacio La Caxia & Paris: Centre National de la Photographie, 1999
Marta Gili, “Tracey Moffatt sentretient avec Marta Gili”, Le Journal No. 8, 8 September 1999,
Tony Alexander, Stephan Berg and Brigitte Reinhard, Tracey Moffatt: Laudanum, Ostfildern: Hatje Cantz, 1999
Robin Dutt, “Tracey Moffatt, Victoria Miro”, What’s On, 9 June 1999
“News: Moving Images,” Flash Art, October 1999
Martin Herbert, “Tracey Moffatt,’ Time Out (London), 9-16 June, 1999
Charles Gandee, “Women on the Verge”, Vogue (USA), May 1999
Alex Neel, “Tracey Moffatt”, Time Out, (New York), 10-17 June, 1999
Mark Stevens, ‘Spice Girls,’ New York Magazine, 21 June 1999,
Stephen Gan, Ceilia Dean & James Kaliardos, ‘The Game,’ Visionare 30, 1999 Christian Herchenrôder, “Neuer Blick auf das Fremde”, 12 November, 1999
Thomas Wolff, “Kalkuliertes Klischee”, Frankfurter Rundschau, 16 April, 1999
Thomas Wolff, “Laudanum für die Kunstwelt”, Frankfurter Rundschau, 2 March, 1999
“Heute zu Fotografien von Tracey Moffatt W.R.” , Frankfurter Rundschau, 29 May 1999
Verena Kuni, “Tracey Moffatt in der L.A. Galerie und im Ulmer Museum” Kunst-Bulletin, 8 July 1999
“Tracey Moffatt--Shooting Queen”, Elle (Germany), June 1999
Marc Peschke, “Lustvolle Unterwertung” , Frankfurter Allgemaine, 3 May 1999 Adrienne Braun, “A plus B ist nicht gleich B plus A”, Süddeutsche Zeitung, 30 June, 1999
Unknown Author “Zwiespältiger Eindruck bei Tracey Moffatts Filmen-Ulmer Museum”,
Schäbische Zeitung, 30 June 1999
Unknown Author, ‘Leiche auf der Landstraße,’,
Der Spiegel, Issue 21, 22 March 1999
Marc Peschke, ‘Erlesenes Drama: ‘Laudunum" von Tracey Moffatt,’ Photonews, June, 1999
Cate McQuaid, “ Free Falling Delivers Aboriginal Perspective”, The Boston Globe, 28 January 1999
William Middleton, “ Escape to Amsterdam” Travel and Leisure, October 1999
Carol Squiers, “Tracey Moffatt” American Photo, Jan/Feb 1999
Unknown Author “ Tracey Moffatt,” Studio Art Magazine Issue no. 106, September, 1999
Brigitte Paulino-Neto “Tracey Moffatt” Vogue (France), November 1999
Sandra Smallenburg, ‘Tracey Moffatt,’ N.R.C., 18 June 1999
Erik Hagoort, ‘Schaduw van gouvernante schuift over de trappen,’ Volkskrant, 23 June 1999
Laurence Hegarty “Tracey Moffatt” New Art Examiner, October 1999
Jonathan Turner, “Tracey Moffatt -MonteVideo/TBA”, Netherlands Media Art Institute, Issue no. 10, 1999
Olga Spiegel, “La Australiana Tracey Moffatt presenta en ‘la Caixa" su obra de los últimos diez años”, La Vanguardia, 21 May 1999
Jaume Vidal Oliveras, “ Tracey Moffatt,’ Arte Y Parte, Issue no. 21, June/July 1999 Unknown Author ‘Foto-Inszenierungen der Wirklichkeit,’ Schwäbische Zeitung, 15 June 1999
Unknown Author ‘Zwischen den Generationen Vermitteln,’ Zitty, Metropol, Issue no. 20, 1999
Krystian Woznicki, ‘Zwischen Macht und Ohnmacht,’ Berlin Zeitung, 7 October 1999
Christina Tilmann, ‘Blitze über dem Schlachtfeld,’ Der Tagesspiegel, 22 September, 1999
Ángela Molina, ‘Tracey Moffatt: Soy estúpida téchnicamente, casi no sé utilazar la cámara,’ ABC Cultural Madrid, 19 June, 1999
Unknown Author ‘Insert Tracey Moffatt,’ Noëma, August/October 1999
Brigitte Werneburg, ‘Unschärfen, Kratzer und Schrammen,’ Die tageszeitung, 19 September, 1999
Tanja Fiedler, ‘Nur Gefühle Zählen,’ Auflage, 14 September 1999
Constanze Suhr, ‘Unvollendete Geschichten,’ Berlin Magazin, 21 May 1999
Judy Annear, ‘Tracey Moffatt: Guapa 1995,’ Noticias Arco (Madrid), Issue no. 15, September 1999
Roberta Smith, ‘Gazing in a Mirror: The Omnipresent Camera’, The New York Times, 10 September, 1999
Unknown Author ‘Macht und Fürsorge,’ Noëma, August/October, 1999
Monty DiPietro, ‘Poor Painter excels in her world of photodrama,’ Asahi Evening News, 21 October, 1999
Catalina Serra, ‘Mitos Cotidianos,’ El País, 26 June, 1999
Catalina Serra, ‘Espero que las historias que explico en mis obras sean universales," El País, 20 May, 1999
B. Celis, ‘Realidades Ficticias,’ El País de las Tentaciones, 21 May 1999
Ángela Molina, ‘Tracey Moffatt descubre en Barcelona los enigmas de la fotografía,’ ABC Cultural, 21 May, 1999
Thomas Schillo, ‘Traum-haft,’ Kunst Aktuell, Issue no. 6, June, 1999
Petra Kollros, ‘Inszenierungen um Erotik und Macht,’ Südwest Presse, 6 May, 1999
Christian, Kravagna, ‘Die Modern im Ruckspiegel,’ Springerin, June/August, 1999 Thomas Wolff, ‘The Heat, the Joy and the Fear, About the Picture Universe of the Australian Photo, Artist Tracey Moffatt,’ Nuevas Visiones / Nuevas Pasiones, 1999
