Anne Zahalka

ANNE ZAHALKA

http://www.zahalkaworld.com.au

Born Sydney, Australia

Art Certificate, Stages 1 & 2, East Sydney Technical College

Bachelor of (Visual) Arts, Sydney College of the Arts

Post Graduate Diploma, Sydney College of the Arts

Master Fine Arts, University of NSW, College of Fine Arts, Sydney

[Author ID1: at Fri Jun 21 12:17:00 2013 ]

SOLO EXHIBITIONS

Anne Zahalka: a case study, Lake Macquarie City Art Gallery, 10 May - 28 July

Anne Zahalka, Launch of WSPA campaign image against live animal export, Australian Centre for Photography, Sydney, 6June

Bondi Twitch: A Field Guide to the Noses of the Waverly District, with Sue Saxon and Jane Becker, Bondi Pavilion Gallery, Bondi

Return to Homeground, Josef Lebovic Gallery, Kensington

Winter Magic, Art Trail located on outdoor council poster stands around Bondi

Bondi the Beautiful, Bondi Pavilion Gallery, 12^th - 24^th July

Homeground!, Union Hotel, Zanzibar and Town Hall Hotel, Newtown, Sydney, Head On Photo Festival

The Way things Appear andThe Appearance of Things, Arc One Gallery Melbourne

Playing the game!, Roslyn Oxley9 Gallery, Sydney

A Bar to Call Home - The Changing Face of the RSL, NG Art Gallery & Mission Restaurant, Sydney

Hall of Mirrors: Anne Zahalka Portraits 1987 - 2007, Perc Tucker Regional Art Gallery, Townsville, QLD

Hotel Suite, Sofitel, in conjunction with Melbourne Art Fair, 1 July - 2 September

Wild Life, Arc One Gallery, Melbourne, 10 April - 3 May, 2008

Hall of Mirrors: Anne Zahalka Portraits 1987 - 2007, National Portrait Gallery, Canberra, Warrnambool Art Gallery, Victoria, Ipswich Art Gallery, Queensland, Bathurst Regional Art Gallery, New South Wales

Hall of Mirrors: Anne Zahalka Portraits 1987 - 2007, Centre of Contemporary Photography, Melbourne, 23 March - 12 May

Anne Zahalka, Focus Room, Art Gallery of New South Wales, Sydney 14 March - 2 May 2007

Wild Life, Roslyn Oxley9 Gallery, Sydney 1 February - 24 February 2007

Fotofreo, Fremantle Festival of Photography, Western Australia

Anne Zahalka: Wonderland, ARC One Gallery, Melbourne

Natural Wonders, Roslyn Oxley9 Gallery, Sydney

Anne Zahalka: Portraits Past, Damien Minton Gallery, Newcastle, New South Wales, Australia

Leisureland Regional, University of Technology Sydney, 24 June - 18 July, a Grafton Regional Gallery touring exhibition

Welcome to Sydney, Museum of Sydney, Sydney

Anne Zahalka, Maritime Museum, Sydney

Leisureland, Monash Gallery of Art, Victoria, Australia

Fortresses and Frontiers, Institute of Modern Art, Brisbane, Australia
Anne Zahalka, Delmar Gallery, Trinity Grammar School, Sydney

Leisureland, New England Regional Art Gallery; Albury Regional Gallery, Albury, New South Wales; Wagga Wagga Regional Art Gallery, New South Wales, Australia

Leisureland, Tamworth City Art Gallery, Tamworth; Bathurst Art Gallery; Grafton Regional Art Gallery, Australia; Hazelhurst Regional Art Gallery, Gymea, New South Wales

Leisureland, Roslyn Oxley9 Gallery, Sydney
Leisureland, Manly Art Gallery and Museum, Sydney
Fortresses and Frontiers, Robert Sandelson Gallery, London, United Kingdom

Leisureland, Anna Schwartz Gallery, Melbourne

Woven Threads #2, Roslyn Oxley9 Gallery, Sydney

Woven Threads, Gallery 4A, Asia-Australia Arts Centre, Sydney

Anne Zahalka, Galerie Alte Feuerwache, Mannheim, Germany
Woven Threads, Centre for Contemporary Photography, Melbourne

Collectors, Roslyn Oxley9 Gallery, Sydney

Open House, Anna Schwartz Gallery, Melbourne

Gesture, Roslyn Oxley9 Gallery, Sydney

Gesture, City Gallery, Melbourne
Fortresses and Frontiers, Roslyn Oxley9 Gallery, Sydney

Details, City Gallery, Melbourne

Details and Resemblances I, Claybrook Gallery, Auckland, New Zealand
Artists, South Australian Centre for Contemporary Art, Adelaide, South Australia

