Hany Armanious

HANY ARMANIOUS

Born 1962, Egypt

Lives Sydney

SELECTED SOLO EXHIBITIONS

Hany Armanious, Roslyn Oxley9 Gallery, Sydney

Cavities, Platforms, Footings- Selected Work 2007-2012, Roslyn Oxley9 Gallery, Sydney

Hany Armanious: Frequently Asked Questions, Southard Reid, London

Hany Armanious, Roslyn Oxley9 Gallery, Sydney

Selflok, City Gallery Wellington, New Zealand

Hany Armanious, Galerie Allen, Paris

we go out inside, Roslyn Oxley9 Gallery, Sydney

Set Down, Michael Lett Gallery, Auckland

The Plagiarist of My Subconscious, Southard Reid, London

The Golden Thread, Monash Museum of Art, Melbourne

The Golden Thread, Australian Pavilion, 54^th Venice Biennale, curated by Anne Ellegood

Birth of Venus, Foxy Production, New York

Galleria Raucci/Santamaria, Naples

Uncanny Valley, Roslyn Oxley9 Gallery, Sydney

The Oracle, Contemporary Art Museum St Louis, St Louis, curated by Anthony Huberman

Year of the Pig Sty, Foxy Production, New York

Year of the Pig Sty, Michael Lett Gallery, Auckland, New Zealand

Morphic Resonance, City Gallery Wellington, New Zealand

Morphic Resonance, Institute of Modern Art, Brisbane

Intelligent Design, Roslyn Oxley9 Gallery, Sydney

The Frontiers Are My Prison, Michael Lett Gallery, Auckland, New Zealand

Hany Armanious: Central Core Component from the Centre of the Universe, Ocular Lab Inc., Melbourne, Australia

The Centre of the Universe (Central Core/Hard Core/Soft Core), Auckland Art Gallery, Auckland, New Zealand

Michael Parekowhai/Hany Armanious, Michael Lett Gallery, Auckland, New Zealand

The Cult, Roslyn Oxley9 Gallery, Sydney, Australia

Stopping the World, Michael Lett Gallery, Auckland, New Zealand

Hany Armanious, Michael Lett Gallery, Auckland, New Zealand

Art Nouveau Barbeque, Roslyn Oxley9 Gallery, Sydney

Selflok, Ian Potter Museum, Melbourne, Australia

Space Cake, First Floor, Melbourne, Australia

Datura (collaboration with Mary Teague), Sarah Cottier Gallery, Sydney

neo phantom thing (collaboration with Mary Teague), Lord Mori Gallery, Los Angeles

Selflok, UCLA Hammer Museum, Los Angeles, USA

Selflok, Sarah Cottier Gallery, Sydney

Semi-Automatic, Sarah Cottier Gallery, Sydney

Sarah Cottier Gallery, Sydney

Testrip, Auckland, New Zealand

Thomas Taubert, Düsseldorf, Germany

Sarah Cottier Gallery, Sydney

CBD Gallery, Sydney

Circus (Three ring), CBD Gallery, Sydney

Side-On Studio, Sydney

Well Water Under a Tree (collaboration with Tony Schwensen) David Pestorius Gallery, Brisbane, Australia

Second Hand Political, Sarah Cottier Gallery, Sydney

F.A.C., CBD Gallery, Sydney

Snake Oil, Sarah Cottier Gallery, Sydney

Worksheet, CBD Gallery, Sydney

Self-lok, David Pestorius Gallery, Brisbane, Australia

The Frontiers are my Prison, CBD Gallery, Sydney

Daniel Johnstone Memorial Gallery, Cite des Arts Internationale, Paris, France

Ripped in Peace, Julie Green Gallery, Sydney

Legacy, Julie Green Gallery, Sydney

Hex, EMR Gallery, Sydney

SELECTED GROUP EXHIBITIONS

Caught Stealing, National Art School, Sydney

Art Basel Hong Kong, Roslyn Oxley9 Gallery, Hong Kong

The Like Button, Roslyn Oxley9 Gallery, Sydney

The shape of things to come, Buxton Contemporary, Melbourne

Every Brilliant Eye: Australian Art of the 1990s, National Gallery of Victoria, Melbourne

