Fiona Foley

FIONA FOLEY

Born 1964, Maryborough, Queensland, Australia

QUALIFICATIONS

B.CAIA Convener, semester 2, 2004, Queensland College of Art, Australia

Lloyd Rees Award for Outstanding Urban Design

Co-ordinator, silk screen printing workshop Ramingining, Northern Territory (N.T.), Australia

Sydney Institute of Education: Sydney University, Diploma of Education, Sydney, Australia

Sydney College of the Arts, Bachelor of Visual Arts, Sydney, Australia

Visiting Student to St Martins School of Art, London, United Kingdom

East Sydney Technical College, Certificate of Arts, Sydney, Australia

APPOINTMENTS

Adjunct Professor, Griffith University, Queensland, Australia

RESIDENCIES

Canberra School of Art: Printmedia, Canberra, Australia

Queen Victoria Museum and Art Gallery, Launceston, Tasmania, Australia 2 months

Commonwealth Artists Exchange, Open Space, Victoria, Vancouver Island, Canada, 2 months

Cleveland Street Intensive Language Centre, Sydney, Australia

Griffith University, Queensland, Australia 3 months
Maningrida Arts and Crafts, Maningrida, Arnhem Land, N.T., Australia 2 months

TRAVEL

United States, Ireland

United States

Spain

Tampa, Florida, United States
New York, NY, United States

Russia, UK, USA, Japan

South Africa, India, Japan

Seoul, Korea

Santiago De Chile, Chile
La Paz, Bolivia
New Delhi, India

Berlin, Germany
Cheju, Korea

Havana, Cuba
Victoria, British Columbia, Canada

Ramingining, Arnhem Land, N.T., Australia
London, United Kingdom
Budapest, Hungary

Kyoto, Japan

Maningrida, Arnhem Land, N.T., Australia

New York, United States

Ramingining, Arnhem Land, N.T., Australia

Maningrida, Arnhem Land, N.T., Australia

La Perouse Invasion Day March, Sydney, Australia
Musgrave Park Ceremony, Brisbane, Australia
Barunga Festival, Barunga, N.T., Australia

Bathurst Island, N.T., Australia

Ramingining, Arnhem Land, N.T., Australia

INDIVIDUAL EXHIBITIONS

No Shades of White, Roslyn Oxley9 Gallery, Sydney, Australia (Mar-Apr 2005)

No Shades of White, Andrew Baker Art Dealer, Brisbane, Australia (Feb-Mar 2005)

Beyond the Sea, Presentation Convent, Visualise Carlow, Carlow, Ireland

Bring it on, aka HHH, new photographic series by Fiona Foley, International Studio & Curatorial Programme (ISCP), New York, USA

Fiona Foley, Karen Brown Gallery, Darwin, Australia

Wandering, Niagara Galleries, Melbourne, Australia

Red Ochre Me, Queensland College of Art, Griffith University, Brisbane

Samsara, Andrew Baker Art Dealer, Brisbane

Invisible Voices, Yarrabah Museum, The Tanks, Cairns, Australia

Wild Times Call, Roslyn Oxley9 Gallery, Sydney, Australia
Them There Bones, New Land Gallery, Adelaide, Australia

Fiona Foley: Pir'ri- Mangrove, curated by Julie Ewington, Queensland Art Gallery, Brisbane, Australia
Falling Tide - Kung Dhu'marami, Redback Art Gallery, Brisbane, Australia
Fiona Foley, Niagara Gallery, Melbourne, Australia
River of Corn, Contemporary Art Museum, University of South Florida, Tampa, United States

Invisible Voices, Bundaberg Arts Centre, Bundaberg Regional tour concludes 2002

Living With The Wind, Roslyn Oxley9 Gallery, Sydney, Australia

Dulingbara-People of the Nautilus Shell, Hervey Bay Regional Gallery, Queensland, Australia
Dulingbara-People of the Nautilus Shell, Savode Gallery, Brisbane, Australia

Museo de Arte Contemporáneo, Santiago de Chile
Banco BHN, La Paz, Bolivia
Wun'Duman, Roslyn Oxley9 Gallery, Sydney, Australia

Exotica Under the Microscope, Institute of Modern Art, Brisbane, Australia
Land Deal - Velvet Waters, Savode Gallery, Brisbane, Australia