Artists, City Gallery, Melbourne

Resemblance I and II, Chameleon Gallery, Hobart, Tasmania
Bondi: Playground of the Pacific, Bondi Pavilion, Sydney;
Campbelltown Bi-centennial Regional Gallery, Orange Regional Art Gallery, NSW

Resemblance I, Institute of Modern Art, Brisbane, Camerawork Gallery, London, UK
Resemblance I and II, 200 Gertrude Street, Melbourne

Resemblance I, Kunstlerhaus Betheanien, Berlin; Australian Centre for Photography, Sydney

The Wanderer upon an Castle came..., Kunstlerhaus Bethanien, Berlin, Germany
The Tourist as Theorist: (theory takes a holiday), Kino Eiszeit, International Super 8 Festival

SELECTED GROUP EXHIBITIONS

Onside, Casula Powerhouse Arts Centre, Casula.

Every day I am a day older: Portraiture from the Griffith University Art Collection, Griffith University Art Gallery, Brisbane.

Mix Tape 1980 s: Appropriation, Subculture, Critical Style, National Gallery of Victoria, Melbourne

Things - Photographing the constructed world, curated by Helen Ennis, National Library of Australia

The Great Divide: Picturing the Blue Mountains, Blue Mountains Cultural Centre, Katoomba

Dissonant Visions, Monash University Museum of Art, Caulfield Campus, Sydney

Controversy: The Power of Art, curated by Vivien Gaston, Mornigton Peninsula Regional

Fish in Australian Art, Australian National Maritime Museum

(re)vision, Lake Macquarie City Art Gallery

Kitsch and Cliché, curated by Sandy Edwards, NG Art Gallery

Sculpture by the Sea, Open House collaborative work with Aaron Anderson, Bondi south headland

Destiny Deacon, Fiona Hall, Bill Henson, Tracey Moffatt, TV Moore, Julie Rrap, Anne Zahalka, Roslyn Oxley9 Gallery, Sydney

Birth Art, curated by Jasmine Proust and Tilly Morris, ACU Gallery, Fitzroy

Interpreting Portraiture: Macquarie 1810 - 2010, catalogue Hawkesbury Regional Gallery

Almanac: The Gift of Ann Lewis AO, Museum of Contemporary Art, Sydney. (Touring Exhibition)

Time Travel: Reimaging the past, Tweed River Art Gallery, 7^th May - 20^th June

Outside In, McClelland Gallery and Sculpture Park, Victoria

Step Right Up! The Circus in Australian Art, Port Pirie Regional Art Gallery, Port Pirrie.

The Stranger's Eye, Curated by Donna West Brett, Peloton Gallery, Sydney

Homeground! In association with Head On Photo Festival, Newtown Hotels, Sydney

Red Exhibition, Sherman Contemporary Art Foundation, Sydney

A Natural World, Glen Eira City Council Gallery, Victoria

Step Right Up, The Circus in Australian Art, Albury City touring exhibition

OIKOS, Habitacles/Habitable Places, SBC Gallery of Contemporary Art, Montreal

Basil Sellers Art Prize, Ian Potter Museum of Art, Melbourne

FX in Contemporary Art, McClelland Gallery and Sculpture Park, Victoria

Winner, Macarthur Cook Art Prize, Gallery 45, Melbourne

Silver-lined, the Arts Centre, Contemporary Artists and the Performing Arts Collection, Melbourne

Premonitions, Monash University Collection 1961-2007, McClelland Gallery, Victoria

Supercharged: the car in contemporary culture, IMA touring show - Logan Art Gallery, Redcliffe Art Gallery

Wonderful World, Samstag Museum of Art, University of South Australia, Adelaide

Harbourlife: Sydney Harbour from the 1940'2 to recent times, Manly Art Gallery and Museum, New South Wales, 30 November 2007 - 13 January, 2008

Forty Eight Hours of Visual Arts, (FEHVA), Byron Bay Festival, NSW

Glimpse: Inside Gold Coast City Art Gallery's Collection, Gold Coast City Art Gallery, Surfers Paradise, QLD

Supercharged: the car in contemporary culture, IMA touring show - 24Hr Art, Bathurst Regional Art Gallery, Pinnacles Gallery

Three Australian Photographers: Bill Henson, Tracey Moffatt, and Anne Zahalka , GEM/Fotomuseum, Den Haag, The Netherlands, 26 May - 28 October

Winner, National Photographic Prize, Albury Regional Art Gallery

Cuisine & Country: a gastronomic venture in Australian art, Orange Regional Gallery, New South Wales, 13 April - 20 May 2007