Cross Currents - Curated by Caroline Taylor, COMA Gallery, Sydney

New World Order, Casula Powerhouse Arts Centre, NSW

State of Play, Roslyn Oxley9, Sydney

Future Eaters, Monash University Museum of Art, Melbourne

Redlands Konica Minolta Art Prize, National Art School, Sydney

The Melting Point of Reason curated by Mark Feary, Margaret Lawrence Gallery, University of Melbourne

Post-Picasso. Contemporary Reactions, Museu Picasso, Barcelona

Sunny and Hilly, Minerva, Sydney.

Cast Recording, Prism Gallery, Los Angeles

Direct Democracy, Monash University Museum of Art, Melbourne

Living in the Ruins of the Twentieth Century, UTS Gallery, Sydney

Reinventing the Wheel, Monash University Museum of Art, Melbourne.

Chinatown: the sequel, ltd Los Angeles (curated by Liv Barrett), Los Angeles, California

Mutatis Mutandis curated by Catherine David, Secession, Vienna

You, Your Son and Shadow, Anderson Gallery, Richmond, USA and VCU Arts, Virginia, USA

Adelaide Biennale, Before and After Science, curated by Charlotte Day and Sarah Tutton, Art Gallery of South Australia, Adelaide

Tonite, Modern Institute, Glasgow

Zero..., Zero Gallery, Milan

Double Hemisphere, Foxy Production, New York

Jesuvian Process, Elizabeth Dee Gallery, New York

Noli Me Legere, Michael Lett Gallery, Auckland

Ceramica, Institute of Contemporary Art, Sydney

Lost and Found: An Archeology of the Present, TarraWarra Biennial, curated by Charlotte Day, Healesville, Victoria

Nueva Dimension, curated by Dick Evans, Hats Plus, London

Artist Makes Video, Art Rage Survey 1994-1998, Griffith University, Queensland College of Art, Brisbane

Surface Wave, Foxy Production, New York

Strange Cargo: Contemporary art as a state of encounter, Newcastle Region Art Gallery, Broken Hill Regional Art Gallery, Bendigo Art Gallery, Orange Regional Gallery, Wagga Wagga Art Gallery and Tweed River Regional Gallery

Stolen Ritual, Roslyn Oxley9 Gallery, Sydney

Before the Body-Matter, Monash University Museum of Art, Melbourne

Examples, Peloton, Chippendale, Sydney

Busan Biennale, Korea

Adventures with form in space, Balnaves Foundation Sculpture Project, Art Gallery of New South Wales, Sydney

Selekta, West Space, Melbourne

Uncanny Nature, Australia Centre of Contemporary Art, Melbourne, curated by Rebecca Coates,

National Sculpture Prize, National Gallery of Australia, Canberra

Travelling Light, curator Deborah Ostrow, Spacement, Melbourne (1-17 December)

re/thinking, bus, Melbourne

The Broadway Café, Chippendale, Sydney, organized by Giles Ryder and Mathys Gerber

Alien Invasion, curator George and Ron Adams, MOP Projects, Gallery + Project Space, Sydney

The Centenary of Wild Beasts, MOP Projects, Project Room, Sydney, curated by Ian Geraghty,

Material Girls and Boys, Deloitte, March-June 2005, curated by Barbara Flynn

Where the Wild Things Are, UTS: Gallery, University of Technology, Sydney, curated by Tara D’Cruz Nobel

Fantasy Island - A Block Project, Michael Lett Gallery, Auckland, New Zealand

The Year in Art, S.H. Ervin Gallery, Sydney

Bloom mutation, toxicity and the sublime, Govett Brewster Gallery, New Plymouth, New Zealand

