Nike Savvas

NIKE SAVVAS

Born 1964, Sydney, Australia lives in London

EDUCATION

Associate Research Student, Goldsmiths College (University of London)

Master of Fine Arts (honours), College of Fine Arts (University of New South Wales)

Graduate Diploma of Education, Sydney University

Graduate Diploma in Visual Arts, Sydney College of the Arts (University of Sydney)

Bachelor of Arts (Visual Arts), Sydney College of the Arts

SELECTED SOLO EXHIBITIONS

Atomic: Full of Love, Full of Wonder, curator Juliana Engberg, Australian Centre for Contemporary Art, Melbourne, Australia

A Handful of Air, the Apartment, Athens

Under A White Sky, Roslyn Oxley9 Gallery, Sydney

Magic Master, Centenary Gallery, Camberwell College of Arts, London

Pen & Paper, Tafros Davilla, Nicosia, Cyprus

Bordello Red, Groucho Club, Wigmore Fine Art, London

Anthem, Artspace, Sydney

Die Weisse Gallery, Cologne

Something Sparkly, Site Gallery, Düsseldorf

Glam Genie, Site-specific commission, Selfridges Department Store, London

Let it Roll, Roslyn Oxley9 Gallery, Sydney

Nike Savvas - New Work, Jensen Gallery, Auckland

Divisional Sampling, Site-specific commission, Selfridges Department Store, London

My Name is Savvas, Diaspro Art Centre, Nicosia, Cyprus

Nike Savvas - New Work, Wigmore Fine Art, London

Colourful Language, Galerie Y-Burg, Vrieshuis Amerika, Amsterdam

Nike Savvas - New Work, Luxus Gallery, Den Haag, Amsterdam

Untitled 1998 (Sparkly); Solo x 9: Artists in Clerkenwell, Berry House, London (Wigmore Fine Art/EC Art initiative)

Ten Blue Bubbles, CBD Gallery, Sydney

Blue Division, Goldsmiths College, London

Simple Division, Auckland Art Gallery, Auckland, New Zealand

Onement One, CBD Gallery, Sydney

Fuzzy Logic (collaboration with Stephen Little), Artspace, Sydney

Bridget and Georges, Roslyn Oxley 9 Gallery, Sydney

nice bubbles II, Cairns Regional Gallery, Cairns

Head Boy, CBD Gallery, Sydney

Untitled 1994, College of Fine Arts, Sydney

Round, CBD Gallery, Sydney

nice bubbles, 200 Gertrude Street, Melbourne

Untitled 1992, 24 Hour Art, Darwin

Communique, Canberra Contemporary Artspace, Canberra

Communique, Institute of Modern Art, Brisbane

Icthyoid (collaboration with Nicole Mather), Performance Space, Sydney

Alternative Endings, First Draft West, Sydney

GROUP EXHIBITIONS

Summer Daze, Auckland City Art Gallery, Auckland

15 Years of Urban Art Projects, QUT Art Museum, Brisbane

Dream Idea Machine Off, Mommy Art Projects Athens

Artist Makes Video, Art Rage Survey 1994-1998, Griffith University, Queensland College of Art, Brisbane

Paranoia, Freud Museum, London

Salon 2007: New British Painting and Works on Paper, Art Work Productions, London

Adventures with form in space, Balnaves Foundation Sculpture Project, Art Gallery of New South Wales, Sydney

Wild gift: a show of live art, Ada Street Gallery, Great Eastern Hotel, Rio Cinema Theatre Museum, London, England

Paranoia, Leeds City Gallery, Freud Museum and toured the UK

SpelOUT, Spell Building (site for new Museum of Contemporary Art), Nicosia, Cyprus, Greece

We Are Australian Too: Women Against Racism, curated by Nicholas Tsoutas, Casula Powerhouse Arts Centre, Casula

Architectural Transparencies, Iliana Dounta Contemporary Art Centre, Athens

A Million Suns, with Stephen Little, Artspace, Sydney, Australia (July 2005) and RMIT Gallery, September - November 2005

Atomic: Full of Love, Full of Wonder, Australian Centre for Contemporary Art, Southbank, Victoria (May-July 2005)