Acting the Part, Photography as Theatre, National Gallery of Canada, Ontario

Supercharged: the car in contemporary culture, Institute of Modern Art, Brisbane

Tunnel Vision, Greed & Stupidity: Reviewing Concrete Politics in Sydney, The Cross Art Projects, Kings Cross, Sydney

swell: the art in contemporary beach culture, Lake Macquarie City Art Gallery

Points of View: Australian photography 1985-95, Art Gallery of NSW, Sydney

Perception, The Daryl Hewson Photographic Collection, Queensland Centre for Photography, Bulimba, QLD, Australia

Winner, 2005 Leopold Godowsky Jr. Colour Photography Awards, Photographic Resource Centre, Boston University, Boston

A Matter of Time, Tamworth Fibre Biennial, Tamworth Regional Art Gallery

Take a Good Look, Lake Macquarie City Art Gallery, New South Wales

16th Tamworth Fibre Textile Biennial, Tamworth Regional Gallery

My City of Sydney, Museum of Sydney, Sydney

2005 Josephine Ulrick & Win Schubert Photography Award, Gold Coast City Art Gallery, Queensland, Australia

Supernatural Artificial: Contemporary photo-based art from Australia, curator Natalie King, Tokyo Metropolitan Museum of Photography, Tokyo, Japan, Chulanlangkorn Art Centre, Bangkok

UR IN EU: An exhibition which celebrates the ten new member nations of the European Union, Sir Hermann Black Gallery & Sculpture Terrace, University of Sydney

Isle of Refuge, (“Displaced Persons” collaboration with Sue Saxon), Flinders University City Gallery, Adelaide (Ivan Dougherty Gallery touring exhibition)

All that glitters: Contemporary visions of the Gold Coast, Gold Coast City Art Gallery, Surfers Paradise, Australia

6ft +clean: surf and art, ArtMuseum, University of South Australia Art Museum, Adelaide.

Gambling: thrills, spills & social ills, Powerhouse Museum, Sydney

<LOOK>, Newcastle Region Art Gallery, Newcastle, New South Wales

Strike a Pose, Lake Macquarie City Art Gallery, Lake Macquarie, New South Wales

Fair Game: Art + Sport, NGV Response Gallery, National Gallery of Victoria, Melbourne

6ft + clean: surf + art, Manly Art Gallery, a Gold Coast City Art Gallery touring exhibition, Manly, NSW

Stellar, Centre of Contemporary Photography Fundraising Auction, Centre of Contemporary Photography, Melbourne

Photographica Australis, Asia Link touring exhibition, National Gallery of Thailand and Singapore Art Museum

Isle of Refuge, (“Displaced Persons” collaboration with Sue Saxon), Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney

Citigroup Private Bank Australian Photographic Portrait Prize, Art Gallery of New South Wales, Sydney

Gallery 4A Fundraising Exhibition, Gallery 4A, Asia-Australia Arts Centre, Sydney

On the Beach with Whiteley, Brett Whiteley Studio, Sydney

Freestyle: the Bondi Beach Cole Classic, State Library of New South Wales, Sydney

Skylounge, National Museum of Australia, Canberra

New Australiana, Perth Institute of Contemporary Art, Perth; Albury Regional Art Gallery, Albury, Australia

6ft + clean: surf + art, Gold Coast City Art Gallery touring exhibition, Surfers Paradise, Australia (to 2003)

Fieldwork: Australian Art 1968 - 2002, National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003)

Photographica Australis, ARCO 2002, Sala del Canal de Isabel II, Madrid, Spain

Love at First Sight: Self-made Women, Centre for Contemporary Photography, Melbourne

2^nd Sight Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, 2002

Embrace, Contemporary Photomedia, Trinity Delmar Gallery, Sydney

The Big River Show: Murrumbidgee Riverine, Wagga Wagga Art Gallery, NSW
The First Twenty Years, Roslyn Oxley9 Gallery, Sydney
Anne Zahalka, Anne Wallace, Maryanne Lynch, Annette Bezor, Institute of Modern Art, January 31 - March 9, Fortitude Valley, Brisbane
Documenting Australians, Monash Gallery of Art, Victoria

Watermarks, Maritime Museum, Sydney

Federation! But who makes the nation? Regional Galleries tour
Hermanns Art Award, Sherman Gallery, Sydney and regional tour
What John Berger Saw, Institute of Modern Art, Brisbane
New Australiana, Australian Centre for Photography, Sydney

Sporting Life, Museum of Contemporary Art, Sydney

Sydney Metropolis + Suburb + Harbour, Museum of Sydney

Striking, Monash Gallery of Art, Victoria; Campbelltown City Bicentennial Art Gallery, NSW; Bendigo Art Gallery, Victoria; Mildura Art Centre, Victoria; Geelong Art Centre, Victoria