Diane Stegmann, ‘Agenda: The Armory Show,’ Elle Décor (New York), February-March, 1999
Petra Kollros, ‘Im Zentrum ein Melodram,’ , Unknown media source, 9 June, 1999 Heide von Preußen, ‘Opium und keine Skrupel: Tracey Moffatts Bildschau,’ Unknown media source , 5 June, 1999
Jutta Schenk-Sorge, ‘Tracey Moffatt Laudanum,’ Kunstforum, Issue 148, December, 1999
Unknown author The Promise of Photography: Selections from DG Bank Collection, New York: PS1 Contemporary Art Center, September/October, 1999
Unknown author ‘Tracey Moffatt Laudanum,’ The New Yorker , p 34, 25 June, 1999
Unknown author ‘Tracey Moffatt, Laudanum,’ The New York Art World, May, 1999 Unknown author ‘Tracey Moffatt, Laudanum ( Hot Tickets, Victoria Miro), Evening Standard, 20 May, 1999
Unknown author ‘Tracey Moffatt,’ Ulmer Museum, Trendmagazin Joy, July, 1999 Unknown author ‘Und Immer Lief der Frensher,’ Brigitte, December 1999
Unknown author ‘Kunst im Kino,’ Südwest Press, May 27, Germany
Unknown author ‘Tracey Moffatt- Laudanum,’ Kunstzeitung, Ulmer Museum, June/July 1999
Unknown author ‘Moffatt auf Tournee,’ Südwest Presse, 15 July, 1999
Unknown author “Land mit charakteristischen kulturellen Leistungen”, Südwest Presse, 1999
Unknown author ‘Up In The Sky,’ Stuttgarter Nachrichten, 14 July, 1999
Unknown author ‘Die Welt- ein Traum,’ Berlin Ticket, Issue No.36, September, 1999
Unknown author ‘Tracey Moffatt,’ Art Das Kunstmagazin, Issue no.11, November 1999
Hedwig Fijen, ‘Public Private,’ Netherlands Media Art Institute, February/March 1999 ‘Mystérieux objects du désir,’ Le Cercle des amis darte, Centre National De La Photographie, November 1999-January 2000
Unknown author ‘Tracey Moffatt,’ Nikon Flash Œuvres photographiques et films, Centre National De La Photographie), 1999
‘Expositions du Centre National De La Photographie,’ Phot echos, p.4, October, 1999
Dr Lynne Cooke, Unodissea foto-cinematografica, (English translation: A photographic- cinematic odyssey), Exhibition Catalogue, p.89-147, 1999
Unknown author ‘Tracey Moffatt, entre fiction et réalité,’ Loeil, October 1999
Le moderner chic et fuax de Muniz et Moffatt
Télérama Paris, December 1-7, 1999
Regis Durand, ‘Tracey Moffatt,’
Paris Photo, p 80, Autumn, 1999
Unknown author, ‘Lénergie Åpre de Tracey Moffatt,’ L’Australie en France, Issue no. 6, November, 1999
Unknown author, ‘Tracey Moffatt, Lénigme de limage,’ Axelle, p. 7, December, 1999
Unknown author, ‘Tracey Moffatt,’ Paris Voice, November 1999
Unknown author, ‘Tracey Moffatt& Vik Muniz’, Blvd Europe, September – November, 1999
Unknown author, ‘Tra Cinema e Fotorafia, L arte di Tracey Moffatt,’ PHOTO, December, 1999
Unknown author, ‘Tracey Moffatt, Project Rooms,’ El Correo Arco, February, 1999
Rikard Rehnbergh, ‘En konstpromenad paövre Östermalm,’ Våsterbotlens Kunren, March 23, 1999
Unknown author ‘Tracey Moffatt and Vik Muniz,’ Whats on, December 1999 - January 2000
Unknown author ‘Tracey Moffatt, Laudanum,’ Roslyn Oxley9 Gallery, April-May, 1999
Bruce James, “Up in The Sky: Tracey Moffatt in New York”, The Sun Herald, 25 July
John Conomos, “Tracey Moffatt: Laudanum”, Photofile, Issue 57, October, 1999 Sebastian Smee, “Little Miss Moffatt” The Sydney Morning Herald Metro, 22 April, 1999 Daniel Mudie Cunningham, “Laudanum”, The Sydney Star Observer, 22 April 1999 Blair French, ‘Tracey Moffatt,’ Art/Text, Issue 66, 1999
McKenzie Wark, “Artist Exhausts Her Critics”, The Australian, 4 August, 1999 Sebastian Smee, “A Trippy, Touched-Up Tease”, The Sydney Morning Herald, 21 April, 1999,
Benjamin Genocchio, “Disturbing Narrative of Passion and Power”, The Australian, 23 April 1999
Ben Widdicombe, “Pope Takes Manhattan”, The Australian, 20 December, 1999 Unknown Author “Very Revealing”, Metro, 30 October - 5 November, 1999
Bruce James, “Up in the Sky: Tracey Moffatt in New York”” The Sun Herald, 25 July, 1999
Ruth Hessey, “Tracey Moffatt: One of the 10 most Fascinating People in the History
of Australian Film”, Independent Filmmakers, September, 1999
Veena Arnold, ‘Critical Interventions: Evil,’ Viewpoint, June 1998
Thomas Wolff, ‘Die Hitze, das vergnügen, die Angst,’ Frankfurter Rundschau, 5 September, 1998
Unknown Author “Sju utställningar i en hall”, Hallanaspostena, 25 June 1998
Claudia Ihlesfeld ‘Minidramen zwischen Kunst und Trash’, News for the Heilbronn, 25 May, 1998
Michael Hübl, ‘Blues n Balls,’ Kunst Forumr, July-September, 1998
Birgit Sonna, ‘Echo aus der Zukunft,’ Süddeutsche Zeitung, 6 June, 1998