Fiona Foley, Roslyn Oxley9 Gallery, Sydney, Australia

Lick My Black Art, Australian Centre for Contemporary Art, Melbourne., Australia

Roslyn Oxley9 Gallery, Sydney, Australia

By Land and Sea I Leave Ephemeral Spirit, Roslyn Oxley9 Gallery, Sydney, Australia

A Three Legged Dog Day, Maningrida Arts & Craft, N.T., Australia
A Three Legged Dog Day, Roslyn Oxley9 Gallery, Sydney, Australia

Roslyn Oxley9 Gallery, Sydney, Australia
My Fishing Line Is Still In The Ocean, Griffith University, Queensland, Australia

JOINT EXHIBITIONS

No shades of white, Roslyn Oxley9 Gallery, Sydney, Australia

Your place or mine?, Fiona Foley and Simryn Gill, Institute of Modern Art, Brisbane, Australia

Fiona Foley and Olu Oguibe, Roslyn Oxley9 Gallery, Sydney, Australia

GROUP EXHIBITIONS

Out There, CAN.05 (Contemporary Art Norwich), Sainsbury Centre for Visual Arts, Norwich, UK

Blackspot: Contemporary Indigenous Photography from the Monash University Collection, with selected works, Switchback Gallery, Gippsland Centre for Art & Design, Monash University, Gippsland, Australia

Cultural Copy, UCLA Fowler Museum of Cultural History, Los Angeles, United States

If You Only Knew, City Gallery, Melbourne Town Hall, Melbourne, Australia

Passage Exhibition, Lake Macquarie City Art Gallery, New South Wales, Australia

Revealing Secret Treasures: Women Artists from the Reg & Sally Richardson Collection, Mosman Art Gallery, Sydney, Australia

Sydney Indigenous Arts Festival, Parramatta City Council, Parramatta, Australia

Native Title Business, Academy Gallery, University of Tasmania, Launceston, Tasmania, Australia

Helen Lempriere National Sculpture Award, Werribee Park, Melbourne, Australia

20^TH Telstra National Aboriginal & Torres Strait Islander Art Award, Darwin, Australia

One Square Mile: Brisbane Boundaries, Museum of Brisbane, Brisbane, Australia

Art Australia: Zeitigenössishe Kunst, Galerie Seippel Köln and touring Kunst:Raum Sylt-Quelle, Städtische Galerie Delmenhorst, Kulturstiftung Schloss Agathenburg 2003 - 2004, Germany

Shield and Show, Perc Tucker Regional Gallery, Townsville, Queensland, Australia

The American Effect: Global Perspectives on the United States, Whitney Museum of American Art, curated by Larry Rinder, New York, United States

Witnessing to Silence: Art and Human Rights, Drill Hall Gallery, Australian National University, Canberra, Australia

Fields, Institute of Modern Art, Brisbane, Australia

Indians and Cowboys, Gallery 4a, Asia - Australia Arts Centre, Sydney, Australia

Helen Lempriere Sculpture Prize 03, Melbourne, Australia

Far From Home: Kim Westcott, Jane Hall, Fiona Foley, Leonard Brown, Andrew Baker Art Dealer, Brisbane, Australia (to January 2003)

Meridian, Museum of Contemporary Art, Sydney, Australia

Roslyn Oxley9 Gallery - The First Twenty Years, Roslyn Oxley9 Gallery, Sydney, Australia
Wild Nature, Jam Factory, Adelaide, Australia

Postmark Post Mabo, Post Master Gallery, Melbourne, Australia

Wide Angle, Hervey Bay Regional Gallery, Hervey Bay, Queensland, Australia

What's Love Got To Do With It, RMIT Gallery, Storey Hall, Melbourne, Australia
Central Queensland Art Purchase, The Rockhampton Art Gallery Trust, Australia December 2001 - January 2002
Lightness of Being, Monash University Gallery, Victoria, Australia
MCA Unpacked, Museum of Contemporary Art, Sydney, Australia
Who What Where: Recent Sculpture Commissions at the Australian National University, CSA Gallery, Canberra, Australia

Aboriginal Art in Modern Worlds, Hermitage Museum, St Petersburg, Russia; National Gallery of Australia, Canberra, Australia
Bonheurs des Antipodes, Musée de Picardie, Amiens, France
Echigo-Tsumari Art Triennial, Niigata Prefecture, Japan
All Stars, Roslyn Oxley9 Gallery, Sydney, Australia