The Samstag Effect, curated by Ross Wolfe, Queensland University of Technology, Brisbane, Australia (Feb-Apr 2005)

11^th Indian Triennale, Lalit Kala Akademi, New Delhi, India

Visual Music (forthcoming exhibition, Feb - May 2005), Museum of Contemporary Art, California

The Samstag Effect, curated by Ross Wolfe, Art Museum, University of South Australia (Nov-Dec 2004)

Kingdom, curated by Patricia Ellis, Market Gallery, Glasgow, Scotland

Kindle and Swag: The Samstag Effect, Works by selected Samstag scholars, University of South Australia Art Museum, Adelaide

What ever happened to Minimalism?, curated by Brian Thompson, SCA Gallery, Sydney College of the Arts, University of Sydney, Sydney

East International 2003, Norwich Gallery, Norwich, UK

15/1 (2), 1,000,000 miles per hour, London

Images of Desire 3, The Fields Gallery, Winston Art Hotel, Amsterdam

Red Light District - Images of Desire 2, The Fields1 Gallery, Winston Art Hotel, Amsterdam

A Silver Lining and A New Beginning, Ivan Dougherty Gallery Sydney

Six, Australia House, London

All Stars 2000, Roslyn Oxley9 Gallery, Sydney

Out of the Ordinary, Auckland Art Gallery, New Zealand

Nike Savvas / Mary Lou Pavlovic, Conny Dietzschold Australian Contemporary Art Projects, Cologne

Not Quite Right, Grey Matter Contemporary Art, Sydney

Clair Joy, Nike Savvas, Clare Stent, Alex Fontoura, Cubitt Gallery, London

The Organic and the Artificial: reinventing modernist design, Plimsoll Gallery Hobart, University Gallery Launceston, Yr. 2000 Perth Institute of Contemporary Art WA, Flinders Museum of Art Gallery, Adelaide, Riddoch Art Gallery, SA Burra Art Gallery, SA, Port Pirrie Art Gallery, SA, Yr. 2001 Craft Queensland, Brisbane, Tamworth Regional Gallery, CfCC - Object Galleries Sydney

Accessory, Gallery 4A, Sydney

John Armleder, Nike Savvas, Jim Speers, Andrew Jensen Gallery, Auckland, New Zealand

Velocity, Newspace Gallery, Sydney

Newspace Fundraiser, Newspace Gallery, Sydney

Basel Art Fair 1999, Basel, Switzerland

New Contemporaries, Tea Factory Liverpool, Camden Arts Centre (London), and Hatton Gallery (Newcastle)

The Bible of Networking, Konstakuten Gallery, Stockholm

Primavera 1998, Museum of Contemporary Art, Sydney

Every Other Day, Roslyn Oxley9 Gallery, Sydney

Moët & Chandon: New South Wales Regional Tour of Selected Works, Campbelltown City Art Gallery, Bathurst Regional Art Gallery, Lismore Regional Art, Wagga Wagga City Art Gallery

After the Masters, Ivan Dougherty Gallery, Sydney

Moët & Chandon Touring Exhibition, Queensland Art Gallery (Brisbane), National

Gallery of Victoria (Melbourne), Art Gallery of Western Australia (Perth), Art Gallery

of New South Wales (Sydney), Art Gallery of South Australia (Adelaide)

Drift, The Lewers Bequest, Penrith Regional Gallery, Wollongong City Gallery, Wagga Wagga City Art Gallery

Residence II, 10/52 Commercial Road, London E1

Underworld 2, 10/52 Commercial Road, London E1

Underworld, 10/52 Commercial Road, London E1

Seven Artists in Residence, Barcelona Art Rooms, Barcelona

50 Quid Sale, Goldsmiths College Fundraiser, London

Looking at Seeing and Dreaming, First Floor, Melbourne

Goldsmiths College MA Exhibition, Goldsmiths College, London

Transformers, Auckland Art Gallery; Dunnedin Public Gallery and Wellington Art Gallery, New Zealand

Looking at Seeing and Dreaming, Sherman Galleries (Goodhope), Sydney

Nostalgic, Monash University Gallery, Melbourne

Monash University Art Prize, Monash University, Melbourne

Hong Kong - Sydney, Fringe Club Gallery, Hong Kong

s - Occupied Space Artspace, Sydney

Artrage Canberra Contemporary Artspace (Canberra), 24 Hour Art (Darwin), IMA (Brisbane), Artspace (Sydney)

