Imants Tillers

Born Sydney, Australia

Bachelor of Science Architecture (First Class Hons, University Medal), University of Sydney

Cité Internationale des Arts Residency, Paris

Owen Tooth Cottage Residency, Venice

Visiting Fellow, Fine Art Research Centre, Southampton Institute, UK

Co-curator with Marketta Seppälä, Empathy: Beyond the Horizon, Pori Art Museum, Finland

Trustee of the Art Gallery of New South Wales, Sydney

Awarded a Doctor of Letters (Honoris Causa), University of New South Wales, Sydney

Collaborated with Janis Balodis on Exile and Fatherland, 53^rd Australian Latvian Arts Festival, Melbourne

Appointed a Director of Immigration Place, Australia, Canberra

The Mosman Years, Mosman Art Gallery, Sydney

Unfinished Journey, Embassy of the Republic of Latvia, Canberra

Remembering the unknown, Roslyn Oxley9 Gallery, Sydney

After de Chirico, Arc One Gallery, Melbourne, Australia

Travelling stories: A Tribute to Michael Nelson Jagamara, Fireworks Gallery, Brisbane

ES_TEXT, Latvian National Museum of Art, Riga, curated by Elita Ansone and Leonards Laganovskis

Image Reference, Arc One Gallery, Melbourne

As soon as tomorrow, Roslyn Oxley9 Gallery, Sydney (forthcoming)

Fierce Paradise: Paintings from Blairgowrie, Bett Gallery, Hobart

Terra Nullius, Milani Gallery, Brisbane

The Path Itself, Roslyn Oxley9 Gallery, Sydney

Journey to Nowhere, Latvian National Museum of Art, Riga, Latvia

From the Studio, University Gallery, University of Newcastle, NSW

In Normal Times, Roslyn Oxley9 Gallery, Sydney

Meeting Place: Imants Tillers and Michael Nelson Jagamarra, Parliament House, Canberra

The Philosophy of Doubt, Greenaway Galleries, Adelaide

The Poet's Surrender, Bett Gallery, Hobart

Metafisica Australe, Arc One Gallery, Melbourne

Metafisica Australe, Roslyn Oxley9 Gallery, Sydney

Metafisica Australe, Jan Manton Art, Brisbane

Big Storm Between Two Place: Michael Nelson Jagamara and Imants Tillers, Fireworks Gallery, Brisbane

Latvian Mandala, Australian Latvian Arts Festival, Latvian House, Sydney,

Haunted Nation, Bett Gallery, Hobart

The Philosopher's Walk, Greenaway Art Gallery, Adelaide

Dreamings: Australian Aboriginal Art meets De Chirico (a room of seven works from 1984 - 2014 adjoining a room of 21 works by Giorgio de Chirico), The Museo Carlo Bilotti, Rome

The Fleeting Self, Arc One Gallery, Melbourne

Tabula Rasa, Roslyn Oxley9 Gallery, Sydney

The Loaded Ground: Michael Nelson Jagamara and Imants Tillers, Drill Hall Gallery, Australian National University Art Gallery, Canberra

Capricornia, Jan Manton Art, Brisbane,

Nature Speaks, Greenaway Art Gallery, Adelaide

The Journey South, Bett Gallery, Hobart

A Poem of the Land, Roslyn Oxley9 Gallery, Sydney

The Blossoming World, Arc One Gallery, Melbourne

Dual Worlds: Dadang Christanto and Imants Tillers, Jan Manton Art, Brisbane

Leap of Faith, Greenaway Art Gallery, Adelaide

`Value Added' Landscapes, Jan Manton Art, Brisbane

Clouds on a distant horizon, Bett Gallery, Hobart

The Long Poem, Lawrence Wilson Art Gallery, University of Western Australia, Perth

The Tears of Things, Roslyn Oxley9 Gallery, Sydney

Melancholy Landscape, Arc One Gallery, Melbourne

Michael Nelson Jagamara: from the studio, experimentations and collaborations 1996-2008, Fireworks Gallery, Brisbane (collaborative work)