Claiming Title, Carleton & St. Olaf Colleges, Northfield, Minnesota; Laurence University, Wisconsin; Samuel Dorswky Museum, SUNY New Paltz, New York, United States
Love Magic: Erotics and Politics in Indigenous Art, Perspecta 99: Living Here Now, Art+Politics, SH Ervin Gallery, Sydney, Australia
Possession, Herringbone Gallery, Sydney, Australia
Isintu: Ceremony, Identity and Community, South African National Gallery, Cape Town, South Africa
Enjoin, Cairns Regional Gallery, Cairns, Australia
Cinderella's Gems, University of Technology, Sydney, Australia and touring
Island, Artspace, Sydney, Australia
Spinifex Runner, Campbelltown City Bicentennial Art Gallery, New South Wales, Australia
Fine lines: Works of Ornamentation and Design by Maningrida Artists, Museum of Contemporary Art, Sydney, Australia

Ceremony, Identity and Community, Flinders Art Museum City Gallery, Adelaide, Australia
Land and Sea: The Cultural Connection, Hervey Bay Regional Gallery, Queensland, Australia
Enjoin, Manila, The Philippines

Dreaming the Republic, Newcastle Regional Art Gallery, Newcastle, New South Wales, Australia

Eye of the Storm, Museum of Contemporary Art, Sydney, Museum of Modern Art at Heide, Melbourne, Australia
Wind and Water, Hervey Bay Regional Gallery, Queensland, Australia
NAIDOC Week Exhibition, Bundaberg Arts Centre, Queensland, Australia
In Place (Out of Time), The Museum of Modern Art, Oxford, United Kingdom
Drift, Penrith Regional Gallery, The Lewers Bequest, Wollongong City Gallery, City Art Gallery, Wagga Wagga, Australia
Sense, Centre for Contemporary Photography, Melbourne, Whanki Museum, Korea
Painting the Land Story, Old Parliament House, Canberra, Australia

Containers `96, Adelaide Festival of the Arts, Adelaide, Copenhagen, Denmark
Colonial / Post Colonial, Museum of Modern Art at Heidi, Melbourne, Australia
Photography is Dead! Long Live Photography!, Museum of Contemporary Art, Sydney, Australia
Islands, National Gallery of Australia, Canberra, Australia
The Eye of the Storm, National Gallery of Modern Art, New Delhi, India
Art Head Land, Festival of Darwin, Supreme Court, Darwin, N.T., Australia
Spirit + Place, Museum of Contemporary Art, Sydney, Australia

Australian Perspecta 1995, Art Gallery of New South Wales, Sydney, Australia
Island to Island - Australia to Cheju, Cheju Pre-Biennale, Korea
Asia & Oceania Influence, Ivan Dougherty Gallery, Sydney, Australia
Rereading Eliza Fraser, Museum of South Australia, Adelaide, Australia
Sight Seeing, Australia Post Gallery, Melbourne, Australia

Moving Sands, Tandanya, Adelaide Installations, Adelaide Festival, Adelaide, Australia
True Stories, Artspace, Sydney, Australia
Identities: Art from Australia, Taiwan, Wollongong City Gallery, New South Wales, Australia
Localities of Desire: Contemporary Art in an International World, Museum of Contemporary Art, Sydney, Australia
Palindrome, Xchanges Gallery, Victoria - British Columbia, Canada
Photosynthesis, Roslyn Oxley9 Gallery, Sydney, Australia

Identities: Art from Australia, Taipei Fine Arts Museum, Taiwan

Tracks, Old Land, Northern Territory Museum of Arts & Sciences, Darwin, Australia & Australian tour
Death, Ivan Dougherty Gallery, Sydney, Australia
Wiyana/Perisferia (Periphery)', satellite event of the 9th Biennale of Sydney, Boomalli Aboriginal Artists Co-operative at the Performance Space, Sydney & New South Wales tour, Australia
Raka, Ian Potter Gallery, Melbourne, Australia
Yanada (New Moon), Ivan Dougherty Gallery, Sydney, Australia
Dream Time, Vigado Gallery, Budapest, Hungary
Aratjara, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany; Hayward Gallery, London, UK; Louisiana Art Museum, Humlebæk, Denmark; National Gallery of Victoria, Melbourne, Australia
Urban Aboriginal Art, Jan Weiss Gallery, New York, United States