Already Self-Portrait, Artspace, Sydney

Critique, Institute of Modern Art, Brisbane; Perth Institute of Contemporary Art; regional gallery tour

600,000 Hours (Mortality) EAF, Adelaide

Coexistence, Artspace, Sydney

Bet Your Life, Annandale Galleries, Sydney

House, 4 Gerribrand Street Campbell, Canberra

Critique, First Draft, Sydney

Re-placing Australian Painting, Teststrip Gallery and Rossini's Restaurant, Auckland, New Zealand

Australian Perspecta, Art Gallery of NSW, Sydney

Luminaries, Sculpture Triennial, Monash University Gallery, Melbourne

Rad Scunge, Karyn Lovegrove Gallery, Melbourne

Shirthead, Mori Annexe, Sydney

Op. Art, Ars Multiplicata, Sydney

Artworkz Four 101 Collins Street, Acquisitive Prize, Gallery 101, Melbourne

Comments on The Society of the Spectacle, Window Gallery, Sydney

Inherent Identity, Performance Space, Sydney

Second Language, IMA, Brisbane

Body Without Organs, First Draft West, Sydney

Between Cultures, Gallery 77, Sydney

1985 - 1991, First Draft West, Sydney

Post-Graduate Exhibition, Sydney College of the Arts, Sydney

Mist from the Chest, AGLASSOFWATER, Brisbane

Abstract Papers, First Draft West, Sydney

No, Milburn + Arte Gallery, Brisbane

Self-Raising, First Draft West, Sydney

Prelude to the End of the Millennium, Sylvester Studios, Sydney

First Sight, First Draft, Sydney

Origins and Identity, Bondi Pavilion Gallery, Sydney

Passion, Sylvester Studio, Sydney

89 Degrees on the Water, Pier 2, Sydney

PUBLICATIONS

Daniel Palmer, Looking Back : Best Theme Shows 2006, Frieze, Jan-Feb 2007 p.132

Andrew Graham Dixon, `Carefully Deranged', Sunday Telegraph (Seven Magazine) p 24, 21/01/07

Peter Conrad, `Paranoid? This lot really ought to be', The Observer review p18, 28/01/07

`The World in Pixels' HELLO Magazine, 29/08/06

Atomic: Full of love, full of wonder, Daily Times, Pakistan 19/08/06

Tracey Clement, Adventures with Form and Space, Sydney Morning Herald 18/8/06

`Atomic: Full of love, full of wonder', The Seattle Times Photos of the day.

04/08/06

Simon Ferguson, `Non-elitist art means everyone can have a ball', The Daily

Telegraph 4/8/06

Rosalie Higson, `Homesick artist makes her point many times', The Australian

4/8/06

Bright Spots, Metro UK 04/08/06

Art that shimmers like the outback, The Independent UK , 04/08/06

The day in pics: August 3, The Times of India, 3/8/06

Week in pictures: 29 July-4 August BBC News

Image of the day The Times UK, 04/04/06

Atomix: full of love full of wonder The Guardian , 04/04/06

Natasha Adamou, `Transparency and Awkwardness', The Athens Contemporary Review, Issue 3 April 2006

PARANOIA Alfred Hickling, The Guardian 05/07/06

Jacqueline Millner, `Review of Adventures with Form in Space: The Fourth Balnaves Foundation Sculpture Project', Eyeline, no. 62, Summer 2006/2007, p. 62

Dougal Phillips, Review of `Adventures in Form and Space, Balnaves Foundation Sculpture Project 2006', Art and Australia, Vol. 44, No. 2, Summer 2006, p. 280

Sebastian Smee, `dot complimentary', The Weekend Australian, September 9 - 10, 2006, pp. 18 - 19

John Mc Donald, `Lights, action, entertainment', Review of Adventures with Form in Space: The Fourth Balnaves Foundation Sculpture Project, in Spectrum, The Sydney Morning Herald, September 9-10, 2006, pp. 16-17

Rosalie Higson, `Homesick artist makes her point many times', The Arts, The Australian, August 4, 2006