In Two Minds, Greenaway Art Gallery, Adelaide

Imants Tillers, Jan Manton Art, Brisbane

Hereafter, Chapman Gallery, Canberra

Imants Tillers: one world many visions, National Gallery of Australia, Canberra

Land Beyond Goodbye, Sherman Galleries, Sydney

Imants Tillers, Greenaway Art Gallery, Adelaide

Transmissions: From here and there, Monash University Museum of Art, Melbourne

Local Knowledge, Raglan Gallery and Cultural Centre, Cooma, NSW

Imants Tillers, Australian Art Resources, Melbourne

Recent Works, Sherman Galleries, Sydney

Chapman Gallery, Canberra

Greenaway Art Gallery, Adelaide

Not yet post-Aboriginal, Hazlehurst Regional Gallery, Sydney

Imants Tillers, Greenaway Art Gallery, Adelaide, 21 June - 16 July

Imants Tillers, Sherman Galleries Hargrave, Sydney, 18 June - 29 July

Towards Infinity: Works by Imants Tillers, Museo de Arts Contemporaneo de Monterrey, Mexico, 24 September 1999 - 7 January 2000

Accompanying 47^th Australian Latvian Arts Festival, Span Galleries, Melbourne

Home Visitation, Chapman Gallery, Canberra, 13 August - 6 September

Nature Speaks, Sherman Galleries Goodhope, Sydney, 26 May - 12 June

Not yet post-Aboriginal, SPAN Galleries, Melbourne, 12 May - 22 May

Imants Tillers 1997 Lowenstein Sharp Arts 21 Fellow, Museum of Modern Art at Heide, Melbourne, 28 November - 29 November

Prayer for Rain, Raglan Gallery and Cultural Centre, Cooma, 9 May - 24 May

Michael Milburn Gallery, Brisbane

Karen Lovegrove, Melbourne

The Enigma of Arrival, Sherman Galleries Goodhope, Sydney, 10 July - 2 August

Imants Tillers, Gow Langsford Gallery, Auckland

Diaspora in Context: Connections in a Fragmented World, Pori Art Museum, Pori, Finland, 18 June - 20 August; Museum of Contemporary Art, Sydney, 1 September - 30 November; Govett-Brewster Art Gallery, New Plymouth, New Zealand, 17 December 1995 - 25 February 1996; Waikato Museum and Art Gallery, Hamilton, New Zealand, 16 March - 5 May

via Paradiso, Karyn Lovegrove Gallery, Melbourne, 15 Mar - 15 April

Telepathic Music, Michael Milburn Gallery, Brisbane, 27 October - 19 November

Imants Tillers: Jump, Sherman Galleries Goodhope, Sydney, 12 May - 11 June

Diaspora, Institute of Modern Art, Brisbane

Imants Tillers: Within the Cleft, Michael Milburn Gallery, Brisbane, 12 November - 4 December

Five Pollock Paintings, Peter McLeavey Gallery, Wellington, New Zealand

Diaspora: Imants Tillers, National Museum of Art, Riga, 30 April - 28 May

Imants Tillers, Karyn Lovegrove, Melbourne, 6 November - 5 December

A Life of Blank, Plimsoll Gallery, Hobart, 28 February - 22 March; Monash University Gallery, Melbourne, 13 May - 6 June; Orange Regional Gallery, New South Wales; Queen Victoria Museum and Art Gallery, Launceston

Journey: 33486, Deutscher Brunswick Street, Melbourne, 12-31 December

Imants Tillers, Peter McLeavey Gallery, Wellington, New Zealand, 19-31 August

Action Paintings, Yuill/Crowley, Sydney, 24 May - 19 June

The Shining Cuckoo, Yuill/Crowley, Sydney, 3 October - 24 October

Imants Tillers: Recent Paintings, Peter McLeavey Gallery, Wellington, New Zealand, 19 June - 14 July

The Bridge of Reversible Destiny, Yuill/Crowley, Sydney, 11 April - 9 May

One Painting, Cleaving: Imants Tillers, Wollongong City Art Gallery, Wollongong, 9 March - 20 May

