David Noonan’s works create specific atmospheres, in which subtle emotion and dramatic expression coexist in a space of temporal complexity. Using a combination of traditional and contemporary methods, Noonan superimposes the figurative with the abstract, uniting diverse imagery into a cohesive whole. Noonan references a range of reproduction processes in his work from ancient tapestry and Japanese Boro, to newsprint and digital media. The dynamic texture that emerges through his collages, reflect Noonan’s interest in the picture plane as both a physically complex surface and as a representational space.
David Noonan Untitled, 2019; jacquard tapestry, unique, stainless steel hanging system; 190 x 300 cm
Exhibition view, David Noonan, A Dark and Quiet Place, Gertrude Contemporary, Melbourne (23 March – 28 April, 2018)
David Noonan Untitled, 2016; silk screen linen collage mounted on wooden panel, steel frame; 90 × 70 × 5cm
David Noonan Untitled, 2015; silkscreen on linen collage; 214 x 229 cm
David Noonan Two Moons, 2009-10; silkscreen on jute and linen collage; 210 x 300 cm
David Noonan Untitled, 2007; Silkscreen on linen; 213.5 × 305cm
David Noonan Untitled, 2012; screen-printed jute and linen collage; 204 x 146 cm
Group Show, The First 40 Years
Roslyn Oxley9 Gallery, 2024
David Noonan MASKEN
Roslyn Oxley9 Gallery, 2023
Group Show, nightshifts
Buxton Contemporary, 2023
David Noonan Only when it’s cloudless
Tarrawarra Museum of Art, 2022
David Noonan Monster Theatres
Adelaide Biennial of Australian Art, 2020
David Noonan A Dark and Quiet Place
Fremantle Arts Centre, Fremantle, 2019
David Noonan A Dark and Quiet Place
Gertrude Contemporary, Melbourne, 2018
David Noonan A Dark and Quiet Place
Modern Art, London, 2017-18
David Noonan Lead Light
Roslyn Oxley9 Gallery, 2016
David Noonan
Roslyn Oxley9 Gallery, 2015
David Noonan
Roslyn Oxley9 Gallery, 2013
David Noonan
Roslyn Oxley9 Gallery, 2011
Group Show
Roslyn Oxley9 Gallery, 2009-10
David Noonan Scenes
Australian Centre for Contemporary Art, Melbourne, 2009
David Noonan Altermodern
TATE Triennial, 2009
David Noonan MARKUS
Roslyn Oxley9 Gallery, 2008
David Noonan
Chisenhale Gallery, London, 2008
Group Show, STOLEN RITUAL
Roslyn Oxley9 Gallery, 2006-07
David Noonan Images
Roslyn Oxley9 Gallery, 2005
Group Show, If these walls could talk
Roslyn Oxley9 Gallery, 2005
David Noonan Films and Paintings 2001-2005
Monash Museum of Art, Melbourne, 2005
David Noonan before and now
Roslyn Oxley9 Gallery, 2003
David Noonan The Likening (collaboration with Simon Trevaks)
Roslyn Oxley9 Gallery, 2002
Group Show, The First 20 Years
Roslyn Oxley9 Gallery, 2002
Group Show, more apt to be lost than got
Roslyn Oxley9 Gallery, 2000
DAVID NOONAN
Born 1969, Australia
Lives and works in London
EDUCATION
Bachelor of Fine Art, Ballarat University College, Victoria, Australia
Post Graduate Studies, Victorian College of the Arts, Melbourne, Australia
SOLO EXHIBITIONS
MASKEN, Roslyn Oxley9 Gallery, Sydney
MASKEN, Mackintosh Lane, London
David Noonan: Only when it's cloudless, Tarrawarra Museum of Art, Healesville, Victoria
Mnemosyne, Modern Art, London
David Noonan: Stagecraft, Art Gallery of Ballarat, Ballarat, Victoria
A Dark and Quiet Place, Freemantle Arts Centre, Perth Festival, Perth
A Dark and Quiet Place, Gertrude Contemporary, Melbounre
A Dark and Quiet Place, Stuart Shave/Modern Art, London
Lead Light, Roslyn Oxley9 Gallery, Sydney
David Noonan, Roslyn Oxley9 Gallery, Sydney
David Noonan, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA
David Noonan, Xavier Hufkens, Brussels, Belgium
Le Vendeur fou, Au 8 Rue Saint Bon, Paris, France
David Noonan - Collages, Au 8, Rue Saint-Bon, Paris France
Roslyn Oxley9 Gallery, Sydney, Australia
David Noonan, Foxy Production, New York, NY, USA
Origami, Xavier Hufkens, Brussels, Belgium
David Noonan, Stuart Shave / Modern Art, London, UK
CAM, Contemporary Art Museum, Curated by Dominic Molon, St. Louis, MO, USA
Roslyn Oxley9 Gallery, Sydney, Australia
David Noonan: SPIEL, 2010 Glasgow International, Washington Garcia at The Mitchell Library, Glasgow
David Kordansky Gallery, Los Angles, USA
David Noonan: Scenes, Australian Centre for Contemporary Art, Melbourne, Australia
David Noonan, Baronian Francey, project room, Brussels, Belgium
David Noonan, Chisenhale Gallery, London, UK
MARKUS, Roslyn Oxley9 Gallery, Sydney, Australia
David Noonan, Art: Concept, Paris, France