Islands in the Stream, Hany Armanious, Natsuho Takita, Mary Teague, Koji Ryui, Artspace, Sydney

MCA Unpacked II, Museum of Contemporary Art, Sydney

Citigroup Private Bank Australian Photographic Portrait Prize, Art Gallery of New South Wales, Sydney

Surface Tension, BLOCK, Sydney

Fieldwork: Australian Art 1968 - 2002, National Gallery of Victoria, Federation Square, Melbourne

Necessary Fictions, DeChiaria Gallery, New York

Line Up, The Happy Lion Gallery, Los Angeles, USA

Painting: an arcane technology, Ian Potter Museum of Art, Melbourne

A Century of Collecting: 1901-2001, Ivan Doherty Gallery, Sydney

Necessary Invention, Artspace, Sydney

Verso Süd, Palazzo Dorio Pamphilly, Valmonte, curated by Franz West

GOLD!, Sarah Cottier Gallery, Sydney

Moet et Chandon Fellows Exhibition, Art Gallery of New South Wales, Sydney

Drive, Govett-Brewster Art Gallery, New Plymouth, New Zealand

Plastika, Govett-Brewster Art Gallery, New Plymouth, New Zealand

The Queen is Dead, Stills Gallery, Edinburgh, Scotland

Opening Exhibition, Sarah Cottier Gallery, Sydney

Home and away, Auckland Art Gallery, Auckland, New Zealand

Moet and Chandon Touring Art Prize (1998 Fellow), National Gallery of Australia, Canberra and touring all state galleries

EAT!, Museum of Contemporary Art, Sydney

On Dialogue, Haus am Waldsee, Berlin, Germany

Child Bride, Artspace, Auckland, New Zealand

Contempora 5, National Gallery of Victoria, Melbourne

Raindrops on Roses, Sarah Cottier Gallery, Sydney

Unpainting, David Pestorius Gallery, Brisbane

33 1/3, Armanious, Cerkez, Dashper, Gordon, Canberra Contemporary Art Space, Canberra

Occular, Pendulum, Sydney, curated by Trevor Smith

Rapport: Eight Artists from Singapore & Australia, Singapore Art Museum, Singapore: Monash University Gallery, Melbourne

Flagging the Republic, Sherman Galleries Goodhope, Sydney

Volatile Colonies, Johannesburg Biennale, Museumafrica, Johannesburg, South Africa

Smells Like Vinyl, Roger Merians Gallery, New York, USA

Discovering the Feminine?, David Pestorius Gallery, Brisbane

Virtual Reality, Australian National Gallery, Canberra

Localities of Desire, Museum of Contemporary Art, Sydney

Paperwork, Sarah Cottier Gallery, Sydney

White, Sarah Cottier Gallery, Sydney

Jeden Tag, Christine Konig, Vienna, Austria

Aussemblage, Auckland City Gallery, Auckland, New Zealand

Scrounge Time, Plimsoll Gallery, Centre for the Arts, Hobart, Tasmania

Plastic Fantastic, Museum of Contemporary Art, Sydney

Aperto, curated by Achille Bonito Oliva, Venice Biennale, Venice, Italy, 1993

Luminaries, Monash University Gallery, Melbourne

Soaked, Institute of Modern Art, Brisbane

Monster Field, Ivan Doherty Gallery, Sydney

Shirthead, Mori Annexe, Sydney

Wit's End, Museum of Contemporary Art, Sydney (catalogue)

The Boundary Rider, 9^th Sydney Biennale, Sydney

First Group Show, Black, Sydney

3D, 200 Gertrude Street, Melbourne

1991 Australian Perspecta, Art Gallery of New South Wales, Sydney

Fresh Art, S.H. Ervin Gallery, Sydney

SELECTED BIBLIOGRAPHY

Future Eaters, exh. Catalogue, Monash University Museum of Art

Patrick Hartigan, 'Cloud Arch makes Sydney the city of lightness', The Saturday Paper, August 16, 2014

