Tracey Moffatt

TRACEY MOFFATT

Born 1960, Australia

Lives New York and Sydney

SOLO EXHIBITIONS

Fourth, Museo de Arte Contemporáneo Helga de Alvear Offices, Caceres, Spain

The Films of Tracey Moffatt, Spectacle Theatre, New York, USA

Tracey Moffatt and Gary Hillberg: Montages: The Full Cut 1999-2015, Artspace, Sydney, Australia (Travelling Exhibition):

www.artspace.org.au/montages 

Caboolture Art Gallery, Caboolture, Australia

A Haunting (a site-specific art installation), Armatree (NSW), Australia 

Tracey Moffatt: Montages, The Bass Museum of Art, Miami, USA

Tracey Moffatt and Gary Hillberg: Montages: The Full Cut 1999-2015 (Travelling Exhibition), Northsite Gallery, Cairns, Australia

Tracey Moffatt: Art Calls, Centre for Contemporary Photography, Melbourne, Australia, www.ccp.org.au/exhibitions/all/moving-images-tracey-moffatt-art-calls

Body Remembers & Vigil, R A Cook Chapel, Pembroke School, Adelaide, Australia

Montages: The Full Cut 1999-2015 (as part of the Photo 21 Festival), Art Gallery of Ballarat, Ballarat, Australia 

Portals, Tyler Rollins Fine Art, New York, USA

Portals, Roslyn Oxley9 Gallery, Sydney, Australia

Tracey Moffatt: Body Remembers, Tarrawarra Museum of Art, The Yarra Valley, Australia

Tracey Moffatt: Body Remembers, Mosman Art Gallery, Sydney, Australia

Tracey Moffatt & Gary Hillberg: Montages: The Full Cut 1999-2015 (Travelling Exhibition): 

Swan Hill Regional Gallery, Swan Hill, Australia

Wollongong Art Gallery, Wollongong, Australia

Broken Hill Regional Art Gallery, Broken Hill, Australia

Tracey Moffatt: Body Remembers, Hopper Gallery, Casula Powerhouse, Sydney, Australia 

Vigils & The Travellers, Tyler Rollins Fine Art, New York, USA

My Horizon, Tyler Rollins Fine Art, New York, USA

Tracey Moffatt: Body Remembers, Art Gallery of South Australia, Adelaide, Australia

Tracey Moffatt: from the MAMA Collection, University of the Sunshine Coast, USC Art Gallery of Queensland, Sippy Downs, Australia

Tracey Moffatt & Gary Hillberg: Montages: The Full Cut 1999-2015 (Travelling Exhibition):

Anne & Gordon Samstag, Museum of Art at University of South Australia, Adelaide, Australia

Goulburn Regional Art Gallery, Goulburn, Australia

Lismore Regional Gallery, Lismore, Australia 

My Horizon, Australian Pavilion, 57th Venice Biennale, Venice, Italy

Tracey Moffatt Montages, MASP, Sao Paulo, Brazil

Tracey Moffatt: Selected works from the MGA Collection, Global Art Projects in collaboration with Sofitel Melbourne, Melbourne, Australia

Tracey Moffatt, Bega Valley Regional Gallery, Bega, Australia

Tracey Moffatt & Gary Hillberg Montages: The Full Cut 1999-2015 (Travelling Exhibition): 

Shepparton Art Museum, Shepparton, Victoria, Australia

Blacktown Art Centre, Sydney, Australia

Wagga Wagga Art Gallery, Wagga Wagga, Australia

Wanneroo Library and Cultural Centre, Wanneroo, Australia 

Newcastle Art Gallery, Newcastle, Australia

Casula Powerhouse Arts Centre, Sydney, Australia

Bathurst Regional Art Gallery, Bathurst, Australia

Tracey Moffatt Other 2009, Len Lye Centre Cinema, Govett-Brewster Art Gallery, New Plymouth, New Zealand

Laudanum and other works, Art Gallery of New South Wales, Sydney, Australia

Montages: The Full Cut, 1999-2015 (Travelling Exhibition), Artspace, Sydney, Australia 

Kaleidoscope, Perth Institute of Contemporary Arts, Perth, Australia

Art Calls, Centre for Contemporary Photography, Melbourne, Australia

THE ART, Night Cap QT Hotel, Sydney Contemporary, Sydney, Australia 

Tracey Moffatt: Spirited In the Gallery and on TV, Queensland Gallery of Modern Art, Brisbane, Australia 

Spirit Landscapes, Tyler Rollins Fine Art, New York, USA

Spirit Landscapes, Roslyn Oxley9 Gallery, Sydney, Australia 

Tracey Moffatt Film Series, Museum of Modern Art, New York, USA

Tracey Moffatt and Gary Hillberg, Vox Populi Gallery, Philadelphia, USA

Tracey Moffatt: Other, Art Gallery of Ballarat, Australia

Tracey Moffatt, Glasshouse Gallery, Port Macquarie, Australia 

Tracey Moffatt: Narratives, Gosford Regional Gallery, Australia

Tracey Moffatt: Fourth, Maitland Regional Art Gallery, Australia 

Tracey Moffatt: Still and Moving, Tyler Rollins Fine Art, New York, USA

Handmade, Artspace San Antonio, San Antonio, Texas, USA

Tracey Moffat: Video Montages, Gallery of Modern Art, Brisbane, Australia

Tracey Moffatt: Narratives, Art Gallery of South Australia, Adelaide, Australia

Tracey Moffatt: Up in the Sky, Art Gallery of New South Wales, Sydney, Australia

Tracey Moffatt: Narratives, Grafton Regional Gallery, Australia

Tracey Moffatt: Narratives, Wangaratta Regional Gallery, Australia 

Tracey Moffatt: Montages, Bronx Museum, New York, USA

Tracey Moffatt, Artist, Bass Museum of Art, Miami, USA

Plantation & Other, Roslyn Oxley9 Gallery, Sydney, Australia

Tracey Moffatt: Narratives, Shepparton Art Gallery, Australia

Tracey Moffatt: Narratives, Redland Art Gallery, Australia

Tracey Moffatt: Narratives, Albury Art Gallery, Australia 

Tracey Moffatt: First Jobs Series 2008 and selected films 1999-2008, Two Rooms, Auckland, New Zealand

Tracey Moffatt: First Jobs Series, Centre for Contemporary Photography, Melbourne, Australia

Tracey Moffatt: Mother, Roslyn Oxley9 Gallery, Sydney, Australia

Tracey Moffatt: Lismore Regional Gallery, Lismore, Australia 

Tracey Moffatt: Social Edit, Location One, New York, USA

Tracey Moffatt: Invocations, Galeria Filomena Soares, Lisbon, Portugal

Tracey Moffatt: First Jobs Series, Roslyn Oxley9 Gallery, Sydney, Australia 

Tracey Moffatt, Under the Sign of Scorpio, Doomed, Stux Gallery, New York, USA

Tracey Moffatt: Portraits and Doomed (in collaboration with Gary Hillberg), Roslyn Oxley9 Gallery, Sydney, Australia 

Tracey Moffatt: Between Dreams and Reality, Spazio Oberdan, Milan, Italy and Montreal, Canada

Tracey Moffatt: Adventure Series, Stills Gallery, Edinburgh, UK

Tracey Moffatt: Adventure Series, Victoria Miro Gallery, London, UK

Love and Adventures, Steven Kasher Gallery, New York, USA

Under the Sign of Scorpio, L.A. Galerie, Frankfurt, Germany

Laudanum, Van Horn Gallery, Dusseldorf, Germany

Tracey Moffatt, L.A Gallery. Beijing, China 

Tracey Moffatt, The Montreal Museum of Fine Arts, Montreal, Quebec, Canada

Tracey Moffatt: Under the Sign of Scorpio, Roslyn Oxley9 Gallery, Sydney, Australia

Tracey Moffatt: In Review, Monash Gallery of Art, Melbourne, Australia

Tracey Moffatt: Adventure Series, Institute of Modern Art, Brisbane, Australia

Tracey Moffatt: Fourth, Bendigo Art Gallery, Bendigo, Australia 

Tracey Moffatt, L.A Gallery. Beijing, China

Love, Il Ponte Projects, Rome, Italy

Adventure Series, L.A. Galerie Lothar Albecht, Frankfurt, Germany

Adventure Series, Hasselblad Center, Goteborg, Sweden

Adventure Series, Roslyn Oxley9 Gallery, Sydney, Australia

Tracey Moffatt, John Curtin Gallery, Perth, Australia 

Tracey Moffatt, Shanghai Contemporary, Shanghai, China

Tracey Moffatt, Museum of Contemporary Art, Sydney, Australia 

Tracey Moffatt, Joslyn Art Museum, Omaha, Nebraska, USA

Tracey Moffatt, Galerie Six Friedrich Lisa Ungar, Munich, Germany

Tracey Moffatt, Saint Marys University Art Gallery, Hallifax, Canada

Tracey Moffatt, Galerie Karlheinz Meyer, Karlsruhe, Germany

Fourth, Fay Gold Gallery, Atlanta, USA

Tracey Moffatt, Wellington City Gallery, Wellington, New Zealand 

Tracey Moffatt, Ausstellung im Kunstforum Baloise, Basel, Switzerland

Tracey Moffatt, Fruitmarket Art Gallery, Edinburgh, UK

Invocations, Victoria Miro Gallery, London, UK

Tracey Moffatt, Conner Contemporary Art, Washington D.C, USA

Tracey Moffatt, Australian Embassy, Washington D.C, USA

Fourth, L.A. Galerie, Frankfurt, Germany

Fourth, Paul Morris Gallery, New York, USA

Invocations, Rena Bransten Gallery, San Francisco, USA

Tracey Moffatt, Nassau County Museum of Art, Roslyn, New York, USA

Tracey Moffatt, California Museum of Photography, Riverside, California, USA

Tracey Moffatt, University of North Texas Art Gallery, Denton, Texas, USA

Tracey Moffatt, Tensta Konsthal, Tensta, Sweden

Tracey Moffatt, Artsonje Centre, Seoul, Korea

Tracey Moffatt, Artsonje Centre, Kyongju, Korea

Tracey Moffatt, Taipei Fine Arts Museum, Taipei, Taiwan

Tracey Moffatt, Kunstforum, Baloise, Basel, Switzerland

Invocations, Zinc Gallery, Stockholm, Sweden

Fourth, Rebeccca M. Camhi Gallery, Athens, Greece

Some Lads, plus early photographs and video, Conner Contemporary Art, Washington DC, USA 

Tracey Moffatt, Auckland Art Gallery, New Zealand

Tracey Moffatt, Dunedin Public Art Gallery, New Zealand

Invocations from the collection of Patrick Corrigan AM, Drill Hill Gallery, The Australian National University, Canberra, Australia

Fourth, Roslyn Oxley9 Gallery, Sydney, Australia

Tracey Moffatt, Art Gallery of New South Wales, Sydney, Australia 

Invocations, Photo & Company, Torino, Italy

Scarred for Life II, Il Ponte Contemporanea, Rome, Italy

Tracey Moffatt, Rose Art Museum, Waltham, Massachusetts, USA

Tracey Moffatt, Yerba Buena Center, San Francisco, USA

Invocations, Matthew Marks Gallery, New York, USA

Laudanum, Greg Kucera Gallery, Seattle, USA

Laudanum, Galeria Luisa Strina, São Paulo, Brazil

Laudanum, Robert Birch Gallery, Toronto, Canada

Invocations, Galerie Helga de Alvear, Madrid, Spain

Invocations, L.A. Galerie, Frankfurt, Germany

Tracey Moffatt, Kunstverein Freiburg im Marienbad, Germany

Tracey Moffatt, Nuer Leipziger Kunstverein Leipzig, Germany

Tracey Moffatt, The National Museum of Photography, Copenhagen, Denmark

Tracey Moffatt, Gemeente Museum Helmond, The Netherlands

Tracey Moffatt, Art + Public, Geneva, Switzerland

Tracey Moffatt (Travelling Exhibition):

Artspace, Auckland, New Zealand

Manawatu Art Gallery, Palmerston, New Zealand

Scarred for Life II, Goddard de Fiddes, Perth, Australia

Scarred for Life II, Roslyn Oxley9 Gallery, Sydney, Australia

Invocations, Roslyn Oxley9 Gallery, Sydney, Australia 

Laudanum, Greg Kucera Gallery, Seattle, USA

Laudanum, L.A. Galerie, Frankfurt, Germany

Laudanum, Paul Morris Gallery, New York, USA

Laudanum, Victoria Miro Gallery, London, UK

Tracey Moffatt, Freiburger Kunstverein, Freiberg, Germany

Tracey Moffatt, Centre National de la Photographie, Paris, France

Tracey Moffatt, Neuer Berliner Kunstverein, Berlin, Germany

Laudanum, Rupertinum, Salzburg, Austria

Tracey Moffatt, Centro Galego de Arte Contemporain, Santiago de Compostela, Spain

Tracey Moffatt, Ulmer Museum, Ulm, Germany

Tracey Moffatt, Six Freidrich, Lisa Ungar Gallery, Munich, Germany

Tracey Moffatt, Torch Gallery, Amsterdam, The Netherlands

Tracey Moffatt, Lawing Gallery, Houston, Texas, USA

Tracey Moffatt, Le Case DArte, Milano, Italy 

Tracey Moffatt, Galeria Helga de Alvear, Madrid, Spain

Tracey Moffatt, Fundacio 'La Caixa', Sala San Juan, Barcelona, Spain

Free Falling, ICA, Boston, USA

Tracey Moffatt, Rena Bransten Gallery, San Francisco, USA

Tracey Moffatt, Parko, Tokyo, Japan

Tracey Moffatt, Galleri Christian Larsen, Stockholm, Sweden

Tracey Moffatt, Galerie Laage-Salomon, Paris, France

Laudanum and Lip, Galleria Il Ponte Contemporanea, Rome, Italy

Laudanum, Roslyn Oxley9 Gallery, Sydney, Australia

Tracey Moffatt, Institute of Modern Art, Brisbane, Australia 

Up in the Sky, Galeria Il Ponte Contemporanea, Rome, Italy

Tracey Moffatt, Galleri Larsen, Stockholm, Sweden

Tracey Moffatt, Victoria Miro Gallery, London, UK

Tracey Moffatt, Arnolfini, Bristol, UK

Tracey Moffatt, Arte/GE Bozen/Bolzano, Italy

Tracey Moffatt, Le Case DArte, Milano, Italy

Tracey Moffatt, Il Ponte Contemporanea, Rome, Italy

Free Falling, Renaissance Society, Chicago, USA

Tracey Moffatt, L.A. Galerie, Frankfurt, Germany

Tracey Moffatt, Wurtembergischer Kunstverein, Stuttgart, Germany

Tracey Moffatt, Voralberger Kunstverein, Bregenz, Austria

Tracey Moffatt, Kunsthalle Vienna, Vienna, Austria

Tracey Moffatt, Magazin 4 Voralberger Kunstverein, Bregenz, Austria

Heaven, Il Ponte Projects, Rome, Italy

Up in the Sky, Roslyn Oxley9 Gallery, Sydney, Australia

Tracey Moffatt, Australian Centre for Contemporary Art, Melbourne, Australia

Tracey Moffatt, Curtin University Gallery, Perth, Australia

Tracey Moffatt, Monash University Gallery, Melbourne, Australia 

Free Falling, Dia Center for the Arts, New York, USA

Tracey Moffatt, L.A. Galerie, Frankfurt, Germany

Tracey Moffatt, Galerie Andreas Weiss, Berlin, Germany

Tracey Moffatt, Galleri Faurschou, Copenhagen, Denmark

Tracey Moffatt: Films, Musee dArt Contemporain, Lyon, France 

Short Takes, ArtPace, San Antonio, Texas, USA

Guapa (Goodlooking), Karyn Lovegrove Gallery, Melbourne, Australia

Guapa (Goodlooking), Mori Gallery, Sydney, Australia 

Scarred for Life, Karyn Lovegrove Gallery, Melbourne, Australia

Tracey Moffatt, Centre for Contemporary Arts, Glasgow, UK

Pet Thang, Mori Gallery, Sydney, Australia 

Something More, Australian Centre for Photography, Sydney, Australia

GROUP EXHIBITIONS

nightshifts, curated by Hannah Presley and Annika Aitken, Buxton Contemporary Art Museum, Melbourne, Australia

Sharjah Biennial 15: Thinking Historically in the Present, Sharjah Biennial 15, United Arab Emirates

Black Sky, Perth Festival, Lawrence Wilson Art Gallery, Crawley, Australia (forthcoming)

Dreamhome: Stories of Art and Shelter, Art Gallery of New South Wales, Sydney, Australia

Bewilderness: Recent aquisitions, Art Gallery of South Australia, Adelaide, Australia

WHO ARE YOU: Australian Portraiture, National Gallery of Australia, Canberra, Australia

Australiana: Designing a Nation, Bendigo Art Gallery, Bendigo, Australia

Viewfinder: Photography from the 1970s to Now, National Library of Australia, Canberra, Australia

FUGITIVE PRESENT, Foundation Opale, Lens, Switzerland

Where Words Falter: Art and Empathy, The Frances Young Tang Teaching Museum, New York City, USA

Our Selves: Photographs by Women Artists, Museum of Modern Art, New York City, USA

Ever Present: First Peoples Art of Australia, National Gallery Singapore, Singapore

Land Abound, Ngununggula Art Museum at Retford Park, Bowral, Australia 

Queer: Stories from the NGV Collection, NGV International, Melbourne, Australia

Free/State, 2022 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, Australia

No Master Territories, Haus der Kulturen der Welt, Berlin, Germany

The World That Feels Warm 有温度的世界, Incinerator Art Space, Sydney, Australia

Thessaloniki International Film Festival, Thessaloniki Cinema Museum, Thessaloniki, Greece

Les Rencontres d’Arles de la Photographie: Masculinity, The General Mechanic, Arles, France

A Year in Art: Australia in 1992, Tate Modern, London, United Kingdom

The Third Woman: Actionism, Performance, and Attitudes, Art Encounters Foundation, Timisoara, Romania

Aspex (life begins) at 40 (Part 2), Aspex, Portsmouth, United Kingdom

Wandamba yalungka...//Winds change direction: A Video Exhibition curated by Maura Reilly, Performa, New York, USA

True Fictions, Palazzo Magnani, Reggio-Emilia, Italy

New Light: Encounters and Connections, Museum of Fine Arts, Boston, USA

Mother!, Louisiana Museum Of Modern Art, Copenhagen, Denmark

Boomalli Paper and Prints: Making Space as an Art Collective, Kluge-Ruhe Gallery, Charlottesville, USA

The Wilfulness of Objects, The Bass Museum, Miami, USA

From the Shore, Dunedin Public Art Gallery in collaboration with Te Uru Gallery, Dunedin, New Zealand

The Arena, Orange Regional Gallery, Orange, Australia

Ever Present: First Peoples Art of Australia, Art Gallery of Western Australia, Perth, Australia

Now You See Me: Women Artists from the CGG Collection, Geraldton Regional Art Gallery, Geraldton, Australia

D+H Auction March 2021, Deutscher and Hackett, Paddington, Australia

On Fire: Climate and Crisis, Institute of Modern Art, Brisbane, Australia

Octopus 21: On Fire, Gertrude Contemporary, Melbourne, Australia

City in the Sun, Museum of Brisbane, Brisbane, Australia

False Sense of Security, The Lock-Up Gallery, Newcastle, Australia

Transition Contemporary: Works from the Collection, Wollongong Art Gallery, Wollongong, Australia

NAIDOC Week 2021, Arc Cinema, Canberra, Australia

Highlights from HOTA’s Collection, Home Of The Arts Gallery, Surfers Paradise, Australia

21x10, Arts West, University of Melbourne, Melbourne, Australia

IMA Gala and Benefit Function 2021, Institute of Modern Art, Brisbane, Australia

Rotating Main Exhibition, Museum of Old and New Art, Hobart, Australia 

35 Years/35 Works, Wessel O’Connor Fine Art, Lahaska, USA

New Masculinities: Photography and Film from the 1960s to Now, Barbican Art Gallery, London, England

COVIDecameron:19 Artists from the Momentum Collection, Momentum Berlin, Berlin, Germany, momentumworldwide.org

Collective Exhibition, Filomena Soares Gallery, Lisbon, Portugal

The Discovery Collection, Museum Folkwang, Essen, Germany 

Shadow Catchers, Art Gallery of New South Wales, Sydney, Australia

do it (australia), Kaldor Public Art Projects, Project #36, doit.kaldorprojects.org.au

COLLECTION, Murray Art Museum, Albury, Australia

Know My Name: Australian Women Artists 1900 to Now, National Gallery of Australia, Canberra, Australia

The Body Electric, National Gallery of Australia, Canberra, Australia 

The Power of Language, Roslyn Oxley9 Gallery, Sydney, Australia

Sydney Contemporary, Carriageworks, Sydney, Australia 

For Every Atom Belonging to me as Good Belongs to you: Selections from the Bailey Collection, Au Musee des Beaux Arts de Montreal, Montreal, Canada

Colección Sandretto Re Rebaudengo, Institut Valencià d'Art Modern, Valencia, Spain

DEFINING PLACE/SPACE: Contemporary Photography from Australia, San Diego, USA

She Who Tells a Story-Women and Photography Filomena Soares Gallery, Lisbon, Portugal

Chennai Photo Biennale, Tamil Nadu, India

Art Basel: Miami, Tyler Rollins Fine Art Booth, Miami Beach, USA

Aesthetic relations, VILLAM, La Reggia Di Caserta, Caserta, Italy

Continuous Fire, National Gallery of Canada, Ottawa, Canada

Acts of Seeing, Acts of Freeing, Harvard Film Archive, Cambridge, USA

The Husk in Turmoil, COMA Gallery Backroom, Darlinghurst, Australia

The Truth of What Occurred Remains: Tracey Moffatt and Hayley Millar-Baker, Broken Hill Regional Art Gallery, Broken Hill, Australia

Essential Australian Women Directors: 10 Trailblazers Selected by David Stratton, Sydney Film Festival, Sydney, Australia

Dressing up: clothing and camera, Monash Gallery of Art, Melbourne, Australia

Here We Are, Art Gallery of New South Wales, Sydney, Australia

The truth of what occurred remains, Broken Hill Regional Art Gallery, Broken Hill, Australia

Hope Dies Last: Art at the End of Optimism, Gertrude Contemporary, Melbourne, Australia

In Her Words (Touring Exhibition in association with National Exhibitions Touring Support Victoria): 

Horsham Regional Art Gallery, Horsham, Australia

Logan Art Gallery, Logan, Australia

Wangaratta Art Gallery, Wangaratta, Australia

Deakin Gallery, Melbourne, Australia

Borrowed Scenery, Campbelltown Arts Centre, Sydney, Australia

Vis-ability: Artworks from the QUT Art Collection, Queensland University of Technology Art Museum, Brisbane, Australia

Electric! Portraits that pop!, National Portrait Gallery, Canberra, Australia

National Anthem, Buxton Contemporary, Melbourne, Australia

Tracey Moffatt and Sandra Selig: New Woman, Museum of Brisbane, Brisbane, Australia

The Husk in Turmoil, COMA Gallery, Sydney, Australia

Love, Displaced, Lawrence Wilson Art Gallery, Perth, Australia

National Anthem, Buxton Contemporary, Melbourne, Australia

Queer as folk lore: art works from the collections of Dr Dick Quan of Holdsworth House medical practice, Rayner Hoff Project Space, National Art School, Sydney, Australia 