Sunandah Creagh, `Life is full of wonder… but balls are essential', Arts, The Sydney Morning Herald, August 4, 2006-08-08

Fiona Prior, `Balnaves Sculpture Project 2006', http://www.henrythornton.com/article.asp?article_id=4198

Gillian Serisier, `Deutsche Bank', (inside) australian design review, Issue 41, 2006 pp. 92 - 97

Paranoia exhibition catalogue, Paranoia Publishing, London 2006

Daniel Palmer, `Looking Back: Best Solo Shows 2005', Frieze, no. 96, Jan-Feb, 2006, p. 120

Nike Savvas and Wolfgang Laib at the Australian Centre for Contemporary Art, Melbourne, Rachel Jessie-Rae O'Connor, Art Monthly Australia no.183 September 2005

Megan Blackhouse, `The ball's in her court', The Age, June 18, 2005

Jarrod Rawlins, `Nike Savvas, Australian Centre for Contemporary Art', Reviews, Flash Art, no. 244, October 2005

Christopher Knight, `What Colour is Music?' ART REVIEW LA Times 22.02.05

Ari Wiseman, Expanding the Synaesthetic Paradigm Visual Music Synaesthesia in Art and Music Since 1900 Thames and Hudson NY 2005

Andrew Wessels, `Pollock rates second to `Visual' Daily Trojan 25.03.05

Polly Lyssiotis, `Triennale of India 2005', Cyprus Today vol `xlii no. 1 Jan-March,

Olivia Mattis, exhibition catalogue for Visual Music, Museum of Contemporary Art, California

Rachel Jessie- Rae O'Connor, “Nike Savvas and Wolfgang Laib at the Australian Centre for Contemporary Art”, Art Monthly Australia, No 183. September 2005.

P. 6-8.

Juliana Engberg, Atomic: full of love,full of wonder catalogue essay 2005

Ben Swinnerton `Artist has balls and isn't scared to turn up the heat' MX News 25.5.05

Neos Kosmos `Installation Artist returns' Melbourne 3.03.05

Tina Bambali, `Cyprus participation in the 11^th Biennale', Phileleftheros Jan 26 2005

Harbant Gill, “Great Balls of Desire”, Herald-Sun 27-5-2005

Jo Roberts, “On the Ball in Global Art” The Age. May 27, 2005. p. 5

Megan Backhouse, “The Balls in her Court”,review. The Age. June 8, 2005. p. 7

Bridget Currie, Review: “Kindle and Swag:The Samstag Effect”, eyeline, No. 56, Summer 04-05, pg 46

Artists' new works a fitting finale Wendy Walker The Advertiser, 30/11/04

The glittering prize Peter Hill Sydney Morning Herald 13-14/11/2004

Nike Savvas Ben Curnow The Samstag Effect Uni of SA Art Museum 2004

The Samstag Effect Ross Wolfe Uni of SA Art Museum 2004

Meet the Samstags Daniel Thomas Art and Australia vol.42 no. 4 2005

A Fragile Sway of Glass Swans Vincent Ciccarello The Independent Weekly 31 Oct - 6 Nov 2004

Salon for Short Films Sheffield Telegraph Feb 6 2004

Anne Loxley, “Awakening to death in the weighty intrigue of sleep,” Sydney Morning Herald (Metropolitan) Tuesday, August 24 2003, p. 14

Interview with Nike Savvas Stathis Panagoulis & George Vamvakidis Time Out Athens Sept. 2003

A Handful of Air Stathis Panagoulis Time Out Athens Sept 2003

Nike Savvas Yorgos Karouzakis Ozone issue 19 Oct 2003

A Handful of Air :Nike Savvas at the Apartment Despina Zefkili Athinorama 23-30 Oct. 2003

Sotiris Kyriacou, `East International', Contemporary Magazine, issue 56, 2003

Sally O'Reilly, `15/1', Art Monthly UK, no. 269, September 2003 p. 32

Dan Smith, `East International', Art Monthly UK, September 2003, no. 269, p. 29-30

Serap Destegul, In The Line of Fire, (Letters), ArtReview UK, November 2002, Vol LIII, p. 8