Flash Pictures, Australian National Gallery, Canberra, Australia
Tyerabarrbowaryaou, Museum of Contemporary Art, Sydney, Australia
Crossroads - Towards a New Reality, National Museum of Modern Art, Kyoto & National Museum of Modern Art, Tokyo, Japan
New Traks, Old Land, Massachusetts College of Art, Boston & United States tour

The Concept of Country, Ivan Dougherty Gallery, College of Fine Arts, University of New South Wales, Sydney, Australia

Australian Perspecta, Art Gallery of New South Wales, Sydney, Australia

Who's Sorry Now, Institute of Modern Art, Brisbane, Australia
From Pukumani Poles to Sand Paintings, Craft Centre Gallery, Sydney, Australia

Aboriginal Australian Views in Print & Poster, Australian Print Council, Melbourne, Australia
Boomalli Au-Go-Go, Chippendale, Sydney, Australia

Urban Koories, Willoughby Workshop Arts Centre
Art Bites, Piers 2 & 3 Walsh Bay, Sydney, Australia

Aboriginal Artist Gallery, Melbourne, Australia
Aboriginal Artist Gallery, Sydney, Australia

Koorie Art 84, Artspace, Sydney, Australia; Butchers Exhibit Gallery

PUBLIC SCULPTURE

Winged Harvest, Australian National University, Canberra, Australia, commissioned by the Centre for Cross Cultural Research, ANU
Tribute to A'vang, Parliament House, Canberra, Australia, commissioned by the Joint House Department
Kung Dhu'marami - Falling Tide, Merthyr Park, New Farm River Walk, Brisbane, Australia, commissioned by the Brisbane City Council

Brenden Hanson Building, Hervey Bay, Queensland, Australia, commissioned by Project Services
Olympic Arts Festival, Tubowgule, set design, director Stephen Page, Sydney, Australia
Queensland Arts Council, poster design, Regional Performing Tour Queensland, Australia
Adelaide Arts Festival, Ochre and Dust, set design, Director Aku Kadogo, Australia

Pavement Design, Queen Street Mall, Brisbane, Australia, commissioned by the Brisbane City Council, Seven circles, shields, Kauri Pine Spiral and Bunya nuts

The Lie of the Land, Melbourne Town Hall, Swanston Street, Melbourne, Australia, commissioned by City of Melbourne

The Australian Ballet, Alchemy, set design, director Stephen Page, Sydney Opera House, Victorian Arts Centre, Australia

Edge of the Trees, Museum of Sydney, Commissioned by the Historic Houses Trust of New South Wales, Australia

Adelaide Festival of the Arts Poster Design, Australia

Australian Post Stamp Issue - International Year of Indigenous People (45 cent denomination)

Darwin Post Office Mural, under Paddy Dhatangu's supervision, Darwin, Australia

CURATORIAL

Co-curated, Skin, Salamanca Arts Centre, Long Gallery, Tasmania, Australia

Guest Curator, Tyerabarrbowaryaou II, Museum of Contemporary Art, 5^th Havana Biennial 1994, Cuba

Guest curator at the Museum of Contemporary Art, Tyerbarrbowaryaou, Sydney, Australia

Curator at Boomalli Aboriginal Artists Co-operative
1. Ian Abdulla & Harry Wedge
2. Kudjeri's
3. Boomalli End of Year Exhibition

CONFERENCES

Native Title Business, National Museum of Australia, Canberra, Australia

International Human Rights Symposium, Centre for Public Culture and Ideas, Griffith University, Brisbane, Australia

Art and Human Rights, Humanities Research Centre, Australian National University, Canberra, Australia

LECTURES

New York University, New York, United States

Arizona University, Arizona, United States

Columbia University, New York, United States

Queensland College of Art, Griffith University, Queensland, Australia

Fine Arts Department, Sydney University, Sydney, Australia

On the Bunya Trail Symposium, Nathan Campus, Griffith University, Queensland, Australia

Presenting Indigenous Arts, Centre for Cross Cultural Research, Australian National University, Canberra, Australia