Defining Place/Space: Contemporary Photography from Australia, Museum of Photographic Arts, San Diego, California, USA

The Time. The Place: Contemporary Art from the Collection, Henry Art Gallery, Seattle, USA

Forever Young? Impermanence in Photography, Stedelijk Museum, Amsterdam, The Netherlands

Art Basel Hong Kong, Roslyn Oxley9 Gallery booth, Wan Chai, Hong Kong

Photographic Manipulations, Honolulu Museum of Art, Honolulu, USA

November – an attempt on a revolution, Haus am Lützowplatz, Berlin, Germany

The Festival, Le Printemps de Septembre, Toulouse, France

DANCING IS WHAT WE MAKE OF FALLING, Officine Grandi Riparazioni, Torino, Italy

Gothic Beauty: Victorian notions of love, loss and spirituality, Bendigo Art Gallery, Bendigo, Australia

In a World of Wounds, ArtBank, Sydney, Australia

Dark Rooms: Women Directing the Lens 1978 – 98, Griffith University Art Museum

Paper Empire, Bus Projects, Melbourne, Australia

Sydney Contemporary, Carriageworks, Eveleigh, Australia

Praying for Time, Rose Art Museum, Massachusetts, USA

All the Better to See You With: Fairy Tales Transformed, The Ian Potter Museum of Art, Melbourne, Australia 

Outcasts: Women in the Wilderness, Wave Hill, The Bronx, USA

Drawing Freedom, Haifa Museum of Art, Haifa, Israel

Histories of Sexuality: Act Up!, MASP Sao Paulo, Brazil

Colonial Sugar, City Gallery Wellington, Wellington, New Zealand

The Boomalli Ten, Boomalli Aboriginal Artists Co-operative, Sydney, Australia

Up in the Sky: Landing Points, Penrith Regional Gallery & The Lewers Bequest, Penrith, Australia

An Unorthodox Flow of Images, Centre for Contemporary Photography, Melbourne, Australia

All the better to see you with: Fairy Tales transformed, Ian Potter Museum of Art, Melbourne, Australia

Video Easy, Sophie Gannon Gallery, Melbourne, Australia

Every Brilliant Eye: Australian Art of the 1990s, National Gallery of Victoria, Melbourne, Australia

BOARD, Lake Macquarie City Art Gallery, Hunter Region, Australia

The Unflinching Gaze: photo media & the male figure, Bathurst Regional Art Gallery, Bathurst, Australia 

What We Call Love, Prospectif Cinema Screening, Centre Pompidou, Paris, France

In the future everything will be as certain as it used to be, Framer Framed (in collaboration with the Museum of Contemporary Aboriginal Art, Utrecht), Amsterdam, The Netherlands 

Über den Umgang mit Menschen, wenn Zuneigung im Spiel ist (English Translation: Dealing with people when love is involved), Klein Collection (Kunstwork), Eberdingen, Germany

LOVE. L'arte contemporanea incontra l'amore, Chiostro del Bramante, Rome, Italy

The 16th New Media Festival, Seoul, South Korea

The Pleasure of love, The 56th October Salon, Belgrade, Serbia

Dear Betty: Run Fast Bite Hard curated by Lucrezia Calabro Visconti, Galleria d'Arte Moderna e Contemporanea, Rome, Italy

Thus Do They All, or The School For Lovers, Art Verona, Accademia Belle Arti, Verona, Italy

Le Paradis, un peu plus loin: curated by Theo-Mario Coppola, Galerie dix9- Helene Lacharmoise, Paris, France

Love Actually..., Kunstquartier Bethanien, Berlin, Germany

On limits: Estrangement in the Everyday, The Kitchen, New York, New York, USA

Filmic Imaginaries, Museum of New Zealand Te Papa Tongarewo, Wellington, New Zealand

Naya Wa Yungali (We Dance), Carriageworks, Sydney, Australia

Over the Fence: Contemporary Indigenous Photography from the Corrigan Collection, University of Queensland Art Museum, Brisbane, Australia

Black, White and Restive, Newcastle Art Gallery, Newcastle, Australia

Australian Exotica, Monash Gallery of Art, Melbourne, Australia

What We Coll love: From Surrealism to Now, Irish Museum of Modem Art, Dublin, Ireland

I SEE international Video Art Festival (Touring exhibition):

MOMENTUM Berlin, Germany

Institute of Provocation, Beijing, China

Times Museum, Guangzhou, China

Oct Art and Design, Shenzhen, China

Everywhere is the Same Sky, Centro de Cultura Contemporanea de. Castelo Branco, Castelo Branco, Portugal

...y el tiempo si hizo, Centro de Artes Visiuales Foundacion Helga de Alvear, Cáceres, Spain

Thinking Currents, Seattle Art Fair in association with Asia Contemporary Art Week, Lumen Field Event Center, Seattle, USA

Remain in light: Photography from the MCA Collections, (Touring Exhibition):

Maitland Regional Art Gallery, Maitland, Australia

Bendigo Art Gallery, Bendigo, Australia

Artspace Mackay, Mackay, Australia

Hawkesbury Regional Gallery, Windsor, Australia

Hung Out to Dry: Space, memory and domestic laundry practice, University of Queensland Art Museum, Brisbane, Australia

The Photograph and Australia, Art Gallery of New South Wales, Sydney, Australia

When the Ocean Turns to dust, Campbelltown Art Centre, Sydney, Australia

Activate, animate, complicate and grow: what new acquisitions can do for the collection, Ian Potter Museum of Art, University of Melbourne, Melbourne, Australia

The Photograph and Australia, Art Gallery of New South Wales, Sydney, Australia

THE ART: Sydney Contemporary, Carriageworks, Sydney, Australia 

Deslize, Museu de Arte do Rio, Rio de Janeiro, Brazil

Remain in Light: Photography from the MCA Collections (Touring Exhibition):

Ipswich Art Gallery, Ipswich, Australia

Western Plains Cultural Centre, Dubbo, Australia

Harvest, Queensland Art Gallery of Modern Art, Brisbane, Australia

Five Centuries of Melancholia, University of Queensland Art Museum, Brisbane, Australia

ACID/GOTHIC, MOP Projects, Chippendale, Australia 

Australia, Royal Academy of Arts, London, United Kingdom

The Wandering: Moving images from the MCA Collection, Museum of Contemporary Art, Sydney, Australia

Every day I am a day older: Portraiture from the Griffith University Art Collection, Griffith University Art Gallery, Brisbane, Australia

Mix Tape 1980′s: Appropriation, Subculture, Critical Style, National Gallery of Victoria, Melbourne, Australia

Under My Skin: Contemporary Australian Photography from the Corrigan Collection, Rockhampton Art Gallery, Rockhampton, Australia 

Tomorrow Today: Contemporary Art from the Singapore Art Museum (2009- 2011), Singapore Art Museum, Singapore

Tyler Rollins Fine Art at Pulse Contemporary Art Fair, New York, New York, USA

Aesthetic Queeries, Institute of Contemporary Arts, London, United Kingdom

Ladies and Gentlemen!, Moderna Museet, MalmÃ, Sweden

Fruaen International Film Festival, Cologne, Germany

Hijacked III: Contemporary Photography From Australia and the United Kingdom (Touring Exhibition):

Quad Gallery, Derby, United Kingdom

Photofusion, London, United Kingdom

Perth Institute of Contemporary Art, Perth, Australia

Griffith University Gallery, Brisbane, Australia

Australian Centre for Photography, Sydney, Australia

Screen Worlds, Australian Centre for the Moving Image, Melbourne, Australia

Dissonant Visions, Monash University Museum of Art, Caulfield Campus, Melbourne, Australia

A Place for Art, University of Wollongong Art Collection, Wollongong, Australia

All You Need Is Love, Melbourne Art Foundation Witner Artspace, Melbourne, Australia

Return to Sender, University of Queensland Art Museum, Brisbane, Australia

Ace Bourke: A Collector’s Journey, Hazelhurst Arts Centre, Gymea, Australia 

Singapore Biennale, Singapore

Architecture of Fear, Z33 House for Contemporary Art, Hasselt, Belgium

Photography Group Show: Destiny Deacon, Fiona Hall, Bill Henson, Tracey Moffatt, TV Moore, Julie Rrap, Anne Zahalka, Roslyn Oxley9 Gallery, Sydney, Australia

Long Way Home, Flinders University City Gallery, Melbourne, Australia

Thank you for the days: My teenage years, Lismore Regional Gallery, Lismore, Australia 

21st Century: Art in the First Decade, Gallery of Modern Art, Brisbane, Australia

Colour Power: Abroginal Art Post 1984, National Gallery of Victoria, Melbourne, Australia

Kaldor Public Art Projects `Move: The Exhibition', Gallery of Modern Art, Brisbane, Australia

Being Born Again Couture, Fashion Collaboration, Sydney, Australia 

Earth: Art of a Changing World, The Royal Academy of Arts, London, United Kingdom

Low Blow, Stefan Stux Gallery, New York, New York, USA

From Heaven to Hell, MUSAC from Spain in Mücsarmok Budapest, Hungary

Göteborg International Biennial for Contemporary Art, Göteberg, Sweden

Failed Art-The Art of Failure, Weimar, Germany

Graphic Biennial, Ljubljana, Slovenia

Mediated, California Museum of Photography, Riverside, USA

Flicks: The Cinematic in Art, Droichead Arts Centre, Drogheda, Ireland

Inheritance, Australian Centre for Photography, Sydney, Australia

Yapang Marruma: Making Our Waya (Stories of the Stolen), Lake Macquarie Art Gallery, Lake Macquarie, Australia

All-Inclusive. A Tourist World, Schirn Kunsthalle Frankfurt, Germany

Shaving the Mammoth, San Francisco Art Institute, San Francisco, USA

Cinema Remixed and Reloaded, Contemporary Arts Museum, Houston, USA 

Tracey Moffatt, Marina Paris and Beatrice Pediconi, Sara Zanin Galleria, Rome, Italy

Just Different, Cobra Museum, Amstelveen, The Netherlands

Burning Down the House, Brooklyn Museum, New York, New York, USA

The Furious Gaze, Monthermoso Cultural Center, Vitoria, Spain

Liverpool Biennial: International, Liverpool, United Kingdom

Modern Ruin, Gallery of Modern Art, Brisbane, Australia

Revolutions - Forms That Turn, 16th Biennale of Sydney, Museum of Contemporary Art, Sydney, Australia

Supercharged: the car in contemporary culture (Touring exhibition):

Logan Art Gallery, Logan, Australia

Redcliffe Art Gallery, Redcliffe, Australia

The MGA Collection, Monash Gallery of Art, Melbourne, Australia 

Concept: Photography - Dialogues and Attitudes, From the Traditional Forms of Photography to Auteur Photography (Touring Exhibition):

Ludwig Museum, Cologne, Germany

Museum of Contemporary Art, Budapest, Hungary

Mouth Open, Teeth Showing: Major Works from the True Collection, Henry Art Gallery, University of Washington, Seattle, USA

It etait une fois: Walt Disney, The Disney Studios' Artistic Sources, The Montreal Museum of Fine Art, Montreal, Canada

Family Pictures, Solomon Guggenheim Museum, New York, New York, USA

Global Feminisms, Brooklyn Museum, Brooklyn, New York, USA

Kiss Kiss Bang Bang, 45 Years of Art & Feminism, Museo de Bellas Artes de Bilbao, Bilbao, Spain

Tell Me a Story: Narrative Photography Now, Museum of Photographic Art, San Diego, USA

Three Australian Photographers, GEM Fotomuseum Den Haag, The Hague, The Netherlands

Andy and Oz-Parallel Visions, Andy Warhol Museum, Pittsburgh, USA

Workin' Down Under' Wood Street Galleries, Pittsburgh, USA

DeOverkant/Downunder, Den Haag Sculpture 2007, The Hague, The Netherlands

The Shadow, Palazzo delle Papesse, Centro Arte Contemporanea, Sienna, Italy

Waiting For Hammond, City Gallery, Wellington, New Zealand

Glimpse: Inside Gold Coast City Art Gallery's Collection, Gold Coast City Art Gallery, Surfers Paradise, Australia

Supercharged: the car in contemporary culture (Touring Exhibition):

24Hr Art, Darwin, Australia

Bathurst Regional Art Gallery, Bathurst, Australia

Pinnacles Gallery, Townsville, Australia

Mildura Art Centre, Mildura, Australia

Strange Cargo: Contemporary art as a state of encounter (Touring Exhibition):

Newcastle Region Art Gallery, Newcastle, Australia

Broken Hill Regional Art Gallery, Broken Hill, Australia

Bendigo Art Gallery, Bendigo, Australia

Orange Regional Gallery, Orange, Australia

Wagga Wagga Art Gallery, Wagga Wagga, Australia

Tweed River Regional Gallery, South Murwillumbah, Australia 

Don Giovanni, Kunsthalle Vienna, Austria

Once Upon a Time, Walt Disney, The Disney Studios' Artistic Sources, Galeries Nationales du Grand Palais, Paris, France

Prism: Contemporary Art in Australia, Bridgestone Museum of Contemporary Art, Tokyo, Japan

Das Achte Feld, Geschlechter, Leben und Begehrenin der Kunst seit 1960, Museum Ludwig, Colgone, Germany

Supercharged: the car in contemporary culture (Touring Exhibition):

Institute of Modern Art, Brisbane, Australia

Latrobe Regional Gallery, Morwell, Australia

Screen Evolution: Syncity, d/Lux/MediaArts in association with Australian Centre for Photography, Sydney, Australia

Raised by Wolves, Art Gallery of Western Australia, Perth, Australia

CRASH (and other earthly pleasures), Lawrence Wilson Art Gallery, The University of Western Australia, Perth, Australia

Queensland Live: Contemporary Art on Tour (Touring Exhibition):

Gladstone Regional Art Museum, Gladstone, Australia

Logan Art Gallery, Logan, Australia

Bundaberg Arts Centre, Bundaberg, Australia

KickArts Contemporary Arts, Cairns, Australia

Ipswich Art Gallery, Ipswich, Australia

Redland Art Gallery, Cleveland, Redland, Australia

Artspace Mackay, Mackay, Australia

Toowoomba Regional Art Gallery, Toowoomba, Australia

Bangu Yilbara: Works from the MCA Collection, Museum of Contemporary Art, Sydney, Australia 

Family Pictures: Contemporary Photography and Video from the collection of the Guggenheim Museum, Galleria Gottardo, Lugano, Switzerland

The World is a Stage: Stories Behind the Pictures, curated by Araki Natsumi, Mori Art Museum, Roppongi Hills, Mori Tower, Tokyo, Japan

(Hi)story, Kunstmuseum Thun, Switzerland

Seeing Double: Encounters with Warhol, The Andy Warhol Museum, Pittsburgh, USA

Sharjah Biennial, United Arab Emirates

Donna Donne, Palazzo Strozzi, Florence, Italy

Passionate Image, The Body in Art and Advertising (Travelling Exhibition):

Kim Light Gallery/Lightbox, Los Angeles, USA

Steven Kasher Gallery, New York, New York USA

I thought I knew but I was wrong: new video art from Australia (Travelling Exhibition):

Jamjuree Gallery, Chulalongkorn University, Nanyang, Thailand

Academy of Fine Arts, Singapore

Ssamzie Space, Seoul, Korea

Prague Biennale 2, Prague, Czech Republic 

The All-Australian Show, Il Ponte Contemporanea, Rome, Italy

Colour Power: Aboriginal Art Post 1984, National Gallery of Victoria, Melbourne, Australia

A Touch of Glamour, Galerie Clairefontaine, Luxembourg

Contemporary Visions: Photographs and Videos from the Helga de Alvear Collection, Oulun City Art Museum, Oulu, Finland

The Anniversary Show, Rena Bransten Gallery, San Francisco, USA

Cromosoma X, Galleria D'Arte Sabrina Raffaghello, Ovada, Italy

A Promise of Photography: from the Collection of DZ Bank, Moscow House of Photography, Moscow, Russia

Koldo Mitxelena Kulturunea, San Sebastian, Spain

Zeitzonen - 3, Triennale Zeitgenossischer Kunst Oberschwaben, Kloster Weingarten, Weingarten, Germany

Fast Forward/ Avance Rapido: Media Art de coleccion Goetz, Centro Cultural Conde Duque, Madrid, Spain

Upon Further Review: Looking at Sports in Contemporary Art, Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, New York, USA

Prepossession (Touring Exhibition in collaboration with the Centre for Contemporary Art and Politics UNSW, Sydney and Ulster Gallery, Belfast):

Ivan Dougherty Gallery, Sydney, Australia

Golden Thread Gallery, Belfast, Ireland

Mixed-Up Childhood, Auckland Art Gallery Toi o Tamaki, Auckland, New Zealand

Face to Face: Photographs from the Albury Regional Art Gallery Collection, S.H. Ervin Gallery, Sydney, Australia

Perception, The Daryl Hewson Photographic Collection, Queensland Centre for Photography, Bulimba, Australia

The Difference Between You and Me, The Ian Potter Museum of Art, University of Melbourne, Melbourne, Australia

Blackspot: Contemporary Indigenous Photography from the Monash University Collection (Travelling Exhibition):

Switchback Gallery, Gippsland Centre for Art and Design, Gippsland, Australia

Monash University Museum of Art, Melbourne, Australia

Skin (Touring Exhibition):

Salamanca Arts Centre, Hobart, Tasmania, Australia

Cast Gallery, North Hobart, Tasmania, Australia

Burnie Regional Gallery, Burnie, Tasmania, Australia

Latrobe Regional Gallery, Victoria, Australia 

THEMES Short Film Festival, Museum of Modern Art, New York, USA

Seeds and Roots: Selections from the Permanent Collection, The Studio Museum in Harlem, New York, USA

Just Love Me: Post/Feminist Positions of the 1990s from the Goetz Collection (Touring Exhibition in association with Kunsthalle Baden-Baden):

Fries Museum Leeuwarden, Leeuwarden, The Netherlands

The Bergen Art Museum, Bergen, Norway

SENI Singapore 2004: Art & the Contemporary, Singapore Art Museum (SENI Art Festival), Singapore

Relating to Photography: Highlights aus privaten Frankfurter Fotorgafie-Sammlungen, Fotografie Forum international, Frankfurt, Germany

blow up - Zeitgenössische Künstler-Fotografie, Ulmer Museum, Ulmer, Germany

Wirklich wahr! Realitätsversprechen von Fotografien, Ruhrlandmuseum, Essen, Germany

The Disembodied Spirit, Kemper Museum of Contemporary Art, Kansas City, USA

Outcasts and Sunday's Children - Acquisitions in 2003, De Hallen, Haarlem, The Netherlands

Video art & satire, BowaArt, London, United Kingdom

Nothing if not satirical, The Nunnery, London, United Kingdom

Esperando unha chamada, CGAC Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain

Only Skin Deep: Changing Visions of the American Self, ICP International Center of Photography, New York, New York, USA

Minority Report: Challenging Intolerance in Contemporary Denmark, Aarhus Festival of Contemporary Art, Aarhus, Denmark

Supernatural Artificial: Contemporary photo-based art from Australia (Travelling Exhibition):

Tokyo Metropolitan Museum of Photography, Tokyo, Japan

Chulalangkorn Art Centre, Bangkok, Thailand

Colección Sandretto Re Rebaudengo, IVAM Institut d'Art Modern, Valencia, Spain

I thought I knew but I was wrong (Travelling Exhibition curated by Alexie Glass and Sarah Tutton):

Australian Centre for the Moving Image, Melbourne, Australia

Ssamzie Space, Seoul, South Korea

Sydney Indigenous Arts Festival, Parramatta, Australia

The Plot Thickens: Narratives in Australian Art (Travelling Exhibition):

Heide Museum of Modern Art, Melbourne, Australia

Ballarat Fine Art Gallery, Ballarat, Australia

In Focus: 5 contemporary women photo-artists, Campbelltown City Bicentennial Art Gallery, Campbelltown, Australia

2004 Adelaide Biennial of Australian Art: Contemporary Photo-media, Art Gallery of South Australia, Adelaide, Australia

Good Looking: Narrative Photographs Past and Present, Ian Potter Centre: National Gallery of Victoria Australia, Melbourne, Australia

Blak Insights, Queensland Art Gallery, Brisbane, Australia

6ft + clean: surf + art (Touring Exhibition):

Faculty of Art and Design Gallery, Monash University, Melbourne, Australia

Revealing Secret Treasures: Women Artists from the Reg & Sally Richardson Collection, Mosman Art Gallery, Sydney, Australia

Tradition Today: Indigenous Art in Australia, curated by Hetti Perkins, Ken Watson and Jonathan Jones, Art Gallery of New South Wales, Sydney, Australia

Depth of Field, Portrait photography from the collection, National Portrait Gallery, Canberra, Australia 

Realities. Collections Without Frontiers II, The Zacheta Gallery of Art, Warsaw, Poland

Family Ties, Peabody Essex Museum, Salem, Massachusetts, USA

True Fictions. Inszenierte Fotokunst der 90er Jahre, Stadtgalerie Saarbrücken, Saarbrücken, Germany

Something More Than Five Revolutionary Seconds, Fondazione Davide Halevim, Milan, Italy

Fast Forward (Travelling Exhibition):

Sammlung Goetz, Munchen, Germany

Xin Rui She Ying, Shanghai, China

Kunstforum Baloise, Zwischenbilanz, Neuerwerbungen, Baloise-Gruppe, Basel, Switzerland

Just Love Me (Touring Exhibition):

Sammulung Gotez, Munich, Germany

Staatliche Kunsthalle Baden-Baden, Germany

Shine, Museum Boijamans Van Beuningen, Rotterdam, Holland

M_ARS, Neue Galerie, Graz, Switzerland

Phantom der Lust. Visionen des Masochismus in der Kunst, Neue Galerie Graz am Landesmuseum Joanneum, Graz, Austria

Der Rest der Welt, Neuffer am Park, Pirmasens, Germany

Melodrama, Museo de Arte Contemporánea de Vigo (MARCO), Vigo, Spain

Künstler der Galerie, L.A. Galerie Lothar Albrecht, Frankfurt, Germany

Selbstgespräch, Pinakothek der Moderne, Munich, Germany

Realities and Histoires d'Amour, Kunstverein Ulm, Ulm, Germany

Two of us, L.A. Galerie Lothar Albrecht, Frankfurt, Germany

Nan Goldin, Cindy Sherman, Tracey Moffatt, Barbara Kruger, The New Art Gallery Walsall, Walsall, United Kingdom

6ft + clean: surf + art (Touring Exhibition):

Gold Coast City Art Gallery, Surfers Paradise, Australia

Manly Art Gallery, Sydney, Australia

Noosa Regional Gallery, Noosa, Australia

Perc Tucker Regional Gallery, Townsville, Australia

Rockhampton Art Gallery, Rockhampton, Australia

Coffs Harbour City Art Gallery, Coffs Harbour, Australia

Mornington Peninsula Regional Art Gallery, Mornington, Australia

Stellar, Centre of Contemporary Photography Fundraising Auction, Centre of Contemporary Photography, Melbourne, Australia

Home & Away: Place and identity in recent Australian art (Travelling Exhibition):

Monash University Museum of Art, Melbourne, Australia

Customs House Art Gallery, Sydney, Australia

University of Queensland, Brisbane, Australia

New View: Indigenous Photographic Perspectives (Touring Exhibition):