David Noonan, Palais de Tokyo, Paris, France
David Noonan, David Kordansky Gallery, Los Angeles, USA
Images, Roslyn Oxley9 Gallery, Sydney, Australia
David Noonan: Four New Films, Govett-Brewster Art Gallery, New Plymouth, New Zealand
David Noonan - Films and Paintings 2001-2005, curated by Max Delaney, Monash Museum of Art, MUMA, Melbourne, Australia
fields, HOTEL, London, UK
they became what they beheld, Three Walls, Chicago, USA
they became what they beheld, Foxy Production, New York, USA
David Noonan - Paintings, Uplands Gallery, Melbourne, Australia
Before and Now, Roslyn Oxley9 Gallery, Sydney, Australia
Miriam Hall, (with Starlie Geikie), Clubs Projects Inc., Melbourne, Australia
SOWA, (with Simon Trevaks), Artspace, Sydney, Australia
SOWA, (solo and a collaboration with Simon Trevaks), Foxy Productions, Brooklyn, New York, USA
Waldaus, Uplands Gallery, Melbourne, Australia
The Likening, David Noonan & Simon Trevaks, Roslyn Oxley9 Gallery, Sydney, Australia
The Likening, David Noonan & Simon Trevaks, Studio 12, 200 Gertrude Street, Melbourne, Australia
more apt to be lost than got, David Noonan & Simon Trevaks, Roslyn Oxley9 Gallery, Sydney, Australia
Saturn Return, 1st Floor, Melbourne, Australia
head on, Karyn Lovegrove Gallery, Melbourne, Australia
head on, Centre for Contemporary Art, Adelaide, Australia
David Noonan, Karyn Lovegrove Gallery, Melbourne, Australia
POOL, Karyn Lovegrove Gallery, Melbourne, Australia
Type 1-36, 200 Gertrude Street, Melbourne, Australia
GROUP EXHIBITIONS
The Flowering of the Strange Orchid, Peles, Berlin
The First 40 Years, Roslyn Oxley9 Gallery, Sydney
Art Cologne, Roslyn Oxley9 Gallery, Cologne, Germany
Photography: Real and Imagined , National Gallery of Victoria, Melbourne
Thin Skin, Monash University Museum of Art, Melbourne
Malediction and Prayer, Modern Art, London
APW 40 x 40, Australian Print Workshop, Melbourne
ESPACES INEXTRICABLES DANS LA PEINTURE DU 21e SIÈCLE, curated by Nicolas Bourriaud & Radicants curatorial collective, A2Z Art Gallery, Paris (forthcoming)
nightshifts, curated by Hannah Presley and Annika Aitken, Buxton Contemporary Art Museum, Melbourne, Australia
2020 Adelaide Biennial of Australian Art: Monster Theatres, Art Gallery of South Australia, Adelaide
Simon Denny: Mine, Museum of Old and New Art, Hobart
Art Basel Hong Kong, Roslyn Oxley9 Gallery, Hong Kong
Threads Through Art: Australian Tapestries, Bathurst Regional Art Gallery, Bathurst
Drawing Biennial, Drawing Room, London
Spring 1883, Roslyn Oxley9 Gallery, Melbroune
L'immagine e il suo doppio (The image and its double), Eduardo Secci Contemporary, Florence, Italy
The Trick Brain, curated by Massimiliano Gioni, Aishti Foundation, Beirut, Lebanon
Shadowed Forms, Andersons Contemporary, Copenhagen
La culture visuelle de l'extrême gaucheen (Visual Culture of the Extreme Left), Palais des Beaux-Arts, Paris
The Shape of Things to Come, Buxton Contemporary, Melbourne
Sydney Contemporary, Carriageworks, Sydney
Every Brilliant Eye: Australian Art of the 1990s, National Gallery of Victoria, Melbourne
The Trick Brain, Aïshti Foundation, Beirut
Back to Mulholland Drive, La Panacée, Montpellier, France
Enter Stage Left, Lewis Glucksman Gallery, University College, Cork, Ireland
Revolt of the Sage, curated by Simon Moretti and Craig Burnett, Blain Southern, London
Primavera at 25: MCA Collection, Museum of Contemporary Art, Sydney; Glasshouse Port Macquarie, NSW; Western Plains Cultural Centre, Dubbo, NSW (travelling)
to Murray Art Museum Albury, Albury, Australia; The Art Center Gold Coast, Gold
Coast, Australia; Artspace Mackay, Mackay, Australia; Glasshouse Port Macquarie,
Port Macquarie, Australia; Western Plains Cultural Centre, Dubbo, Australia
Surrealism: The Conjured Life, Museum of Contemporary Art, Chicago
One Day Something Happens; Paintings of People, curated by Jennifer Higgie, Leeds Art Gallery, West Yorkshire, Eastbourne, Southport, England, UK
Theories of Modern Art, Modern Art, London, UK
Sean Bailey, Naomi Eller, David Noonan, Heather B. Swann, Anna White, CAVES Gallery, Melbourne, Victoria, Australia
The Mask, Hunter / Whitfield, London, UK
Lurid Beauty: Australian Surrealism and Its Echoes, The Ian Potter Centre: NGV Australia, Federation Square, Melbourne, Australia
One Day, Something Happens: Paintings of People, curated by Jennifer Higgie, Nottingham Castle Museum & Art Gallery, Nottingham, England