Sherman Sam, `Critic's Pick: Hany Armanious', Artforum, 9 February, 2014

Ian Geraghty, 'Reviews; Hany Armanious, Roslyn Oxley9 Gallery, Sydney', Frieze Magazine, Issue 158, Oct 2013

T.J McNamara, 'Light and illumination', The New Zealand Herald, 6 April 2013 http://www.nzherald.co.nz/entertainment/news/article.cfm?c_id=1501119&objectid=10875819

Anna Davis, `Hany Armanious', MCA Sculpture Series, (Sydney: MCA, 2012)

Helen Hughes, “Hany Armanious - The Golden Thread”, Art Guide, March 2012

Dan Rule, 'Casting about for images to re-evaluate the building blocks of the mundane', The Age, January 25 2012

2012- Robert Nelson, `The Golden Thread', The Age, March 7 2012.pdf

Roberta Smith, `Artists Decorate Palazzos and Vice Versa', The New York Times, June 8 2011

Sebastian Smee, “Vanity Case: Sebastian Smee on the 54^th Venice Biennale”, The Monthly, July 2011

Anne Ellegood (ed.), Hany Armanious - The Golden Thread, exh. cat. Australian Pavilion at the 54^th International Art Exhibition, La Biennale di Venezia, Australia Council for the Arts, 2011, pp.152

Oliver Krischer, “Plundering the Uncanny Valley, Hany Armanious”, Art Asia Pacific, No. 73, May/June 2011, pp. 120-129

Max Delany, 'Reflections on ILLUMInations-The 54th Venice Biennale', Art and Australia, Issue 49 No. 1, pp34-37

Stephanie Holt (ed.), Hany Armanious: The Golden Thread, (Sydney: Australia Council for the Arts, 2011)

Rosalie Higson, “Venetian window for alchemist,” The Australian, April 26, 2011, http://www.theaustralian.com.au/news/arts

Kevin McGarry, `Asked and answered / Hany Armanious', New York Times Culture blog: http://tmagazine.blogs.nytimes.com/2010/12/06/asked-answered-hany-armanious/, 6 December

Francesco Stocchi, `Hany Armanious, Compulsive Beauty' Art & Australia, Vol 47, no. 3 Autumn 2010, pp488 - 495

Andrew Taylor, `It's summer…100 years ago', The Sun Herald, December 12, 2010, pp. 38

Reuben Keehan. 'Ass-Kicking Formalism', Art & Australia, Issue 48 No. 2, pp. 336-341

Adam Fulton, `Digging the dirt all the way from Leichhardt to Venice biennale' Sydney Morning Herald, Arts and Entertainment, feb 19, 2010 p. 9

Adam Jasper, `Hany Armanious: Unreality Bites', Art World, Issue 8, April/May 2009, pp74-80

Current, Contemporary Art from Australia and New Zealand, Art and Australia (eds.), Sydney, p48

Charlotte Day, Lost and Found: An Archeology of the Present, exh.cat., TarraWarra Museum of Art

Adam Jasper, `Hany Armanious, pragmatic metaphysics, painstaking copies and infinite pedestals,' Frieze, issue 114, April 2008, p.154

`Year of the Pig Sty,' The Archivist, http://whatswhat-whoswho.blogspot.com/2007/11/year-of-pig-sty.html, November 13, 2007

Roberta Smith, `Art in Review - Hany Armanious, Year of the Pig Sty.' The New York Times, November 23, 2007

Debra Jenks, `Mudruckers and Mudslingers on 27^th St.' Chelsea Now, 26 October - 1 November 2007: 23

James Wagner, `Hany Armanious at Foxy Production,' Jameswagner.com, 21 October 2007

Miranda Wallace, `The Illusionist', eyeline, No. 63, Winter 2007 pp. 21-25

Alison Kubler, `Hany Armanious: Morphic resonance in Brisbane,' Art Monthly Australia, July 2007,