Journeys in the Dream Land, Dennis Del Favero, Jon Rhodes, Anne Zahalka, Fotogallery, Cardiff, Wales

All Stars 2000, Roslyn Oxley9 Gallery, Sydney

Signature Works, Australian Centre for Photography, Sydney
What John Berger Saw, Canberra School of Art Gallery, Canberra, NSW

The Body in Question, Wessel + O'Connor, New York, USA
ICONS: Pictures of the City, Galerie Fotohof, Salzburg, Austria
Unhomely, Sonje Museum of Contemporary Art, South Korea

Haimish, (homely), curated by Naomi Cass and Natalie King, The Jewish Museum, Melbourne

After the Masters, Master of Fine Arts 1993 - 1997 Selected Work, Ivan Dougherty Gallery, College of Fine Arts, Universiy of New South Wales, Sydney

Distanz und Domizil, Fotographie der Gegenwart, Künsthaus Dresden, Germany
Artists in the House, Elizabeth Bay House, NSW

About Face, Aspects of Australian Portraiture, c1770 - 1993, National Portrait Gallery, Canberra
Sydney Photographed, Museum of Contemporary Art, Sydney

Locations, Australian Centre for Contemporary Art, Melbourne; Artspace, Sydney and Asian tour
Luminaries, Monash University Gallery, Victoria
8 x 10, Fundraising Exhibition, contemporary Art Centre, Adelaide
It's all in the Memory, Computer Generated Prints, Art Images, Adelaide
Recent Acquisitions, Waverly City Gallery, Victoria
The Art Factor: International Exhibition of Electronic Art, FISEA, Minneapolis, USA
Parcel Post Show, Linden, Saint Kilda Art Centre, Victoria
Mal was underes, Kunstlerhaus Bethanien, Berlin, Germany (studio show).

The Manipulated Image, City of Waverley Gallery, Victoria
Constructed Reality: Aspects of Contemporary Photography, National Gallery of Victoria, Melbourne
Southern Land/Empty Crossing, Camerawork Gallery, London, UK

Contemporary Colour, Art Gallery of New South Wales
Fertile Ground, Griffith University College, Queensland, Australia

As idle objects lie, (collaborations with Felicia Kan), First Draft (west), Sydney
The Readymade Boomerang, Biennale of Sydney, Art Gallery of New South Wales, Sydney
8 x 10 Fundraising Exhibition, South Australian Centre for Contemporary Art, Adelaide
Defective Models: Australian Portraiture 19th and 20th Centuries, Monash University Gallery, Melbourne
Twenty Contemporary Photographers, National Gallery of Victoria, Art Gallery of New South Wales & nationally
Australian Photography, City of Waverley Gallery, Victoria
100 Artists Against Animal Experimentation, Deutscher Gallery, Brunswick Street, Melbourne

Re-model, George Paton Gallery, Melbourne
Collaborations, (with David O'Halloran & Brenda Ludemann), Artspace, Sydney
re:Creation/Re-creation, Monash University, Melbourne

The Great Australian Art Exhibition 1788-1988, Queensland Art
Gallery, Art Gallery of Western Australia, Art Gallery of New
South Wales, Tasmanian Museum, National Gallery of Victoria, Art Gallery of South Australia

Australian Photography: The 1980s, curated by Helen Ennis, with assistance from Kate Davidson, Australian National Gallery

Pure Invention, Parco Gallery, Tokyo (touring Japan & Australia)
Window to Window, Deakin University, Victoria
From the Newsagency, Kunstlerhaus Bethanien, Berlin
Fortune, George Paton Gallery, Melbourne, Ivan Dougherty Gallery,
Sydney, Institute of Modern Art, Brisbane, Contemporary Art Centre, Adelaide

Suspending Belief, The Observatory, Brisbane
The Landscape Re-represented, Union Street Gallery, two person show with Geoff Kleem, Sydney
Elsewhere, Biennale of Sydney satellite exhibition
Union Street, George Paton Gallery, Melbourne
Union Street, Kelvin Grove College, Brisbane
In Full View, 20 x 24 Polaroids, Art Gallery of New South Wales, Art Gallery of Western Australia, Art Gallery of South Australia, Queensland Art Gallery
The Repeated Image, Griffith Collection, Brisbane

Anniversary Exhibition, Australian Centre for Photography
Photodramas, Artspace, Sydney
Rushes, Union Street Gallery, Sydney
...outside the poem...inside the dream...a story unfolds..., Union Street Gallery,
two person show with Suzi Coyle
Curator's Choice, Developed Image Gallery, Adelaide
Photodramas, Chameleon Gallery, Tasmania