Monash Gallery of Art, Melbourne, Australia

Mildura Arts Centre, Mildura, Australia

Gippsland Art Gallery, Gippsland, Australia

Migration Museum Adelaide, Adelaide, Australia

Broken Hill City Art Gallery, Broken Hill, Australia 

Horsham, Regional Art Gallery, Horsham, Australia

Flagship: Australian Art in the National Gallery of Victoria 1790 – 2000, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia

Play, Academy Gallery, School of Visual and Performing Arts, University of Tasmania, Hobart, Australia

New Australiana (Touring Exhibition):

Perth Institute of Contemporary Art, Perth, Australia

Albury Regional Art Gallery, Albury, Australia

One Square Mile: Brisbane Boundaries, Museum of Brisbane, Brisbane, Australia

Fair Game: Art + Sport, NGV Response Gallery, National Gallery of Victoria, Melbourne, Australia

New Work, Conner Contemporary Art, Washington D.C, USA

Trauma (Travelling Exhibition), Museum of Modern Art, Oxford, UK

Receipts, Abbaye Saint Center dart Contemporain, Meymac, France

Iconoclash. Jenseeits der Reprasentationskrise, Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany

Video Works, Kunstnernes Hus, Oslo, Norway

Hollywood Revisited, Aarhus Kunstmuseum, Aarhus, Denmark

True Fictions, Ludwig Forum fur Internationale Kunst, Aachen, Germany and Kunstverein, Lingen, Germany

New Visions of the American West, Nassau County Museum of Art, Roslyn Harbor, USA

Connections - Contemporary Artists from Australia, House of Croatian Artists, Zagreb, Croatia

Collections Croisees, Musee dart Contemporain de Bordeaux, France

Melodrama. Lo excesivo en la imaginacion postmoderna, Centro-Museo Vasco de Arte Contemporaneo, Vitorio-Gasteiz, Spain

Barbara Kruger/ Marlene Dumas/ Tracey Moffatt, Monika Spruth Galerie, Koln, Germany

Spectator Sport, Cornerhouse, Manchester, United Kingdom

Goddess, Galerie Lelong, New York City, USA

Re: Action, Jan Weiner Gallery, Kansas City, USA

Fieldwork: Australian Art 1968 - 2002, National Gallery of Victoria, Melbourne, Australia

Love at First Sight: Self-made Women, Centre for Contemporary Photography, Melbourne, Australia

Points of View, University of Technology Sydney Art Collection, UTS, Sydney, Australia

2nd Sight Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, Australia

Roslyn Oxley9 Gallery - The First 20 Years, Roslyn Oxley9 Gallery, Sydney, Australia

Nocturne: Images of Night & Darkness from Colonial to Contemporary, Mornington Peninsula Regional Gallery, Mornington Peninsula, Australia

Other Views: an Exhibition from the Griffith University Art Collection, Griffith University, Brisbane, Australia 

Reise ins Ich - Kunstler/ Selbst/ Ich - Kunstler des 20. Jahrhundert in Selbstdarstellung, Sammlung Essl, Klosterneuburg, Austria

Die Unheimliche Frau. Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Bielefeld, Germany

The Lightness of Being Unbearable, Sommer Contemporary Art, Tel-Aviv, Israel

Its a Wild Party and Were Having a Good Time, Paul Morris Gallery, New York, USA

LUMO 01, Passion (Travelling Exhibition):

Gallery Harmonia, Helsinki, Finland

The Museum of Central Finland, Jyvaskala, Finland

ARS 01 Kiasma Museum of Contemporary Art, Helsinki, Finland

Trauma (Travelling Exhibition), Hayward Gallery in collaboration with Dundee Contemporary Arts, London, UK

The Promise of Photography, Schirn Kunsthalle, Frankfurt, Germany

Ha Ha, Revolution Gallery, Ferndale, Michigan, USA

Sixth Annual Photography Auction and Benefit, Sothebys, New York, USA

Collaborations with Parkett: 1984 to Now, The Museum of Modern Art, New York, USA

Audit, Casino Luxembourg, Luxembourg

Melodrama, Tate Gallery, Liverpool, UK

24th International Biennale of Graphic Arts, Ljublijana, Slovenia

Ohne Zögern / Without Hesitation!, Neues Museum Weserburg, Bremen, Germany

Zeitgenossische Fotokunst aus Australien (Travelling Exhibition):

Stadtisches Kunstmuseum, Chenitz, Germany

Kulterzentrum der Stadt, Stuttgart, Germany

Other Peoples Lives, Eyre / Moore Gallery, Seattle, Washington, USA

Completing Identities, Center for Curatorial Studies Museum, Bard College, Annandale- on-Hudson, New York, USA

Missing Link, Kunsthaus Dresden, Dresden, Germany

True Fiction, Museum Bad Arolsen, Arolsen, Germany

Begijnhof III, Galeria Estrany-de la Mota, Barcelona, Spain

Anstoss, Kunst, Sport und Politik, Albrecht Durer Gesellschaft- Kunstverein Nurnberg, Nurnberg, Germany

Sport in der Zeitgenossischen Kunst, Kunsthalle Nurnberg, Nurnberg, Germany

Fotokunst der 90 er Jahre aus der Sammlung Sandretto de Rebaudengo, Kunsthalle Kiel, Germany

Encrucijada, Reflexiones en torno a la pintura actual, Sala de la Comunidad de Madrid, Madrid, Spain

Mujeres que hablan de mujeres, Espacio Cultural El Tanque, Santa Cruz de Tenerife, Spain

Kunst und Krieg, Symposium, Akademie de Bildenden Kunste Wien, Vienna, Austria

Feature: art, life and cinema, Govett-Brewster Art Gallery, New Plymouth, New Zealand

A person looks at a work of art . . . (Touring Exhibition):

The Michael Buxton Contemporary Art Collection, Melbourne, Australia

Heide Museum of Modern Art, Bulleen, Australia

World Without End: Aspects of 20th Century Photography, Art Gallery of New South Wales, Sydney, Australia

Telling Tales: The Child in Contemporary Photography (Travelling Exhibition):

Campbelltown Bicentennial Art Gallery, Sydney, Australia

University of South Australia Art Museum, Adelaide, Australia

Warnambool Art Gallery, Warnbool, Australia

Australian Art and Society 1901-2001, National Gallery of Australia, Canberra, Australia

Raconter des Histories Galerie Laage-Salomon, Paris, France

Paper Cuts, RenaBransten Gallery, San Francisco, USA

Photography Now, Contemporary Art Center, New Orleans, USA

Flight Patterns, Museum for Contemporary Art, Los Angeles, USA

Behind the Scenes, The Museum of Contemporay Photography, Chicago, USA

Deep Distance - Die Entfernung der Fotografie, Kunsthalle Basel, Switzerland

Izima Kaoru/ Tracey Moffatt/ Bill Owens/ Chris Verene, Rebecca Camhi Gallery, Athens, Greece

Zeitwenden, Kunstmuseum, Bonn, Germany

Zeitwenden, Museum moderner Kunst Stiftung Ludwig Wien, Austria

Presumed Innocent, capcMusée dArt contemporain de Bordeaux, France

Biennale de Lyon dArt Contemporain, Lyon, France

Hans Hemmert, Tracey Moffatt, Andres Pinal, Frank Thiel, Fotografos de los anos noventa en la collecion CGAC, Sala Alameda de la Diputacion de Malaga, Malaga, Spain

Zeitgenossische Fotokunst aus Australien (Touring Exhibition):

Neuer Berliner Kunstverein Berlin, Germany

Schlossmuseum, Velbert, Germany

High five, Galerie Schedler, Zurich, Switzerland

100 al 2000: il Secolo della Fotoarte, Fotology, Bologna, Italy

The Citibank Private Bank Photography Prize 2000, The Photographers Gallery, London, United Kingdom

Mommy Dearest, Gimpel Fils, London, United Kingdom

8e Biennale de limage en Mouvement, Centre pour limage contemporian, Geneva, Switzerland

Artist Films, Kunstverein Munchen, Munich, Germany

Kinder im 20. Jahrhundert, Mitterlhein-Museum, Koblenz, Germany

Kinder im 20. Jahrhundert, Galerie der Stadt Aschaffenburg, Germany

Contemporary Group Show, Fifty One Gallery, Antwepen, Netherlands

Aboriginal Art in Modern Worlds (Travelling Exhibition):

National Gallery of Australia, Canberra, Australia

State Hermitage Museum, St. Petersburg, Russia

Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain

Ring of Fire, Aotea Centre, Carter

Hollt Harvey Gallery, Auckland, New Zealand

Drive - progress - power - desire, Govett-Brewster Art Gallery, New Plymouth, New Zealand

Telling Tales: the child in contemporary photography (Touring Exhibition):

Monash University Gallery, Melbourne, Australia

Bendigo Art Gallery, Bendigo, Australia

Deconstructivism - life back into art, David Pestorius Projects, South Bank Corporation, Brisbane, Australia

Sporting Life, Museum of Contemporary Art, Sydney, Australia

12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia

Logo Merino, Sheep in Australian art and design, National Wool Museum, Geelong, Australia

Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia

Common Ground, University of Technology Gallery, Sydney, Australia

All Stars 2000, Roslyn Oxley9 Gallery, Sydney, Australia 

Museum for Modern Kunst, Leipzig, Germany

girls girls girls, Galerie-Projektraum, Kunsthochule für Medien, Cologne, Germany

Konstruksjon eller virkelighet, Lillehammer Kunstmuseum, Lillenhammer, Norway

Life Cycles, Galerie für Zeitgenossische Kunst, Leipzig, Germany

From film, Victoria Miro Gallery, London, UK

La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria

Full Exposure: Contemporary Photography, New Jersey Centre for Visual Arts, New Jersey, USA

Wohin kein Auge reicht Deichtorhallen, Hamburg, Germany

Das Versprechen der Photographie (The Promise of Photography), Selections from the DG Bank Collection, PS1 Contemporary Art Centre, New York City, USA

Rosa für Jungs, Hellblau für Madchen, Neue Gesellschaft für Bildende Kunst, Berlin, Germany

In de Ban van de Ring, Provencial Centrum voor beeldene Kunst, Hasselt, Belgium

Kunstwelden im Dialog, Museum Ludwig, Koln, Germany

Female, Wessel & O Connor Gallery, Lahaska, USA

Wonderland: Fotomanifestatie Noorderlicht 1999, Noorderlicht fotogalerie, Groningen, The Netherlands

Nuevas Visiones, Nuevas Pasiones, Fundacion Marcelino Botin, Snatander, Spain

A Sangre y Fuego, Espai dart Contempitani de Castellon, Castellón de la Plana, Spain

Galerie Schnider, Ettlingen, Germany

Endzeit, Six Friedrich - Lisa Ungar, Munich, Germany

Telling Tales, Neue Galerie Gesellschaft für bildende, Germany

VH Biennale Internazionale Di Fotografia, Turin, Italy

Macht und Fürsoge, Trinitatskirche Cologne, Germany

Missing Link - Menschebilder in der Fotografie, Kunstmuseum Berlin, Germany 

Museum van Hedendaagse Kunst Gent, Gent, Belgium

Family Viewing, Museum of Contemporary Art, Los Angeles, USA

Portraits, Paul Morris Gallery, New York City, USA

Echolot, Museum Fridericianum, Kassel, Germany

Foto Triennale Esslingen, Esslingen, Germany

Musee Departemantal dArt Contemporain, Rochechouart, France

Artenergie - Art in Jeans, Palazzo Corsini, Florence, Italy

Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany

Presumed Innocence, Anderson Gallery, Richmond, USA

Nature of Man, Lund Konsthall, Lund, Sweden

Roteiros x 7 XXVI Bienal de São Paulo, São Paulo, Brazil

Life is a bitch, De Appel Foundation, Amsterdam, Netherlands

Der Mensch (The Human Being), Kunstverein Schloß Plön, Germany

Pusan International Contemporary Art Festival, Pusan, Korea

Horizont, Brecht Haus am Weisensee, Berlin, Germany

Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany

Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of NSW, Sydney, Australia 

Aperto, Venice Biennale, Venice, Italy

Group Show, Matthew Marks Gallery, New York City, USA

Group Show, Anthony Reynolds Gallery, London, UK

Printemps de Cahors, Paris, France

Steierischer herbst 97, Graz, Austria

Site Santa Fe, Santa Fe, New Mexico, USA

Campo 6, The Spiral Village, Bonnefanten Museum, Maastricht, Netherlands

Subject to Representation, Gallery 101, Ottawa, Canada

Group Show, Roslyn Oxley9 Gallery, Sydney, Australia 

Fundacao Bienal de São Paulo, São Paulo, Brazil

'Campo 6’, The Spiral Village, Museum of Modern Art, Torino, Italy

Prospect 96, Schirn Kunsthalle, Frankfurt, Germany

Short Stories, Altes Rathaus, Göttingen, Germany

Jurassic Technologies Revenant, 10th Biennale of Sydney, Australia 

Antipodean Currents,The Guggenheim Museum (Soho), New York, USA

Familiar Places, ICA, Boston, USA

95 Kwangju Biennale, Kwangju, Korea

New Works 95.2, ArtPace, San Antonio, Texas, USA

Perspecta 95, Art Gallery of New South Wales, Sydney, Australia 

Antipodean Currents, The Kennedy Center, Washington, USA

Power Works, Govett Brewster Gallery, New Plymouth, New Zealand

Eidetic Experiences, Noosa Regional Gallery, Noosa, Australia 

The Boundary Rider, 9th Biennale of Sydney, Sydney, Australia

Artists Projects, Adelaide Festival of the Arts, Adelaide, Australia

From the Empires End, Circulo de Bellas Artes, Madrid, Spain

Satellite Cultures, New Museum of Contemporary Art, New York City, USA

Shades of Light, National Gallery of Australia, Canberra, Australia

Art and Aboriginality, Aspex Gallery, Portsmouth, UK

Aboriginal Islander Photographs, Aboriginal Artists Gallery, Sydney, Australia

Pictures for Cities, Artspace, Sydney, Australia

Film and Video as Writer/Director

Vigil, 2 minute digital video with sound
The White Ghosts Sailed In, 2 minutes digital video with sound

The Art, 8 minute experimental video (collaboration with Gary Hillberg)

Other, 10 minute experimental video (collaboration with Gary Hillberg)

Mother, 20 minute experimental video (collaboration with Gary Hillberg)

Revolution, 10 minute experiemental video (collaboration with Gary Hillberg)

Doomed, 10 minute experimental video (collaboration with Gary Hillberg)

Love, 21 minute experimental video (collaboration with Gary Hillberg)

Artist, 10 minute experimental video (collaboration with Gary Hillberg)

Lip, 10 minute experimental video (collaboration with Gary Hillberg)

Heaven, 28 minute video (commission - Dia Center for the Arts) USA

My Island Home, Music Video (Christine Anu)

Let My Children Be, Music Video (Ruby Hunter)

The Messenger, Music Video (INXS)
Bedevil, 90 minute feature drama (Official Selection Cannes 1993)

Night Cries, 17 minute drama (Official Selection Cannes 1990)
Its Up to You, 9 minute health video

Moodeitj Yorgas, 22 minute documentary
A Change of Face, 3 part documentary SBS TV (co-director)

Watch Out, 5 minute dance video, Film Australia
Nice Coloured Girls, 16 minute experimental film

The Rainbow Serpent, Documentary series SBS TV (Stills Photographer)

AWARDS

Officer of the Order of Australia (AO)

Australia Council Visual Arts Laureate Award, Sydney

Infinity Award for Excellence in Art Photography, International Centre for Photography, New York

Honorary Doctorate from Griffith University, Brisbane

Award Campo 6, Gallerie Civica d'Arte Moderna e Contemporaranea, Turin, Italy

Creative Fellowship Award, Prime Minister Paul Keating, Australia

FILM AND VIDEO COLLECTIONS

Centre Pompidou, Paris, France

Goetz Collection, Munich, Germany

New York Public Library, New York, USA

National Library, Canberra, Australia

State Film and Video Library, Adelaide, Australia

Curtin University, Perth, Australia

Griffith University, Brisbane, Australia

Monash Gallery of Art Collection, Melbourne, Australia

Macquarie University, Sydney, Australia

University of Technology, Sydney, Australia

Sydney University, Sydney, Australia

State Film Centre, Melbourne, Australia

West Australian Film Centre, Perth, Australia

Institute of Aboriginal Studies, ANU Canberra, Australia

FundaciÃ3n “la caixa”, Barcelona, Spain

Castello di Rivoli Museo d'Arte Contemporanea, Torino, Italy 

COLLECTIONS

The Frances Young Tang Teaching Museum, New York City, USA

Air New Zealand Collection, Melbourne, Australia

Albury Regional Art Gallery, Albury, Australia

Art Gallery of New South Wales, Sydney, Australia

Art Gallery of South Australia, Adelaide, Australia

Art Gallery of Western Australia, Perth, Australia

Artbank, Sydney, Australia

Australian National Gallery, Canberra, Australia

Australian Catholic University, Australia

Bard College, Annandale on Hudson, New York, USA

Baroness Lambert Collection, Switzerland

Bayerische Staatsgemäldesammlungen, Munich, Germany

Bendigo Art Gallery, Bendigo, Australia

BP Australia, Melbourne, Australia

Brooklyn Museum of Art, New York, USA

Buxton Contemporary Collection, Melbourne, Australia

Campbelltown Arts Centre, Campbelltown, Australia

Centre Galego de Arte Contemporanea, S. de Compostela, Spain

Centre national des arts plastiques, France

Collection Mr. and Mrs. Felten, Munich, Germany

Collection Mr. Kunne, Hannover, Germany

Collezione Ettore Molinario, Milan, Italy

Curtin University, Perth, Australia

DG-Bank, Frankfurt, Germany

Flinders University, Adelaide, Australia

Folkwang Museum, Essen, Germany

Frac Loarraine, Metz

Griffith University, Brisbane, Australia

Guggenheim Museum, New York, USA

Home of the Arts, Surfers Paradise, Australia

Houston Museum of Fine Arts, Houston, USA

Linda Pace Collection, San Antonio, USA

Louisiana Museum of Contemporary Art, Humlebaek, Denmark

M+ Museum, West Kowloon, Hong Kong

Melbourne Grammar School, Melbourne, Australia

Ministère de la Culture, Paris, France

Moderna Museet, Stockholm, Sweden

Monash University, Melbourne, Australia

Museet for Santidskunst, Oslo, Norway

Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria

Museum of Contemporary Art, Los Angeles, USA

Museum of Contemporary Art, Sydney, Australia

Museum of Contemporary Photography, Tokyo, Japan

Museum of Fine Arts Boston, USA

Museum of Photographic Arts, San Diego, USA

Museum of Modern Art, New York, USA

National Gallery of Victoria, Melbourne, Australia

National Library, Canberra, Australia

National Portrait Gallery, Canberra, Australia

National Gallery of Australia, Canberra, Australia

Newcastle Regional Art Gallery, Australia

NRMA Collection, Sydney, Australia

Parkett, New York, USA

Parliament House Collection, Canberra, Australia

Queensland Art Gallery, Gallery of Modern Art, Brisbane, Australia

Refco Inc., Chicago, USA

RMIT University, Melbourne, Australia

Rockhampton Museum of Art, Rockhampton, Australia

Rose Art Museum, Boston, USA

Sammlung Goetz, Munich, Germany

Sorigue Foundation, Lleida, Spain

Steve Vizard Foundation, Melbourne, Australia

Stedelijk Museum, Amsterdam

Tasmanian State Institute of Technology, Hobart, Australia

Tate Gallery, London, UK

The National Museum of Photography, Copenhagen, Denmark

Trinity College Art Collection, Melbourne, Australia

Ulmer Museum Ulm, Germany

University Art Museum, University of Queensland, Brisbane, Australia

University of Technology, Sydney, Australia

University of Wollongong, Wollongong, Australia

Waverly City Gallery, Mt. Waverly, Australia

Xavier College, Melbourne, Australia 

FILM AND VIDEO DISTRIBUTORS

Ronin Films, Canberra, Australia
Southern Star, Sydney, Australia
Australian Film Institute, Melbourne, Australia
Women Make Movies, New York, USA
Kim Lewis Marketing, Los Angeles, USA
Circles, London, UK
Jane Balfour, London, UK
Women in Focus, Vancouver, Canada

BIBLIOGRAPHY

Jane Ure-Smith, “Tate Modern’s Australia 1992-Welcome to Country”, The Financial Times (UK), 24 June, 2021

Susie Raven lecture, “A Morning at Grimwade House - The Arts”, Valder Hall, Grimwade House, Caulfield North, Victoria, Australia, 27 August, 2021)

Tiarney Miekus “Cinema and sci-fi flicker into view in the best of gallery offerings”, The Age, 15 January, 2021

Nick Gordon in virtual discussion, Tracey Moffatt-Cocktails and Contemporary, The Short Course, www.theshortcourse.org/cocktails-and-contemporary-tracey-moffatt, 14 March 2021

Loretta Barnaard, “Tracey Moffatt’s Up in the Sky”, www.australia-explained.com.au, 8 June, 2021

Laura Cumming, “A Year in Art: Australia, 1992 review – dreams and nightmares”, The Guardian (Australia), 13 June, 2021

Bevin Shields, “New Tate Exhibition isn’t rewriting our history-but it aims to fill the gaps” The Sydney Morning Herald, 8 June, 2021

Judy Annear, “Tracey Moffatt”, www.monash.edu/muma/collection, June, 2021 Johnny Milner “A Celebrated Urban Storyteller”, www.nfsa.gov.au, 2021

Unknown Author, “Performing Gender: Secondary School Learning Resource”, www.knowmyname.nga.gov.au, 2021

Natalie King “ Pet Thang”, HOTA Collects, Exhibition Catalogue, Surfers Paradise: Home Of The Arts, April, 2021 

Elena Martinique “Know The Names of Australian Female Artists in New Landmark Show”, www.widewalls.ch, 2 November, 2020

“#EXIT82 Feelings”, Exit Photo Magazine, Madrid: EXITPRESS, November, 2020 Annette Lui “Tracey Moffatt interviewed by Annette Lui”, The Freedom of Ambiguity, New York: Musee Magazine, Identity: Issue 24, 15 September, 2020

Tracey Moffatt virtually interviewed by Silvia Karman in association with The Bass Museum of Art Miami, “Breakfast at the [virtual] Bass”, www.youtube.com/watch?v=p_x8j0nt3yo, 14 May, 2020

Tracey Moffatt interviewed by Mara Fortes in association with Ambulante en Casa Documentary Festival (Mexico City), “Conversation (Dis) montages: for a feminist and decolonial visual culture”, www.youtube.com/watch?v=RqB888IQ_nU, 18 May, 2020

Virtual Opening Reception, “Tracey Moffatt’s Montages: The Full Cut,1999-2015”,The Bass Museum of Art Miami and The New Tropic, www.vimeo com/406324674, 9 April, 2020

Shraddha Nair “The Bass expands their virtual collection with Tracey Moffatt Films”, www.stirworld.com, 8 August, 2020

Elspeth Pitt and Jessi England interviewed by Emma Kate-Wilson of OCULA Magazine, “Redressing Gender Imbalances at National Gallery of Australia”, www.ocula.com, 24 November, 2020

Elizabeth Fortescue, “Say my name, say my name: huge exhibition aims to put Australian women artists on the map” The Art Newspaper, 11 November, 2020