Meredith Etherington-Smith, Editor's Letter, ArtReview UK, December/January 2002, Vol. LII, p. 4

Glyn Hughes, Balloons go up for Art Downunder, The Cyprus Weekly,

p. 19 - 25, 2001

Tobika Yeyonota, Postponement of Event, Phileleftheros Newspaper, Cyprus, Oct. 19, 2001

Balloons with Messages to Turkish Cypriots, Aurupa Newspaper, Cyprus, Oct. 17

Balloons for Peace, Simerini Newspaper, Cyprus, Oct. 16

Event for Peace, Maraughi Newspaper, Cyprus, Oct. 16

Balloons with Messages to Turkish Cypriots, Mahi Newspaper, Cyprus, Oct. 16

Tobika Yeyonota, Messages of Peace with 1000's of Balloons, Phileleftheros Newspaper, Cyprus, Oct. 16

Different Strokes, TNT, 19 February, Issue 912, p. 24, London

Saacha Jones, Nike Savvas: Anthem, Eyeline 44, Summer 2000-2001

Louisa Buck, Moving Targets 2 - A User's Guide to British Art, Tate Publishing, 2000, p. 211, 212

Courtney Kidd, Flesh for a braveheart, Sydney Morning Herald, Sept. 27

Scott Hannaford, Shining Sculpture enlivens Palm Court ceiling, Canberra

Times, 9 February

Karina Smith, Scintillation, The Chronicle, 15 February

Stephen O'Connell, Nike Savvas: Let it Roll, Like Art Magazine, No. 10, Summer

Louisa Buck, Art to refresh tired shoppers, The Art Newspaper, London, No. 92, May

Andrew Frost, Real Abstract, Monument Magazine, No. 31, August/September

Anastasios M.Tamis, Demetrios Tsolakis, The History of Greeks of Canberra and Districts, La Trobe University, Melbourne, 1999

Andrew G. Frost, Australia's 50 Most Collectable Artists, Australian Art Collector #7, January-March

Bruce James, Let it Roll, Sydney Morning Herald, 18 June

Georgina Safe Sparks fly when two arts beat as one, The Australian, 3 May, p.5

Sebastian Smee, This Goes With That, The Sydney Morning Herald, 11 May, p.11

Jane Bown, Take one mad woman, hundreds of polystyrene balls and several dozen eggs. Mix thoroughly and stand well back, The Observer Review, August 30

Stephanie Britton, The Samstag Accelerator Effect, Artlink, Vol. 18 No. 4

New kids explore old angst, The Times, August 18

Brian Sewell, How dare they spend our cash on this, Evening Standard, August 13

New Contemporaries Northern Exposure Magazine, September 3

Sue Williams, Young at Art, Elle, October

Bruce James, The shows that time forgot, The Sydney Morning Herald, September 19

Ben Genocchio, Emerging style outstrips whole, The Australian, September 18

Sebastian Smee, Well hung, privately, The Sydney Morning Herald, September 29

Ben Curnow, Primavera catalogue introduction, September

Glyn Hughes, My Name is Savvas, (Exhib. Introduction), Cyprus Weekly, Cyprus, Jan 19

Ebinelia Stella, Nike Savvas: My Name is Savvas, (review), To Beriothiko, Magazine, Cyprus, Jan 9^th

Costa Costantinou, My Name is Savvas, (review), Selides Magazine, Cyprus, Jan 9^th

Marina Skiza, My Name is Savvas, (review), Ikade Magazine, Cyprus, Jan 11th, 1998, p.6.

Glyn Hughes, Nike Savvas: My Name is Savvas, (review) Cyprus Weekly, Cyprus, Jan 16, p.6.