Maario Limbach, ‘Im Sucher: Entmenschlichung und Anonymisierung,’ Esslinger Zeitung, 5 May, 1998
Carmele Thiele, ‘Gezeichnet fürs Leben,’
Freitag, 5 June, 1998
F. Schur, ‘Zwischen Sex, Gewalt und Glamour,’ Prinz Stuttgart, May 1998, Stuttgart, Germany
Unknown Author ‘Downunder-Dramolette,’ Rainer Metzge, 1998, Berlin, Germany Sabine B. Vogel, ‘Tracey Moffatt im Württemburgische Kunstverein und in der Kunsthalle,’
Kunst Bulletin, 1998
Conny C-A Malmqvist, ‘En givande mångtydighet,’ KUP, 6 June, 1998
Crispin Ahlström, ‘Stig in ach låt dig betraktas!,’ 6P, 28 June, 1998
Håkan Zeylon, ‘Fantasifullt om vår natur,’ SKD, 9 June, 1998
Jörgen Klinthage, ‘Konst som tänjer gränserna,’ Unknown Publication, 25 June, 1998
Jörgen Klinthage, ‘Kraftmätning mellan objekt och rum,’ Arbetet Nyheterna, 27 June, 1998
Eva Ström, ‘Ruiner och agräs,’ SVD, 13 June, 1998
Marika Wachtmeister, ‘Natur som överraskar,’
Kristiansdagsbladet, 27 June, 1998
Cecilia Billgren, ‘Ruin möter besökare pa Konsthallens innergärd,’ Arbeiter, 30 May, 1998
Gunnar Bråhammar, ‘Svårbegripbart tema på Lunds konsthall,’ Ystads Allehanda, 5 June, 1998
Milou Allerholm, ‘Lekfulla utsnitt ur en filrerad natur,’ DN, 7 June, 1998
Brita Orstadius, Borås Tidning, Unknown Publication, 22 June,1998
Ingamaj Beck, ‘Tack, men jag är matt,’ Attonbladet, 12 June 1998, Sweden
Poul Erik f, ‘Lunds kosnthalls sommarutställning handlar om naturen, bäde den
därute och den därinne - människans väsen,’ ,Unknown Publication, 1998
Poul Erik Tøjner, ‘Människan och de bägge naturerna,’ Sydsvenskan, 22 June, 1998
Poul Erik Tøjner, ‘Lunds konsthalls sommarutställning handlar om naturen, både den därute och den därinnemanniskans väsen,’, 8 August, 1998
Stefan Olofson, ‘Människans natur på Lunds Konsthall,’ Skånska Dagbladet, 20 May, 1998
Birgit Sonna, ‘Ech aus der Zukunft’, In der Bildgeschichte (English Translation: ‘Echo from the Future’) , In the Picture Story , 6 June, 1998
Yens Wahlgren, ‘Allt vildare konstverk,’ Sydsveenskan, 30 May, 1998
Åke Holmqvist, ‘Med välavvägd balans,’ Norra Skan, 4 June, 1998
Lisbeth Bonde, ‘Tilbage til unaturen,’ Information Tirsdag, 30 June, 1998
Hakan Nilsson, ‘Gränsen mellanuppgörelse ochmani är tunn,’ Svenska Dagbladet, 7 March, 1998
Mario Limbach, ‘Gegen den Sturm der Bilder gestemmt,’ Südwest Presse, 8 May, 1998
Unknown Author ‘Fragen ohne Antwort,’ Vogue (Germany), August, 1998
Els Roelandt, ‘Rokende babys en ravende jongeren’, Unknown Publication, 1998 Ludovico Pratesi, Art Energie: Art in Jeans, “Turn-of-the-Century Reflections: Six Chapters on Art and Jeans” Exhibtiion Catalogue, Florence: Art Energie,1998
Johanna Hofleitner, ‘Was ich kenne," Presse, 10 April, 1998
Johanna Hofleitner, ‘Tracey Moffatt: A view from Australia,’ Eikon, No. 24, 10 April, 1998
Bor Madestrand, ‘Australien tor över (Australians take over),’ Expressen, 3 March, 1998
Unknown Author, Nature of Man, Exhibition Catalogue, Lund: Lund Konsthall, 1998
Lars o Ericsson, Daquns Nyheter, ‘Karga berättelser (Stories in an empty space),’ Daily News Stockholm, 6 March, 1998,
Mäss Revy, ‘Fotografikonst på Stockholm Art Fair,’ Stockholm Art Fair, p.28, 1998 Dena Shottenkirk, ‘Letter from New York,’ C., Issue No. 58, 1998
Jonathan Turner, ‘Tracey Moffatt: Intense Interest,’ Artnewsletter, 17 November, 1998
Coco Fusco, ‘Tracey Moffatt,’ Bomb, Summer, 1998
Giancarlo Polito & Helena Kontora, ‘Container of Information,’ Flash Art, Summer, 1998
Laurence Nassau, ‘A Snapshot of 1997-1998,’ NY Arts, September, 1997-1998
Bill Stamets, ‘Art People: The making of an Art Queen,’ Chicago Reader, 20 November, 1998
Kathrin Luz, ‘Im Exzeß der großen Gefühle und grellen Farben,’ Noëma, October/November 1998
Erwin Melchart, ‘Australien ohne Känguruhus,’ Kultur, 10 April, 1998
Von Kristian Sotriffer, ‘Das Triviale, der Traum, die Kunst,’ Die Presse-Kultur, April, 1998
David Burrows, ‘Critical Interventions: Evil,’ View Point, 19 June,1998
Rainer Hormann, Rosa für Jungs, Hellblau für Madchen, Exhbition Catalogue, April, 1998
Carlos Busualdo, Francesco Bonami, Okwui Enwesor, Matthew Higgs, Hou Hanru, Susan Kandel, Rosa Martinez, Asa Nacking, Hans Ulrich Obrist, Cream: Contemporary Art in Culture, Exhibition Catalogue, London: Phaidon Press,1998
Unknown Author, Unknown Article, ID Magazine (London), Issue No. 11, 1998
David Crosby, ‘Tracey Moffatt,’ Zoom, Issue No. 26, May-June, 1998
Dominique Baque, ‘La Photographie Plasticienne,’ Un Art Paradoxical, 1998