Imants Tillers: Poem of Ecstasy, Deutscher Brunswick Street, Melbourne, 27 February - 24 March

Tomorrow will be the same but not as this is, Yuill/Crowley, Sydney, 8 July - 2 August

Bess Cutler Gallery, New York

Imants Tillers: 19301 or as of October, National Art Gallery, Wellington, 25 February - 9 April; Govett-Brewster Gallery, New Plymouth, 13 May - 11 June

To the Fatherland, with Marianne Baillieu, Yuill/Crowley, Sydney, 11 November - 7 December

Imants Tillers, Bess Cutler Gallery, New York, 19 October - 20 November

Imants Tillers: works 1978-1988, Institute of Contemporary Arts, London, 7 April - 22 May; The Third Eye Centre, Glasgow 11 June - 10 July; Orchard Gallery, Derry, Northern Ireland

Yuill/Crowley, Sydney

Galerie Susan Wyss, Zurich

Bess Cutler Gallery, New York

Australian Appropriations: The Recent Paintings of Imants Tillers, Vollum College Center Gallery, Reed College, Portland, Oregon, United States

Paintings for Venice: Australia at the 42nd Venice Biennale, Queensland Art Gallery, Brisbane; Australian Centre for Contemporary Art, Melbourne; Art Gallery of South Australia, Adelaide

42^nd Venice Biennale: Imants Tillers, Corderie at the Arsenale, Venice, 29 June - 28 September

Bess Cutler Gallery, New York

Yuill/Crowley, Sydney

Bess Cutler Gallery, New York

Pandemonium, Yuill/Crowley, Sydney

Reconnaissance, Melbourne

White Aborigines, Matt's Gallery, London, 23 October - 30 October

Yuill/Crowley, Sydney

Honour + Glory, with John Nixon, Art Gallery of South Australia, Adelaide

The Deluge, with John Nixon, Press 4, Melbourne

The Bridge, with John Nixon, Art Gallery of New South Wales, Sydney

Composition with 3 equal and parallel rectangles (unit 1), with John Nixon, Yuill/Crowley, Sydney

The Field, Art Projects, Melbourne

A Painting which is a Souvenir (with John Nixon), QED, One Central Street, Sydney

Documenta 7, with John Nixon, Art Projects, Melbourne

The Church + the Cross, with John Nixon, n-space, Kassel, West Germany

The Church + the Cross, with John Nixon, V Space, Melbourne

One Painting: One Horizon, Institute of Modern Art, Brisbane

Two Maps (A Local Mirage), Art Projects, Melbourne

The Triangle, The Door: One Room, One Painting (left/centre/right), Watters Gallery, Sydney

Visible Suspension: One Room, Two Paintings, n-space, Sydney

52 Displacements, n-space, Sydney

Q Space Annex, Brisbane

Worlds in Collision, Avago Gallery, Sydney

Q Space Annex, Brisbane

Survey 13: Imants Tillers, National Gallery of Victoria, Melbourne

Institute of Modern Art, Brisbane

Other Realities, Realities, Melbourne

52 Displacements (of Image, of Time, of Water, of Feeling: One Year's Work), Watters Gallery, Sydney

Have you ever been taken the same way, Royal Melbourne Institute of Technology, Melbourne, 5 July - 26 July

The Property of Being Found, Watters Gallery, Sydney

Conversations with the Bride, Watters Gallery, Sydney

Link Exhibition No. 1: Imants Tillers, Art Gallery of South Australia, Adelaide

Moments of Inertia, Watters Gallery, Sydney

Still Life 2, Watters Gallery, Sydney

Wilder Times: Arthur Boyd and the mid-1980s landscape, Bundanon, New South Wales

Photography and the Performative, Chau Chak Wing Museum, University of Sydney

No Fixed Shape, Bett Gallery, Hobart, Tasmania, Australia

Light & Darkness, Chau Chuk Wing Museum, University of Sydney

The Schaeffer Fine Arts Library Residency, Schaeffer Fine Arts Library, Sydney

water[shed], Bett Gallery, Hobart

Journeys through the Tate Collection: The Port and Migration, Tate Liverpool, United Kingdom