Laura Bannister “This Artwork Changed My Life: Tracey Moffatt’s Up in the Sky ”, www.artsy.net, 12 May 2020

Tracey Moffatt virtually interviewed by Hans Ulrich Olbrist in association with Kaldor Projects, “Hans Ulrich Obrist Marathon-do it (australia)”, www.vimeo.com/439883754, 12 July, 2020

Geoff Harrison “Tracey Moffatt-Body Remembers”, www.geoffharrisonarts.com, 13 June 2020

Kelly Burke “How photography-as-art came 'under siege': Bill Henson and Tracey Moffatt on the closure of the ACP”, The Guardian (Australia) , 24 November 2020 Ali Gumillya Baker “Body, remember: Wrap me in a sister cloak”, Artlink, September 2020

Briony Downes “Know Their Names”, Art Guide Australia, 12 November 2020

Jane Albert, “Just Do It: Leading Australian Creatives Invite You to Take Part in an Interactive Art Project”, broadsheet.com.au, 12 May 2020

Lindsay Ferris, “2020 Adelaide biennial artists announced in 30-year milestone exhibition”, www.balnavesfoundation.com, 2020

Unknown Author, “Tracey Moffatt & Hayley Millar-Baker: The Truth of What Occurred Remains”, Art Almanac, 29 January, 2020

Sasha Grishin, “The Body Electric review: A comment on sex and eroticism”, www.canberratimes.com.au, 11 July, 2020

Edwina Williams “Parke’s pics part of Gallery reopen”, www.timesnewsgroup.com.au/ballarat, 22 November, 2020

Alexandra Heller Nicholas, Paul Anthony Nelson and Flick Ford discuss “Primal Screen”, 3RRR (102.7FM), Melbourne, Australia, 26 October, 2020

Belinda Nolan-Price, “Montages; The Full Cut 1999-2015: Tracey Moffatt and Gary Hillberg”, Weekend Notes, 2020

Alana Wulff, “Photographer Greg Weight reveals the seven portraits that defined his career”, Vogue Living (Australia), 14 August, 2020

Troy Anthony Bayliss Talk (focusing on Moffatt’s work The Wizard of Oz,1956), “(En)queery” in association with Feast Festival, Guildhouse and AGSA, Art Gallery of South Australia, Adelaide, Australia,10 November, 2020

Nick Galvin, Kerrie O'Brien and Chloe Wolifson “Portrait of the artists in isolation”, The Sydney Morning Herald, 29 May, 2020

Favour J, “Tracey Moffatt”, shadesofnoir.org.uk, 10 September, 2020

Bansie Vasvani, “Tracey Moffatt’s Haunting Narratives”, www.cobosocial.com, 2 December, 2019

Gayatri Gopinath “Diaspora, Indigeneity, Queer Critique: Tracey Moffatt’s Aesthetics of Dwelling in Displacement”, Women and Migration, Deborah Willis, Ellyn Toscano, Kalia Brooks Nelson(eds.),Open Book Publishers, pp 345-362, 2019

Rex Butler, “The Hand of Art” , MeMo Magazine, 4 May, 2019

Unknown Author “Tracey Moffatt: Portals”, Musee Magazine (New York), 7 November, 2019

Chloe Wolifson “It took a lot of guts': Tracey Moffatt's eerie new portals” The Sydney Morning Herald, 5 July, 2019

John McDonald “Tracey Moffatt and Kartika Kain”, The Sydney Morning Herald, 20 July, 2019

Alice Clanachan "Alice Clanachan discusses Tracey Moffatt’s Body Remembers", Lunchtime Talk: Art Gallery of South Australia (ww.agsa.sa.gov.au), 2019

Courtney Kidd “Tracey Moffatt and Hayley Millar-Baker” Artist Profile, Issue 49, 2019

Tracey Moffatt “Portals” Artist Talk in association with the Get Arted event, Roslyn Oxley9 Gallery, Sydney, 24 July, 2019

Julie Ewington lecture, “Four Women: Australian Artists at the Venice Biennale”, Sir Raymond Ferrall Centre, University of Tasmania, Newnham Campus, Hobart, Australia, 9 April, 2019

Ben Neutze ‘Body Remembers’, Time Out (Melbourne), 25 March, 2019

Junni Chen, “Travelling throughout the art of Tracey Moffatt at Tyler Rollins Fine Art”, Art Radar, 14 July 2018

Maureen Catbagan and Amber Jamilla Musser, “TRACEY MOFFATT: Vigils and Travellers”, The Brooklyn Rail, 11 July 2018

Unknown Author “Art Out- Tracey Moffatt- The Travellers”, Musee Magazine (New York),13 June, 2018

Cindy Ingram “ Scarred for Life: Using Art to Analyze the Small Moments that Define Us”, artclasscurator.com, 4 April, 2018

Brittney, “Travelling through the art of Tracey Moffatt at Tyler Rollins Fine Art, New

York”, Art Radar Journal, 14 July, 2018

Elena Martinique, “Tracey Moffatt’s Venice Biennale Presentation Debuts in Australia”, www.widewalls.ch, 1 August, 2018

Nicholas Carolan,” All the Better to See You With”, Grazia Magazine (Australia), 2018

Rohan Shearn “Tracey Moffatt: Body Remembers”, Australian Arts Review, 31 July, 2018 

Unknown Author, “All the Better to See You With: Fairytales Transformed”, Time Out (Melbourne), 2018

Unknown Author “Tracey Moffatt-Top Australian Artists”,

www.cookshillgalleries.com.au/pages/tracey-moffatt-artist, 2018

Tracey Moffatt Artist Talk “ CCP Fundraiser”, Centre for Contemporary Photography, Melbourne, Australia, 17 May, 2018 

Tracey Moffatt interviewed by Joanna Lehan, Tracey Moffatt Imagines an Uncertain Future, Aperture Magazine,27 June, 2017

Julie Richard, “Women and Cultural Diversity are in the Spotlight for this 57th Venice Biennale”, AWARE Magazine, 16 August 2017

Natalie King, “Tracey Moffatt: In Conversation with Natalie King”, Ocula Magazine, 1 September 2017

Rebecca Harkins-Cross, Neue Aussicht, Art Das Kunstmagazin, May, 2017

Tracey Moffatt: My Horizon, Natalie King (ed.), Australia: Australia Council for the Arts in association and Thames & Hudson, 2017

Sebastian Henry-Jones, “Tracey Moffatt and the Politics of Representing the Marginalised”, Art and Australia, 19 December, 2017

Djon Mundine, “The Masque ball of Tracy Moffatt”, Art Link Magazine, Issue 37, June 2017

Peter Hill, Tracey Moffatt, MY HORIZON, Art Press, May 2017

Tim Douglas, “Tracey Moffatt's My Horizon works take her to Venice Biennale”, The Australian, 29 April, 2017

John McDonald “Venice Biennale 2017: Tracey Moffatt's My Horizon a roaring success” Sydney Morning Herald, 11 May, 2017

Stephanie Convery, “Tracey Moffatt, If it becomes a little terrifying then I'm interested”, The Guardian (Australia), Friday 24 March, 2017

Annemarie Kiely, “Tracey Moffatt”, Vogue Living Magazine (Australia) , pp 69-70 March/April, 2017

John Mcdonald,“Tracey Moffatt on success, failure and the 57th Venice Biennale”, Financial Review (Australia), 23 February 2017

Matthew Westwood, Life Stories in Stills, The Weekend Australian Review, 29-30 April, 2017

Nancia Guivarra, “Tracey Moffatt's 'Hell' at the 57th Venice Biennale”, National Indigenous Television (via sbs.com.au) , 27 March, 2017

Matthew Westwood, “Venice Biennale ‘a gig like no other' for indigenous photographer Tracey Moffatt”, The Australian, 24 March, 2017

Kimberley Moulton, “Tracey Moffatt: My Horizon” Art Almanac (Australia), 29 June, 2017

Maddee Clark, “Tracey Moffatt and Gary Hillberg: Montages,The Full Cut,1999-2015” Artlink, 17 March 2017

Tiziana Borghese “The Presence of Absence”, troublemag.com, 2017

Natalie King “I can see a shadow thinking: Tracey Moffatt in converstion”, Art Monthly, Chapter 6, Issue 298, May 2017

Kirsty Johansen “ Inside the Moffatt ‘memory bank’: Tracey Moffatt’s storytelling through art”, www.sbs.com.au , 20 May, 2017 

Unknown Author “All the better to see you with: Fairy tales transformed”, Australian Arts Review, 17 November, 2017

James Horan “Tracey Moffatt Dreaming”, www.portrait.gov.au, 2017

Unknown Author, “Exhibition provides ‘unflinching gaze’ at male figure from a queer perspective”, The Star Observer, 17 October, 2017 

Dr Lee-Anne Hall & Dr Hayley Megan French, Up in the Sky: Landing Points: Race, Place and Identity, Exhibition Catalogue, Penrith: Penrith Regional Gallery & The Lewers Bequest, pp 8-17, November, 2017

Unknown Author, “ Doomed”, carbonarts.org, March 2017

Anna Dunnill “All the Better to See You With: Fairytales Transformed”, Art Guide Australia, 7 December 2017

James Valentine, "The Mix: Tracey Moffatt, My Horizon exhibition at the 2017 Venice Biennale", The Mix: ABC TV, 3 June, 2017 

Kaan Ozer, “Avangart Sanatçılardan 50 İlham Verici ve Devrimsel Alıntı”, (English Translation: 50 Inspirational and Revolutionary Quotes from Avante Garde Artists),

Tabut Magazine, Issue No. 501, 6 March, 2016

Louise Martin-Chew, IMA Winter Gala, Art Collector, Issue 77, p. 25, July-September 2016

Judy Annear, “Out of Time”, Look AGNSW Magazine, pp 26-27, 2016

Peter Gardiner, “Inspired to make her mark in the New York art world”, Sunshine Coast Daily, 26 January 2016 

Inga Ting, “Australia Day Honours 2016: For women, getting nominated is the hard part”, The Sydney Morning Herald, 26 January 2016

Imogen Baker, “A Cheat Sheet to AGNSW's Tracey Moffatt Exhibition”, concreteplayground.com, 12 July 2016

Naomi Cass “Rewind: Tracey Moffatt’s Up in the Sky”, www.acca.melbourne.com (ACCA History), 2016

Peter Gardiner “Tracey Moffatt Honoured on Australia Day”,The Courier Mail, 28 January, 2016

Kate Robertson, “The Spectre at the Window: Tracey Moffatt’s bedevil”, Beyond The Babadook: Australian Women's Filmmaking and the Dark Fantastic, Issue 81, 2016

Dee Jefferson, “Tracey Moffatt”, Time Out (Sydney), 25 May, 2016

Lynne Lancaster, “Tracey Moffatt: Laudanum and other works”, artshub.com.au, 30 May 2016

Tara Callinan, “First Nations' recipients of Australia Day Honours 2016”, NITV News, 26 January, 2016

Julie Ewington, “Tracey Moffatt’s Laudanum and Other Works”, The Monthly, July, 2016 

Nicholas Forrest, “Tracey Moffatt to Represent Australia at Venice Biennale 2017”, Blouin Artinfo, 14 December, 2015

Lyn DiCiero, “Tracey Moffatt, Calling out around the world”, The West Australian, 18 February, 2015

Tracey Moffatt “Up Close & Personal”, Artist Talk in association with the Kaleidoscope Exhibition at Perth Institute of Contemporary Arts, Octagon Theatre, University of Western Australia, Perth, Australia, 20 February, 2015

Tracey Moffatt, Artist Talk in association with ART CALLS show hosted by the Centre for Contemporary Photography, RMIT, Swanston Academic Building, Melbourne, Australia, 7 July, 2015

Claire Chapel-Stanley, “Suspending disbelief, 'The Photograph and Australia' “, Art Monthly Australia, Issue 284, October, 2015

John McDonald, “The photograph and Australia: Images that define a nation” The Sydney Morning Herald Spectrum, pp 28-29, March, 2015

Tracey Moffatt “Recent Work”, Artist Talk at SCA Auditorium, Sydney College of the Arts, Sydney, Australia, 4 March, 2015

Susan Johnson “In her GoMA show Tracey Moffatt shares her memories of growing up in Brisbane” The Courier Mail, 19 January, 2015

Margaraet Pomeranz and David Stratton ’Bedevil’, The Movie Show, Broadcast on SBS Australia, 2 November, 2015

Louise Martin-Chew “Tracey Moffatt: Spirited”, Artlink magazine, March 2015 

Susan Johnson, “Cracks in the mirror”, Courier Mail: Q Weekend Magazine, 25-26 October, 2014 

Tracey Moffatt in conversation with Julie Pitts, Miles Blow and Simon Wright, Artist Talk in association with the Spirited Exhibition at Queensland Art Gallery of Modern Art, QAGOMA, Brisbane, 26 October 2014

Andrew Stephens, Artist “Tracey Moffatt discusses new 'chat show' art work for Queensland Art Gallery/Gallery of Modern Art” , The Sydney Morning Herald, 31 October 2014

Rebecca Harkins-Cross “Tracey Moffatt’s Free Spirit” The Saturday Paper, 13-19 December, 2014

Annabelle Hazell “Tracey Moffatt”, www.austlit.edu.au/austlit/page/7305910 (in association with the University of Queensland), 2014

Richard Glover in conversation with Elizabeth Ann McGregor, “The World of Tracey Moffatt”, Self Improvement Wednesday , 26 February, 2014

Jeremy Eccles, “Tracey Moffatt is Spirited”, Aboriginal Art Directory, 2 December 2014 

Holland Cotter, “Tracey Moffatt: Spirit Landscapes”, The New York Times, 19 December, 2013

Nicholas Forrest, “Tracey Moffatt and Juliana Engberg Receive Australia Council Awards”, Blouin Artinfo, 5 March, 2013

Unknown Author, “Tracey Moffatt wins Australia Council Award”, Artforum ,7 March, 2013

Bansie Vasvani, "Tracey MoffattL Spirit Landscape at Tyler Rollins Fine Art / Spectrum Queer Media at New Parkway Theater", www.dailyserving.com, 17 November, 2013

Rebecca Spear, “Tracey Moffatt - Spirit Landscapes”, concreteplayground.com,

September 2013

Sharne Wolffe, “Spirit Landscapes”, The Art Life, 20 September, 2013

Elizabeth Fortescue “Aussie artist makes it on a world stage”, Perth Now, 6 March, 2013

Helen Yeates, Do Look Now: re-imagining and re-purposing audiovisual creative practice. Unknown Author, Ejournalist, Volume 13, Issue 1, pp. 69-84, 2013 

Unknown Author, “Tracey Moffatt”, Time Out (New York), 25 April, 2012

Amanda Woodward, 'Art Under 5k', Australian Art Collector, pp 108, 2012

Rachel K Gilles “Greatness: Tracey Moffatt’s ‘Fourth’ ”, www.discussphotography.wordpress.com/2012/07/30/greatness-tracey-moffatts-fourth/, 2012

Mark Brown, 'Australian art exhibitions proves there's life beyond Rolf', The Guardian (Australia), 1 November, 2012

Tracey Moffatt Artist Talk, “Tracey Moffatt in Conversation: Fourth”, Maitland Regional Gallery, 28 July, 2012 

Brad Finger and Christiane Weidemann, 50 Contemporary Artists You Should Know, Munich : Prestel, pp 90-91, 2011 

Dan R. Goddard, “Tracey Moffatt at Artspace: Cinematic mashups of mothers, lovers, artists, artistocrats and doom”, glasstire.com, 5 July 2011 

Marie-Helene Gutberlet “Tracey Moffatt, Night Cries: A Rural Tragedy”, caringlabor.wordpress.com, 19 January 2011

Christopher Allen, 'Let me tell you a story', The Australian, p11,12 March, 2011 Sarah White, “Tracey Moffatt / Stop(the)Gap /tall man”, Artlink, June 2011

Uta Daur, “Tracey Moffatt's Muteness”, Australian and New Zealand Journal of Art, Vol. 10, No. 1, pp182-199, January 2011

Kate Britton, “Tracey Moffatt”, City Hub, 29 May, 2011 

Catherine Summerhayes, Kaldor Art Projects “MOVE: The Exhibition”, 2010, Edited excerpt from “The Moving Images of Tracey Moffatt”, Charta, Milan, 2007

David Eggleton, 'Global Positioning Satellite', Art New Zealand, no. 133, Autumn 2010, p.36-40

Dominique Angeloro, 'It's not black and white', SMH-Metro, April 23-29, 2010, pp. 14, 2010

Ann Marsh, Look: Contemporary Australian Photography since 1980, Australia: Macmillan Art Publishing, 2010 

Julie Ewington “Tracey Moffatt, Plantation”, The 6th Asia Pacific Triennial of Contemporary Art, exhibition catalogue, Queensland Art Gallery (ed.), Brisbane: Queensland Art Gallery, 2009

John Hurrell, “Moffatt Exhibition”, eye CONTACT, 29 April, 2009

Gabriella Coslovich, “Breaking down borders with inspiration and a smile”, The Sydney Morning Herald, p.12, 8 December, 2009

Marcus Bunyan “Review ‘first jobs by Tracey Moffatt at Centre for Contemporary Photography, Fitzroy, Melbourne”, artblart.com, 17 September, 2009 

Richard Dorment, “Liverpool Biennial: Made Up”, The Telegraph (UK), 22 September 2008

Paul Laster, interview with Tracey Moffatt, ArtKrush, Issue 89, 23 July, 2008

David Smith, “It's a long way from incey-wincey”, The Observer (UK) ,21 September 2008 

Alessandra Senzani, Women, Film and Oceans A/part: The Critical Humour of Tracey Moffatt, Monica Pellizzari and Clara Law, Boca Raton: Florida Atlantic University:, December 2008

Joseph R. Wolen, 'Tracey Moffatt, "Social Edit'', Time Out (New York), April 17 – 23 2008

Gerry Turcotte “Spectrality in Indigenous Women's Cinema: Tracey Moffatt and Beck Cole”, The Journal of Commonwealth Literature, Volume 1, Issue 43, pp 7-21, March, 2008

Blair French and Daniel Palmer, Twelve Australian Photo Artists, Australia: Piper Press, 2008

Current, Contemporary Art from Australia and New Zealand, Art and Australia (eds.), p 208, July 2013

2008 Biennale of Sydney: Revolutions - Forms That Turn, Carolyn Christov-Bakargiev (ed.), Australia: Thames & Hudson, 2008

Modern Ruin Gallery of Modern Art, Brisbane, Australia 

Karen Rosenberg 'Show and Tell: Tracey Moffatt,', New York Magazine, 22-29 January, 2007

“The Goal Standard”, Michael Kimmelman, The New York Times (Style magazine), 3 March, 2007

Catherine Summerhayes, The Moving Images of Tracey Moffatt, Milan: Charta Artbooks, 2007

'About Face,' Deadly Vibe, Issue 125, pp. 8-9, June, 2007

Art News, cover illustration (Bibi Andersson from Under the Sign of Scorpio), February, 2007 Women’s Experimental Cinema: Critical Frameworks, Robin Blatez (ed), Durham: Duke University Press, 2007

Deborah Hart, “All the World’s a Stage, a film set, a television scenario, a photo-shoot: take1/take2/take3/take4”, nga.gov.au, September, 2007 

Anna Holtzman, “Under the Sign of Scorpio”, Eyemazing magazine, Issue 2, 2006 Stephen Bull “Meanwhile...”. Source, Issue 46 (Spring), 2006

Vince Aletti, “Tracey Moffatt, Voice Choices”, The Village Voice, 29 March -4 April, 2006 Sue Hubbard “Australian Escapades”, The Independent (UK), 3 February, 2006

Prism; Contemporary Australian Art , Exhibition catalogue, Christine Nicholls (ed.), Bridgestone Museum of Art: Tokyo, Japan, pp 134-146, 2006

Lilly Wei, `Tracey Moffatt at Steven Kasher', Art in America, October 2006

Tracey Moffatt: Between Dreams and Reality, Filippo Maggia (ed), Milan: Skira Publications, 2006

Marcia Langton, `Intimate places and terrifying spaces', The Australian, p.16, 6 September, 2006

Queensland Live: Contemporary Art on Tour, exhibition catalogue, Brisbane: Queensland Art Gallery, pp. 32 – 35, 2006

George Alexander, `Tracey Moffatt: In Review, Monash Gallery of Art', Art Asia Pacific, no. 47, Winter, pp. 75-76, 2006 

Unknown Author “Little yen for Australian artworks” The Age, 29 May, 2006

Unknown Author “Made in Australia, big in Japan”, The Sydney Morning Herald, 7 June, 2006 Catriona Moore and Jo Holder “Round-tables and Square Holes: Recovering Ground”Artlink, Issue 26, Volume 1, 2006

Supercharged: the car in contemporary culture, Exhibition Catalogue ,Brisbane: Institute of Modern Art, 2006 

(Hi)story: Weaving stories, constructing history, exhibition catalogue, Felicity Lunn (ed.), Switzerland: Kunstmuseum Thun, 2005

Tim Laun, Upon Further Review: Looking at Sports in Contemporary Art, Exhibition catalogue, USA

Uta Grosnick, Women Artists in the 20th and 21st Century, Cologne: Taschen, 1 April, 2005

Georges Petitjean, “Tracey Moffatt, An image of the Undefined”, Sint-Lukas Galerie Brussel, p14, 5 April, 2005

Unknown Author Fast Forward/Avance Rápido: Media Art de la Colección Goetz

‘W, ex cat., Centro Cultural Conde Duque in Madrid, 2005

Art Photography Now, Susan Bright, Aperture Foundation publication, London, UK Family Pictures, Jennifer Blessing, Contemporary Photography and Video from the Collection of the Guggenheim Museum, Galleria Gottardo, Lugano, Switzerland, 2005

The Photograph as Contemporary Art, Charlotte Cotton, London: Thames & Hudson, 2005

Gallerie d’Art & Co, “A Bocca Aperte: In Australia ‘arte riesce a togliere il fiato, 2005

The World is a Stage, Stories Behind Pictures, Exhibition Catalogue, Tokyo: Mori Art Museum, 2005

Andrew Frost, ‘What’s so fashionable about video art in Australia right now?,’ Photofile (Winter), Issue 74, 2005

Gary Carsley, “Tracey Moffatt-The Adventure Series,” Photofile, No. 73, Summer, p 69, 2005

Mixed-up Childhood, Exhibition Catalogue, New Zealand: Auckland Art Gallery Toi o Tamaki, 2005

Hisa Abe “Behind the gloss”, The Courier Mail, 30 March, 2005

“IMA’s talented trifecta”, Gold Coast Bulletin,12 March, 2005

Unknown Author “Urban Adventure”, Rave Magazine, 15 March, 2005

Unknown Author “Action Items...”, Brisbane news, 6 April, 2005

Unknown Author “Best of the rest”, Australian Financial Review, 16 April, 2005 Unknown Author “Tracey Moffatt: Adventure Series and Love”, Brisbane City Search, 5 April, 2005

Unknown Author “Triple bill at the IMA”, Art Monthly Australia, Issue 178, April, 2005 Unknown Author ‘Moffatt’s Brisbane Adventure”, Style Magazine, April, 2005

Unknown Author “Snap, that’s Brisbane”, The Courier Mail, 16-17 April, 2005

Andrea Stretton, ‘Reading, Tracey Moffatt’, Art and Australia, Vol. 43 (Summer), no. 2, pp 282-84, 2005