Number 201, pp. 9 - 12

Heather Galbraith, `Hany Armanious: Morphic Resonance,' City Gallery Newsletter, Wellington, Winter 2007

Hany Armanious: Morphic Resonance, exh. cat. Institute of Modern Art, Brisbane

Ashley Crawford, `Hany Armanious,' Australian Art Collector: 50 Most Collectable Artists 2007, Issue 39, January - March 2007, p. 150

Before the Body-Matter, exh. cat., Monash University Museum of Art, Melbourne

Jacqueline Millner, `Review of Adventures with Form in Space: The Fourth Balnaves Foundation Sculpture Project', Eyeline, no. 62, Summer 2006/2007, p. 62

Palmer, Daniel, `Looking Back: Retrospectives,' Frieze, mo. 104, December - January 2007, p. 132

Ashley Crawford, Preview of `Uncanny Nature,' The Age, Sunday, September 3^rd, 2006

Dougal Phillips, Review of `Adventures in Form and Space, Balnaves Foundation Sculpture Project 2006,' Art and Australia, Vol. 44, No. 2, Summer 2006, p. 280

Morphic Resonance, Institute of Modern Art, exh. cat., 2006

Andrew Frost, `In the heart of the wood', Australian Art Collector, Issue 38, October - December 2006, pp. 154 - 163

Sebastian Smee, `dot complimentary', The Weekend Australian, September 9 - 10, 2006, pp. 18 - 19

John Mc Donald, `Lights, action, entertainment', Review of Adventures with Form in Space: The Fourth Balnaves Foundation Sculpture Project, in Spectrum, The Sydney Morning Herald, September 9-10, 2006, pp. 16-17

Rebecca Coates, `Hany Armanious' in Uncanny Nature, exhibition catalogue, Australia Centre of Contemporary Art, Melbourne

Selekta exhibition catalogue, West Space, Melbourne

Jason Markou, `Hany Armanious', Adventures with form in space, Balnaves Foundation Sculpture project, exhibition catalogue, Art Gallery of New South Wales, Sydney

Review of Intelligent Design, The Art Life

Diana Simmonds, `Two artists showcase latest work', Inside Entertainment, The Sunday Telegraph, June 18, 2006 p. 3

Sunanda Creagh, review of Totemistical and Intelligent Design, `Open Gallery', The Sydney Morning Herald, June 10-11 2006 p. 16

Betsy Brennan, `The Alchemist', Vogue Living, January/February 2006 pp. 85 - 86

Jason Markou, Turns in Arabba exhibition catalogue, Michael Lett Gallery, Auckland

Julie Gough, `Art in Review for 2005', Art in Australia, Vol. 43, No. 2, Summer 2005 p. 276

Alex McDonald, Where the Wild Things Are, 25 May 2005, www.stateart.com.au/sota/reviews/default.asp?fid=3497

John Daly-Peoples, `Eyeing the follies of insipid world culture,' Fine Arts, National Business Review, 21 January 2005, p. 42

Andrew Clifford, `Cosmic campground,' The New Zealand Herald, 19 January 2005, p. 6

Tessa Laird, `Thank you for recycling,' New Zealand Listener, 28 January 2005, p. 50

About Town, The Guide, Sunday Star Times, New Zealand, January 16^th 2005

Jane Davidson and Robert Leonard, `Hany Armanious,' Gallery News, Auckland Art Gallery, Nov-Feb 04-05

Hany Armanious, `Hany Armanious' catalogue essay, National Sculpture Prize and Exhibition, 2005 p. 14

Peter Hill, `Free installations,' Sydney Morning Herald (Spectrum), July 17-18, pp. 8-9

Anthony Byrt, `Art is a bunny rabbit,' Listener, March 27 2004, p. 62

Anthony Byrt, `The Creepy Contemporary Sublime,' Broadsheet, Feb-May, vol. 33 no. 1, pp. 53 - 55