Home, Queensland University of Technology, Queensland, Australia

Many Rivers to Cross, Canberra School of Art, Australian National University, Canberra, Australia

Yarrabah High School, Yarrabah, Australia

The Tanks, Cairns, Australia

Queensland College of Art, Griffith University, Queensland, Australia

University of South Florida, College of Art, Tampa, Florida, United States
Columbia University, New York, United States
Pinnacles Gallery, Townsville, New South Wales, Australia
Queensland Art Gallery, Brisbane, Australia
Griffith University, College of Art, Brisbane, Australia
Queensland University of Technology, Brisbane, Australia
Hervey Bay Regional Gallery, Hervey Bay, Queensland, Australia

Adelaide Arts Festival Artists Week, Adelaide, Australia
Griffith University, Stradbroke Island Project, Queensland, Australia
University of Southern Queensland, Hervey Bay Cultural Tourism Seminar - Yagubi Festival, Queensland, Australia
University of Southern Queensland, Toowoomba, Faculty of the Arts, Queensland, Australia

Australian Ambassador's Residence, Santiago de Chile
University of Chile, Escuela de Arte, Santiago de Chile
Towards the New Millennium, Museums Australia Inc., Conference Power and Empowerment, Sydney, Australia
University of Tasmania, Department of Fine Arts, Launceston, Tasmania, Australia
A Blast from the Past, Queen Victoria Museum and Art Gallery, Launceston, Tasmania, Australia
Northern Territory University, School of Fine Arts, Darwin, N.T., Australia
Arts Symposium, Imaginary Places, Indian International Centre, New Delhi, India

University of Western Sydney, Nepean Faculty of Visual and Performing Arts, Sydney, Australia
Post Colonialism Eliza Fraser Workshop, Berlin, Germany
Cultural Policy - State of The Art, NIAAA representative
Post - Colonial Fictions Symposium, Department of Women's Studies, University of Adelaide

Museums Associations of Australia - Traditional Boundaries, New Boundaries, Sydney, Australia
Regional Galleries Association of New South Wales - Traditional Boundaries, New Perspective, Newcastle, Australia
Minded Cultures - Contemporary Artists and Post - Colonialism in the Commonwealth, Canada
Artist Talk, Localities of Desire, Museum of Contemporary Art, Sydney, Australia
Sydney College of the Arts, Sculpture Department, Sydney, Australia

Co- Judge - National Aboriginal Art Award, Darwin, Australia
Aboriginal Printmaking Symposium - Aboriginal Issues in Print, Darwin, Australia

SELECTED BOARD MEMBERSHIP

Executive Member, Institute of Modern Art, Brisbane, Australia

Regional Arts Development Fund, Hervey Bay, Queensland, Australia
East Timor Support Group, Hervey Bay, Queensland, Australia

Yag'ubi Multicultural Festival, Hervey Bay, Queensland, Australia

Exhibition Panel, Hervey Bay Regional Gallery, Queensland, Australia

Wondunna Aboriginal Corporation, Hervey Bay, Queensland, Australia

Board member at Artspace, Sydney, Australia

Executive member of National Indigenous Arts Advocacy Association, Australia

Director of Bangarra Dance Theatre, New South Wales, Australia

Executive member of Thoorgine Educational and Culture Centre

Aboriginal Arts Committee of the Australia Council

Visual Arts Panel of the Australia Council

Founding member of Boomalli Aboriginal Artists Co-operative, Sydney, Australia

INTERNATIONAL ARTIST EXCHANGES / HOSTED AT HERVEY BAY

Kelvin Yazzie, United States (2 months)

Rose Spahan, Canada (2 months)

COLLECTIONS

Australian National Gallery, Canberra, Australia
Australian National Museum, Canberra, Australia
Australian National Maritime Museum, Sydney, Australia
Flinders University Collection, Adelaide, Australia
Artbank, Australia
Art Gallery of New South Wales, Sydney, Australia
Robert Holmes a Court Collection, Australia
Art Gallery of Queensland, Australia
Gold Coast Art Gallery, Australia
Dowling Downes Institute of Education, Australia
Griffith University, Australia
Art Gallery of South Australia, Australia
Museum of Contemporary Art, Sydney, Australia
Parliament House Collection, Canberra, Australia
National Gallery of Victoria, Australia
National Maritime Museum, Sydney, Australia