Clarisse Pereira Godiva, ‘Ulm olhar indis creto até o parasío,’ Unknown Publication, Volume 1, Issue No. 1, 1998
Unkown Author ‘Fortbewegung die nur ein einziges Ziel kennt: das Ich Kunst,’ Die Presse, April, 1998
Fleeting Portraits Exhibition Catalogue, Neue Gesellschaft für bildende Kunst, 1998, Berlin, Germany
Ruth Handler, ‘Pornographie als Stickerei,’ Unknown Publication, June,1998
Hara Bijutsukan, Das Versprechen der Fotographie: Die Sammlung DG Bank (English Translation: The Promise of Photography: the DG Bank Collection), Exhibition Catalogue, Luminita Sabau, Iris Cramer and Petra Kirchberg (eds.), Munich: Prestel Publishers,1998
Tracey Moffatt: Free Falling, Exhibition Catalogue, Lynne Cook and Karen Kelly (eds.), New York: Dia Art Foundation, 1998
Adrian Martin, “Australia: A Reconnaissance” Parkett Magazine, Issue No.53, pp 20-35, 1998
Lisa Liebmann, ‘Top 10: The Best of 1998,’ Artforum, December 1998
Susan Lowish, ‘Free-Falling,’ Center for Contemporary Photography Flash, November 1998
Bill Stamets, ‘Art People: The Making of an Art Queen,’ Chicago Tribune, Issue No. 20, November 1998
Ewa Lajer-Burcharth, ‘A Stranger within,’ Parkett, Issue No. 53
David Morrow, ‘If This is Art, I Really Like It,’ C-International Contemporary Art, October 1998
Arianna di Genova, ‘Flash Sul Luogo del Delitto,’ Il Manifesto, 17 September 1998 Jennifer Higgie, ‘Tracey Moffatt: Victoria Miro,’ Frieze, Issue No. 40, May 1998 Unknown Author ‘Tracey Moffatt,’ Arnolfini, Visual Arts section, August/September 1998
Denise Robinson, ‘Go on, show me. . .,’ Arnolfini, Bristol, June, 1998
Tom McEvilley, ‘Falling Upward,’ Interview Magazine, April, 1998
Christopher Bagley, ‘Big Miss Moffatt (Australia is too small for an artist like Tracey Moffatt-so shes coming to America),’ W Magazine, March 1998
Susan Hapgood, ‘Tracey Moffatt at Dia,’ Art in America, March, 1998
Martin Herbert, ‘Tracey Moffatt: Victoria Miro Gallery, London,’ Time Out (London), 4-11 March, 1998
Elke Bockhorst, ‘Frauen vor Wustenlandschaft Eschalot oder neun Fragen an die Peripherie eine Ausstellung in Kassel (Women in Desertlandscapes),’ Frankfurter Rundschau, 2 May, 1998
John Borthwick, ‘Im here to photograph the sunsets,’ Off the Rails, 1998
Anne Marie Freybourg “Innocence and Violence” Echolot, Exhibition Catalogue, Kassel: Museum Fridericianum, March, 1998
Tracey Moffatt, Exhibition Catalogue, Vienna: Kunsthalle Wien, Bregenz:Vorarlberger Kunstverein, Stuttgart: Wurttembergischer Kunstverein, Bozen:AR/GE KUNST, 1998
Karin Schulze, ‘Tracey Moffatt, Kunstlich wie das Leben: (English Translation: Artificial like Life),’ Der Spiegel - Culture, May, 1998
Anke Kempkes, ‘Rollschuhfahrerinnen, Pasolini und Mad Max: Das Tracey Moffatt- Fieber (English Translation: Tracey Moffatt Fever: Rollerderby, Pasolini and Mad Max),’ Unknown publication, Spring edition, March/May, 1998
Ilona Lehnart, ‘Das Rettende scheint wieder nah,’ Feuilleton Frankfurter: Allgemeine Zeitung, 20 April, 1998
Dirk Schwarze, ‘Man musuns nur endlich beginnenlassen,’ Kunstforum International, April/June 1998
Dirk Schwarze, ‘Bewwgung, Klung und Stille,’ (English Translation: Movement, Sound and Silence), HNA, 26 March ,1998
Dirk Schwarze, ‘Und fröhlich hüpfen die Minen,’ HNA, 27 April, 1998
‘Der Rand Miittelpunkt,’ Spiegel, 17 April, 1998
Adriana Alvarez, ‘Most Peculiar, Mama,’ Revolver Magazine, 22 June, 1998 Gabriele Hoffmann, ‘Verschlungen in weißer Leere,’ Stuttgarter Zeitung, 28 April, 1998
Nicolai B. Forstbauer, ‘Balladen nebensächlichen Schreckens,’
Stuttgarter Nachrichten, 6 June, 1998
Reiner Metzger, ‘Tracey Mofffatt: Plot and Pleasure,’ Noëma
, No. 47, April, 1998
Martin Pesch, ‘Tracey Moffatt,’ Kunstforum International, April, 1998
Susanne Lingemann, ‘Wunderland der falschen Träume (Wonderland of Wrong Dreams),’ ART - Das Kunstmagazin, April, 1998
Hohe Kunst der Künstlichkeit (English translation: High art of artificiality)
Unknown Author ‘A View from Australia: Tracey Moffatt in der Kunsthalle Wien/Museumsqartier Doris Krumpl”, Der Standard Kultur/Szene, 9 April, 1998 Henriette Horny, ‘In plumpen Klischees zeigt sich das wirkliche Leben sehr deutlich (English Translation: The real life in simple cliches),’ Kurier, 10 April, 1998
Lars Movin, ‘Galleri Faurschou’, Unknown Danish Publication, 1998
Christina Magnergård, ‘Australiens ljus på Karlavägen,’ Metro, 2 February, 1998
Mai Misfeldt, ‘Australsk iscenesaettelse,’ Berlinske Tidende,14 January, 1998
Peter M. Hornung, ‘Grimme ridser i drømmen,’ Politiken, January 9,1998
