David Noonan

DAVID NOONAN

Born 1969, Australia

Lives and works in London

davidnoonan.art

EDUCATION

Bachelor of Fine Art, Ballarat University College, Victoria, Australia

Post Graduate Studies, Victorian College of the Arts, Melbourne, Australia

SOLO EXHIBITIONS

MASKEN, Roslyn Oxley9 Gallery, Sydney

MASKEN, Mackintosh Lane, London

David Noonan: Only when it's cloudless, Tarrawarra Museum of Art, Healesville, Victoria

Mnemosyne, Modern Art, London

David Noonan: Stagecraft, Art Gallery of Ballarat, Ballarat, Victoria

A Dark and Quiet Place, Freemantle Arts Centre, Perth Festival, Perth

A Dark and Quiet Place, Gertrude Contemporary, Melbounre

A Dark and Quiet Place, Stuart Shave/Modern Art, London

Lead Light, Roslyn Oxley9 Gallery, Sydney

David Noonan, Roslyn Oxley9 Gallery, Sydney

David Noonan, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA

David Noonan, Xavier Hufkens, Brussels, Belgium

Le Vendeur fou, Au 8 Rue Saint Bon, Paris, France

David Noonan - Collages, Au 8, Rue Saint-Bon, Paris France
Roslyn Oxley9 Gallery, Sydney, Australia

David Noonan, Foxy Production, New York, NY, USA

Origami, Xavier Hufkens, Brussels, Belgium

David Noonan, Stuart Shave / Modern Art, London, UK

CAM, Contemporary Art Museum, Curated by Dominic Molon, St. Louis, MO, USA

Roslyn Oxley9 Gallery, Sydney, Australia

David Noonan: SPIEL, 2010 Glasgow International, Washington Garcia at The Mitchell Library, Glasgow

David Kordansky Gallery, Los Angles, USA

David Noonan: Scenes, Australian Centre for Contemporary Art, Melbourne, Australia

David Noonan, Baronian Francey, project room, Brussels, Belgium

David Noonan, Chisenhale Gallery, London, UK

MARKUS, Roslyn Oxley9 Gallery, Sydney, Australia

David Noonan, Art: Concept, Paris, France

David Noonan, Palais de Tokyo, Paris, France

David Noonan, David Kordansky Gallery, Los Angeles, USA

Images, Roslyn Oxley9 Gallery, Sydney, Australia

David Noonan: Four New Films, Govett-Brewster Art Gallery, New Plymouth, New Zealand

David Noonan - Films and Paintings 2001-2005, curated by Max Delaney, Monash Museum of Art, MUMA, Melbourne, Australia

fields, HOTEL, London, UK

they became what they beheld, Three Walls, Chicago, USA

they became what they beheld, Foxy Production, New York, USA

David Noonan - Paintings, Uplands Gallery, Melbourne, Australia

Before and Now, Roslyn Oxley9 Gallery, Sydney, Australia

Miriam Hall, (with Starlie Geikie), Clubs Projects Inc., Melbourne, Australia

SOWA, (with Simon Trevaks), Artspace, Sydney, Australia

SOWA, (solo and a collaboration with Simon Trevaks), Foxy Productions, Brooklyn, New York, USA

Waldaus, Uplands Gallery, Melbourne, Australia

The Likening, David Noonan & Simon Trevaks, Roslyn Oxley9 Gallery, Sydney, Australia

The Likening, David Noonan & Simon Trevaks, Studio 12, 200 Gertrude Street, Melbourne, Australia

more apt to be lost than got, David Noonan & Simon Trevaks, Roslyn Oxley9 Gallery, Sydney, Australia

Saturn Return, 1st Floor, Melbourne, Australia

head on, Karyn Lovegrove Gallery, Melbourne, Australia

head on, Centre for Contemporary Art, Adelaide, Australia

David Noonan, Karyn Lovegrove Gallery, Melbourne, Australia

POOL, Karyn Lovegrove Gallery, Melbourne, Australia

Type 1-36, 200 Gertrude Street, Melbourne, Australia

GROUP EXHIBITIONS

The Flowering of the Strange Orchid, Peles, Berlin

The First 40 Years, Roslyn Oxley9 Gallery, Sydney

Art Cologne, Roslyn Oxley9 Gallery, Cologne, Germany

Photography: Real and Imagined , National Gallery of Victoria, Melbourne

Thin Skin, Monash University Museum of Art, ​Melbourne

Malediction and Prayer, Modern Art, London

APW 40 x 40, Australian Print Workshop, Melbourne

ESPACES INEXTRICABLES DANS LA PEINTURE DU 21e SIÈCLE, curated by Nicolas Bourriaud & Radicants curatorial collective, A2Z Art Gallery, Paris (forthcoming)

nightshifts, curated by Hannah Presley and Annika Aitken, Buxton Contemporary Art Museum, Melbourne, Australia