Bloom mutation, toxicity and the sublime, exh. cat, Govett Brewster Gallery, New Plymouth, New Zealand, curated by Gregory Burke

Simon Rees, `Hany Armanious at Roslyn Oxley9 Gallery,' Flash Art, vol. 36, no. 232, October 2003, p. 48

Michael Desmond, `Hany Armanious,' Broadsheet, vol. 32, no. 3, September - November, p. 35

Chris Piper, `Strange Magic,' Silver Limbo, Issue 1, p. 30

Peter Hill, `Zero Hour,' Sydney Morning Herald, Weekend Edition `Spectrum,' 2-3 August, 2003, pp. 12 - 13

Dominque Angeloro, `Down the rabbit hole,' Sydney Morning Herald (Metro), July 25 - 31, 2003, p. 26

Margaret Plant, `The Journey from Field to Fieldwork 1968 - 2003,' eyeline # 51, Autumn - Winter, 2003, pp. 44 - 46

Stephen Naylor, `Getting into the Giardini di Castello: Australia's representation at the Venice Biennale,' Art & Australia, 40^th Anniversary Issue, Winter, vol. 40, no. 4, pp. 594 - 601

Mark Titmarsh, `Time and Tide: Decadal Shifts in Australian contemporary art,' Art Monthly Australia #160, June, pp. 16 - 19

Stuart Koop, “Fieldwork: Australian Art 1968 - 2002, Broadsheet, vol. 32, no. 1, March, April, May, pp. 8 - 11

Daniel Thomas, “S & D at NGVA,” Art Monthly Australia no. 157, March 2003, pp. 27 - 32

Charles Green, `Into the 1990s: the decay of postmodernism,' Fieldwork: Australian Art 1968 - 2002, exh. cat., National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003), pp. 100 - 111

Alex Gowronski, `Dividing Lines', Broadsheet - Contemporary Visual Arts + Culture Newspaper, vol 31, no. 1, March - May, p. 25

Andrew Frost, `Mea Culpa,' Australian Style, January, p. 28

Eve Sullivan, `Hany Armanious: Prostrated offerings from a twentieth-century alchemist,' Art & Australia, vol. 39, no. 2, pp. 230 - 31

Selflok, Fergus Armstrong and Amanda Rowell, catalogue essay, UCLA Hammer Museum, Los Angeles

`Hany Armanious Interview,' UCLA Hammer Museum

Courtney Kidd, `Elfin Magic,' Sydney Morning Herald, 11 July

Natalie King and Bala Starr, `Suspended Animation,' Painting: an arcane technology, exh. cat., Ian Potter Museum of Art, Melbourne

Lara Travis, `Off with the pixies,' Like Art Magazine, no. 14

Lara Travis, `Hot Prospects,' Vogue Australia, February

Courtney Kidd, `Romance within barbarism,' Sydney Morning Herald, Wednesday, Jul 11

Rex Butler, `Hany Armanious,' Artext, no. 68, Feb - Apr

`The Hot Seat: The Artist and his Critic,' Arts Today with Michael Cathcart, ABC Radio National, Friday 10 November

Benjamin Genocchio, `From shock to schlock,' The Weekend Australian, Edition 1, Saturday 28 October, p. R19

William McAloon, `At the Wheel,' Listener, March 25, pp. 36 - 7

Greg Bourke and Hanna Scott, Drive catalogue essay, Govett-Brewster Gallery, New Zealand

Megan Dunn, `Auto Art,' Identity

Edward Colless, `Hany Armanious,' Like Art Magazine, no. 11, pp. 50 - 1

Hanna Scott, `At the gallery,' 25.07.00 (journal source not known)

`The Subterranean Hany Armanious,' Vogue #2, p. 74

Moet & Chandon, Hany Armanious, Printed in France by Graphi Imprimeur - Rodez, Published by Moet & Chandon Australian Art Foundation, Epernay France