Below another sky, Glasgow Print Studio, Glasgow, Scotland
Grand Illusion(s), Simon Preston Gallery, New York, NY
One Day, Something Happens: Paintings of People: A selection by Jennifer Higgie from the Arts Council Collection, Leeds Art Gallery, Leeds (Touring to Nottingham, Drogheda, Southpoint and Eastbourne)
Busts: David Noonan, Renee So, Runa Islam, Hopkinson Mossman, Auckland
Exposition De Groupe: Group Show, Marc Jancou, Geneva
Hiding in Plain Sight: A selection of works from the Michael Buxton Collection, Bendigo Art Gallery, Bendigo, Australia
UNDERCOVER, Bourouina Gallery, Berlin, Germany
Menagerie, Australian Centre for Contemporary Art, Melbourne, Australia, curated by Juliana Engberg
BASH An Exhibition in Two Parts, Woodstock Byrdcliffe Guild, Woodstock, NY
PUBLISH / CURATE (curated by Alix Janta-Polczynski), TJ. Boulting Gallery, London
Below another sky, Aberdeen Art Gallery, Aberdeen, UK
We used to talk about love, Balnaves Contemporary: photomedia, Art Gallery of New South Wales, Sydney.
Winter Show/Exposition d'Hiver, Marc Jancou Contemporary, New York, NY
Black-and-White (and a Little Bit of Blue), Marc Jancou, New York, NY
TRANSIT, Horsham Regional Art Gallery, Horsham, Australia
Transmitter / Receiver: The Persistence of Collage from the Arts Council Collection, Aberystwyth Arts Centre, Aberystwyth, Wales; Tullie House, Carlisle, Cumbria, England
Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, NY
Foxy Production, New York, NY
BASH An Exhibition in Two Parts, Woodstock Byrdcliffe Guild, Woodstock, NY, USA
Black-and-White (and a Little Bit of Blue), Marc Jancou Contemporary, New York, NY, USA
Theatre of the World, curated by Jean-Hubert Martin, MONA - Museum of Old and New Art in collaboration with TMAG - Tasmanian Museum of Art Gallery, Tasmania, Australia
Negotiating this world: Contemporary Australian Art, National Gallery of Victoria, Melbourne
Daydream Believers, Institute of Modern Art, Brisbane
Volume One: MCA Collection, Museum of Contemporary Art, Sydney, Australia
Out of Focus: Photography, Saatchi Gallery, London, England
A Darkness More Than Night, QUAD Gallery, Derby, England
10 ways to look at the past, The Ian Potter Centre: National Gallery of Victoria, Federation Square, Victoria, Australia
10 Ways to Look at the Past, National Gallery of Victoria, Melbourne
The Ephemeral, ARNDT Berlin, Berlin, Germany
The Keno Twins 5, curated by Michael Bauer, Barriera, Turin, Italy
Transmitter / Receiver: The Persistence of Collage from the Arts Council Collection, Middlesbrough Institute of Modern Art, Middlesbrough, England
A Darkness More Than Night, QUAD, Derby, UK
Secret Societies.To Know,To Dare,To Will,To Keep Silence, CAPC Musée d’art contemporain de Bordeaux, France
The Devil had a Daughter, Monash University Museum of Art, Melbourne, Victoria, Australia
The Private Life of Plants, Peles Empire, London, UK
Tableaux, Magasin, Centre National d’Art Contemporain, Grenoble, France
Everything You Can Imagine Is Real..., Xavier Hufkens, Brussels, Belgium
The Keno Twins 4, Villa Merkel Bahnwärter Haus, Esslingen, Germany
The Age of Aquarius, The Renaissance Society at the University of Chicago, USA
Peeping Toms, Institute of Modern Art, Brisbane, Australia
Secret Societies. To Know, To Dare, To Will, To Keep Silence, Schirn Kunsthalle Frankfurt, Frankfurt, Germany; CAPC de Bordeaux, Bordeaux, France
RIVE GAUCHE /RIVE DROITE An exhibition organized by Marc Jancou, Atelier Azzedine Alaia, Paris, France
The Keno Twins 3, Galerie Susanne Zander, Cologne, Germany, curated by Michael Bauer
The British Art Show 7: In the Days of the Comet, curated by Lisa Le Feuvre and Tom Morton
17th Biennale of Sydney, Beauty of Distance, songs of survival in a precarious age, directed by David Elliot
2010 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide
The Gathering: Building the Arts Council Collection 1973-2009, Longside Gallery, Yorkshire Sculpture Park, UK
The Dwelling, ACCA, Melbourne, Australia
Remote Memories, Kai 10 Raum für Kunst, Düsseldorf, Germany
Roots, Wentrup Gallery, Berlin, Germany
The Dark Monarch: Magic and Modernity in British Art, Tate St Ives, UK
Solaris, Gio Marconi, Milan, Italy
Altermodern, Tate Triennial, Tate Britain, London, curated by Nicolas Bourriaud
Sphinxx, Stuart Shave/Modern Art, London, UK
Persona, Parc Saint-Léger / Centre d’art contemporain, Paris, France