2020 Adelaide Biennial of Australian Art: Monster Theatres, Art Gallery of South Australia, Adelaide

Simon Denny: Mine, Museum of Old and New Art, Hobart

Art Basel Hong Kong, Roslyn Oxley9 Gallery, Hong Kong

Threads Through Art: Australian Tapestries, Bathurst Regional Art Gallery, Bathurst

Drawing Biennial, Drawing Room, London

Spring 1883, Roslyn Oxley9 Gallery, Melbroune

L'immagine e il suo doppio (The image and its double), Eduardo Secci Contemporary, Florence, Italy

The Trick Brain, curated by Massimiliano Gioni, Aishti Foundation, Beirut, Lebanon

Shadowed Forms, Andersons Contemporary, Copenhagen

La culture visuelle de l'extrême gaucheen (Visual Culture of the Extreme Left), Palais des Beaux-Arts, Paris

The Shape of Things to Come, Buxton Contemporary, Melbourne

Sydney Contemporary, Carriageworks, Sydney

Every Brilliant Eye: Australian Art of the 1990s, National Gallery of Victoria, Melbourne

The Trick Brain, Aïshti Foundation, Beirut

Back to Mulholland Drive, La Panacée, Montpellier, France

Enter Stage Left, Lewis Glucksman Gallery, University College, Cork, Ireland

Revolt of the Sage, curated by Simon Moretti and Craig Burnett, Blain Southern, London

Primavera at 25: MCA Collection, Museum of Contemporary Art, Sydney; Glasshouse Port Macquarie, NSW; Western Plains Cultural Centre, Dubbo, NSW (travelling)

to Murray Art Museum Albury, Albury, Australia; The Art Center Gold Coast, Gold

Coast, Australia; Artspace Mackay, Mackay, Australia; Glasshouse Port Macquarie,

Port Macquarie, Australia; Western Plains Cultural Centre, Dubbo, Australia

Surrealism: The Conjured Life, Museum of Contemporary Art, Chicago

One Day Something Happens; Paintings of People, curated by Jennifer Higgie, Leeds Art Gallery, West Yorkshire, Eastbourne, Southport, England, UK

Theories of Modern Art, Modern Art, London, UK
Sean Bailey, Naomi Eller, David Noonan, Heather B. Swann, Anna White, CAVES Gallery, Melbourne, Victoria, Australia

The Mask, Hunter / Whitfield, London, UK

Lurid Beauty: Australian Surrealism and Its Echoes, The Ian Potter Centre: NGV Australia, Federation Square, Melbourne, Australia

One Day, Something Happens: Paintings of People, curated by Jennifer Higgie, Nottingham Castle Museum & Art Gallery, Nottingham, England

Below another sky, Glasgow Print Studio, Glasgow, Scotland

Grand Illusion(s), Simon Preston Gallery, New York, NY

One Day, Something Happens: Paintings of People: A selection by Jennifer Higgie from the Arts Council Collection, Leeds Art Gallery, Leeds (Touring to Nottingham, Drogheda, Southpoint and Eastbourne)

Busts: David Noonan, Renee So, Runa Islam, Hopkinson Mossman, Auckland

Exposition De Groupe: Group Show, Marc Jancou, Geneva

Hiding in Plain Sight: A selection of works from the Michael Buxton Collection, Bendigo Art Gallery, Bendigo, Australia

UNDERCOVER, Bourouina Gallery, Berlin, Germany

Menagerie, Australian Centre for Contemporary Art, Melbourne, Australia, curated by Juliana Engberg

BASH An Exhibition in Two Parts, Woodstock Byrdcliffe Guild, Woodstock, NY

PUBLISH / CURATE (curated by Alix Janta-Polczynski), TJ. Boulting Gallery, London

Below another sky, Aberdeen Art Gallery, Aberdeen, UK

We used to talk about love, Balnaves Contemporary: photomedia, Art Gallery of New South Wales, Sydney.

Winter Show/Exposition d'Hiver, Marc Jancou Contemporary, New York, NY
Black-and-White (and a Little Bit of Blue), Marc Jancou, New York, NY
TRANSIT, Horsham Regional Art Gallery, Horsham, Australia
Transmitter / Receiver: The Persistence of Collage from the Arts Council Collection, Aberystwyth Arts Centre, Aberystwyth, Wales; Tullie House, Carlisle, Cumbria, England

Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, NY
Foxy Production, New York, NY

BASH An Exhibition in Two Parts, Woodstock Byrdcliffe Guild, Woodstock, NY, USA

Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, NY, USA

Theatre of the World, curated by Jean-Hubert Martin, MONA - Museum of Old and New Art in collaboration with TMAG - Tasmanian Museum of Art Gallery, Tasmania, Australia