Margaret Marsh, Michele Watts and Craig Malyon A.R.T. 2 practice, Melbourne: Oxford University Press, pp 94-5, 2005 

Samantha Selinger-Morris, “The secret lives of Tracey Moffatt,” The Sydney Morning Herald (Spectrum), p 67, 30-31 July, 2005

Sarah Douglas, “Tracey Moffatt: New Work in New York,” Australian Art Collector, Issue 33, pp 100-105, July – September, 2005

“Moffatt: In Review”, Monash Gallery of Art Newsletter (Winter), pp. 6-8, 2005

Helen McDonald, ‘Francesca Alfano Miglietti (FAM), Extreme Bodies: The Use and Abuse of the Body in Art’, Art Monthly Australia, p 12, June, 2005

Naomi Cass, ‘Tracey Moffatt in review’, Artnotes Victoria, Art monthly, p 46, June 2005

Annette Larkin, Justin Miller and Damian Hackett, “ going, going, gone...Three auction house experts reveal their top 10 favourite Australian artists to watch...” Vogue Living (Australia), p 110, May-June, 2005

Jill Bennett, Felicity Fenner and Liam Kelly, Prepossession, exhibition catalogue, 2005 Tracey Moffatt, Adventure Series, exhibition brochure, Brisbane: IMA (Institute of Modern Art), 2005

Gael Newton, World of Dreamings, Canberra: National gallery of Australia, 2005 Unknown Author “Tracey Moffatt’s Adventure Series: Exhibitions to Watch” Artlink, p 76, 2005

Colour Power: Aboriginal Art Post 1984, Exhibition Catalogue, Australia: National Gallery of Victoria, 2005

Ron Radford, “LOVE,” IMA Newsletter, p 5, February-June, 2005

Courtney Pedersen, The Indefinitive Self: Subject as Process in Contemporary Art, Queensland University of Technology: Brisbane, Chapter two, pp 35-57, 2005

Andrea Stretton, “Readers in the frame”, Art & Australia, Autumn 2005, Vol 42, No. 3, p 442, 2005 

Alicia Foster, Tate Women Artists, London: Tate Publishing, June 2004

Äventyr I Gränslandet, Hasse Persson, TaFOTO, No.10, 2004

Ulf Johanson, “Det är något bekant över Tracey Moffatts bilder”,te GÖTEBORGS- POSTEN Fredag, 11 June, 2004

Richard B. Woodward “Home Team Advantage”,The New York Times, 15 February, 2004

Nyanda Smith, “Tracey Moffatt,” Cause Celebre, April – May, 2004

Just Love Me, Exhibition Catalogue, Leeuwarden: Fries Museum Leeuwarden, 2004

Unknown Author “Sports”, Exit Magazine, Madrid: Olivares & Associates, Issue 15, 14 October, 2004

Poppy Diamantadis, “Tracey in My Room,” Cream 18 (entrée), 2004

Ken Bolton, “Australian Women Artists: Sailing to Tahiti,” Jamini: International Arts Quarterly, pp 68 – 79, November, 2004

Nellie Castan, “New York – The Armory Show 2004” ART EXPO, p 30, 2004

Catherine Summerhayes, “Haunting Series: Tracey Moffatt’s bedevil,” Film Quarterly, Autumn, Volume 58, pp 14 – 24, 2004

David Broker, “The Adelaide Biennial of Australian Art,” Eyeline, Issue 54, Winter, pp 44 – 46, 2004

Emma Muhlberger, “One Square Mile: Brisbane Boundaries, Museum of Brisbane,” Eyeline, Issue 54, pp 52-53, Winter, 2004

Margo Neale and Timothy Morell, “Who’s Laughing: Humour in Indigenous Australian Photography,” Photofile, Issue 72, pp 54 – 57, Spring, 2004

Darren Tofts, “Good Looking: Narrative Photographs Past and Present, Ian Potter Centre, National Gallery of Victoria ,” Photofile, Issue 72, pp 71 – 73, Spring, 2004 Ruark Lewis, “Review: Tracey Moffatt, Museum of Contemporary Art,” Photofile, Issue 71, Winter, p 66, 2004

Marie Bonnal, “Review: Tracey Moffatt, John Curtin Gallery,” Photofile, Issue 71, Winter, pp 66- 67, 2004

John McDonald, “In the Eye of the Beholder”, Financial Times Review (Australia) , 22 January, 2004

Unknown Author “The Plot Thickens”, www.theage.com.au, 13 August, 2004

Kendrah Morgan interviewed by Catherine Freyne “The Plot Thickens-Narratives in Australian Art” ABC Radio National, 15 September, 2004

Paola Anselmi “Tracey Moffatt: Mise en Scéne”, Contemporary Visual Arts and Culture Broadsheet, Vol. 33 No.2, June/August, 2004

“Home stays at heart of this girl’s art”, The Courier Mail, 12 November, 2004

Lisa Gye, “Novamedia: an Australian First”, realtimearts.net, 2004

Kate Rhodes, “When your heart is troubled: Tracey Moffatt’s Night Cries”, Colour Power, Aboriginal Art Post 1984, National Gallery of Victoria, p 144, 2004

Tradition Today: Indigenous Art in Australia, Sydney: Art Gallery of New South Wales, p 90, 2004

Lauren Dalla, “Depth of Field”, www.portrait.gov.au , 2004

Ruth Skilbeck, “Tracey Moffatt,” POL Oxygen (Special Collector’s Issue), Issue 10, pp 44 – 52, 2004

Fiona Prior, “Art review: Tracey Moffatt's Adventure Series,” chaosgeneration.com, August, 2004

Fiona Prior, “The Artful Ms Moffatt ..., “ ,www.henrythornton.com, 1 August, 2004 Tracey Moffatt, “The Story of Tracey Moffatt’s Adventure Series photo shoot in Brisbane, Australia,” Roslyn Oxley9 Gallery, 2004

Carmel Dwyer, “Moffatt’s adventure art soars to $3.5m,” The Weekend Australian Financial Review, p 8, 7-8 August, 2004

Peter Hill, “Better by design...,” Sydney Morning Herald (Spectrum), pp 8-9, 7-8 August,2004 Dominique Angeloro, “Strip Down,” Sydney Morning Herald (Metro), p 26, 6 August, 2004 Jeni Porter, “Bursting with talent,” Sydney Morning Herald (News), 31 July – 1 August, p 22, 2004

Victoria Hynes, “Tracey Moffatt – Adventure Series,” The (Sydney) Magazine, 28 July, p 94, 2004

Alison Kubler, “Brisvegas: Little city, big history – One Square Mile: Brisbane Boundaries at the Museum of Brisbane,” Art Monthly Australia, Issue 169, pp 31 – 33, May 2004

Nyanda Smith, “Moffatt expolores the Frontiers”, The West Australian,3 January, 2004 Kate Davidson, “Of Images and Episodes”, Art Monthly Australia, April, 2004

Lauren Dalla, “Depth of Field,” Portrait , Canberra : National Portrait Gallery, Issue 12, pp 20 – 24, 2004

“Portraits: Tracey Moffatt”, Harper’s Bazaar (Australia), April, p 125, 2004

Ruth Hessey, “Moffatt is a huge hit wherever she goes. Ruth Hessey explains why.”, Australian Art Review, Issue 4, pp 62-63, March –June, 2004 

Elizabeth Ann Macgregor Tracey Moffatt, Exhibition catalogue, Sydney: Museum of Contemporary Art, 2004

Simon Blond “Moffatt Exposes Dark”, The West Australian, 14 February, 2004

Michael Fitzgerald, “Not Dying, Changing,” TIME (Australia) , pp 62-63, 22 March, 2004

Eve Sullivan, “The Juvenalia of Tracey Moffatt”, Art & Australia, January-February, 2004

“A conversation with Tracey Moffatt”, Deadly Vibe, February 2004

Susan McCulloch, The Weekend Australian, 27-28 March, 2004

Barbara Creed, “State of the Arts” January/March 2004

Russell Smith, “Tracey Moffatt: The International Look,” Broadsheet, Volume 33, Issue no. 1, pp 36 – 38, February-May, 2004

Natalya Lusty, “Something more about Moffatt,” The Financial Review (Australia), pp 8- 9, 27 February, 2004

Jackie Chowns, “Comic Turn” The Sydney Morning Herald, 16-22 January, 2004 Robert Nelson, “Tracey Moffatt: Museum of Contemporary Art, Sydney,” The Age, 14 January, 2004

Patricia Anderson, “Polished rituals of looking,” The Weekend Australian, p 19, 3-4 January, 2004

Geoffrey Maslen, “Something More – After Record Year”, The Sydney Morning Herald, February, 2004

Brenda L. Croft, New View: Indigenous Photographic Perspectives, Exhibition Catalogue, Melbourne: Monash University Library, 2004

“Tracey Moffatt: Vox Pop” Vogue Living (Australia) , November/December, 2004 

Something More Than Five Revolutionary Seconds, Exhibition Catalogue, Milan: Fondazione Davide Halevim, 2003

Tracey Moffatt, “Shanghai Surprise - Artist Tracey Moffatt adventures in China”, V Magazine, Issue no. 23, May/June, 2003

Bill Owens “Scarred for Life: Heaven: Tracey Moffatt”, The Suburban Unconscious, or Stories of Nowhere: Quaderns d arquitectura i urbanisme, Barcelona: College of the Architects of Catalan, Issue. 237, pp. 2003 

Sabine Himmelsbach, Mark Nash, Stephan Urbaschek, Peter Weibel, Fast Forward, Exhibition catalogue, Stephen Urbaschek and Ingvild Goetz (eds.), Munich: Hatje Cantz, 2003

Fast Forward, Exhibition Catalogue, Shanghai: Xin Rui She Ying, 2003

Kunstforum Baloise: Interim Balance, New Acquisitions, Exhibition Catalogue, Basel: Baloise-Gruppe, 2003

Just Love Me, Exhibition Catalogue, Bergen: Bergen Art Musuem, Munich: Sammulung Gotez, 2003

“New Wave, Shanghai Surprise: Artist Tracey Moffatts Adventures in China”, V Magazine, May/June 2003

Unknown Author , Entertainment Guide, City Weekend , 9-22 January, 2003

Unknown Author, Scene Shanghai, 1 January, 2003

Unknown Author High: art, our city and us, Shanghai, January 2003

Trevor Fairbrother, Family Ties: A Contemporary Perspective, Exhibition Catalogue, Salem: Peabody Essex Museum, 2003 

Catherine Summerhayes “Who in "Heaven"? Tracey Moffatt: Men in Wet-Suits and the Female Gaze”, Journal of Narrative Theory, Vol. 33, Issue No. 1, Michigan: JNT, pp 63-80, Winter, 2003

“Women Vision: Women and the Moving Image in Australia,” Women Vision, Lisa French, Catherine Summerhayes (eds.), Melbourne: Damned Publishing, p 267, 2003

Peter Hill, “Once is not enough,” Sydney Morning Herald (Spectrum), pp. 18-19, 26-28 December, 2003

“Tracey Moffatt,” The (Sydney) Magazine, p. 118, 2003

Michael Fitzgerald, “Hearts in the picture,” Time Magazine (Australia), 22 December, 2003

Lenny Ann Low, “Zooming in on an artful tease,” The Sydney Morning Herald, p 14, 16 December, 2003

Eve Sullivan, “The Juvenilia of Tracey Moffatt,” Art & Australia, Summer, vol. 41, no. 2, pp 232 – 239, 2003

“Collecting”, Vogue Living (Australia), p 102, October/November. 2003

Ashley Crawford, “Tracey Moffatt”, See Here Now: Vizard Foundation Art Collection of the 1990s, Chris MacAuliffe and Sue Harvey (eds.), Melbourne: Ian Potter Museum of Art and Australia: Thames and Hudson, pp 90 – 93, 2003

Ashley Crawford, “The Art of Darkness” The Age, 27 September, 2003.

Daniel Palmer, “Tracey Moffatt”, Monash University Collection: Four Decades of Collecting, Jenepher Duncan and Linda Michael (eds.), Victoria: Monash University and Monash University Museum of Art, p 87, 2003

Cathy Leahy, 'The offset image: prints in the Collection”, Monash University Collection: Four Decades of Collecting, Jenepher Duncan and Linda Michael (eds), Victoria: Monash University and Monash University Museum of Art, pp 37 – 39, 2003

Margaret Plant, 'The Journey from Field to Fieldwork 1968 - 2003,' Eyeline, Issue 51, pp. 44 – 46, Autumn – Winter, 2003

Zara Stanhope, “Take a Good Look at My Face, Love at First Sight: artists and their relationship with the camera”, Eyeline, Issue 51, pp 26 – 29, Autumn - Winter, 2003

Clara Laccarino, “Collectors Art”, The Sun-Herald (Sunday Metro), p 9, 13 July, 2003 Katrina Strickland, “Black lives viewed from the inside”, The Australian (Arts), p 14, 29 May, 2003

Stuart Koop, 'Fieldwork: Australian Art 1968 - 2002, Broadsheet, vol. 32, no. 1, pp 8 - 11 March- May, 2003

Juliam Raxworthy, 'Love at First Sight,' Photofile, Issue 68, pp 69-70, April, 2003 Flagship: Australian Art in the National Gallery of Victoria, 1790 - 2000, Isobel Crombie (ed.), Melbourne: The Ian Potter Centre, pp 67, 74, 2003

Elizabeth Sarks, “Tracey Moffatt: 50 Most Collectable Artists”, Australian Art Collector, Issue 23, January – March, 2003

Brett Adlington, 6ft + clean: surf + art, Exhibition catalogue, Gold Coast: Gold Coast City Art Gallery, 2003

Sandra McLean, “Cool in Camera”, Courier Mail, 29 March, 2003

Diary, William Petley, The Sun-Herald, 21 September, 2003

Kim Appleby, 'A self-portrait in focus: Portrait #6’, National Portrait Gallery, Canberra, p 7, Summer, 2003 

Ross Gibson, Poise: a brief meditation on the work of six photographers: Points of View Exhibition Catalogue, Sydney: University of Technology Sydney Art Collection, 2003 

Hautnah Die Sammlung Goetz, Exhibition catalogue, Munich: Goetz Collection, August, 2002

Olaf Prytzbilla, 'Tanz-Rituale auf dem Rasen: Eine Ikonografie des Sports,' Die Welt, 22 September 2002

Just Love Me, Exhibition Catalogue, Baden- Baden: Staatliche Kunsthalle, 2002

Hannah Fink in conversation with Hetti Perkins and Nikos Papastergiadis, “Forking Tongues,” Asia-Pacific Triennial of Contemporary Art catalogue, p116, 2002

Catherine Summerhayes, “Film as Transformative Play in the Art of Tracey Moffatt,” INTER Sections, Vol 2, p 177, 2002

John McPhee, 'City Life: De Sydney à Melbourne,' Paris Photo Magazine International, Issue no. 22, September/October, pp 124 -131, 2002

Tracey Moffatt, Paula Savage and Lara Strongman (eds.),Wellington: City Gallery Wellington, March, 2002

Melodrama, Lo excesivo en la imaginacion postmoderna, Exhibition Catalogue, Vitorio- Gasteiz: Centro-Museo Vasco de Arte Contemporaneo, 2002

Hollywood Revisited, Exhibition Catalogue Aarhus: Aarhus Kunstmuseum, 2002 Veczoennections: Contemporary Artists from Australia, Exhibition Catalogue, Zagreb: House of Croatian Artists, 2002

True Fiction, Inzinierte Foto-Kunst der 1990 er Jahre, Exhibition Catalogue, Aachen: Ludwig Forum fur Internationale Kunst, 2002

Katerina Gregos, 'Tracey Moffatt,' Contemporary, January, 2002

E. Ann Kaplan, 'Between the Psyche and the Social, Psychoanalytic Social Theory,' Trauma, Cinema, Witnessing, 2002

Lisa Fischman, “Studio Visit: Neither Win, Place nor Show”, Art Papers Magazine, July/August, 2002

Hesse Mcgraw “Fiction and History: A Science of Disputed Signs”, Review, May/June, 2002

Unknown Author 'Zahranchi> Umelecky svet po 11. Zari 2001,' Atelier, 5 March, 2002

Jerry Cullum, 'The Excellence of the Also-Rans,' The Atlantic Journal-Constitution, 22 March, 2002

Felicia Feaster, 'Loser,' Atlanta.CreativeLoafing.com, 20-26 March, 2002

Unknown Author 'Just Like a Woman,' Harpers Bazaar (USA), March, 2002

Alice Throson, 'Everything Here is Not What it Seems,' The Kansas City Art Star, 3 May, 2002

Gregory Williams, 'Better Luck Next Time,' Cabinet, Summer, 2002

Cynthia Baron “Films by Tracey Moffatt: Reclaiming First Australians' Rights, Celebrating Women's Rites” Women's Studies Quarterly: Looking Across the Lens: Women's Studies and Film, Vol. 30, Issue No. 1/2, pp. 151-177, New York: The Feminist Press at the City University of New York, Spring - Summer, 2002

Jeff Gibson, 'Preview,' Artforum, January, 2002

Unknown Author 'Tracey Moffatt: Joslyn Art Museum, Omaha,' The Art Newspaper, February, 2002

Unknown Author 'Trauma Oxford,' The Guardian Guide (UK), 26 January, 2002

Gareth Evans, 'Between the Lines: Dial T for Trauma,' Sight & Sound, March, 2002 Charles Green, “Into the 1990s: the decay of postmodernism”, Fieldwork: Australian Art 1968 - 2002, Exhibition Catalogue, Melbourne,: National Gallery of Victoria, p. 100 – 111, November,2002 – February, 2003

Cover Image, Art Monthly Australia, Issue #156, December 2002- February 2003

Chris Chapman, 'Three uses of photography,' Photofile, Issue no. 67, pp. 4-8, December, 2002

2nd Sight Australian Photography in the National Gallery of Victoria, exhibition catalogue, Melbourne: National Gallery of Victoria, p 97, 2002

Images of Australian Men: Photographs from the Monash Gallery of Art Collection, Wheelers Hill: Monash Gallery of Art, Exhibition catalogue, May, 2002

Michael Fitzgerald, 'Brand New Gaze,' Time Australia, July,2002

Geoff Maslen, 'Painting by Numbers: Smart Art Fetches $200,000,' The Daily Telegraph, 27 April, 2002

Geoffrey Maslen, 'Something More - After Record Year,' SMH.com, 4 February, 2002

Unknown Author 'Canvas,' Art News, February, 2002

Carlo McCormick, Tracey Moffatt, Arts Drama Queen, December/January, 2002

Tracey Cooper, 'The Enduring Glance: 20th Century Australian Photography from the Corrigan Collection,' Antiques & Art in Victoria, Bendigo: Bendigo Art Gallery, 2002

Geoff Maslen, 'Nine Photographs Sell for $226,575,' The Sydney Morning Herald, 26 June, 2002 

Unknown Author “Three Days of Lectures and Discussions at the ARS 01 Exhibition,' Unfolding Perspectives: Museum of Contemporary Art Kiasma, September 2001- January 2002

Unknown Author 'Dolores Clairborne y Cenicienta: Entre cuentos de hadas,' Celia Prado, Exit, November/January, 2001-2002

Neil Jones, 'Art and Society Interact in this 'Must See" Show,' Halstead Gazette (Essex), 5 October, 2001

Unknown Author, 'From Tomorrow, Art,' Evening Standard, 27 March, 2001

Unknown Author 'Review: Tracey Moffatt,' Ed, On Magazine, April-May, 2001

Unknown Author 'Trauma,' Scotland on Sunday - Art, 8 July, 2001

Alison Middleton, 'Exploring Traumatic Experiences,' Press & Journal, 7 July, 2001 Unknown Author 'Cultural Devolution?,' Tate Magazine, Summer 2001

John Beagles, 'Art: Trauma,' The List, 5 – 19 July, 2001

Amber Cowan 'Amber Cowans choice: Trauma,' Play, 7-13 July, 2001

Michael Cathcart ‘Australian Artist Tracey Moffatt’, Arts Today, 9 January, 2001

Nicky Bird, 'Trauma,' Art Monthly (UK), September, 2001

Unknown Author 'Previews,' Art Review (UK), September, 2001

Francesca Calvocoressi, 'Exhibition Reviews: The World in which We Live,' YoungMinds Magazine, Issue No. 54, 2001

Unknown Author 'A Journey into Disturbing Places,' Financial Times: The Arts (Scotland), 17 July, 2001 

John Calcutt, 'Reviews: Trauma,' Scotland on Sunday, July, 2001

Elizabeth Mahoney, 'Arts: Scared for Life,' The Guardian (UK), 14 July, 2001

Heather Neill, 'Artbeat,' Times Educational Supplement, 14 September, 2001

'ARS 01,' Tema-Celeste: Contemporary Art (Finland), November – December, 2001

Helen McDonald, Erotic Ambiguities, The Female Nude in Art, London: Routledge, 2001

'Tracey Moffatt,' Art Asia Pacific, Issue 26, 2001

Maria Vlahou, 'Guest: Tracey Moffatt,' Ozon, October, 2001

Helen Monaghan, 'Tracey Moffatt,' The List, 29 March, 2001

Marina Sorbello, 'Contemporary Art Jamboree Goes Global,' The Art Newspaper, Issue No. 112, March, 2001

Franklin Sirmans, 'Art Review,' Time Out (New York), 22-29 November, 2001

Linas Alsenas, 'Calendar,' Interior Design, November, 2001

Edward Fox, 'Art,' Jalouse, November, 2001

Jessica Dawson, 'Moffatt: This Dogma Can Bite,' The Washington Post, 18 October, 2001

Leah Ollman, 'Switching Roles in Identity Power Plays,' Los Angeles Times, 25 April, 2001

'Photo Narratives: Where Fiction Meets Reality,' The Chronicle Review, 20 April, 2001

Devorah L. Knaff, 'Digital Artistry Raises Serious Issues,' The Press Enterprise, 20 April, 2001

Charles Hand, 'UCR Presents Images of Culture, Sex, and Age: Australian Photographers Work Seems to Have Taken over Museum,' The Californian, 19 April, 2001

Mitra Abbaspour, 'Tracey Moffatt,' Fototext: UCR-California Museum of Photography, Spring, 2001

Von Elke Buhr, 'Vierte Sieger: Neue Bilder & ganze Dramen von Tracey Moffatt in der L.A. Galerie Albrecht in Frankfurt,' Kulterspiegel, Frankfurter Rundschau, October, 2001

Brigitte Reinhard, 'Tracey Moffatt,' Int. Biennial of Graphic Arts Ljublijiana, 2001

Boris Kremer, 'Less Words,' Audit (Luxemborg), 2001

Chris Bollen, 'Beautiful Losers,' V Magazine, November/December, 2001

Ben Widdicombe, 'Consuming Passion,' Jalouse, Premiere Issue, 2001

Rosalind C. Morris, 'Tracey Moffatt: Laudanum,' Connect bi-yearly Magazine, 2001 Helen A. Harrison, 'Aboriginal Artist Faces Attitudes in Her Culture,' New York Times, 25 February, 2001

Fred A. Bernstein, ‘Quick Learner,’ Elle Décor, February/March, 2001

Art News, 'Tracey Moffatt on the Last of the Nuba,' February, 2001

Doreen Mellor, 'Invoking Tracey Moffatt,' MUSE, August 2001

Miguel Icassatti e Juliana Werneck, 'Heaven, Ela subiu aos cues,' TPM, Trip.parpa.mulher, July 2001