Manipulated Work, Images Gallery, Sydney
Future Unperfect, Artist Space, Sydney

1984 show, Images Gallery, Sydney
N.S.W. Travelling Art Scholarship, Blaxland Gallery
New Light, Australian Centre for Photography

50th Anniversary of the Building of the Harbour Bridge, Art Gallery of New South Wales
Harbour Bridge Exhibition, Hogarth Gallery, Sydney
Graduating Photography, Australian Centre for Photography

Four Photographers, Bondi Pavilion

Aspects of Sydney, Polaroid Exhibition, students S.C.A.

COMMISSIONS

Portrait commission, 2011-12 for Monash University of Professor John Redmond,

Portrait commission, 2009 for the National Portait Gallery of Marilyn Darling OA

Portrait commission, 2009 for University of Western Sydney of Professor Janice Reid, Vice Chancellor
The Bathers Limited Edition print, 2008 for Centre for Contemporary Photography, Melbourne

Welcome to Sydney, 2002 was commissioned by Sydney Airport for its Art at Work program

COLLECTIONS

Visart, New York

Sir Elton John Collection

International Polaroid Collection, USA

National Gallery of Australia

Art Gallery of New South Wales

National Gallery of Victoria

Art Gallery of South Australia

Art Gallery of Western Australia

National Portrait Gallery, Canberra

National Library of Australia

Artbank Australia

Australian Bicentennial Collection

Bathurst Regional Art Gallery

BHP Billiton

City of Waverley Collection

Deutsche Bank Collection

Gold Coast Art Gallery

Albury Regional Gallery

Griffith University Collection

University of Tasmania

University of Melbourne

Grafton Art Gallery

Curtin University

Monash University Collection

Wagga Wagga Art Gallery

Waverley Art Gallery

McClelland Gallery and Sculpture Park

Tweed Rivers Regional Gallery

Museum of Contemorary Art, Sydney

Monash Gallery of Art

Jewish Museum of Australia

National Art Gallery, Wellington, New Zealand

National Australian Maritime Museum

GRANTS AND RESIDENCIES

HMAS Penguin residency commemorating the centenary of the Royal Australian Navy

Bondi the Beautiful residency, Bondi Pavilion Gallery

Sofitel, Melbourne, Victoria

Bundanon, Arthur Boyd Estate, New South Wales

Development Grant, Australia Council

Fellowship, Australia Council Visual Arts/Craft Board

Project Grant, Australia Council Visual Arts/Crafts Board

Development Grant, Visual Arts/Crafts Board, Australia Council

Project Grant, Visual Arts/Crafts Board, Australia Council

Development Grant, Visual Arts/Crafts Board, Sydney

Bondi Pavilion Community Centre, 6 month residency, Sydney

Gertrude St, 3 month residency, Melbourne

Visual Arts and Crafts Board residency, Kunstlerhaus Bethanien, Berlin

PRIZES AND AWARDS

Finalist Olive Cotton Portrait Prize, Tweed Rivers Regional Art Gallery, New South Wales

Winner, Macarthur Cook Art Award, 45 Downstairs, Melbourne

Selected finalist Basil Sellers Award, Ian Potter Museum of Art, University of Melbourne

Winner of National Photographic Prize, Albury Regional Art Gallery

William Bowness Photographic Prize finalist, Monash Gallery of Art, Victoria

Art & About, selected finalist, Hyde Park, Sydney

Josephine Ulrick & Win Schubert Photography Award, finalist Gold Coast City Gallery

Winner of Leopold Godowsky Jnr award, Photographic Resource Centre, Boston

Art & About, selected finalist, Hyde Park, Sydney

SELECTED BIBLIOGRAPHY

Andrew Taylor, Artist gets on board campaign against live animal export, Sydney Mornng Herald, June 7

Gavin Wilson, “The Great Divide, Picturing the Blue Mountains”, catalogue Blue Mountains Cultural Centre, pp 69

Helen Ennis, “Things - Photographing the constructed world”, catalogue National Library of Australia

“Bondi Twitch: A Field Guide to the Noses of the Waverly District”, catalogue Bondi Pavilion Gallery

100 Stories from the Maritime Museum, UNSW Press, 2012, Pp 75 -77

Dr Vivien Gaston, “Controversy: The power of art”, 2012 catalogue Morninton Peninsula Regional Gallery

Bronwyn Watson, Public Works, The Australian, Arts May 14

Josef Liebovic, “Return to Homeground”, catalogue Collector's list No. 150, 2011

Louise Tegert, Slow Burn: A Century of Australian women artists from a private collection, Eva Breuer Art Dealer and National Trust SH Ervin Gallery, pp 200 -201