Negotiating this world: Contemporary Australian Art, National Gallery of Victoria, Melbourne

Daydream Believers, Institute of Modern Art, Brisbane

Volume One: MCA Collection, Museum of Contemporary Art, Sydney, Australia
Out of Focus: Photography, Saatchi Gallery, London, England

A Darkness More Than Night, QUAD Gallery, Derby, England

10 ways to look at the past, The Ian Potter Centre: National Gallery of Victoria, Federation Square, Victoria, Australia

10 Ways to Look at the Past, National Gallery of Victoria, Melbourne

The Ephemeral, ARNDT Berlin, Berlin, Germany

The Keno Twins 5, curated by Michael Bauer, Barriera, Turin, Italy

Transmitter / Receiver: The Persistence of Collage from the Arts Council Collection, Middlesbrough Institute of Modern Art, Middlesbrough, England

A Darkness More Than Night, QUAD, Derby, UK

Secret Societies.To Know,To Dare,To Will,To Keep Silence, CAPC Musée d’art contemporain de Bordeaux, France

The Devil had a Daughter, Monash University Museum of Art, Melbourne, Victoria, Australia

The Private Life of Plants, Peles Empire, London, UK

Tableaux, Magasin, Centre National d’Art Contemporain, Grenoble, France

Everything You Can Imagine Is Real..., Xavier Hufkens, Brussels, Belgium

The Keno Twins 4, Villa Merkel Bahnwärter Haus, Esslingen, Germany

The Age of Aquarius, The Renaissance Society at the University of Chicago, USA

Peeping Toms, Institute of Modern Art, Brisbane, Australia

Secret Societies. To Know, To Dare, To Will, To Keep Silence, Schirn Kunsthalle Frankfurt, Frankfurt, Germany; CAPC de Bordeaux, Bordeaux, France

RIVE GAUCHE /RIVE DROITE An exhibition organized by Marc Jancou, Atelier Azzedine Alaia, Paris, France

The Keno Twins 3, Galerie Susanne Zander, Cologne, Germany, curated by Michael Bauer

The British Art Show 7: In the Days of the Comet, curated by Lisa Le Feuvre and Tom Morton

17^th Biennale of Sydney, Beauty of Distance, songs of survival in a precarious age, directed by David Elliot

2010 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide

The Gathering: Building the Arts Council Collection 1973-2009, Longside Gallery, Yorkshire Sculpture Park, UK

The Dwelling, ACCA, Melbourne, Australia

Remote Memories, Kai 10 Raum für Kunst, Düsseldorf, Germany

Roots, Wentrup Gallery, Berlin, Germany

The Dark Monarch: Magic and Modernity in British Art, Tate St Ives, UK

Solaris, Gio Marconi, Milan, Italy

Altermodern, Tate Triennial, Tate Britain, London, curated by Nicolas Bourriaud

Sphinxx, Stuart Shave/Modern Art, London, UK

Persona, Parc Saint-Léger / Centre d’art contemporain, Paris, France

Faces and Figures (Revisited), Marc Jancou Contemporary, New York, USA

Lost and Found: An Archeology of the Present, TarraWarra Biennial, curated by Charlotte Day, Healesville, Victoria, Australia

Busan Biennale, Busan, Korea

That beautiful pale face is my fate (Lord Byron), Nottingham Contemporary, Newstead Abbey, Nottinghamshire, UK

In Geneva no-one can hear you scream, organised by Marc Jancou, Blondeau Fine Art Services, Geneva, Switzerland

Revolving Doors an exhibition in memory of Blair Trethowan, Uplands Gallery, Melbourne, Australia

Stain Pattern; Roger Hiorns, Eva Larsson, David Musgrave, David Noonan, curated by Glenn Sorensen, The Bakery, Annet Gelink Gallery, Amsterdam, The Netherlands

Tokyo Redux, Palais de Tokyo, Paris, France

Duet, curated by Sylvia Chivaratanond, Lehmann Maupin, New York, USA

The present order is the disorder of the future, De Hallen Haarlem, Haarlem, The Netherlands

My Flashing Laundrette - Evan Holloway, David Noonan, Adam Putnam, Galleria Raucci / Santamaria, Naples, Italy

Material Photographs, organized by Anthony Pearson, Shane Campbell Gallery, Oak Park, USA

HOTEL Gallery swap, Galerie Guido W. Baudach, Berlin, Germany

Stolen Ritual, Roslyn Oxley9 Gallery, Sydney, Australia

The Rings of Saturn, Tate Modern, London, UK

The General Store, Ulrich Museum of Art, Wichita State University, Wichita, USA

Frank Hannon, Jacob Dahl Jurgensen, David Noonan, Foxy Production, New York, USA

Slow Rushes, Artspace, Auckland, New Zealand

The Four Colour Pen Show, Van Harrison Gallery, Chicago, USA

The Difference Between You And Me, The Ian Potter Museum of Art The University of Melbourne, Melbourne, Australia