After the Masters, Exhibition catalogue, April

David Barrett, Rob Kesseler/Nike Savvas, (review), Art Monthly(British), May

Solo x 9: Artists in Clerkenwell, Exhibition catalogue

Solo x 9: Artists in Clerkenwell, Contemporary Visual Arts Magazine (Preview), Issue 19

Celso Fioravante, Solo x 9: Artists in Clerkenwell, Folha Ilustrada, 24 July

David Burrows, New Contemporaries (British) Art Monthly, September

New Contemporaries 1998, Exhibition catalogue, London 1998

John Nixon ed., Material no 6, March 1998 (Sydney)

Jaqueline Miller, Drift, Art and Australia, Vol 35 no. 4 1998

Anna Clabburn, In Between and Beyond: Irony and art of the Present, Moët & Chandon Touring Exhibition Catalogue

Gene Autry, A bit of froth and bubble, Art Monthly, No. 98, April

Benjamin Genocchio and Melissa Chiu, Drift, exhibition catalogue

Goldsmiths MA Fine Art 1997, Exhibition Catalogue, London

Adam Geczy, No Actual Basis, Art Monthly, No. 103, September

Art Rooms, El Pais de las Tentaciones, listing review, Spain

Art Rooms, 7 artists en residencia, Jaume Vidal 19/9/97 El Pais de las Tentaciones, Spain

Nick Smith, Movement, Colour and Light, NZ Herald, Thursday 18 April

Andrew Bogle, Transformers, catalogue, Auckland Art Gallery, April

Nike Savvas: An Interview with Melissa Chiu, Artitude 10 March - May

Andrew Bogle Simple Division, exhibition catalogue, Auckland Art Gallery, April

Richard Dunn, Looking at Seeing and Dreaming, exhibition catalogue, February

Nick Smith, Movement, Colour, Light, NZ Herald, 18 April

Anna Johnson, Art Beat, Sydney Morning Herald, Friday 3 March

Zara Stanhope, Nostalgic, exhibition catalogue, May

Lye Masterpiece and Magic Mirrors, Keith Stuart review, Sunday Star Times, 5 May

T.J. McNamara, Toying with Technology, Wednesday Arts, Perspective on Arts

Simon Robinson, Art that Quicker than the Eye, Time International, vol 147 no. 23, June 3, 1996

Giles Auty, Added Dimension, Weekend Australian, July 20-21

Peter Hill, New Zealand does it Better, Art Monthly, Nov 1996

Melissa Chiu, Nike Savvas, Art Documentary Editions, Sydney

Z International Art, No. 2 (Editor John Nixon), Sydney

Peter Hill, Render Benders, The Bulletin, Sept 10, 1996

Rex Butler ed., What is Appropriation?, IMA, Brisbane and Power Publications, Sydney 1996

Melissa Chiu Ts, Nike Savvas, Occupied Space, exhibition catalogue

David Broker, 600,000 Hours (mortality) Art and Text, No. 50, January

Melissa Chiu, Nike Savvas: Round Eyeline, No. 27

DIVA (Digital Images for the Visual Arts) Project, Internet, Visual Arts Library, Monash University

Richard Grayson Death, what is thy thing? 1,799 of 600,000 hours (mortality). Papers and Documents, EAF, Adelaide

Marina Mueke, Blowing Bubbles, Cairns Post, Friday 25 August

Marina Muecke, Nice bubbles, Barfly, 31 August

Natalie King, Décor, Art and Australia, Vol 33 no. 2 Summer

Peter Cochrane, Savvas packs for London, Sydney Morning Herald, Friday, 1 December

Graham Forsyth, Standard Deviations Australian Perspecta 93, Art and Text, Vol 47, January

Ben Curnow, Coexistance, Art Monthly, May, No. 69

Melissa Chiu, Nice bubbles, exhibition catalogue, June

Australian Perspecta 1993, Antiques in NSW, February

Shaun Davies, Coexistence, Agenda No 37, July 1994.

Max Heinz, Arty Facts, The Place of Art in Design, AR Australia, Winter

600,000 hours Catalogue September

Ben Curnow, Formal Functions, Art and Text, No 49. September

John Neylon, Images of death. 600,000 hours (mortality) Artlink, Vol 14, No. 4 Summer

Sonia Barron, Nike Savvas: Communique, Canberra Times, 4 April

Jeff Gibson, Avante-Grunge, Art and Text, No. 45, May

Victoria Lynn, Australian Perspecta 93, Catalogue

George Alexander, Communique, Australian Perspecta: Catalogue

Joanna Mendelssohn, New Art Unmasked, Bulletin, 19 October

Nell Schofield, Art 2, Sydney Weekly, 5-11 October

Australian Perspecta, Press Release, Art Gallery of New South Wales

Sandra Warner, Australian Perspecta 1993, State of the Arts, issue 7, November

John Cavanah, Youthful Vigour in Perspecta, Business Review Weekly, 22 October

The Weird and the Wonderful, Look Magazine October 1993

Australian Perspecta 1993, Antiques in NSW, Feb 1994.