William McAloon, Home and away: contemporary Australian and New Zealand art from the Chartwell Collection, Auckland Art Gallery, 1999, p. 102-3, 132

Michael Fitzgerald, `Shifting Views,' Time Magazine, Oct 19, p. 76 - 8

Benjamin Genocchio, `Snake Charmer,' Broadsheet vol. 27, no. 3

Karen Pakula, `Funny? Moi?,' HQ, no. 59, July/August, p. 106 - 110

Susan Mooney, Wentworth Courier, Wednesday, Apr 1, p. 55

Giles Auty, `Too much fizz,' Weekend Australian, March 28-29, p. 25

John McDonald, `Laughing all the way to the Left Bank,' Sydney Morning Herald, Friday, Mar 20, pp. 10 -11

Catherine Taylor, `Moët comes of age,' The Australian, Wednesday, Mar 18

Bruce James, Arts Today, 18 March

Brook Turner, `A touch of snake oil uncorks Möet prize,' Australian Financial Review, Wednesday March 18

Angela Bennie, `Artist Hany Armanious has last laugh with a snake oil joke,' Sydney Morning Herald, Wednesday, Mar 18

Michael Wardell, Moet et Chandon Touring Exhibition, catalogue essay, p. 10

D.J. Huppatz, `Contempora 5 Art Prize', Globe E-Site, Issue 5

Andrew McNamara, `Unpainting,' Art & Australia, vol. 35 no 1

Natalie King, Rapport, catalogue essay

Trevor Smith, 33 1/3 catalogue essay, August

Donald Williams and Colin Simpson, Art Now: Contemporary Art Post 1970, Book 2

Child Bride, Artspace, http://www.artspace.org.nz/shows/97_1.html

Rex Butler, An Uncertain Smile: Australian Art in the `90s, Artspace Visual Arts, Sydney, p.102 - 105

Trevor Smith, 33 1/3, exh. cat., Canberra Contemporary Art Space, Canberra

Donald Williams and Colin Simpson, `Hany Armanious,' Art Now: Contemporary Art Post - 1970 (Book 2), McGraw Hill Book Company Australia Pty Limited, Sydney, p. 185 - 188

Giles Auty, `Emblems that flag,' Weekend Australian, Feb 3-4

Sebastian Smee, `Flagging Passions,' Sydney Morning Herald (Metro), Feb 9-15, p. 23 (Arts)

Brook Turner, `The New Medicis,' Sydney Morning Herald, Aug 9-10

Anna Johnson, `Art Beat,' Sydney Morning Herald, Friday, Apr 12

Jeff Gibson, `Theory or Therapy,' Flash Art, Nov-Dec

Judith Pascal, `Hany Armanious,' Virtual Reality, catalogue essay, National Gallery of Australia

Edward Colless, `Selflok,' Well Water Under a Tree, exh. cat., David Pestorius Gallery, Brisbane

Edward Colless, `Mr Big: Hany Armanious,' The Error of My Ways, Institute of Modern Art, Brisbane, pp. 206 - 209

Toni Ross, `Inescapability of Sexual Difference,' (review of Discovering the Feminine?, David Pestorius Gallery), eyeline, 28 Spring

Bruce James, `Wheat, wood and world weariness,' The Age, Wednesday, 2 Aug, p. 20

Felicity Fenner, `Icons and idolisers,' Sydney Morning Herald (Arts), Friday, Jul 21, p. 15

Rex Butler, `[White', Art & Australia, Winter

Felicity Fenner, `Proud lineage of innovation,' Sydney Morning Herald (Arts), Friday, Dec. 2, p. 16

Elwyn Lynn, `Solemn search for the soul,' Australian Weekend Review, Nov 26-27, p. 10

Martijn Van Niewenhuyzen, `Hany Armanious,' Flash Art (International Edition), November