If the walls could talk: Tony Clark, Callum Morton, David Noonan, Kathy Temin and Jenny Watson, Roslyn Oxley9 Gallery, Sydney, Australia

Bad Names for Good Books, curated by Matthew Brannon, Kevin Bruk Gallery, Miami, Florida, USA

I feel mysterious today, curated by Dominic Molon, Palm Beach Institute of Contemporary Art, Florida, USA

Supernatural Artificial: Contemporary photo-based art from Australia, Tokyo Metropolitan Museum of Photography, Japan

Instinct, curated by Liza Vasiliou, Monash University Museum of Art, Monash University, Victoria, Australia

The Infinite Fill, Foxy Productions, New York, USA

Glad Day, Foxy Productions, New York, USA

Blinky 2: The Screening, Tate Britain, London, UK

Rough Topography, Vedanta Gallery, Chicago, Illinois, USA

Art + Film, Centre for Contemporary Photography, Melbourne, Australia

Wallpaper, Australian Galleries, Works on Paper, Melbourne, Australia

Screen Life, Govett-Brewster Art Gallery New Plymouth, New Zealand

200 Gertrude St, Melbourne, Reina Sophia Museum, Madrid, Spain

The Team Show, Uplands Gallery, Melbourne, Australia

Resident, Foxy Productions, New York, USA

Listening to New Voices, PS1 Museum of Contemporary Art, New York, USA

Scenes, curated by Jeffrey Walkowiak, Henry Urbarch architecture, New York, USA

The Team Show: A Constructed World, Uplands Gallery, Melbourne, Australia
Egofugal, 7th Istanbul Biennale, Istanbul, Turkey

Egofugal, Selected Works from the7th Istanbul Biennale, Tokyo Opera City Gallery, Tokyo, Japan

the likening, Studio 12, 200 Gertrude Street, Melbourne, Australia

Sporting Life, Museum of Contemporary Art, Sydney, Australia

200 Gertrude St Studio Artists 2000, 200 Gertrude St, Melbourne, Australia

Garson Garson, Project Space, Melbourne, Australia

Passing Time, Moët & Chandon Commission, curated by Victoria Lynn, Art Gallery of New South Wales, Sydney, Australia

Drive>power Progress>desire, Govett Brewster Art Gallery, New Plymouth, New Zealand

Primavera, curated by Rachel Kent, Museum of Contemporary Art, Sydney, Australia

Blockbuster 99, curated by Ricky Swallow, UKS Gallery, Oslo, Norway

Signs of Life, Melbourne International Biennial, Australia

Exhumed II, curated by David Noonan, Canberra Contemporary Art Space, Braddon, Australia

Nearest Habitat System, curated by Eliza Huttchison, 1st floor, Melbourne, Australia

SPACE, Witte de With, Center for Contemporary Art, Rotterdam, The Netherlands

Moët & Chandon, touring AGSA Adelaide, AGNSW Sydney, RMIT Storey Hall, Melbourne, Australia, NGA, Canberra, Australia

Where the wild roses grow, Transmission Gallery, Glasgow, Scotland

Walkmen, Ricky Swallow, David Jolly & David Noonan, Synasesthesia Music, Melbourne, Australia

Habitat; morning star evening star, Melbourne-Scotland cultural exchange, Centre for Contemporary Photography, Melbourne, Australia

Exhumed, Project Space, curated by David Noonan, RMIT, Melbourne, Australia

Moët & Chandon Touring, NGA Canberra, NGV Melbourne, AGNSW Sydney, QAG Queensland, Australia

Work station, 1st Floor, Melbourne, Australia

Special issue, 1st Floor, Melbourne, Australia

World Speak Dumb, curated by Geoff Lowe & Sarah Ritson,Karyn Lovegrove Gallery, Melbourne, Australia

Eurovision, curated by Dominic Eichler & Esther Pireni , 205 Russel St, Melbourne, Australia

Klick, curated by Kate Daw, 1st floor, Melbourne, Australia

Mars Field, curated by Alex Pittendrigh, 1st Floor, Melbourne, Australia

See Through Brain, Transmission Gallery, Glasgow, Scotland

Klick, Transmission Gallery, curated by Kate Daw, Glasgow, Scotland

Mrs Birds House, collaboration with Jennifer Higgie, Melbourne, Australia

Photography is dead! long live photography!, Museum of Contemporary Art, Sydney, Australia

Lindy Lee & David Noonan, Level 2 Projects, Art Gallery of NSW, Sydney, Australia