Ulrike Lehnmann, 'Zwischen Wirklichkeit und Fiktion,' Women Artists, 2001

Angela Lampe, 'Tracey Moffatt, Die Unheimliche Frau,' Kunsthalle Biefeld, September, 2001

Christian Muckl, 'Gleiten in der Galerie,' Feuilleton, 15 September, 2001

F.J. Broder, '"England grußt den Fuhrer," Bayerishe Staatszeitung und Bayerischer Staatsanzieger, 21 September, 2001 

Samuel Herzog, 'Tracey Moffatt: Abenteuerliches Pasticcio,' Basler Magazin, Beilage der Basler Zeitung, Nr. 19, May, 2001

'Die Schopfung, Sieben Szenen,' DU- Die Zeitschrift der Kultur, No. 718, 2001

Anna Brodow, 'Modig Universitetskonst lamplig for illustration," Lordagen Den, 3 March, 2001

Sonia Hedstrand, 'Minnen och fordomar,' Arbetaren 16 February to 22 February, 2001

Milou Allerholm, 'Koloniala bindingar och uppbrott,' DN Stockholme, 2001

Marja-Terttu Kivirinta, 'Tukholman nayttelykarrtta on runsas,' Helsingin Sanomat, 5 March, 2001

Gunila Grahn-Hinnfors, 'Coolt eller ilsket,' Goteborgs-Posten Lordag, 3 March, 2001

Nils Forsberg, 'Resa via Mad Max,' Expressen, 22 February, 2001

Fotokunst der 90 er Jahre aus der Sammlung Sandretto Re Rebaudengo, Exhibition Catalogue, Zurich: Edition Oehrli, 2001

Sacha Craddock, 'Tracey Moffatt,' Tema Celeste,Issue 86, 2001

Audit, Casino Luxembourg, Luxembourg City: Forum dart Contemporain, September 2001

Unkown Author 'Gewinner der goldenen Ananas,' Frankfurter Allgemeine Zeitung, 29 December, 2001

Unknown Author 'Un mundo adolescente/ Teenage World,' EXIT, imagen y cultura, Issue No. 4, November, 2001

International Biennial of Graphic Art, Exhibition Catalogue, Ljubljana: International Center of Graphic Arts, 2001

Reisen Ins Ich, Kunstler/ Selbst/ Bild, Exhibition catalogue, Klosterneuburg : Sammlung Essl, 2001

Unknown Author 'Tracey Moffatt,' The New Yorker, 24 November, 2001

Unknown Author, The 1st Valencia Biennale, Communication between the Arts,' Exhibition catalogue, Valencia: Generalitat Valencia, Spain, 2001

Sport in der Zeitgenossischen Kunst, Exhibition catalogue, Nurnberg: Kunsthalle, 2001

Mujeres que hablan de mujeres, Exhibition catalogue, S. Cruz de Tenerife: Espacio Cultural El Tanque, 2001

Marie Feliciano, 'The World of Tracey Moffatt,' Taiwan News, 12 August, 2001 Elisabeth Mahoney, 'Tracey Moffatt,' The Guardian (UK) , Thursday, 19 April, 2001 Sally O Reilly, 'Tracey Moffatt,' Time Out (London), 17 April, 2001

Sebastian Smee, 'Just Dont call me an Aboriginal artist,' Independent, 16 April, 2001

Neil Cameron, 'An Aboriginal original,' The Scotsman, 10 April, 2001

Susannah Thompson, 'Tracey Moffatt,' The List, 26 April, 2001

Evening Standard, 'From Tomorrow, Art,' 27 March, 2001

'Review: Tracey Moffatt,' Ed, On Magazine, April-May, 2001

Penny Webb, 'A $74,000 auction record holder makes the pace with a portfolio of Olympic losers,' The Sydney Morning Herald, 3 August, 2001

Unknown Author 'Fictional world high in drama,' Canberra Sunday Times, 12 August, 2001

Tony Oates, 'Moffatt's Invocations portray enigmatic world,' ANU Reporter, Vol. 32, Issue No. 12, 17 August, 2001

Myra McIntyre, 'Childhood fantasies recalled,' Canberra Times, 11 August, 2001

Penny Webb, 'Leaps and boundaries,' The Age, 3 August, 2001 

Peter Gotting, Buyer goes for something more,' The Age, 2 August, 2001

Peter Gotting, 'Looking for the next new thing in art? Its a snap,' The Sydney Morning Herald,1 August, 2001

Cassie Proudfoot, 'Fractured Fantasy,' Canberra Times (Times Out),19 July, 2001 Andrew Sayers, 'In Our Own Image,' The Australian Financial Review, January, 2001

Hossein Valamanesh, 'Visual Arts,' The Bulletin with Newsweek, 17 July, 2001

Frances Amble, 'Insightful,' Student Newspaper, 19 May, 2001

Fisun Guner, 'Tracey Moffatt: Invocations,' Metro Life, May, 2001

Moira Jeffrey, 'Little Miss Moffatt,' Sunday Herald, 15 April, 2001

Moira Jeffrey, 'The World of Wounds,' The Herald, 13 July, 2001

'Australia . . . land of the rising art sales,' The Sydney Morning Herald, 13 November, 2001

Katie Pollock, 'Tracey Moffatt: Invocations,' The Bulletin (The Perfect Week: Visual Arts), 17 July, 2001

Gabriella Coslovich, 'Moffatt's Ever Expanding Profile,' The Age, 2 May, 2001

Georgina Safe, 'Taking the Long March into Asia,' The Australian, 20 April, 2001

Terry Ingram, 'Market Cracks as Buyers Hold Back,' The Australian Financial Review, 30 November, 2001

Catherine Summerhayes, 'Still Film: Tracey Moffatts Invocations and bedevil,' Photofile, December 2001

Rex Butler and Morgan Thomas, 'From Something Singular... To Something More,' Eyeline, Autumn/Winter, 2001 

Francisco Calvo Searraller, ‘Fin de Siglo,’ El País, 26 August, 2000

Jane Harrison, ‘Australiens Gestohlene Kinder,’ Frankfurter Rundschau, 9 September, 2000

Anne Ring Peterson, ‘Den utilpassede,’ Det Nationale Fotomuseum, 2000

Dan Jönsson, ‘Tracey Moffatt’s komplexa pussel,’ Jah for Sidsta, April 2000

Hanneke Huls, ‘Tracey Moffatt Laudanum,’ Torch, May 2000

Helmond Gemeentemuseum, Archis, Gemeentemuseum, 22 April, 2000

Ruth De Beer, ‘Introducing Tracey Moffatt,’ Museum Helmond, 2000

Unknown author “Zwetende lichamen in een onmetelijke woestijn”, Uitkrant, June 2000

Unknown author ‘SottShock,’ Man, May 2000

Unknown author ‘Australische Avante-Garde-Kunstenares,’ Rails, May 2000

Unknown author ‘Tracey Moffatt,’ Spits, May,2000

Unknown author ‘Tracey Moffatt,’ Carp, Helmond Gemeentemuseum , April 2000 Unknown author ‘Expositie Tracey Moffatt,’ Traverse, Helmond Gemeentemuseum, April, 2000

Unknown author ‘Fototentoonstelling Tracey Moffatt in Gemeentemuseum,’ Helmond, Nieuus, April, 2000

Unknown Author ‘Laudanum,’ Vitrine, March 2000

Unknown author ‘Mutitalent, Tracey Moffatt,’ Avante Garde, May 2000

Unknown author ‘Tentoonstelling: Tracey Moffatt,’ Style Magazine, April 2000 Unknown author ‘Mi Trabajo es de carácter universal,’ Cabello/ Carceller,

PhotoPeriódico, June 2000 

Unknown author ‘Cronica de Una Fantasia,’ Cabello/ Carceller, El Periódico del Arte, May 2000

Unknown author ‘Tracey Moffatt in Babelia,’ El País, p.12 , 26 August , 2000

Helga de Alvear, ‘Tracey Moffatt,’ Arte de Parte, April/May 2000

Tom Jørgensen, ‘Brutal Aestetik,’ Det Nationale Fotomuseum, 8 April 2000

Unknown author “Snap Ruling: The Citibank Private Bank Photography Prize 2000”, Metro p.24-25, 5 Feburary, 2000

Unknown author ‘Finalists eye Citibank Private Bank Photography Prize,’ Citigroup, p.9, 2000

Unknown author ‘Campos del Color,’ El País de las Tentaciones, 5 May, 2000 Unknown author ‘Tracey Moffatt, Trans-Europe-Expos, December-January, 2000 Unknown author ‘Tracey Moffatt,’ Readers Digest (Canada), March 2000

Saul Anton, ‘Tracey Moffatt, Fractured Fairy Tales,’ Time Out (New York), 2-9 March, 2000

Simon Grant, ‘Rich pickings up for the prize,’ The Guide, 5-11 February, 2000

Natsumi Inokuchi, ‘Citibank Prize,’ Flash Art, January/February, 2000

Kristine Kern, ‘Opium til øjnene,’, Unknown media source, April 2000

Tracey Moffatt: Laudanum, Exhibition Catalogue, Copenhagen: Det Nationale Fotomuseum, February-April, 2000

Unknown author ‘Tracey Moffatt, Invocations,’ Artforum International, February, 2000

Corneilia H. Butler, Flight Patterns, Exhibition catalogue, Los Angeles: Museum for Contemporary Art, 2000

David S. Rubin, Photography Now, Exhibition Catalogue, New Orleans: Contemporary Art Center, 2000 Maartje den Breejen, “De roes van de Australische Tracey Moffatt”, Rarool, May, 2000

“Eerste museale expositie van de Australische Tracey Moffatt in Helmond”, Cranpetter, April, 2000

Paola van dee Velde, “Herkenbare gevoelens bij Tracey Moffatt”, De Telegraf, 2000 “Down under”, Eindhovens Dagblad, April 2000

Angelique Spaninks, “Buiden voor de larzen van een motorduivelin”, De Stern, May, 2000

Rutger Pontzen, “Egocentrisch zelfbeklag,”, Urij Nedeland, May, 2000

Karen Duking, “Wat gebeurde er met het aboriginalmeisje”, Dagbald de Limburger, May, 2000,

Sandra Smallenburg, ‘Kracht van Moffatt ligt in wat ze niet vertelt,’ NRC Handelsblad, May, 2000

Esma Moukhtar, “ Spookverhalen en”, Skrien, June 2000, Holland

Oscar Alonso Monlina, “Tracey Moffatt”, Arte y Parte, Issue no. 26, April/May, 2000

Ana Martinez-Collado, “Tracey Moffatt”, www.arts.zin, 2000

Eugenio Castro, “Por las riberas del sueño”, La Razon, June 2000

Mette Sandbye, “Down Under” Weekenddavisen, 11-17 February 2000

Tom Jorgensen, “Flot udstilling af den australske Tracey Moffatt”, Ekstra Bladet, 2 February, 2000

Camilla A. Stockmann, “Laudanum”, Nat & Dag, 5 February 2000

Malene La Cour Rasmussen, “Dramatiske drome”, Jyllands-Posten/Morgen visen, 10 March, 2000 

Sarah Kent, “Mommy Dearest”, Time Out (London), 11-17 July, 2000

Inside Photography,’ Terrington Calas, New Orleans Art Review, September/October, 2000

Doug McCash, ‘New Developments,’ Lagniappe, 14 July, 2000

D. Eric Bookhardt, ‘The New New Thing,’ Gambit Weekly, 8 August, 2000

Elena Vozmeino, ‘Tracey Moffatt, Los Sueños,’ El Cultural, El Mondo, May, 2000 ‘Moffatt presenta una serie sobre ‘miedos y sueños’ a través de fotserigrafias,’

El País, 10 May, 2000

Juan Vincente Aliaga, ‘A Sangre Y Fuego: Imatges de la Violéncia a lart contemporani,’, A Sangre Y Fuego, 2000

Michael Guerrin, ‘Les photos fabriquées de lénigmatique Tracey Moffatt,’ Le Monde, 7 January, 2000

Susie Linfield, ‘Eclectic Eye,’ Artnews, February, 2000

Bridgit Somma, ‘Arbeiten im Schnittfeld von Mode, Design und Feminismus,’ (English translation: active on the interface between feminism, fashion and design), Lufthansa Magazine ,Issue No. 4, April, 2000

Simona Cresci, ‘Un artista australiana da seguire con grande interesse,’ Time Out (Rome), Issue No. 48, 7-13 December, 2000

Cabello/Carceller, ‘“Mi trabajo es de caracter universal,’ Photo Periodico, June, 2000

Oscar Alonso Molina, ‘Tracey Moffatt,’ Arte y Parte,Issue No. 26, p. 134, April-May, 2000

Unknown Author “Festival Off, las galerias se abren a la forografia”, El Punto, Año XV, Issue no. 573, p 8, 9-15 June, 2000

Carlota de Alfonso, “Tracey Moffatt: Invocaciones “, El Punto, Año XV, Issue no. 569, p 4, 12-18 May, 2000

Juan Botella, “Tracey Moffatt: Invocaciones” Anticuaria, Issue no. 184, pp 58-60, June, 2000

Santiago B. Olmo, “ Sueños de ficcion” Lapiz, Issue no. 164, 2000

Roni Feinstein, “The Biennale of Reconciliation”, Art in America, p 39, December, 2000

Christine Temin, “Dreamscape of darkness” The Boston Globe,29 September, 2000

Joseph D. Ketner, Tracey Moffatt: Invocations , Exhibition Catalogue, Boston: Rose Art Museum, September, 2000

Susan Shepard, ‘The Fine Art of Photography,’ New England News Group Agency, 20 September, 2000

“Calender/Choice”, The Boston Globe, 31 August, 2000

Duncan McLaren, “Citibank Private Bank Photography Prize” 20 February, 2000

‘5 Photographs at Citibank Display,’ The News Line, 23 February, 2000

Catherine Etoe, ‘They Shoot Horses, Don’t They?’, The West End, 18 February, 2000

Midori Kimura, “Interview with Tracey Moffatt”, BT (Bijutsu Techo), Vol. 52, Issue no. 784, March, 2000

“Very New Art 2000, (Millennium special)”, BT (Bijutsu Techo),Vol. 52, Issue no. 782, January, 2000

“Views from the Last Century: Tracey Moffatt, Anderson & Low” (Image) The Magazine of the Association of Photographers, Issue no. 292, January, 2000

Holland Cotter, “Art in Review: Tracey Moffatt”, The New York Times, 31 March, 2000

“Tracey Moffatt”, Time Out (New York), 2-9 March, 2000 

Carol Squires, “Tracey Moffatt”, American Photo, January/February, 2000

Niru S. Ratman, “They Shoot Horses, Dont They?”, The Face, Issue no.38, March, 2000

Unknown Author “Contents” Vogue Hommes International, Spring/Summer, 2000

Simon Rees, ‘Make-Believe,’ Pavement, No. 39, February/March, 2000

Jonathan Turner, ‘Trace Element,’ Black + White Magazine, No. 41, February, 2000 ‘Arts Cool,’ W Magazine, January 2000, New York, USA

Judith Benhamou-Huet, ‘Lactualite des galeries Parisiennes de Francis Bacon, Shirin Neshat, Tracey Moffatt, nouvelle referance,’ Les Echos, 7 January, 2000

En bref: Tracey Moffatt, Faisons rêve, Le Figaro, 4 January, 2000

Yan C., ‘Histoires de Femmes, Tracey Moffatt, La Reveuse,’ Jalouse, January, 2000

Philippe Regnier, ‘Chocolat amrer, marmelade et contes de fees,’ January, 2000 ‘Familien-album,’ Album Magazin Frankfurter Rundschau, 9 September, 2000 Présumes innocents - Lart contemporain et lenfance, Exhibition Catalogue, Bordeaux: CapcMusée dart contemporian de Bordeaux, 2000

Kinder des 20. Jahrhunderts, Exhibition Catalogue, Koblenz: Galerie der Stadt Aschaffenburg & Mitterlhein-Museum, 2000

Bernice Murphy, “Zeitgenossische Fotokunst aus Australian (Contemporary Photographic Art from Australia)”, Neuer Berliner Kunstverein, 2000

Richard Lacayo, ‘Pictures From An Exhibitionist,’ Time Magazine (USA), 13 November, 2000

Stephen Mckee, “Landascape in variate - Landscape in variation”, Archis no. 8, 2000

Lucien Lecarme, “Tracey Moffatt – Laudanum”, Museumkr@nt, 12 June, 2000

Michele Hewitson, ‘Weird scenes and outback stories,’ New Zealand Herald, 31 January, 2000

T.J. Macnamara, “Fresh eye on the familiar”, New Zealand Herald, 14 February, 2000

Peter Simpson, “Up in the Sky and Heaven”, Sunday Star Times, 20 February, 2000

Greg Burke & Hanna Scott, Drive-progress-power-desire, Exhibition Catalogue, New Plymouth : Govett-Brewster Art Gallery, 2000

Jonathan Turner, “Tracey Moffatt”, Contemporary Art, 2000

Bruce James, ‘Breaking The Spell,’ The Sydney Morning Herald spectrum, 5 August, 2000

Jan Mckemish, “When Crimes an Art”, The Courier Mail, 12 August, 2000

Judy Annear, World Without End: Aspects of 20th Century Photography, Exhibition Catalogue, Sydney: Art Gallery of New South Wales, 2000

Samantha Vawdrey & Katarina Paseta, Telling Tales: The child in contemporary photography, Exhibition Catalogue, Melbourne: Monash University Gallery, 2000

Wally Caruana, ‘Aboriginal Art in Modern Worlds,’ Exhibition Catalogue, Canberra: National Gallery of Australia, 2000

Sporting Life , Exhibition Catalogue, Sydney: Museum of Contemporary Art, 2000

Gael Newton, ‘World of Dreamings’, www.nga.gov.au/Dreaming, November, 2000 Telling Tales: the child in contemporary photography, Exhibition Catalogue, Melbourne: Monash University Gallery, July, 2000

Victoria Laurie, ‘A Century in Graphic Detail,’ The Australian Magazine, 2000

John McEwan, “Portraits of an Artist” The Sunday Telegraph, 5 March, 2000

Lynne Cooke, Sydney Biennale 2000, Exhibition Catalogue, 2000 

Lara Travis, ‘Mirage: Drysdale and Moffatt in the Australian outback,’ Art & Australia, vol. 37 , Issue no. 4, 2000

Belinda Gibbon, “In focus: Contemporary photography can be a far-sighted investment”, The Sydney Morning Herald, 15 March 2000

Sebastian Smee, “The pain remains the same”, The Sydney Morning Herald, 26 February, 2000

Robert Cook, “Moffatt reveals her new scars” The West Australian, 5 April, 2000 Unknown Author “Australias 50 Most Collectible Artists”, Australian Art Collector, Issue no. 11, January-March, 2000

Paco Barragan, “Tracey Moffatt”, ABC Cultural, Issue no. 437, p 36, June, 2000 

‘Tracey Moffatt,’ Le Point, 31 December 1999

Myriam Boutoulle, ‘Une galerie dart: photographique,’ Le Magazine, December, 1999

‘Tracey Moffatt et Vik Muniz,’ Le Nouvel Observateur, 16 December 1999

Frédérique Chapuis, ‘Rude Bush,’ Télérama, 17 November 1999

‘Le moderner chic et faux de Muniz et Moffatt,’ Télérama, 1 December 1999 Emmanuelle Lequeux, ‘Tracey Moffatt: Sa vie en photo-drama,’ Le Monde, 2 December 1999

Rainer Fuchs, La Casa, il Corpo, il Cuore: Konstruktion der Identitäten, Exhibition Catalogue, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna: Ludwig Museum, 1999

‘Tracey Moffatt,’ Le Monde, 18 November, 1999

Brigitte Ollier, ‘Tracey Moffatt sans fard,’ Liberation, 6 December 1999

Rainer Zerbst, ‘Noch dreihundert Meilen bis nach Brisbane,’ Eßlinger Zeitung, 27 June 1999

Georg Linsenmann, ‘Im Auge des Chamäleons,’ Schwäbische Zeitung, 5 June 1999

Guillaume Tesson, ‘Lart du detournement,’ Unknown media source, 17 November 1999

Olivier Reneau, ‘Incon tournables,’ Beaux Arts Magazine, September 1999

Lynne Cooke & Stephanie Sembill für Zeitgenössiche Life Cycles, Exhibition Catalogue, Leipzig : Kunst, 1999

Christoph Doswald, Missing Link Menschbilder in der Fotografie, Exhibition Catalogue, Bern: Kunstmuseum Bern, Edition Stemmle, 1999

Art at the Turn of the Millenium, Burkhard Riemschneider, Uta Grosenik (eds.),Köln: Taschen, 1999

Alain Dister, ‘Centre dart et galerie,’

Loeil, November, 1999

Damien Sausset, ‘Tracey Moffatt, comme au ciné,’ Unknown Media Source, December 1999

Anne Vrignaud, ‘Muniz/ Moffatt: limaginaire en action,’ Azart, November,1999

Léa Gauthier, ‘Tracey Moffatt,’ Le Journal des Expositions, November, 1999

Pascale Rossignol, ‘Lart est sur images,’ Art & Cinema, November, 1999

‘Art Perspektiven Fotografie: Tracey Moffatt,’ Art Das Kunstmagazin, Issue no. 11, November 1999

Jane Burton, ‘Tracey Moffatt,’ ARTnews, October 1999

Michael Snelling, ‘Tracey Moffatt,’ Institute of Modern Art, 1999

Christian Kravagna, ‘Die Moderne im Rückspiegel,’ Springerin, 8 June, 1999 

Puppen, Körper, Pia Müller-Tamm und Katharina Sykora Automaten: Phantasmen der Moderne, Exhibition Catalogue, Düsseldorf: Okatagon, 1999

Thomas Wolff, ‘Nuevas visiones Nuevas Passiones,

The Heat, the Joy and the Fear La colección Helga de Alvear, Exhibition Catalogue,Cantabria: Fundación Marcelino Botín, 1999

Rainer Hörmann, Rosa für Jungs,

Kindheit als Phänomen, Exhibition Catalogue, Berlin: Hellblau für Mädchen, April 1999

Wohin kein Auge reicht, Exhibition Catalogue, Hamburg: Deichtorhallen, 1999

Tracey Moffatt, Gerald Matt, Jaume Vidal Oliveras, “Tracey Moffatt” Arte y Parte, Issue number 21, June/July 1999

Stéphanie Lerouge, “Tracey Moffatt”, Beaux Arts Magazine,1999

Régis Durand, “Les Inquietantes Tracey Moffatt un théatre pour personne” Art press, 1999

Lola Garrido, “Tracey Moffatt: La Chica de Moda”, Foto, August, 1999

José Miguel G. Cortes, Juan Vicente Aliaga, A Sangre Y Fuego, exhibition catalogue, Spain: Espai dart contemporani de Castelló, 1999

Elvan Zaunyan, “ Tracey Moffatt”,Le Journal, Issue no.8, 1999

Michael MacInnnis, “Tracey Moffatt”, The New York Art World, May 1999

Edward Leffingwell, “Tracey Moffatt at Paul Morris”, Art in America, October 1999

Jean Dykstra, “Laudanum: Tracey Moffatt”, Art On Paper, vol. 4, Issue no. 1, Sept/Oct 1999

B. Cellis, “Tracey Moffatt- Artista Australiana”, El País, 20 May 1999

Daniel Bensinger Costello, “Art & Money”, The Wall Street Journal, 17 September, 1999