Wollongong City Gallery, Australia
Grant Samuel Collection of Contemporary Art, Sydney, Australia

BIBLIOGRAPHY

Alex McDonald, Fiona Foley & Angela Brennan, State of the Arts, www.stateart.com.au/sota/reviews/default.asp?fid=3339

Fiona Foley: Artist Profile, Nancy Doyle Fine Art, www.ndoylefineart.com/foley.html

Fiona Foley, “Velvet Waters - laced flour,” http://www.nga.gov.au/Home/Frameset.cfm?View=../Menus/search.cfm

Miriam Cosic, “Rage revealed in urban landscape,” The Australian, 10^th March 2004, pg 14.

Emma Muhlberger, “One Square Mile: Brisbane Boundaries, Museum of Brisbane,” Eyeline #54, Winter, p. 52, 53

Margo Neale and Timothy Morell, “Who's Laughing: Humour in Indigenous Australian Photography,” Photofile, issue #72, Spring 2004, p. 54 - 57

Alison Kubler, “Brisvegas: Little city, big history - One Square Mile: Brisbane Boundaries at the Museum of Brisbane,” Art Monthly Australia #169, May 2004, p. 31 - 33

Ralf-P. Seippel, “Fiona Foley,” Art Australia: Zeitigenössishe Kunst, exhibition catalogue, Seippel Verlag, Autoren und Künstler, Germany, 2003, p. 26 - 29

Kit Messham-Muir, “Tony Clark: Flowerpieces,” Eyeline # 51, Autumn - Winter, 2003, p. 60

Ruth Watson, “Indians+Cowboys:Now and here,” May 2003

Chris Chapman, “Indians+Cowboys,” Broadsheet, vol. 32, no. 3, September - November, p. 33

Benjamin Genocchio, “That's America to me,” The Australian, 8 July 2003

“Fiona Foley,” Photofile #68, April, p 34, 35

Kim Mahood, “Books: Benjamin Genocchio, “Fiona Foley: Solitaire,” Art Monthly Australia #159, May, p. 12, 13

Susan McCulloch, “Divine essentials,” The Australian, 29 March 2003, p. B29

Marsha Meskimmon, Women Making Art: History, Subjectivity, Aesthetics, Routledge, Taylor & Francis Group, London and New York, p. 171 illustrations 173, 176

Ihor Holubizky, “Your Place or Mine?,” Photofile no. 67, December 2002, p. 59

Sandra McLean, “Put you in your place,” Courier Mail, September 13 2002, p. 15

Louise Martin-Chew, “Native Title Business,” (contemporary indigenous art), Eyeline #49, Spring 2002

Stuart Koop, “The Wrong Head on the Right Body,” Your Place or Mine exh. cat., Institute of Modern Art, Brisbane

Sarah Schmidt, Postmark Post Mabo exh. cat., Australia Post

Coutney Kidd, “Young Guns are having some fun,” State of the Arts, May - August 2002

Catriona Moore, “Photo-Documentary's Fluctuating Fortunes,” Value Added Goods: Essays on Contemporary Photography, ed. Stuart Koop, Contemporary Centre for Photography, Melbourne, 2002, p. 27 - 33

Martin Thomas, “Chequered Histories,” Meridian exh. cat., Museum of Modern Art, Sydney

Courtney Kidd, Fiona Foley: Wild Times Call, Australian Art Collector, Issue 19, January - March, p. 51
Dr. Jeanette Hoorn, “Black Cockatoo: Fiona Foley on display and in hardcover,” art & Australia, vol. 39, no. 4, 2002, p. 530, 531