Project For Two Billboards: David Noonan and Elizabeth Pulie, Next Wave Festival, Melbourne, Australia

Deception: Melinda Harper, David Noonan & Philip Watkins, 200 Gertrude Street, Melbourne, Australia

Australian Perspecta 1993, Art Gallery of New South Wales, Sydney, Australia

ARTIST WRITINGS / ARTIST PAGES

David Noonan, 'Portfolio Par', Palais De Tokyo Magazine, Issue 2, Spring 2007, pp. 57-72

'Life in Film: David Noonan', Frieze, October 2006, p. 42-43

“from #1”, journal published by Witte de With, Museum of Contemporary Art, Rotterdam, The Netherlands, 1999, pp. 27-28

SELECTED BIBLIOGRAPHY

Amy Jones, David Noonan - A Dark and Quiet Place, This is Tomorrow, 9 Jan 2018

A Dark and Quiet Place, Stuart Shave/Modern Art, London, Common-Editions

Jonathan P. Watts, Revolt of the Sage Review, Frieze.com, 21 January 2017

Pataphysics Magazine, Edited by Yanni Florence, Artist pages 95-102

Jennifer Higgie, One Day Something Happens, Arts Council Collection UK Touring exhibition catalogue

WRIGHT, Karen,

David Noonan, artist: ‘I think of pictures as being a dialogue between figuration and abstraction’,The Independent, 10 September

Molly Frankel, David Noonan,Hunger Magazine, Issue 8, pp. 176-179

Katy Preston, David Noonan, artist profile magazine No. 32, pp. 76-82

Chloé Wolifon , David Noonan: Setting the scene,ravencontemporary.com

Anthony Byrt, Busts, Hopkinson Mossman, Auckland,Frieze No.171, May, pp. 226-227

Nicholas Forrest, David Noonan’s Visionary Illusions at Roslyn Oxley9, Sydney, Blouin Artinfo

Anna Dickie, ‘A Conversation with David Noonan,’ Ocula, 16 November 2015

Edith Newhall, Fabric's texture transforms dancers' images,' The Inquirer (Philadelphia, PA), 27 September 2015

Katy Preston, 'David Noonan', Artist Profile, Issue 32, pp. 76-82, September 2015

Mollie Frankel, 'David Noonan', Hunger Magazine, August 2015, pp. 176-179

‘David Noonan: Arrangements and Collages,’ Elephant, Summer 2015

Karen Right, David Noonan, artist: ‘I think of pictures as being a dialogue between figuration and abstraction’,The Independent, 10 September

Chloé Wolfison, David Noonan: Setting the scene, ravencontemporary.com

Anthony Byrt ,Busts, Hopkinson Mossman, Auckland,Frieze No.171, May, pp. 226-227

Nicholas Forrest, David Noonan’s Visionary Illusions at Roslyn Oxley9, Sydney,Blouin Artinfo

Rooksana Hossenally , "A Private Apartment by Joseph Dirand In Saint-Germain-des-Pres, Paris, France," Yatzer.com, January 12, 2014

Moray Mair, "David Noonan's Screenprints Collage Cinema, Circus and Vaudeville to Create a Gothic Supernatural World," MutantSpace.com, January 2, 2014

Macushla Robinson, ‘David Noonan’, We Used to Talk About Love, (Sydney: Art Gallery of New South Wales and Balnaves Contemporary, 2013)

Dan Glover, "Adam's Art Exhibition Picks for the Holidays," ABC Victoria, December 12, 2013

Ryan Gander,  Artists' Cocktails, London, Dent-De-Leone, 2013

Nicholas Forrest, "Australian Artists in Phillips' London Day Sale,"uk.BlouinArtinfo.com, October 17, 2013

Paul Longo, "David Noonan at Foxy Production," Musée Magazine, October 8, 2013

"David Noonan," Time Out New York, September 25, 2013

Hans Werner Holzwarth, ed., "David Noonan," text by Graham Sanford, ART NOW Vol 4, Cologne: Taschen, 2013, pp. 296-299

Richard Parry, "Reviews in Brief: David Noonan," Modern Painters, February 2013, p. 82

Michael Fitzgerald, "David Noonan: Behind the Scenes," Photofile, Volume 92, Autumn/Winter 2013, cover, pp. 46-55

"David Noonan at Modern Art," Contemporary Art Daily, November 10, 2012

Noonan, David, "Artists' Artists: 17 artists write about works of art that have influenced them: David Noonan," Frieze Masters, Issue 1, October 2012, pp. 76-77

David Noonan, edited by Lionel Bovier, texts by Michael Bracewell, Jennifer Higgie and Dominic Molon, Zurich: JRP|Ringier, November 30, 2012