Stella Artois, “Exhibitionism”, Flaunt, June/July, 1999

Vince Aletti, “Male Female”, Aperture, Issue no. 156, Summer, 1999,

Vince Aletti, “Voice Choices: Photo”, The Village Voice, 11 May 1999

Kenneth Baker, “Tracey Moffatt”, ARTnews, Vol. 98, April 1999

Tracey Moffatt , Spanish/ Catalan/ French Exhibition catalogue, Marta Gili & Régis Durand (eds.), Barcelona :Fundacio La Caxia & Paris: Centre National de la Photographie, 1999

Marta Gili, “Tracey Moffatt sentretient avec Marta Gili”, Le Journal No. 8, 8 September 1999,

Tony Alexander, Stephan Berg and Brigitte Reinhard, Tracey Moffatt: Laudanum, Ostfildern: Hatje Cantz, 1999

Robin Dutt, “Tracey Moffatt, Victoria Miro”, What’s On, 9 June 1999

“News: Moving Images,” Flash Art, October 1999

Martin Herbert, “Tracey Moffatt,’ Time Out (London), 9-16 June, 1999

Charles Gandee, “Women on the Verge”, Vogue (USA), May 1999

Alex Neel, “Tracey Moffatt”, Time Out, (New York), 10-17 June, 1999

Mark Stevens, ‘Spice Girls,’ New York Magazine, 21 June 1999,

Stephen Gan, Ceilia Dean & James Kaliardos, ‘The Game,’ Visionare 30, 1999 Christian Herchenrôder, “Neuer Blick auf das Fremde”, 12 November, 1999

Thomas Wolff, “Kalkuliertes Klischee”, Frankfurter Rundschau, 16 April, 1999

Thomas Wolff, “Laudanum für die Kunstwelt”, Frankfurter Rundschau, 2 March, 1999

“Heute zu Fotografien von Tracey Moffatt W.R.” , Frankfurter Rundschau, 29 May 1999

Verena Kuni, “Tracey Moffatt in der L.A. Galerie und im Ulmer Museum” Kunst-Bulletin, 8 July 1999

“Tracey Moffatt--Shooting Queen”, Elle (Germany), June 1999

Marc Peschke, “Lustvolle Unterwertung” , Frankfurter Allgemaine, 3 May 1999 Adrienne Braun, “A plus B ist nicht gleich B plus A”, Süddeutsche Zeitung, 30 June, 1999

Unknown Author “Zwiespältiger Eindruck bei Tracey Moffatts Filmen-Ulmer Museum”,

Schäbische Zeitung, 30 June 1999

Unknown Author, ‘Leiche auf der Landstraße,’,

Der Spiegel, Issue 21, 22 March 1999

Marc Peschke, ‘Erlesenes Drama: ‘Laudunum" von Tracey Moffatt,’ Photonews, June, 1999

Cate McQuaid, “ Free Falling Delivers Aboriginal Perspective”, The Boston Globe, 28 January 1999

William Middleton, “ Escape to Amsterdam” Travel and Leisure, October 1999

Carol Squiers, “Tracey Moffatt” American Photo, Jan/Feb 1999

Unknown Author “ Tracey Moffatt,” Studio Art Magazine Issue no. 106, September, 1999

Brigitte Paulino-Neto “Tracey Moffatt” Vogue (France), November 1999

Sandra Smallenburg, ‘Tracey Moffatt,’ N.R.C., 18 June 1999

Erik Hagoort, ‘Schaduw van gouvernante schuift over de trappen,’ Volkskrant, 23 June 1999

Laurence Hegarty “Tracey Moffatt” New Art Examiner, October 1999

Jonathan Turner, “Tracey Moffatt -MonteVideo/TBA”, Netherlands Media Art Institute, Issue no. 10, 1999

Olga Spiegel, “La Australiana Tracey Moffatt presenta en ‘la Caixa" su obra de los últimos diez años”, La Vanguardia, 21 May 1999

Jaume Vidal Oliveras, “ Tracey Moffatt,’ Arte Y Parte, Issue no. 21, June/July 1999 Unknown Author ‘Foto-Inszenierungen der Wirklichkeit,’ Schwäbische Zeitung, 15 June 1999

Unknown Author ‘Zwischen den Generationen Vermitteln,’ Zitty, Metropol, Issue no. 20, 1999

Krystian Woznicki, ‘Zwischen Macht und Ohnmacht,’ Berlin Zeitung, 7 October 1999

Christina Tilmann, ‘Blitze über dem Schlachtfeld,’ Der Tagesspiegel, 22 September, 1999

Ángela Molina, ‘Tracey Moffatt: Soy estúpida téchnicamente, casi no sé utilazar la cámara,’ ABC Cultural Madrid, 19 June, 1999

Unknown Author ‘Insert Tracey Moffatt,’ Noëma, August/October 1999

Brigitte Werneburg, ‘Unschärfen, Kratzer und Schrammen,’ Die tageszeitung, 19 September, 1999

Tanja Fiedler, ‘Nur Gefühle Zählen,’ Auflage, 14 September 1999

Constanze Suhr, ‘Unvollendete Geschichten,’ Berlin Magazin, 21 May 1999

Judy Annear, ‘Tracey Moffatt: Guapa 1995,’ Noticias Arco (Madrid), Issue no. 15, September 1999

Roberta Smith, ‘Gazing in a Mirror: The Omnipresent Camera’, The New York Times, 10 September, 1999

Unknown Author ‘Macht und Fürsorge,’ Noëma, August/October, 1999 

Monty DiPietro, ‘Poor Painter excels in her world of photodrama,’ Asahi Evening News, 21 October, 1999

Catalina Serra, ‘Mitos Cotidianos,’ El País, 26 June, 1999

Catalina Serra, ‘Espero que las historias que explico en mis obras sean universales," El País, 20 May, 1999

B. Celis, ‘Realidades Ficticias,’ El País de las Tentaciones, 21 May 1999

Ángela Molina, ‘Tracey Moffatt descubre en Barcelona los enigmas de la fotografía,’ ABC Cultural, 21 May, 1999

Thomas Schillo, ‘Traum-haft,’ Kunst Aktuell, Issue no. 6, June, 1999

Petra Kollros, ‘Inszenierungen um Erotik und Macht,’ Südwest Presse, 6 May, 1999

Christian, Kravagna, ‘Die Modern im Ruckspiegel,’ Springerin, June/August, 1999 Thomas Wolff, ‘The Heat, the Joy and the Fear, About the Picture Universe of the Australian Photo, Artist Tracey Moffatt,’ Nuevas Visiones / Nuevas Pasiones, 1999

Diane Stegmann, ‘Agenda: The Armory Show,’ Elle Décor (New York), February-March, 1999

Petra Kollros, ‘Im Zentrum ein Melodram,’ , Unknown media source, 9 June, 1999 Heide von Preußen, ‘Opium und keine Skrupel: Tracey Moffatts Bildschau,’ Unknown media source , 5 June, 1999

Jutta Schenk-Sorge, ‘Tracey Moffatt Laudanum,’ Kunstforum, Issue 148, December, 1999

Unknown author The Promise of Photography: Selections from DG Bank Collection, New York: PS1 Contemporary Art Center, September/October, 1999

Unknown author ‘Tracey Moffatt Laudanum,’ The New Yorker , p 34, 25 June, 1999

Unknown author ‘Tracey Moffatt, Laudanum,’ The New York Art World, May, 1999 Unknown author ‘Tracey Moffatt, Laudanum ( Hot Tickets, Victoria Miro), Evening Standard, 20 May, 1999

Unknown author ‘Tracey Moffatt,’ Ulmer Museum, Trendmagazin Joy, July, 1999 Unknown author ‘Und Immer Lief der Frensher,’ Brigitte, December 1999

Unknown author ‘Kunst im Kino,’ Südwest Press, May 27, Germany

Unknown author ‘Tracey Moffatt- Laudanum,’ Kunstzeitung, Ulmer Museum, June/July 1999

Unknown author ‘Moffatt auf Tournee,’ Südwest Presse, 15 July, 1999

Unknown author “Land mit charakteristischen kulturellen Leistungen”, Südwest Presse, 1999

Unknown author ‘Up In The Sky,’ Stuttgarter Nachrichten, 14 July, 1999

Unknown author ‘Die Welt- ein Traum,’ Berlin Ticket, Issue No.36, September, 1999

Unknown author ‘Tracey Moffatt,’ Art Das Kunstmagazin, Issue no.11, November 1999

Hedwig Fijen, ‘Public Private,’ Netherlands Media Art Institute, February/March 1999 ‘Mystérieux objects du désir,’ Le Cercle des amis darte, Centre National De La Photographie, November 1999-January 2000

Unknown author ‘Tracey Moffatt,’ Nikon Flash Œuvres photographiques et films, Centre National De La Photographie), 1999

‘Expositions du Centre National De La Photographie,’ Phot echos, p.4, October, 1999

Dr Lynne Cooke, Unodissea foto-cinematografica, (English translation: A photographic- cinematic odyssey), Exhibition Catalogue, p.89-147, 1999 

Unknown author ‘Tracey Moffatt, entre fiction et réalité,’ Loeil, October 1999

Le moderner chic et fuax de Muniz et Moffatt

Télérama Paris, December 1-7, 1999

Regis Durand, ‘Tracey Moffatt,’

Paris Photo, p 80, Autumn, 1999

Unknown author, ‘Lénergie Åpre de Tracey Moffatt,’ L’Australie en France, Issue no. 6, November, 1999

Unknown author, ‘Tracey Moffatt, Lénigme de limage,’ Axelle, p. 7, December, 1999

Unknown author, ‘Tracey Moffatt,’ Paris Voice, November 1999

Unknown author, ‘Tracey Moffatt& Vik Muniz’, Blvd Europe, September – November, 1999

Unknown author, ‘Tra Cinema e Fotorafia, L arte di Tracey Moffatt,’ PHOTO, December, 1999

Unknown author, ‘Tracey Moffatt, Project Rooms,’ El Correo Arco, February, 1999

Rikard Rehnbergh, ‘En konstpromenad paövre Östermalm,’ Våsterbotlens Kunren, March 23, 1999

Unknown author ‘Tracey Moffatt and Vik Muniz,’ Whats on, December 1999 - January 2000

Unknown author ‘Tracey Moffatt, Laudanum,’ Roslyn Oxley9 Gallery, April-May, 1999

Bruce James, “Up in The Sky: Tracey Moffatt in New York”, The Sun Herald, 25 July

John Conomos, “Tracey Moffatt: Laudanum”, Photofile, Issue 57, October, 1999 Sebastian Smee, “Little Miss Moffatt” The Sydney Morning Herald Metro, 22 April, 1999 Daniel Mudie Cunningham, “Laudanum”, The Sydney Star Observer, 22 April 1999 Blair French, ‘Tracey Moffatt,’ Art/Text, Issue 66, 1999

McKenzie Wark, “Artist Exhausts Her Critics”, The Australian, 4 August, 1999 Sebastian Smee, “A Trippy, Touched-Up Tease”, The Sydney Morning Herald, 21 April, 1999,

Benjamin Genocchio, “Disturbing Narrative of Passion and Power”, The Australian, 23 April 1999

Ben Widdicombe, “Pope Takes Manhattan”, The Australian, 20 December, 1999 Unknown Author “Very Revealing”, Metro, 30 October - 5 November, 1999

Bruce James, “Up in the Sky: Tracey Moffatt in New York”” The Sun Herald, 25 July, 1999

Ruth Hessey, “Tracey Moffatt: One of the 10 most Fascinating People in the History

of Australian Film”, Independent Filmmakers, September, 1999 

Veena Arnold, ‘Critical Interventions: Evil,’ Viewpoint, June 1998

Thomas Wolff, ‘Die Hitze, das vergnügen, die Angst,’ Frankfurter Rundschau, 5 September, 1998

Unknown Author “Sju utställningar i en hall”, Hallanaspostena, 25 June 1998

Claudia Ihlesfeld ‘Minidramen zwischen Kunst und Trash’, News for the Heilbronn, 25 May, 1998

Michael Hübl, ‘Blues n Balls,’ Kunst Forumr, July-September, 1998

Birgit Sonna, ‘Echo aus der Zukunft,’ Süddeutsche Zeitung, 6 June, 1998

Maario Limbach, ‘Im Sucher: Entmenschlichung und Anonymisierung,’ Esslinger Zeitung, 5 May, 1998 

Carmele Thiele, ‘Gezeichnet fürs Leben,’

Freitag, 5 June, 1998

F. Schur, ‘Zwischen Sex, Gewalt und Glamour,’ Prinz Stuttgart, May 1998, Stuttgart, Germany

Unknown Author ‘Downunder-Dramolette,’ Rainer Metzge, 1998, Berlin, Germany Sabine B. Vogel, ‘Tracey Moffatt im Württemburgische Kunstverein und in der Kunsthalle,’

Kunst Bulletin, 1998

Conny C-A Malmqvist, ‘En givande mångtydighet,’ KUP, 6 June, 1998

Crispin Ahlström, ‘Stig in ach låt dig betraktas!,’ 6P, 28 June, 1998

Håkan Zeylon, ‘Fantasifullt om vår natur,’ SKD, 9 June, 1998

Jörgen Klinthage, ‘Konst som tänjer gränserna,’ Unknown Publication, 25 June, 1998

Jörgen Klinthage, ‘Kraftmätning mellan objekt och rum,’ Arbetet Nyheterna, 27 June, 1998

Eva Ström, ‘Ruiner och agräs,’ SVD, 13 June, 1998

Marika Wachtmeister, ‘Natur som överraskar,’

Kristiansdagsbladet, 27 June, 1998

Cecilia Billgren, ‘Ruin möter besökare pa Konsthallens innergärd,’ Arbeiter, 30 May, 1998

Gunnar Bråhammar, ‘Svårbegripbart tema på Lunds konsthall,’ Ystads Allehanda, 5 June, 1998

Milou Allerholm, ‘Lekfulla utsnitt ur en filrerad natur,’ DN, 7 June, 1998

Brita Orstadius, Borås Tidning, Unknown Publication, 22 June,1998

Ingamaj Beck, ‘Tack, men jag är matt,’ Attonbladet, 12 June 1998, Sweden

Poul Erik f, ‘Lunds kosnthalls sommarutställning handlar om naturen, bäde den

därute och den därinne - människans väsen,’ ,Unknown Publication, 1998

Poul Erik Tøjner, ‘Människan och de bägge naturerna,’ Sydsvenskan, 22 June, 1998

Poul Erik Tøjner, ‘Lunds konsthalls sommarutställning handlar om naturen, både den därute och den därinnemanniskans väsen,’, 8 August, 1998

Stefan Olofson, ‘Människans natur på Lunds Konsthall,’ Skånska Dagbladet, 20 May, 1998

Birgit Sonna, ‘Ech aus der Zukunft’, In der Bildgeschichte (English Translation: ‘Echo from the Future’) , In the Picture Story , 6 June, 1998

Yens Wahlgren, ‘Allt vildare konstverk,’ Sydsveenskan, 30 May, 1998

Åke Holmqvist, ‘Med välavvägd balans,’ Norra Skan, 4 June, 1998

Lisbeth Bonde, ‘Tilbage til unaturen,’ Information Tirsdag, 30 June, 1998

Hakan Nilsson, ‘Gränsen mellanuppgörelse ochmani är tunn,’ Svenska Dagbladet, 7 March, 1998

Mario Limbach, ‘Gegen den Sturm der Bilder gestemmt,’ Südwest Presse, 8 May, 1998

Unknown Author ‘Fragen ohne Antwort,’ Vogue (Germany), August, 1998

Els Roelandt, ‘Rokende babys en ravende jongeren’, Unknown Publication, 1998 Ludovico Pratesi, Art Energie: Art in Jeans, “Turn-of-the-Century Reflections: Six Chapters on Art and Jeans” Exhibtiion Catalogue, Florence: Art Energie,1998

Johanna Hofleitner, ‘Was ich kenne," Presse, 10 April, 1998

Johanna Hofleitner, ‘Tracey Moffatt: A view from Australia,’ Eikon, No. 24, 10 April, 1998

Bor Madestrand, ‘Australien tor över (Australians take over),’ Expressen, 3 March, 1998

Unknown Author, Nature of Man, Exhibition Catalogue, Lund: Lund Konsthall, 1998

Lars o Ericsson, Daquns Nyheter, ‘Karga berättelser (Stories in an empty space),’ Daily News Stockholm, 6 March, 1998,

Mäss Revy, ‘Fotografikonst på Stockholm Art Fair,’ Stockholm Art Fair, p.28, 1998 Dena Shottenkirk, ‘Letter from New York,’ C., Issue No. 58, 1998

Jonathan Turner, ‘Tracey Moffatt: Intense Interest,’ Artnewsletter, 17 November, 1998

Coco Fusco, ‘Tracey Moffatt,’ Bomb, Summer, 1998

Giancarlo Polito & Helena Kontora, ‘Container of Information,’ Flash Art, Summer, 1998

Laurence Nassau, ‘A Snapshot of 1997-1998,’ NY Arts, September, 1997-1998

Bill Stamets, ‘Art People: The making of an Art Queen,’ Chicago Reader, 20 November, 1998

Kathrin Luz, ‘Im Exzeß der großen Gefühle und grellen Farben,’ Noëma, October/November 1998

Erwin Melchart, ‘Australien ohne Känguruhus,’ Kultur, 10 April, 1998

Von Kristian Sotriffer, ‘Das Triviale, der Traum, die Kunst,’ Die Presse-Kultur, April, 1998

David Burrows, ‘Critical Interventions: Evil,’ View Point, 19 June,1998

Rainer Hormann, Rosa für Jungs, Hellblau für Madchen, Exhbition Catalogue, April, 1998

Carlos Busualdo, Francesco Bonami, Okwui Enwesor, Matthew Higgs, Hou Hanru, Susan Kandel, Rosa Martinez, Asa Nacking, Hans Ulrich Obrist, Cream: Contemporary Art in Culture, Exhibition Catalogue, London: Phaidon Press,1998

Unknown Author, Unknown Article, ID Magazine (London), Issue No. 11, 1998

David Crosby, ‘Tracey Moffatt,’ Zoom, Issue No. 26, May-June, 1998

Dominique Baque, ‘La Photographie Plasticienne,’ Un Art Paradoxical, 1998

Clarisse Pereira Godiva, ‘Ulm olhar indis creto até o parasío,’ Unknown Publication, Volume 1, Issue No. 1, 1998

Unkown Author ‘Fortbewegung die nur ein einziges Ziel kennt: das Ich Kunst,’ Die Presse, April, 1998

Fleeting Portraits Exhibition Catalogue, Neue Gesellschaft für bildende Kunst, 1998, Berlin, Germany

Ruth Handler, ‘Pornographie als Stickerei,’ Unknown Publication, June,1998

Hara Bijutsukan, Das Versprechen der Fotographie: Die Sammlung DG Bank (English Translation: The Promise of Photography: the DG Bank Collection), Exhibition Catalogue, Luminita Sabau, Iris Cramer and Petra Kirchberg (eds.), Munich: Prestel Publishers,1998

Tracey Moffatt: Free Falling, Exhibition Catalogue, Lynne Cook and Karen Kelly (eds.), New York: Dia Art Foundation, 1998

Adrian Martin, “Australia: A Reconnaissance” Parkett Magazine, Issue No.53, pp 20-35, 1998

Lisa Liebmann, ‘Top 10: The Best of 1998,’ Artforum, December 1998

Susan Lowish, ‘Free-Falling,’ Center for Contemporary Photography Flash, November 1998

Bill Stamets, ‘Art People: The Making of an Art Queen,’ Chicago Tribune, Issue No. 20, November 1998

Ewa Lajer-Burcharth, ‘A Stranger within,’ Parkett, Issue No. 53

David Morrow, ‘If This is Art, I Really Like It,’ C-International Contemporary Art, October 1998

Arianna di Genova, ‘Flash Sul Luogo del Delitto,’ Il Manifesto, 17 September 1998 Jennifer Higgie, ‘Tracey Moffatt: Victoria Miro,’ Frieze, Issue No. 40, May 1998 Unknown Author ‘Tracey Moffatt,’ Arnolfini, Visual Arts section, August/September 1998

Denise Robinson, ‘Go on, show me. . .,’ Arnolfini, Bristol, June, 1998

Tom McEvilley, ‘Falling Upward,’ Interview Magazine, April, 1998

Christopher Bagley, ‘Big Miss Moffatt (Australia is too small for an artist like Tracey Moffatt-so shes coming to America),’ W Magazine, March 1998

Susan Hapgood, ‘Tracey Moffatt at Dia,’ Art in America, March, 1998

Martin Herbert, ‘Tracey Moffatt: Victoria Miro Gallery, London,’ Time Out (London), 4-11 March, 1998

Elke Bockhorst, ‘Frauen vor Wustenlandschaft Eschalot oder neun Fragen an die Peripherie eine Ausstellung in Kassel (Women in Desertlandscapes),’ Frankfurter Rundschau, 2 May, 1998

John Borthwick, ‘Im here to photograph the sunsets,’ Off the Rails, 1998

Anne Marie Freybourg “Innocence and Violence” Echolot, Exhibition Catalogue, Kassel: Museum Fridericianum, March, 1998

Tracey Moffatt, Exhibition Catalogue, Vienna: Kunsthalle Wien, Bregenz:Vorarlberger Kunstverein, Stuttgart: Wurttembergischer Kunstverein, Bozen:AR/GE KUNST, 1998

Karin Schulze, ‘Tracey Moffatt, Kunstlich wie das Leben: (English Translation: Artificial like Life),’ Der Spiegel - Culture, May, 1998

Anke Kempkes, ‘Rollschuhfahrerinnen, Pasolini und Mad Max: Das Tracey Moffatt- Fieber (English Translation: Tracey Moffatt Fever: Rollerderby, Pasolini and Mad Max),’ Unknown publication, Spring edition, March/May, 1998

Ilona Lehnart, ‘Das Rettende scheint wieder nah,’ Feuilleton Frankfurter: Allgemeine Zeitung, 20 April, 1998

Dirk Schwarze, ‘Man musuns nur endlich beginnenlassen,’ Kunstforum International, April/June 1998

Dirk Schwarze, ‘Bewwgung, Klung und Stille,’ (English Translation: Movement, Sound and Silence), HNA, 26 March ,1998

Dirk Schwarze, ‘Und fröhlich hüpfen die Minen,’ HNA, 27 April, 1998

‘Der Rand Miittelpunkt,’ Spiegel, 17 April, 1998

Adriana Alvarez, ‘Most Peculiar, Mama,’ Revolver Magazine, 22 June, 1998 Gabriele Hoffmann, ‘Verschlungen in weißer Leere,’ Stuttgarter Zeitung, 28 April, 1998

Nicolai B. Forstbauer, ‘Balladen nebensächlichen Schreckens,’

Stuttgarter Nachrichten, 6 June, 1998

Reiner Metzger, ‘Tracey Mofffatt: Plot and Pleasure,’ Noëma

, No. 47, April, 1998

Martin Pesch, ‘Tracey Moffatt,’ Kunstforum International, April, 1998

Susanne Lingemann, ‘Wunderland der falschen Träume (Wonderland of Wrong Dreams),’ ART - Das Kunstmagazin, April, 1998

Hohe Kunst der Künstlichkeit (English translation: High art of artificiality)