Faces and Figures (Revisited), Marc Jancou Contemporary, New York, USA
Lost and Found: An Archeology of the Present, TarraWarra Biennial, curated by Charlotte Day, Healesville, Victoria, Australia
Busan Biennale, Busan, Korea
That beautiful pale face is my fate (Lord Byron), Nottingham Contemporary, Newstead Abbey, Nottinghamshire, UK
In Geneva no-one can hear you scream, organised by Marc Jancou, Blondeau Fine Art Services, Geneva, Switzerland
Revolving Doors an exhibition in memory of Blair Trethowan, Uplands Gallery, Melbourne, Australia
Stain Pattern; Roger Hiorns, Eva Larsson, David Musgrave, David Noonan, curated by Glenn Sorensen, The Bakery, Annet Gelink Gallery, Amsterdam, The Netherlands
Tokyo Redux, Palais de Tokyo, Paris, France
Duet, curated by Sylvia Chivaratanond, Lehmann Maupin, New York, USA
The present order is the disorder of the future, De Hallen Haarlem, Haarlem, The Netherlands
My Flashing Laundrette - Evan Holloway, David Noonan, Adam Putnam, Galleria Raucci / Santamaria, Naples, Italy
Material Photographs, organized by Anthony Pearson, Shane Campbell Gallery, Oak Park, USA
HOTEL Gallery swap, Galerie Guido W. Baudach, Berlin, Germany
Stolen Ritual, Roslyn Oxley9 Gallery, Sydney, Australia
The Rings of Saturn, Tate Modern, London, UK
The General Store, Ulrich Museum of Art, Wichita State University, Wichita, USA
Frank Hannon, Jacob Dahl Jurgensen, David Noonan, Foxy Production, New York, USA
Slow Rushes, Artspace, Auckland, New Zealand
The Four Colour Pen Show, Van Harrison Gallery, Chicago, USA
The Difference Between You And Me, The Ian Potter Museum of Art The University of Melbourne, Melbourne, Australia
If the walls could talk: Tony Clark, Callum Morton, David Noonan, Kathy Temin and Jenny Watson, Roslyn Oxley9 Gallery, Sydney, Australia
Bad Names for Good Books, curated by Matthew Brannon, Kevin Bruk Gallery, Miami, Florida, USA
I feel mysterious today, curated by Dominic Molon, Palm Beach Institute of Contemporary Art, Florida, USA
Supernatural Artificial: Contemporary photo-based art from Australia, Tokyo Metropolitan Museum of Photography, Japan
Instinct, curated by Liza Vasiliou, Monash University Museum of Art, Monash University, Victoria, Australia
The Infinite Fill, Foxy Productions, New York, USA
Glad Day, Foxy Productions, New York, USA
Blinky 2: The Screening, Tate Britain, London, UK
Rough Topography, Vedanta Gallery, Chicago, Illinois, USA
Art + Film, Centre for Contemporary Photography, Melbourne, Australia
Wallpaper, Australian Galleries, Works on Paper, Melbourne, Australia
Screen Life, Govett-Brewster Art Gallery New Plymouth, New Zealand
200 Gertrude St, Melbourne, Reina Sophia Museum, Madrid, Spain
The Team Show, Uplands Gallery, Melbourne, Australia
Resident, Foxy Productions, New York, USA
Listening to New Voices, PS1 Museum of Contemporary Art, New York, USA
Scenes, curated by Jeffrey Walkowiak, Henry Urbarch architecture, New York, USA
The Team Show: A Constructed World, Uplands Gallery, Melbourne, Australia
Egofugal, 7th Istanbul Biennale, Istanbul, Turkey
Egofugal, Selected Works from the7th Istanbul Biennale, Tokyo Opera City Gallery, Tokyo, Japan
the likening, Studio 12, 200 Gertrude Street, Melbourne, Australia
Sporting Life, Museum of Contemporary Art, Sydney, Australia
200 Gertrude St Studio Artists 2000, 200 Gertrude St, Melbourne, Australia
Garson Garson, Project Space, Melbourne, Australia
Passing Time, Moët & Chandon Commission, curated by Victoria Lynn, Art Gallery of New South Wales, Sydney, Australia
Drive>power Progress>desire, Govett Brewster Art Gallery, New Plymouth, New Zealand
Primavera, curated by Rachel Kent, Museum of Contemporary Art, Sydney, Australia
Blockbuster 99, curated by Ricky Swallow, UKS Gallery, Oslo, Norway
Signs of Life, Melbourne International Biennial, Australia
Exhumed II, curated by David Noonan, Canberra Contemporary Art Space, Braddon, Australia
Nearest Habitat System, curated by Eliza Huttchison, 1st floor, Melbourne, Australia
SPACE, Witte de With, Center for Contemporary Art, Rotterdam, The Netherlands
Moët & Chandon, touring AGSA Adelaide, AGNSW Sydney, RMIT Storey Hall, Melbourne, Australia, NGA, Canberra, Australia
Where the wild roses grow, Transmission Gallery, Glasgow, Scotland
Walkmen, Ricky Swallow, David Jolly & David Noonan, Synasesthesia Music, Melbourne, Australia