Mastrototaro, Nino, "Seventies: L'insensato dilagare di zoccoli svedesi," Flair, Issue 2, October 2012, pp. 83-84

Bourriaud, Nicolas, "Hétérochronie," L'Officiel Art, Number 1, April-June 2012, pp. 98-107, 287

"What to see at the Hong Kong Art Fair," The Wall Street Journal, Blogs, Scene Asia, May 15, 2012

Noonan, David, Origami, text by Rob Tufnell. Brussels: Xavier Hufkens, 2012

Steverlynck, Sam, "Exhibition Reviews: David Noonan," ArtReview, May 2012, pp. 132-133

"Museum of Contemporary Art Australia reopening, Sydney,"MousseMagazine.it, March 31, 2012

Thorne, Sam, "Reviews: Secret Societies, CAPC, Bordeaux," Frieze, March 2012, p. 146

Bowles, Hamish, "Mario Testino Royale: A Look Inside the Photographer's L.A. Home," Vogue.com, February 28, 2012

Peterson, Deb, "Contemporary Art Museum annual gala to honor Paul Ha,"STLToday.com, January 16, 2012

Raymond Gill, ‘Leaders of the pack: the artists who matter’, The Sunday Age-Extra, November 13, pp16-17

Dominic Molon, 'David Noonan', Contemporary Art Museum St Louis Exh Cat, September 9-December 30.

Andrew Frost, ‘Layers of Abstraction’, SMH-Metro, March 25-31, 2011, pp.12

Douglas, Caroline, Transmitter / Receiver: The Persistence of Collage. London: Hayward Publishing, 2011

Miscellany of Noir, Derby: QUAD Gallery, 2011

Berry, Nicole, "St. Louis museum visits," AccessibleArtNY.com, December 30, 2011

Baran, Jessica, "Exhibition Reviews: St. Louis: David Noonan, Contemporary Art Museum," Art in America, December 2011, pp. 140, 142

Noonan, David, "The Artists' Artists: David Noonan: Katharina Stoever and Barbara Wolff, Peles Empire," Artforum, December 2011, p. 102

Cooper, Ivy, "Review: Genius pairing at Contemporary Art Museum," St. Louis Beacon, October 11, 2011

"Telfair Museums Selects Lisa Grove as New Director/CEO," Telfair.org, September 22, 2011

"Paul Ha Selected as Director of the MIT List Center for the Visual Arts,"ArtDaily.org, September 18, 2011

Baran, Jessica, "Featured Art Review: David Noonan," Riverfront Times, September 15, 2011

Wilmes, Chrissy, "This Weekend's Art Openings: September 9 - 11," Riverfront Times, September 9, 2011

"Domonic Molon on the work of David Noonan," CAM St. Louis, September 7, 2011. Video.

Aupetitallot, Yves, Tableaux: MAGASIN - Centre National d'Art Contemporain 29.05 - 4.09.2011. Saint Etienne: XL imprimerie, 2011, p. 31

Secret Societies, edited by Cristina Ricupero, Alexis Vaillant and Max Hollein, foreword by Max Hollein and Charlotte Laubard, texts by Ina Blom, Michael Bracewell, Gary Lachmann, Cristina Ricupero, Alexis Vaillant and Jan Verwoert. Cologne: Snoeck Verlagsgesellschaft mbH, 2011

"Secret Societies. To Know, To Dare, To Will, To Keep Silence," NY Arts Magazine, Summer 2011

Sally Bennett, "Tall stories a new slant on yesteryear," Herald Sun, July 25, 2011

Ten Ways to Look at the Past at the National Gallery of Victoria's Ian Potter Centre," ArtDaily.org, July 25, 2011

Calvin Wilson , "Contemporary Art Museum St. Louis Announces Fall Season,"STLToday.com, July 22, 2011

"Group Show at Schirn Kunsthalle," Contemporary Art Daily, July 8, 2011

"Review @ Xavier Hufkens: Everything You Can Imagine Is Real," Pulp Gazette, May 2011

Ben Eltham, "Hatched in Perth, visual artists make it big," Crikey, April 15, 2011

Anna Shapiro , "David Noonan at Roslyn Oxley9 Gallery," ArtMonthSydney.com, March 31, 2011

Morton, Tom, Le Feuvre, Lisa, British Art Show 7: In the Days of the Comet, London: Hayward Gallery Publishing, 2011

Masters, HG, "The Memorable Among the Many," Art Asia Pacific, Volume VI, Almanac 2011, p. 229

RIVE GAUCHE / RIVE DROITE, essays by Alexis Jakubowicz and Yves Aupetitallot, JRP Ringier (ed), Zurich, 2010

Michael Bracewell, “Something Supernatural, This Way Comes”, Tate Etc., January 2010

Volume One: Hayman Collection, Horsham Regional Art Gallery, Victoria, 2010

Lisa Le Feuvre & Tom Morton, British Art Show 7: In the Days of the Comet, (exh. cat).