Unknown Author ‘A View from Australia: Tracey Moffatt in der Kunsthalle Wien/Museumsqartier Doris Krumpl”, Der Standard Kultur/Szene, 9 April, 1998 Henriette Horny, ‘In plumpen Klischees zeigt sich das wirkliche Leben sehr deutlich (English Translation: The real life in simple cliches),’ Kurier, 10 April, 1998 

Lars Movin, ‘Galleri Faurschou’, Unknown Danish Publication, 1998

Christina Magnergård, ‘Australiens ljus på Karlavägen,’ Metro, 2 February, 1998

Mai Misfeldt, ‘Australsk iscenesaettelse,’ Berlinske Tidende,14 January, 1998

Peter M. Hornung, ‘Grimme ridser i drømmen,’ Politiken, January 9,1998

Dorothee Baer-Bogenschütz, ‘Angekratzt Bilderflut: Tracey Moffatt (Scratched Image Flood),’ Kunstzeitung, 20 April, 1998

Dorothee Baer-Bogenschutz, ‘Am Anfang und Ende der Zivilisation: Ratselszenen aus dem australischen Outback. Tracey Moffatt in der L.A. Galerie,’ Frankfurter Rundschau,29 January, 1998

‘Im Zentrum die Peripherie,’ Kulturgemeinschaft, DGB Stuttgart, May 1998

Marius Babias, ‘Von der Peripherie aus,’ Jungle World, 3 June 1998

Marius Babias, ‘Alles in Flux,’ Echolot, der impresario René Block, 1998

Dirk Schwarze, ‘Vom Zentrum an den Rand und zurück,’ Sudt Zeitung, 4 June, 1998

Dirk Schwarze, ‘Welt durch den Körper erfahren,’

HNA, 16 June, 1998

Dirk Schwarze, ‘Fortdauer des kolonialen Denkens,’ HNA, 16 June, 1998

Jutta Buness, ‘Positionsbestimmungen,’ NBK, June/July, 1998

Peter Herbstreuth, ‘Echolot im Museum Fridericianum,’ Kunstbulletin, June, 1998

Jorg Restoft, ‘Im Orient,’ Unknown German Publication, April, 1998

Carl Berger, ‘Echolot Review,’ Noëma, July/August 1998

Dirk Schwarze, ‘Von der Kraft der Frauen,’ Kunstforum International, July/September 1998

Von Elke Buhr, ‘Frauenschicksale im Australischen Outback,’ Unknown Publication, 8 April, 1998

Tracey Moffatt, Australische Ansichten, Exhibition Catalogue, Vienna: Kunsthalle Wien, Stuttgart: Württembergischer Kunstverein , Bregenz: Voralberger Kunstverein,1998 Unknown Author “Strange Days”,

3D World, 1998

Dirk Schwarze, ‘Wie Bilder aus einem Film,’ HNA, 1 April, 1998

Dirk Schwarze, ‘Von der Stärke der Frauen,’ HNA, 21 March, 1998

Dirk Schwarze, ‘Wenn Dämonen flüchten,’ HNA, 22 April, 1998

Wayne Tunnicliffe, ‘Strange Days,’ Art Gallery of New South Wales, 1998

Giles Auty, ‘Quest for Significance,’ The Weekend Australian, 4-5 July, 1998

Joanna Mendelssohn, ‘Nobody Told Me There Would Be Days Like These,’ The Australian, 5 June, 1998

Tracey Moffatt, ‘Boulder City Kalgoorlie Western Australia,’ Art and Australia, Quarterly Journal, p.346-347, 1998

Daniel Mudie Cunningham, ‘Strange Days: The 4th Guinness Contemporary Art Project,’ The Sydney Star Observer, 11 June, 1998

Unknown Author ‘Surreal McCoy,’ Capital Q Weekly, 29 May, 1998

Sebastian Smee, ‘Wild and Weird on Top,’ The Sydney Morning Herald, 22-28 May, 1998

Unknown Author ‘Strange Days: The Guiness Contemporary Art Project,’ Look Magazine, 22 May, 1998

Sebastian Smee, ‘The Whole World is WILD at Heart,’ The Sydney Morning Herald, 22- 29 May, 1998

Unknown Author, Indigenous Australia in the Nations Parliament House, Exhibition Catalogue,Canberra: Parliament House, 1998 

Sandra McGrath, ‘"I love Designer Clothes,’ Harpers Bazaar and Mode Australia, March, 1998

Sebastian Smee, ‘Total Eclipse of the Mundane,’ The Sydney Morning Herald Metro section, 13 February, 1998

Justin Spring, ‘Tracey Moffatt: Hunters and Collectors,’ Art/Text, Issue No 60, February – April, 1998

Joanna Mendelssohn, ‘Questions and Alternative Truths,’ The Australian, February, 1998

John McDonald, ‘Contemporary Daze,’ The Sydney Morning Herald, 20 June, 1998

Adrian Martin, ‘Tracey Moffatts Lost Highway,’ Artlink, Vol. 18, Issue No. 4, 199 Sebastian Smee, ‘Multiple Exposure,’ The Sydney Morning Herald - Spectrum, 9 May, 1998

Bruce James, ‘Tracey in Timbuktu,’ Photofile, Issue no. 53, April 1998

Sebastian Smee, ‘The whole world is Wild at heart and weird on top,’ The Sydney Morning Herald, 22-28 May ,1998

Unknown Author, Mode (Sydney), March, 1998 

Roberta Smith, ‘Real-Life Tableaux Natural Yet Startling,’ The New York Times, 10 October, 1997

Katrin Bettina Müller, ‘Botanik auf der Tapete,’ Der Tages, Spiegel, 2 June, 1997 Christina Wendenburg, ‘Rendezvous mit dem Känguruh,’ Berliner Morgenpost, 10 June, 1997

‘Australische Kunst am Waldsee,’ Zehlendorfer Volksblatt, 6 June, 1997

‘Moderne Kunst aus Australien,’ Die Welt, 3 May, 1997

Eugenee Carchesio, ‘Australische Meisterwerke,’ Bild, 5 May, 1997

Charles Dee Mitchell, ‘Report from Santa Fe: New Narratives,’ Art in America, November, 1997

Vicki Goldberg, ‘The Artist Becomes A Storyteller Again,’ The New York Times, 9 November, 1997

Roberta Smith, ‘Real Life Tableaux, Natural Yet Startling,’ Art Review: The New York Times, 10 October, 1997

Franklin Sirmans, ‘Tracey Moffatt - So Many Stories to Tell,’ Flash Art, Volume 30, Issue no. 195, Summer, 1997

‘Report from São Paulo,’ Art in America, March, 1997

Mette Sandbye, ‘Kunstrevy,’ Weekendavisen, 5-11 December, 1997

Site Santa Fe, Exhibition Catalogue, 1997, Santa Fe: SITE, 1997

Unknown Author ‘A Guide to the Seasons major Events,’ Art in America, Issue No. 53, March, 1997

Unknown Author ‘Conclusion,’ Artforum, December, 1997

Renate Puvogal, ‘Campo 6 - the spiral village,’ Kunstforum international, Issue no. 137, June/August, 1997

Silvie Eiblmayer, Zonen der Ver-störung, Exhibition Catalogue, Graz: Steirischer Herbst, 1997

Richard Billingham, Printemps de Cahors, Exhibition Catalogue, Paris: Cahors, 1997

Unknown Author, ‘Et rat liv,’ Weekend Avisen, December, 1997

La Biennale di Venezia, Presente Passota, Futuro, Exhibition Catalogue, 47th Esposizione Internazionale dArte: Venezia, 1997

Sandra Dannike,’ Dame in Rot’ Frankfurter Rundschau, 4 April, 1997

Malin Wilson,’ Truce: Echoes of Art in an Age of Endless Conclusion,’ Artforum, p. 112, December, 1997

Jean Dykstra, ‘Tracey Moffatt: Portrait of the Artist,’ Art and Auction, p 62, 1997 Francesco Bonami, ‘Echoes: Contemporary Art at the age of Endless Conclusions,’ Unknown Publication, July 1997

Anna Johnson, ‘Slick Tracey,’ Vogue (Australia), November, 1997

Sue Smith, ‘Dealers duel for Traceys images,’ The Courier, 20 August, 1997

Terry Imgram, ‘Basel fair boosts Brisbane backhanders,’ The Australian Financial Review, 26 June, 1997

Katrin Wittneven, ‘Australian Open’, Unknown Publication, February, 1997

Prospect 96, Exhibition Catalogue, Peter Weiermair (ed.), Frankfurt: Kunstverein, March/May, 1996

Antonio Goncalves Filho, ‘Australia revela a nova ordem fotográphica,’

O Estado de São Paulo, 26 August, 1996

Fundacao Bienal de São Paulo, Exhibition Catalogue, São Paulo: The Biennale Foundation of Sao Paulo, 1996

Francesco Bonami, Campo 6 The Spiral Village, Exhibition Catalogue, Torino: Museum of Modern Art Torino, 1996

Lynne Cooke, Jurassic Technologies Revenant: 10th Biennale of Sydney, Exhibition Catalogue, Sydney: The Biennale of Sydney, 1996

Sonya Voumard, “The Moffatt Mosaic”, The Australian, August, 1996 

Julia Robinson, Antipodean Currents, Exhibition Catalogue, New York: Guggenheim Museum, July, 1995

Frances Colpitt, “Tracey Moffatt: Guapa (Goodlooking)”, New Works, Exhibition Catalogue, San Antonio: ArtPace, 1995

Pepe Karmel, ‘Antidotes for a Cartoon Image’, The New York Times, 23 June, 1995

Frances Colpitt, Beyond the Borders: Kwangju Biennale, Exhibition Catalogue, Kwangju: Kwangju Biennale Foundation, 1995

Wanda Jamrozik, ‘Flagging a new Australia,’ The Independent, December/January, 1995

Susanne Lingermann, ‘Tracey Moffatt,’ ART: Fall Salon, October, 1995

Ewen McDonald, ‘Tracey Moffatt at Karyn Lovegrove and Mori,’ Art in America, July, 1995

ArtPace, Short Takes, Exhibition Catalogue, San Antonio: ArtPace, p 5,1995

Adrian Martin, ‘The Melodrama of Tracey Moffatt,’ World Art Magazine, Issue No.2, pp 24-29, 1995

Gael Newton & Tracey Moffatt, Tracey Moffatt: Fever Pitch, Sydney: Piper Press, 1995

Gael Newton, Tracey Moffatt : Australian Perspecta 95, Exhibition catalogue, Sydney: Art Gallery of New South Wales, 1995 

Michael Fitzgerald, ‘Technicolor World,’ TIME Magazine Australia / Pacific, 7 August, 1995

Christopher Dean, ‘The Shadowy half-life of ethics: Guapa (Goodlooking),’ Broadsheet, Spring, 1995

Felicity Fenner, ‘All-pervasive images of sex,’ The Sydney Morning Herald, 7 July, 1995

Petra Koch,’ State artists scoop award prize pools,’ The Courier Mail, 3 November, 1995 

Walter Schmalriede, Fotoszenen-Short Stories, Exhibition Catalogue, Gottingen: Altes Rathus, 1994

Amelia Ellen Hastie and Patricia Mellencamp lecture, Tracey Moffatt, University of Wisconsin, USA, 1994

'Gael Newton, 'See the woman with the red dress on...and on..and on..’ Art and Asia Pacific, Vol. 7, Issue No. 2, 1994 

Anne Kirker, “Eidetic Experiences: Contemporary Queensland Photography”, Eyeline, Vol. 25, pp: 16-19, Spring, 1994 

Henri Behar, ‘Le pillage du grenier familial - Tracey Moffatt,’ La Monde, May, 1993

Ruth Hessey, ‘The Bedevil in Tracey Moffatt,’ Juice Magazine, October 1993

Jonathan Romney, ‘Festival favourites- the Guardians jury deliver their verdict,’ The Guardian (UK), 24 May, 1993

Patricia Mellencamp, “Haunted History: Tracey Moffatt and Julie Dash”, Discourse, Vol. 16, Issue No. 2, Detroit: Wayne State University Press, pp. 127-163, Winter, 1993-1994

Penny Webb, ‘Tracey Moffatts Bedevil - A film Inscription of Three Ghost Stories,’ Agenda, Issue No. 34, Summer, 1993/94

Peter Birnie, ‘Three engaging ghost stories from Down Under,’ Vancouver Sun, 12 October, Canada

Tracey Prisk, ‘Moffatt conjures up surreal imagery,’ Encore Magazine (UK), Vol 10, Issue 20, 20 January, 1993

John Wojdylo, ‘Bedevil,’ Cinema Papers, Issue No. 96, 1993

Lesley Stern, ‘When the Unexplained Happens,’ Photofile, No 40, 1993

John Conomos, ‘Bewitched,’ Art and Australia, Vol. 31, No. 2, Summer 1993

Bedevil (The Study Guide), c/ Ronin Films, Canberra: Australia,1993

Bedevil (Original Motion Picture Soundtrack Recording), Music Composed and Conducted by Carl Vine - One M One Records Pty Ltd, 1993

Philip Dutchak, ‘Cool Front in Cannes,’ The Sydney Morning Herald, 12 May 12, 1993

David Stratton, ‘Bedevil,’ Variety (Australia), April/May 1993

Suzy Freeman-Greene, ‘Tracey Moffatt is a playful and subversive presence,’ The Age, October 1993

Annabel Dean, ‘The ghost in the family,’ The Sydney Morning Herald, 28 October, 1993

Lynden Barber, ‘Making her own rules,’ The Sydney Morning Herald, 28 October, 1993

David Stratton, ‘Supernatural Vision,’ The Australian, 30 October, 1993

Andrew Urban, ‘Riders of the Post New Wave,’ The Bulletin, 25 May, 1993 

Tracey Moffatt interviewed by John Conomos and Raffaele Caputo ‘Bedevil - Tracey Moffatt,’, Cinema Papers, Volume 93,1993

Claire Corbett, ‘Drama Queen,’ Rolling Stone (Australia), April 1993

Deb Verhoeven, ‘Just Trust the Text, Don’t Colour It’, ArtLink, Vol 13, Issue No. 1, 1993

Susan Chenery, ‘Silent Movies,’ HQ Magazine, Autumn, 1993

Karen Jennings, ‘Experimenting with Difference,’ Sites of Difference, Cinematic representations of Aboriginalty and gender, Australia: Australian Film Institute, 1993 Marcia Langton, “Well, I heard it on the radio and I saw it on the television”, An essay for the Australian Film Commission on the politics and aesthetics of filmmaking by and about Aboriginal people and things, Australia : Australian Film Commission, 1993

Laleen Jayarnanne, ‘A Sri Lankan reading of Tracey Moffatts Night Cries,’ Feminism and The Politics of Difference, Sneja Gunew and Anna Yeatman (eds.), Australia: Allen & Unwin, 1993

Jacques Delaruelle, On the verge of saying nothing, Exhibition Catalogue, Adelaide: Visual Arts Program, Adelaide Festival, 1993

Katherine Tulich, ‘New vision for a rock video,’ The Sydney Morning Herald, 25 October,1993

Fiona Mackie, ‘A Fractal Deframing in Film: Tracey Moffatts Night Cries: A Rural Tragedy,’ Photofile ,Issue 31, 1993

Unknown Author ‘Scare Tactics’, Vogue (Australia), June, 1993

Tait Brady, The 42nd Melbourne International Film Festival, Festival Catalogue, Melbourne: Melbourne Film Festival and Westpac, 1993 

Jay Ruby “Reviewed Work: Night Cries: A Rural Tragedy by Tracey Moffatt”, American Anthropologist, Vol. 94, No. 1, USA: Wiley, pp 257-259, March, 1992

Pavel Büchler, Tracey Moffatt – FramedJ, exhibition catalogue, Glasgow: Centre for Contemporary Arts Glasgow, 1992

John Conomos, ‘Pet Thang, Recent Photographs,’ AGENDA, Issue 24, July/August, 1992

Cyndi Tebbel, ‘Tracey Moffatt Ghost writer,’ New Woman, April 1992

Laleen Jayamanne, ‘Love Me Tender, Love Me True, Never Let Me Go: A Sri Lankan reading of Tracey Moffatts Night Cries,’ Framework, Issue 38/39, 1992

Helen O’Neill, ‘From personal to universal,’ The Sydney Morning Herald, 25 March,1992 Des Partridge, ‘Female directors win film finance,’ Courier Mail, 6 May, 1992

Jacques Delaruelle, Pet Thang, On the verge of saying nothing, Exhibition Catalogue, Sydney: Mori Gallery, 1992

Jyanni Steffansen, ‘Scanning Photoworks - Adelaide Festival and Fringe -Pet Thang, Tracey Moffatt,’ Photofile, Issue 35, 1992

Imogen Yang, ‘Origin-ality,’ 3D World, p 26, 1991

Manohla Dargis, ‘Our Favourites,’ The Village Voice, 8 January, 1991 

Shane McNeil, ‘Relativity Roeg and Radical Forms,’ LipSync Newsletter, August/September, 1991

Terence Maloon, From The Empires End - Nine Australian Photographers, Exhibition Catalogue, Madrid: Circulo de Bellas Artes and Sydney: The Works Gallery, University of NSW, Australia, 1991

John Harris, ‘Moffatt tracing a fresh career,’ The News, p 26, 20 September, 1991 

M.W., ‘Night Cries, Festival 90,’ Los Angeles Times, 1 September, 1990 

Manohla Dargis “Best of 1990”, The Village Voice, 1990 

Caryn James, “ Women on the subject of Menopause”, The New York Times, 26

September, 1990 

Erica Carter, ‘Radical Difference,’ New Formations, Issue Number 10, Spring, 1990 Annie Goldson, ‘Australias Anxiety of Influence,’ Afterimage, Summer, 1990

Serge Dessault, ‘Le tour du monde pour Montreal,’ La Presse, June 1990

The Advertiser, ‘A Visual Impact in Shorts,’ FRAMES Festival of film and Video, 7-14 September, 1990

Ingrid Periz, ‘Night Cries - Distance, Communicability and reference,’ West, Vol. 10 No. 1&2, Autumn/Winter 1990

E. Ann Kaplan, ‘An Outsiders Perspectives,’ Bulletin of the Olive Pink Society #1 (2), Adelaide: University of Adelaide, December, 1990

Scott Murray, ‘Tracey Moffatt: Night Cries A rural tragedy,’ Cinema Papers, Issue No. 79, May 1990

Paul Harris, ‘A New Light on Black Australia,’ The Age (Entertainment Guide Melbourne), November 1990

Unknown Author, Aborigines, Film & Moffatts Night Cries: A Rural Tragedy,1990 Paul Cox, ‘Night Cries in Cannes,’ Art Monthly, August, 1990

Megan Turner, ‘Expect the Unexpected,’ Brisbane Courier Mail, 25 August,1990 Ingrid Periz, ‘Night Cries: Cries from the heart,’ Filmnews, August, 1990

Unknown Author ‘Gags of Colour,’ The Sydney Morning Herald, 25 October, 1990 Evan Williams, ‘Visual Cries Better by Half,’ The Weekend Australian, 3-4 November, 1990

Isobel Crombie and Sandra Byron, Twenty Contemporary Australian Photographers, Exhibition Catalogue, Melbourne: National Gallery of Victoria, 1990

Ruth Hessey, ‘In Vogue Profile,’ Vogue Magazine (Australia), February, 1990 Unknown Author ‘Photographers Gallery,’ Follow Me Magazine, March, 1990

Anne Rutherford, ‘Night Cries: A Rural Tragedy,’ Art Link Vol 10, No.1&2, Autumn/Winter, 1990

Leigh Paatsch, ‘The Other Side of Reality,’ 35 Press, 1990 

Elizabeth Aird, ‘Australian Filmmaker Out To Break The Rules,’ Vancouver Sun, 16 November, 1989

Karen Alexander, ‘Tracey Moffatt, pushing the boundaries,’ Spare Rib, 1989

Patrick Crogan, ‘Tracey Moffatt - Something More,’ Photofile, Spring, 1989 

John McDonald, ‘Challenging Dislocations,’ The Sydney Morning Herald, 2 September, 1989

“Art &Text”, Cover picture from Something More, Issue No. 34, Spring, 1989

Anne Marie Willi, ‘Picturing Australia. - a History of Photography,’ Angus and Robertson, 1989

Unknown Author ‘Night Cries A Rural Tragedy,’ Film News, p 9, October, 1989 Anne Howell, ‘Yes Minister, the Arts Need You,’ The Sydney Morning Herald, 7 October, 1989 

Karen Jennings & David Hollinsworth, ‘Shy Maidens and Wanton Strumpets,’ Hecate, Vol. 13 No.2, 1987/88

Amy Taubin, ‘Firestarters,’ Village Voice, 3 May, 1988

Anna Rutherford, ‘Changing Images: An Interview with Tracey Moffatt,’ Aboriginal Culture Today, Denmark: Dangaroo Press, 1988

Tracey Moffatt, ‘Perspectives from the Independent Sector,’ FAN, Vol. 10, Issue No. 7, 1988

Karen Sidney, ‘Nice Coloured Girls,’ Independent Media Magazine (NZ),1988

Kate Collins, ‘Filmmakers Put Pacific In Focus,’ Brisbane Courier Mail, September, 1988

Peter Hackett, ‘Tracey wants to picture blacks in right light,’ The Adelaide Advertiser, 22 March 1988

Karen Jennings, ‘The Frames Film Festival,’ Artlink, Vol 8, Issue No. 2, 1988

Mary Colbert, ‘Captained Souls,’ Sydney Morning Herald Metro,24 June, 1988

Tim Loyd, ‘Tracey scoops the pool at Frames opening night,’ Adelaide Advertiser, 19 March, 1988

Helen Grace, ‘Still Moving: Recent Australian Photography,’ Art and Australia, Vol. 26, Issue No. 1, Spring, 1988

Paul Humfress, Boomalli-Five Koori Artists (Film), National Film and Sound Archive of Australia, 1988

Gael Newton, Shades of Light: Photography and Australia, Canberra: Australian National Gallery, 1988

Helen Ennis, Australian Photography: The 1980s, Exhibition Catalogue, Canberra: Australian National Gallery, 1988

Helen Grace, ‘Still Moving,’ Art and Australia, Vol 26, Issue No. 1, 1988 

Art and Aboriginality, Exhibition Catalogue, Portsmouth: Aspex Gallery, 1987

Liane Hughes, Active Reactive, Unknown Publisher: Australia, 1987

Juliet Herd and Stuart McLean, ‘Woman disrupts first fleet send off,’ The Daily Telegraph, 13 May, 1987 

Cecilia Ryan, ‘Tracey keeps it all in focus,’ Daily Mirror (Australia), 9 September, 1986

Simlola Coker, ‘Nice Coloured Girls,’ 1986

Catherine Rogers, ‘Pictures for Cities,’ Photofile, pp 24-25, 1986

Tracey Moffatt interviewed by Anne Howell, The Sydney Morning Herald, 1986 

Geoffrey Batchen, ‘NADOC 86 exhibition of Aboriginal and Islander Photographers,’ Photofile, pp 24-26, 1986 

Marion Knox, ‘Pictures for Cities,’ SKIRT, January, 1985

‘Pictures for Cities,’ Artspace Newsletter, May/June, 1985

‘Auckland New Zealand Political Protest,’ New South Wales Law Bulletin, June/July, 1985 

'Pictures for Cities,' The Visual History of South Sydney Project, Promotional Poster, Sydney, 1984