Habitat; morning star evening star, Melbourne-Scotland cultural exchange, Centre for Contemporary Photography, Melbourne, Australia
Exhumed, Project Space, curated by David Noonan, RMIT, Melbourne, Australia
Moët & Chandon Touring, NGA Canberra, NGV Melbourne, AGNSW Sydney, QAG Queensland, Australia
Work station, 1st Floor, Melbourne, Australia
Special issue, 1st Floor, Melbourne, Australia
World Speak Dumb, curated by Geoff Lowe & Sarah Ritson,Karyn Lovegrove Gallery, Melbourne, Australia
Eurovision, curated by Dominic Eichler & Esther Pireni , 205 Russel St, Melbourne, Australia
Klick, curated by Kate Daw, 1st floor, Melbourne, Australia
Mars Field, curated by Alex Pittendrigh, 1st Floor, Melbourne, Australia
See Through Brain, Transmission Gallery, Glasgow, Scotland
Klick, Transmission Gallery, curated by Kate Daw, Glasgow, Scotland
Mrs Birds House, collaboration with Jennifer Higgie, Melbourne, Australia
Photography is dead! long live photography!, Museum of Contemporary Art, Sydney, Australia
Lindy Lee & David Noonan, Level 2 Projects, Art Gallery of NSW, Sydney, Australia
Project For Two Billboards: David Noonan and Elizabeth Pulie, Next Wave Festival, Melbourne, Australia
Deception: Melinda Harper, David Noonan & Philip Watkins, 200 Gertrude Street, Melbourne, Australia
Australian Perspecta 1993, Art Gallery of New South Wales, Sydney, Australia
ARTIST WRITINGS / ARTIST PAGES
David Noonan, 'Portfolio Par', Palais De Tokyo Magazine, Issue 2, Spring 2007, pp. 57-72
'Life in Film: David Noonan', Frieze, October 2006, p. 42-43
“from #1”, journal published by Witte de With, Museum of Contemporary Art, Rotterdam, The Netherlands, 1999, pp. 27-28
SELECTED BIBLIOGRAPHY
Amy Jones, David Noonan - A Dark and Quiet Place, This is Tomorrow, 9 Jan 2018
A Dark and Quiet Place, Stuart Shave/Modern Art, London, Common-Editions
Jonathan P. Watts, Revolt of the Sage Review, Frieze.com, 21 January 2017
Pataphysics Magazine, Edited by Yanni Florence, Artist pages 95-102
Jennifer Higgie, One Day Something Happens, Arts Council Collection UK Touring exhibition catalogue
WRIGHT, Karen,
David Noonan, artist: ‘I think of pictures as being a dialogue between figuration and abstraction’,The Independent, 10 September
Molly Frankel, David Noonan,Hunger Magazine, Issue 8, pp. 176-179
Katy Preston, David Noonan, artist profile magazine No. 32, pp. 76-82
Chloé Wolifon , David Noonan: Setting the scene,ravencontemporary.com
Anthony Byrt, Busts, Hopkinson Mossman, Auckland,Frieze No.171, May, pp. 226-227
Nicholas Forrest, David Noonan’s Visionary Illusions at Roslyn Oxley9, Sydney, Blouin Artinfo
Anna Dickie, ‘A Conversation with David Noonan,’ Ocula, 16 November 2015
Edith Newhall, Fabric's texture transforms dancers' images,' The Inquirer (Philadelphia, PA), 27 September 2015
Katy Preston, 'David Noonan', Artist Profile, Issue 32, pp. 76-82, September 2015
Mollie Frankel, 'David Noonan', Hunger Magazine, August 2015, pp. 176-179
‘David Noonan: Arrangements and Collages,’ Elephant, Summer 2015
Karen Right, David Noonan, artist: ‘I think of pictures as being a dialogue between figuration and abstraction’,The Independent, 10 September
Chloé Wolfison, David Noonan: Setting the scene, ravencontemporary.com
Anthony Byrt ,Busts, Hopkinson Mossman, Auckland,Frieze No.171, May, pp. 226-227
Nicholas Forrest, David Noonan’s Visionary Illusions at Roslyn Oxley9, Sydney,Blouin Artinfo
Rooksana Hossenally , "A Private Apartment by Joseph Dirand In Saint-Germain-des-Pres, Paris, France," Yatzer.com, January 12, 2014
Moray Mair, "David Noonan's Screenprints Collage Cinema, Circus and Vaudeville to Create a Gothic Supernatural World," MutantSpace.com, January 2, 2014
Macushla Robinson, ‘David Noonan’, We Used to Talk About Love, (Sydney: Art Gallery of New South Wales and Balnaves Contemporary, 2013)
Dan Glover, "Adam's Art Exhibition Picks for the Holidays," ABC Victoria, December 12, 2013
Ryan Gander, Artists' Cocktails, London, Dent-De-Leone, 2013
Nicholas Forrest, "Australian Artists in Phillips' London Day Sale,"uk.BlouinArtinfo.com, October 17, 2013
Paul Longo, "David Noonan at Foxy Production," Musée Magazine, October 8, 2013
"David Noonan," Time Out New York, September 25, 2013
Hans Werner Holzwarth, ed., "David Noonan," text by Graham Sanford, ART NOW Vol 4, Cologne: Taschen, 2013, pp. 296-299
Richard Parry, "Reviews in Brief: David Noonan," Modern Painters, February 2013, p. 82