Dorothee Baer-Bogenschütz, ‘Angekratzt Bilderflut: Tracey Moffatt (Scratched Image Flood),’ Kunstzeitung, 20 April, 1998
Dorothee Baer-Bogenschutz, ‘Am Anfang und Ende der Zivilisation: Ratselszenen aus dem australischen Outback. Tracey Moffatt in der L.A. Galerie,’ Frankfurter Rundschau,29 January, 1998
‘Im Zentrum die Peripherie,’ Kulturgemeinschaft, DGB Stuttgart, May 1998
Marius Babias, ‘Von der Peripherie aus,’ Jungle World, 3 June 1998
Marius Babias, ‘Alles in Flux,’ Echolot, der impresario René Block, 1998
Dirk Schwarze, ‘Vom Zentrum an den Rand und zurück,’ Sudt Zeitung, 4 June, 1998
Dirk Schwarze, ‘Welt durch den Körper erfahren,’
HNA, 16 June, 1998
Dirk Schwarze, ‘Fortdauer des kolonialen Denkens,’ HNA, 16 June, 1998
Jutta Buness, ‘Positionsbestimmungen,’ NBK, June/July, 1998
Peter Herbstreuth, ‘Echolot im Museum Fridericianum,’ Kunstbulletin, June, 1998
Jorg Restoft, ‘Im Orient,’ Unknown German Publication, April, 1998
Carl Berger, ‘Echolot Review,’ Noëma, July/August 1998
Dirk Schwarze, ‘Von der Kraft der Frauen,’ Kunstforum International, July/September 1998
Von Elke Buhr, ‘Frauenschicksale im Australischen Outback,’ Unknown Publication, 8 April, 1998
Tracey Moffatt, Australische Ansichten, Exhibition Catalogue, Vienna: Kunsthalle Wien, Stuttgart: Württembergischer Kunstverein , Bregenz: Voralberger Kunstverein,1998 Unknown Author “Strange Days”,
3D World, 1998
Dirk Schwarze, ‘Wie Bilder aus einem Film,’ HNA, 1 April, 1998
Dirk Schwarze, ‘Von der Stärke der Frauen,’ HNA, 21 March, 1998
Dirk Schwarze, ‘Wenn Dämonen flüchten,’ HNA, 22 April, 1998
Wayne Tunnicliffe, ‘Strange Days,’ Art Gallery of New South Wales, 1998
Giles Auty, ‘Quest for Significance,’ The Weekend Australian, 4-5 July, 1998
Joanna Mendelssohn, ‘Nobody Told Me There Would Be Days Like These,’ The Australian, 5 June, 1998
Tracey Moffatt, ‘Boulder City Kalgoorlie Western Australia,’ Art and Australia, Quarterly Journal, p.346-347, 1998
Daniel Mudie Cunningham, ‘Strange Days: The 4th Guinness Contemporary Art Project,’ The Sydney Star Observer, 11 June, 1998
Unknown Author ‘Surreal McCoy,’ Capital Q Weekly, 29 May, 1998
Sebastian Smee, ‘Wild and Weird on Top,’ The Sydney Morning Herald, 22-28 May, 1998
Unknown Author ‘Strange Days: The Guiness Contemporary Art Project,’ Look Magazine, 22 May, 1998
Sebastian Smee, ‘The Whole World is WILD at Heart,’ The Sydney Morning Herald, 22- 29 May, 1998
Unknown Author, Indigenous Australia in the Nations Parliament House, Exhibition Catalogue,Canberra: Parliament House, 1998
Sandra McGrath, ‘"I love Designer Clothes,’ Harpers Bazaar and Mode Australia, March, 1998
Sebastian Smee, ‘Total Eclipse of the Mundane,’ The Sydney Morning Herald Metro section, 13 February, 1998
Justin Spring, ‘Tracey Moffatt: Hunters and Collectors,’ Art/Text, Issue No 60, February – April, 1998
Joanna Mendelssohn, ‘Questions and Alternative Truths,’ The Australian, February, 1998
John McDonald, ‘Contemporary Daze,’ The Sydney Morning Herald, 20 June, 1998
Adrian Martin, ‘Tracey Moffatts Lost Highway,’ Artlink, Vol. 18, Issue No. 4, 199 Sebastian Smee, ‘Multiple Exposure,’ The Sydney Morning Herald - Spectrum, 9 May, 1998
Bruce James, ‘Tracey in Timbuktu,’ Photofile, Issue no. 53, April 1998
Sebastian Smee, ‘The whole world is Wild at heart and weird on top,’ The Sydney Morning Herald, 22-28 May ,1998
Unknown Author, Mode (Sydney), March, 1998
Roberta Smith, ‘Real-Life Tableaux Natural Yet Startling,’ The New York Times, 10 October, 1997
Katrin Bettina Müller, ‘Botanik auf der Tapete,’ Der Tages, Spiegel, 2 June, 1997 Christina Wendenburg, ‘Rendezvous mit dem Känguruh,’ Berliner Morgenpost, 10 June, 1997
‘Australische Kunst am Waldsee,’ Zehlendorfer Volksblatt, 6 June, 1997
‘Moderne Kunst aus Australien,’ Die Welt, 3 May, 1997
Eugenee Carchesio, ‘Australische Meisterwerke,’ Bild, 5 May, 1997
Charles Dee Mitchell, ‘Report from Santa Fe: New Narratives,’ Art in America, November, 1997
Vicki Goldberg, ‘The Artist Becomes A Storyteller Again,’ The New York Times, 9 November, 1997
Roberta Smith, ‘Real Life Tableaux, Natural Yet Startling,’ Art Review: The New York Times, 10 October, 1997
Franklin Sirmans, ‘Tracey Moffatt - So Many Stories to Tell,’ Flash Art, Volume 30, Issue no. 195, Summer, 1997
‘Report from São Paulo,’ Art in America, March, 1997
Mette Sandbye, ‘Kunstrevy,’ Weekendavisen, 5-11 December, 1997
Site Santa Fe, Exhibition Catalogue, 1997, Santa Fe: SITE, 1997