Kathleen von Witt, “Interpreting Portraiture: Macquarie 1810 - 2010”, catalogue Hawkesbury Regional Gallery, pp 30 - 35

Dr Anne Marsh, LOOK: Contemporary Photography since 1980, (Melbourne: Macmillan Press, 2010)

Edward Colless, “Anne Zahalka”, Australian Art Collector, Issue 49, July - September 2009, pp. 152-157

Blair French and Daniel Palmer, “Twelve Australian Photo Artists”, Piper Press pp 184 - 200

Glen Barkley, “Almanac: The Gift of Ann Lewis AO”, Museum of Contemporary Art, Sydney

Alice McCormick and Sarah Rhodes ` The Artist's Lunch' Murdoch Books 2008, pp 148 - 157

Sera Waters, `Wonderful World', Eyeline, No. 65, 2008, pp. 52-54

Sylvain Campeau, `OIKOS Habitacles/ Habitable Places', catalogue SBC Galerie D'Art contemporain, Quebec, March 2008, pp 68 - 71

Hotel Issue, Hotel Suite, Artichoke Magazine 24, pp 83 - 86

Stephen Haley, `Double Exposure: Post-photographic practice', Photofile 84, pp38

Melbourne Art Fair July 2008, Melbourne Art Fair Foundation, pp 178 - 179

Essay by Daniel Palmer and Interview by Karra Rees `Anne Zahalka: Hall of Mirrors', exh. cat. Centre for Contemporary Photography, Melbourne

Karra Rees, `Anne Zahalka: Wild Life', Photofile 79 Summer 2007 pp 48 - 51

Naomi Evans, `Anne Zahalka: Wild Life', HEAT, no. 14, 2007, pp. 97 - 112

Helen Ennis, Photography and Australia, Reaktion Books

Jacqui Taffel, `Click and myth approach', The Hot Seat, Sydney Morning Herald, April 17, 2007

Lynne Minion, `A clue to the setting', in Panorama, The Canberra Times, December 22, 2007, pp. 4-5

David Ellison, `Anne Zahalka', wonderful world, exhibition catalogue, celebrating the University of South Australia's new Anne & Gordon Samstag Museum of Art, Adelaide, S.A., pp. 48-9

Olivia Poloni, “Hall of mirrors: Anne Zahalka portraits 1987 - 2007”, Art Monthly Australia, July 2007 Number 201, pp. 3 - 6.

Art Almanac (Cover), April 2007

“Serendipity - Inside Anne Zahalka's Hall of Mirrors”, Artichoke, 19, 2007, p. 74

Jacqui Taffel, “Click and myth approach”, Sydney Morning Herald, 14 - 15 April 2007, pp. 4 - 5 (Spectrum).

Clara Iaccarino, `Wildlife', The Sydney Morning Herald, 10-11 February 2007, p. 16 (Arts & Entertainment).

Stewart Hawkins, `In with the old, in with the new”, The Australian Financial Review, February 17 - 18, 2007, p. 34.

Karra Rees, `Anne Zahalka: Wild Life', Photofile, #79, Summer 2007, pp. 48 - 51

Blair French, `Out of Time, essays between photography & art', Contemporary Art Centre of South Australia, pp 60 - 71

Lori Pauli, Editor `”Acting the Part” National Gallery of Canada, Merrell Publishers Ltd Fig. 45 pp 52

Supercharged: the car in contemporary culture, exhibition catalogue, Institute of Modern Art, Brisbane

Robert Nelson, Anne Zahalka, review of Wonderland, The Age, 8 February 2006

The First Post, The Online Daily Magazine, September 23, 2006 http://www.thefirstpost.co.uk/index.php?menuID=0

`Anne Zahalka', EXIT, #23, Madrid, Spain, pp. 88 - 93

Juliette Peers, `Catatonic Curating', Artlink, Vol. 26, #1, pp. 28 - 33

Leslie K Brown Jennifer Uhrhane “Leopold Godowosky, Jr. Color photography awards”, In the Loupe July/August 2005 vol 29 Number 4.