Michael Fitzgerald, "David Noonan: Behind the Scenes," Photofile, Volume 92, Autumn/Winter 2013, cover, pp. 46-55
"David Noonan at Modern Art," Contemporary Art Daily, November 10, 2012
Noonan, David, "Artists' Artists: 17 artists write about works of art that have influenced them: David Noonan," Frieze Masters, Issue 1, October 2012, pp. 76-77
David Noonan, edited by Lionel Bovier, texts by Michael Bracewell, Jennifer Higgie and Dominic Molon, Zurich: JRP|Ringier, November 30, 2012
Mastrototaro, Nino, "Seventies: L'insensato dilagare di zoccoli svedesi," Flair, Issue 2, October 2012, pp. 83-84
Bourriaud, Nicolas, "Hétérochronie," L'Officiel Art, Number 1, April-June 2012, pp. 98-107, 287
"What to see at the Hong Kong Art Fair," The Wall Street Journal, Blogs, Scene Asia, May 15, 2012
Noonan, David, Origami, text by Rob Tufnell. Brussels: Xavier Hufkens, 2012
Steverlynck, Sam, "Exhibition Reviews: David Noonan," ArtReview, May 2012, pp. 132-133
"Museum of Contemporary Art Australia reopening, Sydney,"MousseMagazine.it, March 31, 2012
Thorne, Sam, "Reviews: Secret Societies, CAPC, Bordeaux," Frieze, March 2012, p. 146
Bowles, Hamish, "Mario Testino Royale: A Look Inside the Photographer's L.A. Home," Vogue.com, February 28, 2012
Peterson, Deb, "Contemporary Art Museum annual gala to honor Paul Ha,"STLToday.com, January 16, 2012
Raymond Gill, ‘Leaders of the pack: the artists who matter’, The Sunday Age-Extra, November 13, pp16-17
Dominic Molon, 'David Noonan', Contemporary Art Museum St Louis Exh Cat, September 9-December 30.
Andrew Frost, ‘Layers of Abstraction’, SMH-Metro, March 25-31, 2011, pp.12
Douglas, Caroline, Transmitter / Receiver: The Persistence of Collage. London: Hayward Publishing, 2011
Miscellany of Noir, Derby: QUAD Gallery, 2011
Berry, Nicole, "St. Louis museum visits," AccessibleArtNY.com, December 30, 2011
Baran, Jessica, "Exhibition Reviews: St. Louis: David Noonan, Contemporary Art Museum," Art in America, December 2011, pp. 140, 142
Noonan, David, "The Artists' Artists: David Noonan: Katharina Stoever and Barbara Wolff, Peles Empire," Artforum, December 2011, p. 102
Cooper, Ivy, "Review: Genius pairing at Contemporary Art Museum," St. Louis Beacon, October 11, 2011
"Telfair Museums Selects Lisa Grove as New Director/CEO," Telfair.org, September 22, 2011
"Paul Ha Selected as Director of the MIT List Center for the Visual Arts,"ArtDaily.org, September 18, 2011
Baran, Jessica, "Featured Art Review: David Noonan," Riverfront Times, September 15, 2011
Wilmes, Chrissy, "This Weekend's Art Openings: September 9 - 11," Riverfront Times, September 9, 2011
"Domonic Molon on the work of David Noonan," CAM St. Louis, September 7, 2011. Video.
Aupetitallot, Yves, Tableaux: MAGASIN - Centre National d'Art Contemporain 29.05 - 4.09.2011. Saint Etienne: XL imprimerie, 2011, p. 31
Secret Societies, edited by Cristina Ricupero, Alexis Vaillant and Max Hollein, foreword by Max Hollein and Charlotte Laubard, texts by Ina Blom, Michael Bracewell, Gary Lachmann, Cristina Ricupero, Alexis Vaillant and Jan Verwoert. Cologne: Snoeck Verlagsgesellschaft mbH, 2011
"Secret Societies. To Know, To Dare, To Will, To Keep Silence," NY Arts Magazine, Summer 2011
Sally Bennett, "Tall stories a new slant on yesteryear," Herald Sun, July 25, 2011
Ten Ways to Look at the Past at the National Gallery of Victoria's Ian Potter Centre," ArtDaily.org, July 25, 2011
Calvin Wilson , "Contemporary Art Museum St. Louis Announces Fall Season,"STLToday.com, July 22, 2011
"Group Show at Schirn Kunsthalle," Contemporary Art Daily, July 8, 2011
"Review @ Xavier Hufkens: Everything You Can Imagine Is Real," Pulp Gazette, May 2011
Ben Eltham, "Hatched in Perth, visual artists make it big," Crikey, April 15, 2011
Anna Shapiro , "David Noonan at Roslyn Oxley9 Gallery," ArtMonthSydney.com, March 31, 2011
Morton, Tom, Le Feuvre, Lisa, British Art Show 7: In the Days of the Comet, London: Hayward Gallery Publishing, 2011
Masters, HG, "The Memorable Among the Many," Art Asia Pacific, Volume VI, Almanac 2011, p. 229
RIVE GAUCHE / RIVE DROITE, essays by Alexis Jakubowicz and Yves Aupetitallot, JRP Ringier (ed), Zurich, 2010
Michael Bracewell, “Something Supernatural, This Way Comes”, Tate Etc., January 2010
Volume One: Hayman Collection, Horsham Regional Art Gallery, Victoria, 2010
Lisa Le Feuvre & Tom Morton, British Art Show 7: In the Days of the Comet, (exh. cat).