Wild Nature exh. cat., Jam Factory, Adelaide, p. 56

Pat Hoffie, Knowing where to look, Artlink, Vol. 21 No. 4, December, p. 60 - 65
Benjamin Genocchio, Fiona Foley: Solitaire, Piper Press, Sydney, Australia
Mandy Wildheart, Drawing on Silence, Townsville Bulletin, Friday February 16, p. 27
Robert Nelson, Follow the Paper Trail, The Age, Wednesday April 11, p. 6
Sue Smith, Moving Pictures: A History, The Courier Mail, Wednesday May 23
Sandra McLean, Archive Mined for Brutal History, The Courier Mail, Wednesday, August 15
The Chronicle, Foley art for Canberra, Tuesday September 4, p. 2
Australian Art Collector, For Art Not Money, Patrons, Issue 18 October - December, p. 94
Djon Mundine, Salt on Mina Mina, Art Monthly Australia, Nov., No. 145, p. 10-12
Helen McDonald, Erotic Ambiguities, The Female Nude in Art, Routledge, London, England
Marion Demozay, Gatherings: Contemporary Aboriginal and Torres Strait Islander Art from Queensland Australia, Keeaira Press
Queensland Art Gallery, In Focus booklet, Queensland Art Gallery Collection: Fiona Foley: Pir' ri Mangrove
Peter Naumann, Echigo-Tsumari Art Triennial, Art Asia Pacific, April/May/June
Mandy Wildheart, Drawing on Silence, Townsville Bulletin, 12 Feb p. 27
Robert Nelson, Follow the paper trail, The Age, Melbourne 11 April 2001 p. 6

Olu Oguibe, Fiona Foley, Fresh Cream, Phaidon Press
Fiona Foley, Invisible Voices, catalogue, Bundaberg Arts Centre Travelling Exhibition

Realtime 35, February - March, p. 34

Stuart Koop, Fiona Foley: Bare Bones, Art Asia Pacific, No. 22
Julie Ewington, Parallel worlds: two exhibitions of Indigenous women's fibre art, Art Monthly Australia, June, no. 120

Gerry Connor, “Clutter mars mall's artistry,” Friday 12 November

Ilaria Vanni, “To have and to hold: Notes on an Exhibition,” Possession exh. cat., Herringbone Gallery

Cat: Diane Moon, People of the Nautilus Shell, Enjoin, Cairns Regional Gallery
Jo Litson, Speed Queen, The Bulletin, September 22
Susan McCulloch, Indigenous work in fine focus, The Australian, 25 September
Cat: Noel Tovey, Dreaming the Republic, Newcastle Region Art Gallery
Fiona Foley, A Blast from the Past, Network News, edn. 3

Chris Healy, From the Ruins of Colonialism - History as Social Memory, Cambridge
Stuart Honeysett, Bateman's beads for land carved in stone, The Australian, Tuesday May 20, p. 7

Sasha Baskett, Art's exchange of opinions, Herald Sun, May 20, p. 7
Queensland Arts Council, Branching Out, June, Volume 1. No. 1, p. 17
Fiona Foley, A Blast From the Past, Periphery, No. 31, May

“The Hotseat: A Question for Fiona Foley,” The Age, 27 May, Melbourne, p. C2
Cat: Kate Davidson, Fiona Foley: Land Deal, In Place (Out of Time) Contemporary Art in Australia, Museum of Modern Art Oxford
Benjamin Genocchio, Postcards from the Edge, Third Text, 39 Summer
Adam Geczy, No Actual Basis, Art Monthly Australia, September, No.103
Cat: Diane Moon, People of the Nautilus Shell, Hervey Bay Regional Gallery
Cat: Stuart Koop, Sense (Fiona Foley - Half Moon), Centre for Contemporary Photography, Melbourne, Whanki Museum (Seoul-Korea)
Joy Murphy, The Lie of the Land, Artlink, vol. 17 no. 3

Julie Ewington, Island to Island - Australia to Cheju exh. cat., Cheju Pre-Biennale, Korea

Joan Kerr, Colonial Quotations, Art and Australia, Vol. 33, No.3, pp. 376-387
Kate Davidson, Michael Desmond, Islands: Contemporary Installations (cat), National Gallery of Australia,
pp. 9-12
Daniel Clinch, Bridging Gaps Through Aboriginal Art, Bolivian Times, Thursday July 25, p. 17
Contemporary Australian Women 1996/97, Reed Reference Australia
Colonial Post-Colonial MOMA at Heide, The Age, 12 June, p. 17
Fiona Foley, Where the Salt Water meets the Fresh Water, Periphery, Issue 27, May
Anna Voigt, New Visions, New Perspectives - Voices of Contemporary Australian Women Artists, Craftsman House
Valerie Lawson, Mania's Swansong, The Sydney Morning Herald, September 4
Giles Auty, Isolated Ideas, The Weekend Australian - Review, Aug 31 - Sept. 1
Michele Field, Building art ties to India, Sydney Morning Herald, November 4, p. 17
Fiona Foley, Traditional Boundaries, New Perspectives, Curatorship: Indigenous perspectives in Post-Colonial Societies, University of Victoria B.C. Canada and the Commonwealth Association of Museums