Margaret Marsh, Michele Watts and Craig Malyon A.R.T. 2 practice, Oxford University Press, Melbourne 2005 p. 45

`Supernatural Artificial: Contemporary photo-based art from Australia', Gertrude Contemporary Art Space and Asialink Centre, Victoria, Australia

Tracey Clement, “Critic's Picks: My City of Sydney,” Sydney Morning Herald, Dec 31, 2004 - Jan 6, 005, p. 19 (Metro)

The Spirit of Celebrity, Griffith Review 5, pp 97 - 110

Gael Newton, `Photographic Australis', Taipei Fine Art Museum

Ken Bolton, “Australian Women Artists: Sailing to Tahiti,” Jamini: International Arts Quarterly, November, p. 68 - 79

Robert McFarlane, “Photography: Elusive rhythms of the night,” Sydney Morning Herald (Metropolitan), Tuesday, October 5, p. 15

Dominique Angeloro, “Critic's Picks: Anne Zahalka,” Sydney Morning Herald, Oct. 1-7, p. 27 (Metro)

Natalie King, “Anne Zahalka: Natural Worlds,” Australian Art Collector, issue 29, July - September 2004, p. 198, 199

Claire Armstrong, “Collector Profile: Dick Quan,” Art & Australia, Vol. 41 No. 4, Winter 2004, p. 615 - 617

Michael Hedger, “Timeless recreations,” The Star, Weekender, February 25, 2004

Jill Stowell, “Portrait of the artist,” The Star, Weekender, February 14 2004

Anne O'Hehir, “Anne Zahalka: How did we get to be here?,” Art & Australia, vol. 41, no. 3, Autumn 2004, p. 410 - 417

Martin Jolly, `Writing Archives', Art Monthly Australia, Dec 03 - Feb 04, No.166, pg 5

Peter Conrad, `At Home in Australia', National Gallery of Australia, Canberra

Lara Travis, “Anne Zahalka,” See Here Now: Vizard Foundation Art Collection of the 1990s, editors Chris MacAuliffe and Sue Harvey, Ian Potter Museum of Art, Thames and Hudson (Australia) Pty Ltd, Victoria, p. 150, 151

Daniel Palmer, “Anne Zahalka,” Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 68

Stuart Koop, “Same As It Ever Was: photography in the Collection,” Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 40 - 44

Alasdair Foster, “Interview: Anne Zahalka,” Photofile # 69, August 2003, pp. 19 - 21

Margaret Plant, “The Journey from Field to Fieldwork 1968 - 2003,” Eyeline # 51, Autumn - Winter, 2003, p. 44 - 46

Zara Stanhope, “Take a Good Look at My Face, Love at First Sight: artists and their relationship with the camera,” Eyeline # 51, Autumn - Winter, 2003, p. 26 - 29

Dominique Angeloro, “Critics Picks: Leisureland Regional,” Sydney Morning Herald, (Metro), July 11 - 17, p. 27

Rosalie Higson, “Location is not everything,” The Australian, Friday May 30, p. 14

Peter Hill, “Focus on the Big Picture,” Sydney Morning Herald (Spectrum), May 24-25, p. 12, 13

“Anne Zahalka,” Blaze: Visual Art Writing from the Contemporary Art Centre of South Australia 1990 - 2002, CACSA, Adelaide, p. 19

Stuart Koop, “Fieldwork: Australian Art 1968 - 2002, Broadsheet, vol. 32, no. 1, March, April, May, p. 8 - 11

Julian Raxworthy, “Love at First Sight,” Photofile #68, April, p. 69, 70

Charles Green, “Into the 1990s: the decay of postmodernism,” Fieldwork: Australian Art 1968 - 2002, exh. cat., National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003), p. 100 - 111

6ft + clean: surf + art, exh. cat., Gold Coast City Art Gallery touring exhibition to 2003, Surfers Paradise, Australia, Russell Storer and Daniel Palmer, “Anne Zahalka,” Big (Australia) Magazine

John McDonald, “Old Man River: The Murrumbidgee as inspiration,” The Australian Financial Review, Thursday 14 November 2002, p. 72 (Arts)

Gavin Wilson, `The Big River Show: Murrumbidgee Riverine', Wagga Wagga Art Gallery

2^nd Sight Australian Photography in the National Gallery of Victoria, exh. cat., National Gallery of Victoria, Melbourne, 2002, pp. 91, 96

Chris Reid, “Fortresses and Frontiers: Anne Zahalka; High Anxiety: Anne Wallace, Pyjama Girl: Maryanne Lynch, Blush: Annette Bezor - Institute of Modern Art, January 31 - March 9, Brisbane” Eyeline #48, Autumn/Winter 2002, p. 48, 49

Pavel Buchler, Anne Zahalka, Theory Takes a Holiday, Portfolio, UK #31, June
Peter Anderson, Look and Learn, Eyeline
Robert McFarlane, Sydney Morning Herald, Metropolitan, 2nd Feb

Ben Genocchio, Review of Leisureland, The Australian, August 18

Christopher Coppock, `Journeys in the Dreamland' (exh. cat), Ffotogallery, Cardiff, Wales