Unknown Author ‘A Guide to the Seasons major Events,’ Art in America, Issue No. 53, March, 1997
Unknown Author ‘Conclusion,’ Artforum, December, 1997
Renate Puvogal, ‘Campo 6 - the spiral village,’ Kunstforum international, Issue no. 137, June/August, 1997
Silvie Eiblmayer, Zonen der Ver-störung, Exhibition Catalogue, Graz: Steirischer Herbst, 1997
Richard Billingham, Printemps de Cahors, Exhibition Catalogue, Paris: Cahors, 1997
Unknown Author, ‘Et rat liv,’ Weekend Avisen, December, 1997
La Biennale di Venezia, Presente Passota, Futuro, Exhibition Catalogue, 47th Esposizione Internazionale dArte: Venezia, 1997
Sandra Dannike,’ Dame in Rot’ Frankfurter Rundschau, 4 April, 1997
Malin Wilson,’ Truce: Echoes of Art in an Age of Endless Conclusion,’ Artforum, p. 112, December, 1997
Jean Dykstra, ‘Tracey Moffatt: Portrait of the Artist,’ Art and Auction, p 62, 1997 Francesco Bonami, ‘Echoes: Contemporary Art at the age of Endless Conclusions,’ Unknown Publication, July 1997
Anna Johnson, ‘Slick Tracey,’ Vogue (Australia), November, 1997
Sue Smith, ‘Dealers duel for Traceys images,’ The Courier, 20 August, 1997
Terry Imgram, ‘Basel fair boosts Brisbane backhanders,’ The Australian Financial Review, 26 June, 1997
Katrin Wittneven, ‘Australian Open’, Unknown Publication, February, 1997
Prospect 96, Exhibition Catalogue, Peter Weiermair (ed.), Frankfurt: Kunstverein, March/May, 1996
Antonio Goncalves Filho, ‘Australia revela a nova ordem fotográphica,’
O Estado de São Paulo, 26 August, 1996
Fundacao Bienal de São Paulo, Exhibition Catalogue, São Paulo: The Biennale Foundation of Sao Paulo, 1996
Francesco Bonami, Campo 6 The Spiral Village, Exhibition Catalogue, Torino: Museum of Modern Art Torino, 1996
Lynne Cooke, Jurassic Technologies Revenant: 10th Biennale of Sydney, Exhibition Catalogue, Sydney: The Biennale of Sydney, 1996
Sonya Voumard, “The Moffatt Mosaic”, The Australian, August, 1996
Julia Robinson, Antipodean Currents, Exhibition Catalogue, New York: Guggenheim Museum, July, 1995
Frances Colpitt, “Tracey Moffatt: Guapa (Goodlooking)”, New Works, Exhibition Catalogue, San Antonio: ArtPace, 1995
Pepe Karmel, ‘Antidotes for a Cartoon Image’, The New York Times, 23 June, 1995
Frances Colpitt, Beyond the Borders: Kwangju Biennale, Exhibition Catalogue, Kwangju: Kwangju Biennale Foundation, 1995
Wanda Jamrozik, ‘Flagging a new Australia,’ The Independent, December/January, 1995
Susanne Lingermann, ‘Tracey Moffatt,’ ART: Fall Salon, October, 1995
Ewen McDonald, ‘Tracey Moffatt at Karyn Lovegrove and Mori,’ Art in America, July, 1995
ArtPace, Short Takes, Exhibition Catalogue, San Antonio: ArtPace, p 5,1995
Adrian Martin, ‘The Melodrama of Tracey Moffatt,’ World Art Magazine, Issue No.2, pp 24-29, 1995
Gael Newton & Tracey Moffatt, Tracey Moffatt: Fever Pitch, Sydney: Piper Press, 1995
Gael Newton, Tracey Moffatt : Australian Perspecta 95, Exhibition catalogue, Sydney: Art Gallery of New South Wales, 1995
Michael Fitzgerald, ‘Technicolor World,’ TIME Magazine Australia / Pacific, 7 August, 1995
Christopher Dean, ‘The Shadowy half-life of ethics: Guapa (Goodlooking),’ Broadsheet, Spring, 1995
Felicity Fenner, ‘All-pervasive images of sex,’ The Sydney Morning Herald, 7 July, 1995
Petra Koch,’ State artists scoop award prize pools,’ The Courier Mail, 3 November, 1995
Walter Schmalriede, Fotoszenen-Short Stories, Exhibition Catalogue, Gottingen: Altes Rathus, 1994
Amelia Ellen Hastie and Patricia Mellencamp lecture, Tracey Moffatt, University of Wisconsin, USA, 1994
'Gael Newton, 'See the woman with the red dress on...and on..and on..’ Art and Asia Pacific, Vol. 7, Issue No. 2, 1994
Anne Kirker, “Eidetic Experiences: Contemporary Queensland Photography”, Eyeline, Vol. 25, pp: 16-19, Spring, 1994
Henri Behar, ‘Le pillage du grenier familial - Tracey Moffatt,’ La Monde, May, 1993
Ruth Hessey, ‘The Bedevil in Tracey Moffatt,’ Juice Magazine, October 1993
Jonathan Romney, ‘Festival favourites- the Guardians jury deliver their verdict,’ The Guardian (UK), 24 May, 1993
Patricia Mellencamp, “Haunted History: Tracey Moffatt and Julie Dash”, Discourse, Vol. 16, Issue No. 2, Detroit: Wayne State University Press, pp. 127-163, Winter, 1993-1994
Penny Webb, ‘Tracey Moffatts Bedevil - A film Inscription of Three Ghost Stories,’ Agenda, Issue No. 34, Summer, 1993/94
Peter Birnie, ‘Three engaging ghost stories from Down Under,’ Vancouver Sun, 12 October, Canada