Mariuccia Casadio, “Archival”, Vogue Italia, May 2010 N. 411, p 196 - 201

2010 Adelaide Biennial of Australian Art: Before & After Science (exh. cat.), Art Gallery of South Australia, 2010

17^th Biennale of Sydney: The Beauty of Distance, Songs of Survival in a Precarious Age, (exh. cat.) curated by David Elliot, 2010

Jacqueline Millner, “The Video Installations of David Noonan” in Conceptual Beauty (Sydney: Artspace, 2010) pp64

Jessica Lack, “Artist of the week 60: David Noonan”, The Guardian, 21 October 2009

Collage: assembling contemporary art, Black Dog Publishing: London, 2009

Altermodern, (exh. cat.), Tate Triennial, Tate Britain, London

Jennifer Higgie, `David Noonan: Seven scenes among many', Art & Australia, Vol. 46, No. 1,Spring, 2008, pp. 112-119

Charlotte Day, Lost and Found: An Archeology of the Present, (exh.cat.), TarraWarra Museum of Art, Victoria, Australia

In Geneva no-one can hear you scream, (exh. cat.), Blondeau Fine Art Services, Geneva, Switzerland

Busan Biennale, (exh. cat.) Busan, Korea

Claire Armstrong, `David Noonan', Art World, Issue 2, April/May 2008, p. 72 - 81

Faces and Figures (Revisited), (exh. cat.) Marc Jancou Contemporary, New York, USA

Davies, Lillian, “David Noonan: Critic's Pick”, artforum.com, February 2008

Ascari, Alessio, “David Noonan', Mousse, issue 13, March 2008, pp. 14-17

Day, Charlotte, “Rings of Saturn Tate Modern,” Art & Australia, Vol. 44, No. 3, Autumn 2007, p. 448

“David Noonan”, Artkrush, Issue #57, 2 May 2007

Gronlund, Melissa, "Future Greats: David Noonan," Art Review, March 2007, pp. 78 - 79, 95

Pearson, Anthony, "Material Photographs," Shane Campbell Gallery, January 2007

Berardini, Andrew, “David Noonan,” artUS, issue 16 January - February 2007, p. 19

Material Photographs, (exh. cat.), organized by Anthony Pearson, Shane Campbell Gallery, Oak Park, USA

Taft, Catherine, "David Noonan", Modern Painters, December 2006 - January 2007, pp. 117

Myers, Julian. "David Noonan", Frieze, November 2006, pp. 166

Duncan, Michael, "Critic's Diary Opening Salvos in L.A." Art in America, November 2006, pp. 78

Stewart, Christabel, "His Dark Materials," Tank, Volume 4, Issue 7, 2006, pp. 24 - 25

Laster, Paul, "A Beautiful Horror," Art Asia Pacific, Winter 2005, No. 43, pp 50 - 57.

Fahey, Johannah, "Before and Now: The Work of David Noonan," eyeline (contemporary visual arts), Spring 2005, No. 58, pp 42 - 44

Fahey, Johannah, David Noonan: Before and Now, Thames and Hudson: London, England, 2005

Higgie, Jennifer, and Max Delaney, David Noonan: Films and Paintings 2001-2005, MUMA: Melbourne, Australia

Australian Art Collector, No. 31, Jan-March 2005

Laster, Paul, "David Noonan", Art Asia Pacific, Winter 2005

Workman, Michael, “Reviews: David Noonan, Three Walls,” Flash Art, Nov-Dec 2004, pg. 98

Molon, Dominic, They became what they beheld, (exh. cat.), PBICA, Palm Beach, USA, 2004

Vasiliou, Liza, Instinct, (exh. cat.), Monash University Museum of Art, Monash University, Victoria, pp. 18 - 19

Kerr, Merrily, “The Infinite Fill Show: Foxy Productions,” Time Out New York, August 12 - 19, Issue #463

King, Natalie, Supernatural Artificial, (exh. cat.), Tokyo Metropolitan Museum of Photography, Tokyo, Japan

Art + Film, (exh. cat.), Centre for Contemporary Photography, Melbourne, Australia

Korotkin, Joyce B., “David Noonan - Foxy Productions,” Tema Celeste, July 2003, p. 80

Pollack, Maika, “David Noonan: Foxy Productions,” Flash Art, vol. 36, no. 230, May - June, p. 91

Laster, Paul, “David Noonan, SOWA,” TimeOUT, New York, April

Anna Clabburn, Wall\paper, (exh. cat.), Australian Galleries, Works on Paper, Melbourne