Natalie King, “Hothouse Varieties,” Art and Asia-Pacific, pp. 27-29

Fiona Foley, “A Blast from the Past,” The Olive Pink Society Bulletin, vol. 7 ( 1 & 2), Anthropology, Race, Gender

Deborah Ely, The Black Bastard as Cultural Icon, Art Monthly Australia
Sue Smith, Galleries, The Courier Mail, October 14
John Morrissey, The Museum of Sydney on the Site of First Government House, Monument, issue 9, pp.54-55
Martin Thomas, 1995 Perspecta (catalogue), Art Gallery of New South Wales
Kay Schaffer, Fiona Foley's Art: New Perspectives, New Departures, In The Wake of First Contact, Cambridge University Press, pp. 245-257
Olu Oguibe, Medium and Memory in the Art Of Fiona Foley, Third Text, No. 33, 1995-96

Kelvin Bissett, “Historical Snapshot houses more than a fleeting glimpse,” Daily Telegraph- Mirror, Saturday 28 January, p. 13

Cat: Adelaide Installations, Art and Australia Quarterly Journal, pp. 2-9
”Fiona Foley: Reasserting Cultural Independence”, Seeing Australia, Piper Press, pp. 126 - 129

Fiona Foley, Traditional Boundaries; New Perspectives, Periphery, No.18, February
Dr David Horton (general ed.), The Encyclopaedia of Aboriginal Australia, A-L, Aboriginal Studies Press, Canberra
Felicity Fenner, Signals sent to Havana, The Sydney Morning Herald, 29 July

Martin Thomas, “Fiona Foley,” Identities: Art from Australia exh. cat., Taipei Fine Arts Museum, Taiwan, pp. 69-71

C. Heathcote, Visions of Black Australia, The Age, Friday 25 June
R. Rooney, Urban Kooris come dotted with tradition, The Australian - Weekend Review, May 29-30
Cat: Dream Time, Ausztral Aboriginal Kortars Muveszeti Kiallitas, Vigado Galeria, Budapest
Cat: M. O'Ferrall, # Crossroads - Towards a New Reality: Aboriginal Art from Australia, Travelling Exhibition; Kyoto, Tokyo
Mythscapes, The Economist, July 31, p. 82
Martin Thomas, Lick My Black Art, (catalogue), Australian Centre for Contemporary Art, Melbourne
Wally Caruana, Artists in the Town and City, Aboriginal Art, Thames and Hudson

Susan Cochrane Simons, The Black Side of Our History, The Sydney Morning Herald, March
B. Watson, Images from the lost island, The Sydney Morning Herald, Friday, 16 Oct
Catriona Moore, Fiona Foley Interviewed by Catriona Moore, May, Dissonance - Feminism and The Arts 1970 - 90, Allen and Unwin / Artspace, pp. 205-212

Wally Caruana, “Where we come from, where we are, where we are going,” The Concept of Country exh. cat., Ivan Dougherty Gallery, University of New South Wales, Sydney
Rev: Concept of Country, Artlink, Vol. 11, No. 1 & 2, p. 88
J. Saurin, Aboriginal Spirit and “look”, The Sydney Morning Herald, date unknown
R. Crumlin & A. Knight, Aboriginal Art and Spirituality, Collins Dove Publishers
M. Thomas, Aborigines Restore Engagement to Art, The Sydney Morning Herald, June
C. France, Black-and-White studies in Green reveal an inner discourse, The Sydney Morning Herald
Lynette Fern, Sculptural Renaissance, The Sydney Morning Herald, June

D. Losche, Paraculture, Art & Text, No. 36, May

J. Isaacs, Aboriginality: Contemporary Aboriginal Paintings & Prints, University of Queensland Press, Brisbane
D. Mundine, Drawing on Black Reality, a Myriad of Dreaming - Twentieth Century Aboriginal Art, Lauraine Diggins Fine Art, Melbourne

E. Lynn, Pervading Pessimism, The Weekend Australian, August 27-28