Tracey Prisk, ‘Moffatt conjures up surreal imagery,’ Encore Magazine (UK), Vol 10, Issue 20, 20 January, 1993
John Wojdylo, ‘Bedevil,’ Cinema Papers, Issue No. 96, 1993
Lesley Stern, ‘When the Unexplained Happens,’ Photofile, No 40, 1993
John Conomos, ‘Bewitched,’ Art and Australia, Vol. 31, No. 2, Summer 1993
Bedevil (The Study Guide), c/ Ronin Films, Canberra: Australia,1993
Bedevil (Original Motion Picture Soundtrack Recording), Music Composed and Conducted by Carl Vine - One M One Records Pty Ltd, 1993
Philip Dutchak, ‘Cool Front in Cannes,’ The Sydney Morning Herald, 12 May 12, 1993
David Stratton, ‘Bedevil,’ Variety (Australia), April/May 1993
Suzy Freeman-Greene, ‘Tracey Moffatt is a playful and subversive presence,’ The Age, October 1993
Annabel Dean, ‘The ghost in the family,’ The Sydney Morning Herald, 28 October, 1993
Lynden Barber, ‘Making her own rules,’ The Sydney Morning Herald, 28 October, 1993
David Stratton, ‘Supernatural Vision,’ The Australian, 30 October, 1993
Andrew Urban, ‘Riders of the Post New Wave,’ The Bulletin, 25 May, 1993
Tracey Moffatt interviewed by John Conomos and Raffaele Caputo ‘Bedevil - Tracey Moffatt,’, Cinema Papers, Volume 93,1993
Claire Corbett, ‘Drama Queen,’ Rolling Stone (Australia), April 1993
Deb Verhoeven, ‘Just Trust the Text, Don’t Colour It’, ArtLink, Vol 13, Issue No. 1, 1993
Susan Chenery, ‘Silent Movies,’ HQ Magazine, Autumn, 1993
Karen Jennings, ‘Experimenting with Difference,’ Sites of Difference, Cinematic representations of Aboriginalty and gender, Australia: Australian Film Institute, 1993 Marcia Langton, “Well, I heard it on the radio and I saw it on the television”, An essay for the Australian Film Commission on the politics and aesthetics of filmmaking by and about Aboriginal people and things, Australia : Australian Film Commission, 1993
Laleen Jayarnanne, ‘A Sri Lankan reading of Tracey Moffatts Night Cries,’ Feminism and The Politics of Difference, Sneja Gunew and Anna Yeatman (eds.), Australia: Allen & Unwin, 1993
Jacques Delaruelle, On the verge of saying nothing, Exhibition Catalogue, Adelaide: Visual Arts Program, Adelaide Festival, 1993
Katherine Tulich, ‘New vision for a rock video,’ The Sydney Morning Herald, 25 October,1993
Fiona Mackie, ‘A Fractal Deframing in Film: Tracey Moffatts Night Cries: A Rural Tragedy,’ Photofile ,Issue 31, 1993
Unknown Author ‘Scare Tactics’, Vogue (Australia), June, 1993
Tait Brady, The 42nd Melbourne International Film Festival, Festival Catalogue, Melbourne: Melbourne Film Festival and Westpac, 1993
Jay Ruby “Reviewed Work: Night Cries: A Rural Tragedy by Tracey Moffatt”, American Anthropologist, Vol. 94, No. 1, USA: Wiley, pp 257-259, March, 1992
Pavel Büchler, Tracey Moffatt – FramedJ, exhibition catalogue, Glasgow: Centre for Contemporary Arts Glasgow, 1992
John Conomos, ‘Pet Thang, Recent Photographs,’ AGENDA, Issue 24, July/August, 1992
Cyndi Tebbel, ‘Tracey Moffatt Ghost writer,’ New Woman, April 1992
Laleen Jayamanne, ‘Love Me Tender, Love Me True, Never Let Me Go: A Sri Lankan reading of Tracey Moffatts Night Cries,’ Framework, Issue 38/39, 1992
Helen O’Neill, ‘From personal to universal,’ The Sydney Morning Herald, 25 March,1992 Des Partridge, ‘Female directors win film finance,’ Courier Mail, 6 May, 1992
Jacques Delaruelle, Pet Thang, On the verge of saying nothing, Exhibition Catalogue, Sydney: Mori Gallery, 1992
Jyanni Steffansen, ‘Scanning Photoworks - Adelaide Festival and Fringe -Pet Thang, Tracey Moffatt,’ Photofile, Issue 35, 1992
Imogen Yang, ‘Origin-ality,’ 3D World, p 26, 1991
Manohla Dargis, ‘Our Favourites,’ The Village Voice, 8 January, 1991
Shane McNeil, ‘Relativity Roeg and Radical Forms,’ LipSync Newsletter, August/September, 1991
Terence Maloon, From The Empires End - Nine Australian Photographers, Exhibition Catalogue, Madrid: Circulo de Bellas Artes and Sydney: The Works Gallery, University of NSW, Australia, 1991
John Harris, ‘Moffatt tracing a fresh career,’ The News, p 26, 20 September, 1991
M.W., ‘Night Cries, Festival 90,’ Los Angeles Times, 1 September, 1990
Manohla Dargis “Best of 1990”, The Village Voice, 1990
Caryn James, “ Women on the subject of Menopause”, The New York Times, 26
September, 1990
Erica Carter, ‘Radical Difference,’ New Formations, Issue Number 10, Spring, 1990 Annie Goldson, ‘Australias Anxiety of Influence,’ Afterimage, Summer, 1990
Serge Dessault, ‘Le tour du monde pour Montreal,’ La Presse, June 1990