Garrett, Craig, “Resident at Foxy Productions,” Flash Art, October, 2002

Listening to New Voices, 2001-2002, National and International Studio Program Catalogue, pp. 70-74, PS. 1, The Institute of Contemporary Art, New York

“egofugal,” 7th International Istanbul Biennial (exh. cat.), pp. 140 - 141
“egofugal,” 7th International Istanbul Biennial (exh. cat.), Tokyo Opera City Gallery, Tokyo, Japan, pp. 88 - 98

Fenner, Felicity, “Report From Australia - New Life in Melbourne,” Art in America, No. 1, January, pp. 74-75
'Noonan' LIKE art magazine, no. 11, Autumn, 2000, pp. 12-15

Lynn, Victoria, Passing Time, Moët & Chandon, (exh. cat.) Art Gallery of New South Wales

Kent, Rachel, Sporting Life, (exh. cat.), Museum of Contemporary Art, Sydney

Burke, Greg, Drive>power Progress>desire, (exh. cat.), Govett Brewster Art Gallery, New Plymouth, New Zealand

Engberg, Juliana, “Signs of Life”, Melbourne International Biennial, p. 106

Palmer, Daniel, "Walkmen", Frieze, no.46, May 1998, p.86

"Habitat, morning star evening star, Melbourne-Scotland cultural exchange, pp.25-41

O'Connell, Stephen, "David Noonan: Metaphysical body suits", art/text, no.62, August-October 1998, pp.73-77

Koop, Stuart, "World Speak Dumb", Art & Text, no.58, 1997

Higgie, Jennifer, "head-on", (exb. cat.), the Contemporary Art Centre of South Australia, 1997

Hennessy, Deborah, "Art lover's lost highway", Broadsheet, vol.26, no.2, 1997, pp 6&7

"World Speak Dumb", Karyn Lovegrove Gallery, (exb. cat.), Melbourne, Australia, 1997, p.7

Michael, Linda, "Photography is dead long live photography", (exb. cat.), Museum of Contemporary Art, 1996, pp.7,12

Hutchison, Eliza, "Modern Star Series", Next Wave Festival, (exb. cat.), Melbourne, Australia, 1996

Holiday, Philip, "Deception: Melinda Harper, David Noonan and Philip Watkins", (exb. cat.), 200 Gertrude Street, Melbourne, Australia, March 1994

Drummond, Rozalind, "Pool", (exb. cat.), Karyn Lovegrove Gallery, November 1993

Hennessy, Deborah, "David Noonan, Australian Perspecta 1993", (exb. cat.), Art Gallery of New South Wales, 1993, pp.66-67

Morgan, Paul, "Type 1-36", (exb. cat.), 200 Gertrude Street, Melbourne, Australia, 1993

AWARDS / GRANTS / RESIDENCIES

Sidney Nolan Trust Artist Residency, UK

Below another sky, residency, Scottish Print Network, a partnership between Dundee Contemporary Arts, Edinburgh Printmakers, Glasgow Print Studio, Highland Print Studio, Inverness and Peacock Visual Arts, Aberdeen, Scotland

Me.di.um, St. Barthelemy, French West Indies

Three Walls Residency Program, Chicago, USA

Art Space residency program, Sydney, Australia

P.S.1, The Institute for Contemporary Art, New York residency program

Australia Council

Moët & Chandon, Passing Time Commission

PUBLIC COLLECTIONS

Art Gallery of Ballarat, Ballarat, Australia

Art Gallery of New South Wales, Sydney, Australia

Art Gallery of Ontario, Toronto, Canada

Art Gallery of South Australia, Adelaide, Australia

Art Gallery of Western Australia, Perth, Australia

British Council, London

CAA Art Museum, China Art Academy, Hangzhou, China

Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, USA

Dallas Museum of Art, Dallas, TX, USA

Depart Foundation, Rome, Italy

Galerie de l’UQAM, Montréal, Canada

Les Abbatoirs, Toulouse, France

Los Angeles County Museum of Art, Los Angeles, CA, USA

MAMCO, Geneva, Switzerland

Mona – Museum of Old and New Art, Hobart, Australia

Monash University Museum of Art, Melbourne, Australia

Museum of Contemporary Art Chicago, Chicago, IL, USA

Museum of Contemporary Art, Sydney, Australia

The Museum of Modern Art, New York, NY, USA

National Gallery of Australia, Canberra, Australia

National Gallery of Canada, Ottawa, Canada

National Gallery of Victoria, Melbourne, Australia

RISD Museum, Rhode Island School of Design, Providence, RI, USA

Saatchi Gallery, London

TarraWarra Museum of Art, Healesville, Australia

University of Ballarat Art Collection, Ballarat, Australia

Whitney Museum of American Art, New York, NY, USA

Zabludowicz Collection, London