Jeff Gibson, Avante-Grunge, Art and Text No 45, May 1993.

Artworkz 4, catalogue

Peter Anderson, Art and Language at the IMA, Brisbane Review

Beth Jackson, Second Language, Art and Text, Summer

Pat Hoffie, Speaking in Tongues: Second Language, Eyeline, No. 18, Autumn

Colin Hood, OP Art, Photofile, No. 37, November

Anne Wallace, Communique, Eyeline No. 20, Summer

George Alexander, Nike Savvas: Communique, exhibition catalogue

Judy Kean, Nike Savvas Untitled 1992, exhibition catalogue, 24 Hour Art

Tony Haritos, Nike Savvas, Northern Territory News, June 12

Adam Geczy, Quantifying New Colours: Nike Savvas, Eyeline, No. 15, Winter

Brooke Picker, Ichthyoid, Culture Magazine, No. 26, 17 June

Untitled 1991, Eyeline, No. 14, Autumn

George Alexander, Inherent Identity, exhibition catalogue

Ichthyoid, Art & Text, September

George Michelakakis, Inherent Identity, Chronico Arts Culture

Between Cultures, exhibition catalogue

Eve Sullivan, Women on the Wharf, Art Monthly, October

Adam Geczy, First Sight, Eyeline, Autumn, No. 11

Sabrina Achilles, Origins and Identity, Eastern Herald, March

Ursula Szulakowska, Mist from the Chest, Art and Text, No. 37 September Christopher Allen, Alternative Endings, Sydney Morning Herald, 2 December

AWARDS

New Work Grant, Australia Council

Jury Prize 11th Triennale of India, Dehli

Collex Primavera Acquisitive Art Award

New Development Grant, Australia Council

New Development Grant, Australia Council

New Development Grant, Australia Council

The Anne and Gordon Samstag International Visual Arts Scholarship

Pat Corrigan Artists Grant

Pat Corrigan Artists Grant

COLLECTIONS

Art Gallery of New South Wales, Sydney

The British Library

The Tate Gallery Library

Artist Multiples Collection - Chelsea College of Art and Design

The Royal College of Art Print Archive

Victoria & Albert Museum, London

Museum of Contemporary Art, Sydney

Auckland Art Gallery, New Zealand

Griffith University, Brisbane

Federal Archive, Canberra

PriceWaterhouse Coopers

Artbank Australia

Private collections, nationally and internationally

COMMISSIONS

Cascade and Transcendental, Deutsche Bank, Sydney

Scintillation, Woden Plaza, Canberra

Glam Genie, Selfridges, London

Archive, Federal Archive, Canberra

BROADCASTS

BBC Radio, London Live, January 21

Arts Today - Radio National, Connecting Flights Pt.5, with Bruce James & George Alexander, 20 April, 2001

RIK Radio, Politistiko Psifithodo Nicosia, Aug. 17

Ten News, ACT, February 9

Prime Television, ACT, February 9

CyBC Rik 2 Radio broadcast, Jan 13, Cyprus

Merra Mesimerri - Bolitisikos Fakelos (Midday - Political File) Antenae

T.V. Jan 16, Cyprus

Banta Tehni Esti (Art Forever), Rik 2, NationalT.V. Network, Jan 19, Cyprus

Kalimerra Kibros (Good Morning Cyprus) Fred TV, January 13

Arts Today, interview with Barrie Kosky, ABC Radio National Dec 10

TV3, News, 29 February

TV3, News, 7 March

TVNZ, Holmes Show, 24 April

ATV Network News, 24 April

TV3, ICETV, 4 May

TV2 MAI TIME May 5, 1996, New Zealand

Transformers, Art Documentary New Zealand Film Commission, 1996

Rage, ABC TV, 3 February

Ewart Shaw, 5UV Adelaide, September

Good Morning Australia, 5 October

Vox Populi, SBS, March

Vox Populi, SBS, 20 October