`Portfolio', Portfolio Gallery, London, UK, No. 31, June 2000

“Anne Zahalka,” VCE Art

Sporting Life, catalogue, Museum of Contemporary Art, Sydney

Sydney Airport, The Art Trail: a guide to experiencing Sydney Airports' Art at Work

Ben Genocchio, Review Leisureland, The Australian, early August

Programme, Sydney Airports Corporatio n Limited, Sydney

Leisureland, Photofile, No 57, October
Courtney Kidd, Spectrum review, Sydney Morning Herald, 26th August
Anna Clabuburn, Striking, catalogue, Monash Gallery of Art collection
Peter Emmett, Sydney Metropolis + Suburb + Harbour, Museum of Sydney
Robert McFarlane, Review, Sydney Morning Herald, May 10
Sebastian Smee, Exhibitions, Sydney Morning Herald Metro, May
Robert Nelson, Focus on Photographers who click as artists, The Age, October 27
Freda Freiberg, Haimish (review), Like, No. 7, Summer

Bruce James, Galleries, Sydney Morning Herald, March 10

Haimish, (homely), exhibition catalogue, The Jewish Museum, Melbourne

Freda Freiberg, Anne Zahalka: Woven Threads, Photofile no. 51, August
Anne Zahalka, Collecting Insects, cat., Artists in the House
Heike Marx, Von Menschen und Dingen, Rheinpfalz, May 12
Ulrike Soltendiek, Einblicke in den Alltag, Manneheimer Morgen, March 12
Ute Aichele, Open House, Kunst, May
Christopher Allen, Art in Australia - From Colonization to Postmodernism, Thames and Hudson, London
Sarrah Preuhs, Anne Zahalka-Open House, Distanz und Domizil (cat. article), Dresden, Germany
Anne Zahalka, Woven Threads, Community Aid Abroad

Martyn Jolly, Anne Zahalka - Spurs of the Moment ,Art + Text, Vol. 54 1996, pp. 62 - 65.
Peter Weiermair, Prospect-Aspects of Contemporary Photography, Edition Stemmle, Kilchberg/Zurich
Daidalos, Art Architecture Culture, Urban Habitation, #60, June

Anne Zahalka, Gesture cat, Roslyn Oxley9 Gallery, Sydney
Catriona Moore, Manipulated Image, critique, Art Network #17

Maudie Palmer, Fantasy bathed in Irony, The Australian, December 30

`Location' (exh. cat), ACCA and Asialink, Victoria, Australia

Richard Neville, Faces of Australia, State Library of New South Wales Press

Margot Osborne, 'Breaking down the artistic cliche', The Advertiser, South Australia, 13 July

Isobel Crombie and Sandra Byron, `Twenty Contemporary Australian Photographers' (exh. cat), National Gallery of Victoria

Charles Green, `Anne Zahalka, Artforum International, December
Michelle Helmrich, Portrait of an Artist, Artists, catalogue
John Peter Nilsson, Biennale of Sydney, Astonbladt, April 21, Sweden

Merryn Gates, re:Creation/Re-creation, exhibition catalogue, Monash University
Peter Weiermair, `Portraits', Edition Stemmle, Zurich/Dusseldorf

Pat Simons, `Resemblance and Displacement', Photofile
Rainer Borgermeister, `Resemblance', Art + Text, #29
Michele Helmrich, `Anne Zahalka, Eyeline #5, June
Susan Butler, `Anne Zahalka at Camerawork', Creative Camera
Australian Bicentennial Authority and David Hansen, The Face of Australia, The Land- The Present, Fine Art Press, Sydney
Sarah Kent, Time Out, previews, May 18-25, London

Australian Photography: The 1980s, Australian National Gallery, exhibition catalogue, Melbourne Oxford University Press

Resemblance, catalogue, Kunstlerhaus Bethanien, Berlin
Beatrice von Bismark, `Resemblance', Dokument und Analyse, Frankfurt, June
Terry Smith, No simple way to find the Australian in Australian art, Times on Sunday, 8 November
Here and There, exhibition cat., Monash University
Gary Catalano, Mapping the Art of Australia, The Age, 13 November

Martyn Jolly, Clash of Geneologies at the Future Unperfect show, On the Beach, #6 Spring
Judith Fox, Duo reworks themes to make the invisible visible, Sydney Morning Herald, 14 May

Max Dupain, Let's have a bit of pictorial blood-letting, Sydney Morning Herald, 20 December

Photo-discourse, critical thought and practice in photography, Sydney College of the Arts, Sydney
Max Dupain, High Court under fire at Bondi, Sydney Morning Herald, 10 October