Mariuccia Casadio, “Archival”, Vogue Italia, May 2010 N. 411, p 196 - 201
2010 Adelaide Biennial of Australian Art: Before & After Science (exh. cat.), Art Gallery of South Australia, 2010
17th Biennale of Sydney: The Beauty of Distance, Songs of Survival in a Precarious Age, (exh. cat.) curated by David Elliot, 2010
Jacqueline Millner, “The Video Installations of David Noonan” in Conceptual Beauty (Sydney: Artspace, 2010) pp64
Jessica Lack, “Artist of the week 60: David Noonan”, The Guardian, 21 October 2009
Collage: assembling contemporary art, Black Dog Publishing: London, 2009
Altermodern, (exh. cat.), Tate Triennial, Tate Britain, London
Jennifer Higgie, `David Noonan: Seven scenes among many', Art & Australia, Vol. 46, No. 1,Spring, 2008, pp. 112-119
Charlotte Day, Lost and Found: An Archeology of the Present, (exh.cat.), TarraWarra Museum of Art, Victoria, Australia
In Geneva no-one can hear you scream, (exh. cat.), Blondeau Fine Art Services, Geneva, Switzerland
Busan Biennale, (exh. cat.) Busan, Korea
Claire Armstrong, `David Noonan', Art World, Issue 2, April/May 2008, p. 72 - 81
Faces and Figures (Revisited), (exh. cat.) Marc Jancou Contemporary, New York, USA
Davies, Lillian, “David Noonan: Critic's Pick”, artforum.com, February 2008
Ascari, Alessio, “David Noonan', Mousse, issue 13, March 2008, pp. 14-17
Day, Charlotte, “Rings of Saturn Tate Modern,” Art & Australia, Vol. 44, No. 3, Autumn 2007, p. 448
“David Noonan”, Artkrush, Issue #57, 2 May 2007
Gronlund, Melissa, "Future Greats: David Noonan," Art Review, March 2007, pp. 78 - 79, 95
Pearson, Anthony, "Material Photographs," Shane Campbell Gallery, January 2007
Berardini, Andrew, “David Noonan,” artUS, issue 16 January - February 2007, p. 19
Material Photographs, (exh. cat.), organized by Anthony Pearson, Shane Campbell Gallery, Oak Park, USA
Taft, Catherine, "David Noonan", Modern Painters, December 2006 - January 2007, pp. 117
Myers, Julian. "David Noonan", Frieze, November 2006, pp. 166
Duncan, Michael, "Critic's Diary Opening Salvos in L.A." Art in America, November 2006, pp. 78
Stewart, Christabel, "His Dark Materials," Tank, Volume 4, Issue 7, 2006, pp. 24 - 25
Laster, Paul, "A Beautiful Horror," Art Asia Pacific, Winter 2005, No. 43, pp 50 - 57.