The Advertiser, ‘A Visual Impact in Shorts,’ FRAMES Festival of film and Video, 7-14 September, 1990
Ingrid Periz, ‘Night Cries - Distance, Communicability and reference,’ West, Vol. 10 No. 1&2, Autumn/Winter 1990
E. Ann Kaplan, ‘An Outsiders Perspectives,’ Bulletin of the Olive Pink Society #1 (2), Adelaide: University of Adelaide, December, 1990
Scott Murray, ‘Tracey Moffatt: Night Cries A rural tragedy,’ Cinema Papers, Issue No. 79, May 1990
Paul Harris, ‘A New Light on Black Australia,’ The Age (Entertainment Guide Melbourne), November 1990
Unknown Author, Aborigines, Film & Moffatts Night Cries: A Rural Tragedy,1990 Paul Cox, ‘Night Cries in Cannes,’ Art Monthly, August, 1990
Megan Turner, ‘Expect the Unexpected,’ Brisbane Courier Mail, 25 August,1990 Ingrid Periz, ‘Night Cries: Cries from the heart,’ Filmnews, August, 1990
Unknown Author ‘Gags of Colour,’ The Sydney Morning Herald, 25 October, 1990 Evan Williams, ‘Visual Cries Better by Half,’ The Weekend Australian, 3-4 November, 1990
Isobel Crombie and Sandra Byron, Twenty Contemporary Australian Photographers, Exhibition Catalogue, Melbourne: National Gallery of Victoria, 1990
Ruth Hessey, ‘In Vogue Profile,’ Vogue Magazine (Australia), February, 1990 Unknown Author ‘Photographers Gallery,’ Follow Me Magazine, March, 1990
Anne Rutherford, ‘Night Cries: A Rural Tragedy,’ Art Link Vol 10, No.1&2, Autumn/Winter, 1990
Leigh Paatsch, ‘The Other Side of Reality,’ 35 Press, 1990
Elizabeth Aird, ‘Australian Filmmaker Out To Break The Rules,’ Vancouver Sun, 16 November, 1989
Karen Alexander, ‘Tracey Moffatt, pushing the boundaries,’ Spare Rib, 1989
Patrick Crogan, ‘Tracey Moffatt - Something More,’ Photofile, Spring, 1989
John McDonald, ‘Challenging Dislocations,’ The Sydney Morning Herald, 2 September, 1989
“Art &Text”, Cover picture from Something More, Issue No. 34, Spring, 1989
Anne Marie Willi, ‘Picturing Australia. - a History of Photography,’ Angus and Robertson, 1989
Unknown Author ‘Night Cries A Rural Tragedy,’ Film News, p 9, October, 1989 Anne Howell, ‘Yes Minister, the Arts Need You,’ The Sydney Morning Herald, 7 October, 1989
Karen Jennings & David Hollinsworth, ‘Shy Maidens and Wanton Strumpets,’ Hecate, Vol. 13 No.2, 1987/88
Amy Taubin, ‘Firestarters,’ Village Voice, 3 May, 1988
Anna Rutherford, ‘Changing Images: An Interview with Tracey Moffatt,’ Aboriginal Culture Today, Denmark: Dangaroo Press, 1988
Tracey Moffatt, ‘Perspectives from the Independent Sector,’ FAN, Vol. 10, Issue No. 7, 1988
Karen Sidney, ‘Nice Coloured Girls,’ Independent Media Magazine (NZ),1988
Kate Collins, ‘Filmmakers Put Pacific In Focus,’ Brisbane Courier Mail, September, 1988
Peter Hackett, ‘Tracey wants to picture blacks in right light,’ The Adelaide Advertiser, 22 March 1988
Karen Jennings, ‘The Frames Film Festival,’ Artlink, Vol 8, Issue No. 2, 1988
Mary Colbert, ‘Captained Souls,’ Sydney Morning Herald Metro,24 June, 1988
Tim Loyd, ‘Tracey scoops the pool at Frames opening night,’ Adelaide Advertiser, 19 March, 1988
Helen Grace, ‘Still Moving: Recent Australian Photography,’ Art and Australia, Vol. 26, Issue No. 1, Spring, 1988
Paul Humfress, Boomalli-Five Koori Artists (Film), National Film and Sound Archive of Australia, 1988
Gael Newton, Shades of Light: Photography and Australia, Canberra: Australian National Gallery, 1988
Helen Ennis, Australian Photography: The 1980s, Exhibition Catalogue, Canberra: Australian National Gallery, 1988
Helen Grace, ‘Still Moving,’ Art and Australia, Vol 26, Issue No. 1, 1988
Art and Aboriginality, Exhibition Catalogue, Portsmouth: Aspex Gallery, 1987
Liane Hughes, Active Reactive, Unknown Publisher: Australia, 1987
Juliet Herd and Stuart McLean, ‘Woman disrupts first fleet send off,’ The Daily Telegraph, 13 May, 1987
Cecilia Ryan, ‘Tracey keeps it all in focus,’ Daily Mirror (Australia), 9 September, 1986
Simlola Coker, ‘Nice Coloured Girls,’ 1986
Catherine Rogers, ‘Pictures for Cities,’ Photofile, pp 24-25, 1986
Tracey Moffatt interviewed by Anne Howell, The Sydney Morning Herald, 1986
Geoffrey Batchen, ‘NADOC 86 exhibition of Aboriginal and Islander Photographers,’ Photofile, pp 24-26, 1986
Marion Knox, ‘Pictures for Cities,’ SKIRT, January, 1985
‘Pictures for Cities,’ Artspace Newsletter, May/June, 1985
‘Auckland New Zealand Political Protest,’ New South Wales Law Bulletin, June/July, 1985
'Pictures for Cities,' The Visual History of South Sydney Project, Promotional Poster, Sydney, 1984
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