Edward Colless, `White', Art & Text no. 48

Felicity Fenner, `On a provocative paper-chase,' Sydney Morning Herald (Arts), Friday, Oct. 14

Eve Sullivan, `Hany Armanious,' Agenda, no. 36, May, p. 27

Felicity Fenner, `A genre beyond grunge,' Sydney Morning Herald, 26 May

Felicity Fenner, `Nostalgia and jelly delights,' Sydney Morning Herald, 1994

Elwyn Lynn, `Transfixed by a slippery character,' Australian Weekend Review, March 12-13

Felicity Fenner, `Double entente and a debut in white,' Sydney Morning Herald, February 5

Felicity Fenner, `Veil of prejudice lifts at last,' Sydney Morning Herald, Saturday, January 1

Jeff Gibson, `Avant-Grunge,' Art+Text, no. 45, pp. 23 - 25

Jeff Gibson, `The Good, the Bad, and the Abstract,' Art & Text, no. 44, January

Kay Campbell, `Out of Humour,' Wit's End, exh. cat., Museum of Contemporary Art, Sydney

Janet Hawley, `Shape of the new,' Good Weekend: Sydney Morning Herald Magazine, June 12, pp. 18 - 22

Pamela Hansford, `Wit's End: The Comic Spirit & Contemporary Art,' Wit's End, exh. cat., Barberism

Edward Colless, `Hany Armanious, Mr Big,' exh. cat., Aperto section, Venice Biennale

Rex Butler, `To Express the Object,' Monster Field, ex. cat., Barberism

Andrew Renton, `Hany Armanious,' Flash Art Aperto'93 catalogue, Venice Biennale, p. 234

Andrew Renton, `Punti Cardinale dell'arte,' exh. cat., Venice Biennale

Anthony Bond, `Hany Armanious: Australia,' The Boundary Rider: 9^th Biennale of Sydney, The Biennale of Sydney Ltd., Sydney, pp. 48 - 49

Peter Hill, `The frozen cow show,' The Bulletin, July 13, p. 82

`Hany Armanious's Mr Big at the Venice Biennale,' Sydney Morning Herald, June 30

Felicity Fenner, `Mr Big upstaged by bisected cow,' Sydney Morning Herald, June 30, (Arts) p. 22

Edward Colless and David McDowell, Scrounge Time, exh. cat., Plimsoll Gallery, Tasmania

Anne Loxley, `Rococo Rubbish: The Art of Hany Armanious,' Art + Australia, vol. 31 #1, Spring, pp. 84 - 88

Jeff Gibson, `Hany Armanious,' Art & Text no. 43, September, p. 70

Pamela Hansford, `Hany Armanious,' Australian Perspecta 1991, exh. cat., Art Gallery of New South Wales, Sydney, p. 30 - 31

PUBLIC COLLECTIONS

Art Gallery of New South Wales, Sydney

National Gallery of Australia, Canberra

National Gallery of Victoria, Melbourne

Queensland Art Gallery, Brisbane

Museum of Contemporary Art, Sydney

Ipswich Art Gallery, Queensland

Newcastle Regional Gallery

Monash University Gallery, Melbourne

Tasmanian Museum and Art Gallery

Auckland City Gallery, New Zealand

Dakis Joannou Foundation, Athens

Museum of Contemporary Art, San Diego, USA

Hammer Museum, Los Angeles, USA

AWARDS & RESIDENCIES

Shortlisted for National Sculpture Prize, National Gallery of Australia

Artist in residence, Elam School of Fine Arts International Arts Residency Programme, Auckland

Australia Council, Green Street, New York

Moet et Chandon Fellow

Finalist, Contempora5

Australia Council, Los Angeles Studio

COMMISSIONS

Pavilion, City of Sydney curated by Barbara Flynn, Belmore Park, Sydney

Fountain, Sculpture Terrace, Museum of Contemporary Art, Sydney

Lines of Communication, Telstra Switch Exchange, Sydney.