Fahey, Johannah, "Before and Now: The Work of David Noonan," eyeline (contemporary visual arts), Spring 2005, No. 58, pp 42 - 44
Fahey, Johannah, David Noonan: Before and Now, Thames and Hudson: London, England, 2005
Higgie, Jennifer, and Max Delaney, David Noonan: Films and Paintings 2001-2005, MUMA: Melbourne, Australia
Australian Art Collector, No. 31, Jan-March 2005
Laster, Paul, "David Noonan", Art Asia Pacific, Winter 2005
Workman, Michael, “Reviews: David Noonan, Three Walls,” Flash Art, Nov-Dec 2004, pg. 98
Molon, Dominic, They became what they beheld, (exh. cat.), PBICA, Palm Beach, USA, 2004
Vasiliou, Liza, Instinct, (exh. cat.), Monash University Museum of Art, Monash University, Victoria, pp. 18 - 19
Kerr, Merrily, “The Infinite Fill Show: Foxy Productions,” Time Out New York, August 12 - 19, Issue #463
King, Natalie, Supernatural Artificial, (exh. cat.), Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Art + Film, (exh. cat.), Centre for Contemporary Photography, Melbourne, Australia
Korotkin, Joyce B., “David Noonan - Foxy Productions,” Tema Celeste, July 2003, p. 80
Pollack, Maika, “David Noonan: Foxy Productions,” Flash Art, vol. 36, no. 230, May - June, p. 91
Laster, Paul, “David Noonan, SOWA,” TimeOUT, New York, April
Anna Clabburn, Wall\paper, (exh. cat.), Australian Galleries, Works on Paper, Melbourne
Garrett, Craig, “Resident at Foxy Productions,” Flash Art, October, 2002
Listening to New Voices, 2001-2002, National and International Studio Program Catalogue, pp. 70-74, PS. 1, The Institute of Contemporary Art, New York
“egofugal,” 7th International Istanbul Biennial (exh. cat.), pp. 140 - 141
“egofugal,” 7th International Istanbul Biennial (exh. cat.), Tokyo Opera City Gallery, Tokyo, Japan, pp. 88 - 98
Fenner, Felicity, “Report From Australia - New Life in Melbourne,” Art in America, No. 1, January, pp. 74-75
'Noonan' LIKE art magazine, no. 11, Autumn, 2000, pp. 12-15
Lynn, Victoria, Passing Time, Moët & Chandon, (exh. cat.) Art Gallery of New South Wales
Kent, Rachel, Sporting Life, (exh. cat.), Museum of Contemporary Art, Sydney
Burke, Greg, Drive>power Progress>desire, (exh. cat.), Govett Brewster Art Gallery, New Plymouth, New Zealand
Engberg, Juliana, “Signs of Life”, Melbourne International Biennial, p. 106
Palmer, Daniel, "Walkmen", Frieze, no.46, May 1998, p.86
"Habitat, morning star evening star, Melbourne-Scotland cultural exchange, pp.25-41
O'Connell, Stephen, "David Noonan: Metaphysical body suits", art/text, no.62, August-October 1998, pp.73-77
Koop, Stuart, "World Speak Dumb", Art & Text, no.58, 1997
Higgie, Jennifer, "head-on", (exb. cat.), the Contemporary Art Centre of South Australia, 1997
Hennessy, Deborah, "Art lover's lost highway", Broadsheet, vol.26, no.2, 1997, pp 6&7
"World Speak Dumb", Karyn Lovegrove Gallery, (exb. cat.), Melbourne, Australia, 1997, p.7
Michael, Linda, "Photography is dead long live photography", (exb. cat.), Museum of Contemporary Art, 1996, pp.7,12
Hutchison, Eliza, "Modern Star Series", Next Wave Festival, (exb. cat.), Melbourne, Australia, 1996
Holiday, Philip, "Deception: Melinda Harper, David Noonan and Philip Watkins", (exb. cat.), 200 Gertrude Street, Melbourne, Australia, March 1994
Drummond, Rozalind, "Pool", (exb. cat.), Karyn Lovegrove Gallery, November 1993
Hennessy, Deborah, "David Noonan, Australian Perspecta 1993", (exb. cat.), Art Gallery of New South Wales, 1993, pp.66-67
Morgan, Paul, "Type 1-36", (exb. cat.), 200 Gertrude Street, Melbourne, Australia, 1993
AWARDS / GRANTS / RESIDENCIES
Sidney Nolan Trust Artist Residency, UK
Below another sky, residency, Scottish Print Network, a partnership between Dundee Contemporary Arts, Edinburgh Printmakers, Glasgow Print Studio, Highland Print Studio, Inverness and Peacock Visual Arts, Aberdeen, Scotland
Me.di.um, St. Barthelemy, French West Indies
Three Walls Residency Program, Chicago, USA
Art Space residency program, Sydney, Australia
P.S.1, The Institute for Contemporary Art, New York residency program
Australia Council
Moët & Chandon, Passing Time Commission
PUBLIC COLLECTIONS
Art Gallery of Ballarat, Ballarat, Australia
Art Gallery of New South Wales, Sydney, Australia
Art Gallery of Ontario, Toronto, Canada
Art Gallery of South Australia, Adelaide, Australia
Art Gallery of Western Australia, Perth, Australia
British Council, London
CAA Art Museum, China Art Academy, Hangzhou, China
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, USA
Dallas Museum of Art, Dallas, TX, USA
Depart Foundation, Rome, Italy
Galerie de l’UQAM, Montréal, Canada
Les Abbatoirs, Toulouse, France
Los Angeles County Museum of Art, Los Angeles, CA, USA
MAMCO, Geneva, Switzerland
Mona – Museum of Old and New Art, Hobart, Australia
Monash University Museum of Art, Melbourne, Australia
Museum of Contemporary Art Chicago, Chicago, IL, USA
Museum of Contemporary Art, Sydney, Australia
The Museum of Modern Art, New York, NY, USA
National Gallery of Australia, Canberra, Australia
National Gallery of Canada, Ottawa, Canada
National Gallery of Victoria, Melbourne, Australia
RISD Museum, Rhode Island School of Design, Providence, RI, USA
Saatchi Gallery, London
TarraWarra Museum of Art, Healesville, Australia
University of Ballarat Art Collection, Ballarat, Australia
Whitney Museum of American Art, New York, NY, USA
Zabludowicz Collection, London
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