Art Basel Hong Kong, Roslyn Oxley9 Gallery, Hong Kong

The Like Button, Roslyn Oxley9, Sydney

20/20: Celebrating 20 years with 20 new portrait commissions, National Portrait Gallery, Canberra, Australia

Sydney Contemporary Art Fair, with Fireworks Gallery Brisbane, Carraigeworks, Sydney

Artist Profile: Australasian Painters 2007-2017, Orange Regional Gallery, New South Wales

Poets and Painters — Celebrating the Big Punchbowl, Moonah Arts Centre, Moonah, Tasmania; Bett Gallery, Hobart

Hadley's Art Prize, Galleries at Hadley's Orient Hotel, Hobart, Tasmania;

Enlighten Festival, Projection onto New Parliament House, Canberra;

Landmarks, curated by Anthony Bond, Blue Mountains City Art Gallery; Tamworth Regional Gallery; Murray Art Museum, Albury

MCA Collection: Today, Tomorrow, Yesterday, Museum of Contemporary Art, Sydney, Australia

Archibald Prize, Art Gallery of New South Wales, Australia

2016 Archibald Prize Regional Tour, Art Gallery of Ballarat; Wagga Wagga Art Gallery; Cowra Regional Art Gallery; Bega Valley Regional Gallery; Hawkesbury Regional Gallery; Western Plains Cultural Centre.

Wynne Prize, Art Gallery of New South Wales, Australia

Today Tomorrow Yesterday, Museum of Contemporary, Australia

Black White and Restive, Newcastle Art Gallery, Newcastle

Panorama, Tarrawarra Museum of Art, Victoria

Signs and symbols to live by, Art Gallery of New South Wales, Sydney

Fleurieu Art Prize, Samstag Museum of Art, Adelaide     

Living Waters, part of Taba Naba – Australia, Oceania, Arts by People of the Sea, Musée

Océanographique de Monaco, Monaco

Art Dubai, Greenaway Art Gallery, Dubai

The Triumph of Modernism in the Art of Australia, curated by Edmund Capon, Hazelhurst Regional Gallery and Arts Centre, Sydney

Seen from elsewhere, Auckland Art Gallery Toi o Tamaki, New Zealand

Lighting strikes at Merrick's Exhibition with Michael Nelson Jagamara, Merricks General Wine Store

Julian Dashper & Friends, City Gallery Wellington, Wellington

Under Kunanyi, Bett Gallery, Hobart

Lighting strikes at Merrick's, exhibition with Michael Nelson Jagamara, Merricks General Wine Store, Victoria

The Gold Award, Rockhampton Art Gallery, Rockhampton (Winner)

The Skullbone Experiment; A Paradigm of Art and Nature, Tasmanian Land Conservancy, Launceston, Queen Victoria Museum and Art Gallery, Inveresk; UNSW Galleries, College of Fine Art Gallery, curated by Philip Wolfhagen and Catherine Wolfhagen, Sydney

Pop to popism, Art Gallery of New South Wales, Sydney

Sublime Point: The Landscape in Painting, Hazelhurst Regional Gallery & Arts Centre, New South Wales

The Gold Award (winner), Rockhampton Art Gallery, Rockhampton

Mix Tape 1980s: Appropriation, Subculture, Critical Style, The Ian Potter Centre, National Gallery of Victoria, Melbourne

The Wynne Prize (winner), Art Gallery of New South Wales, Sydney

The Archibald Prize, Art Gallery of New South Wales, Sydney

Summer 2013-2014, Annette Larkin Fine Art

Poets & Painters: A tribute to Dick Bett AM, Bett Gallery, Hobart

Collective Identity (IeS): This Is That Time, Lake Macquarie City Art Gallery

Australia; 200 Years of Australian Landscape Art, The Royal Academy of Arts, London

New Acquisitions in Context 2013, Museum of Contemporary Art, Sydney

Mémoires Vives; Une Historire De L’Arte Aborigène, Musée D’Aquitaine, Bordeaux

MCA Collection; Volume One, MCA, Sydney

The Wynne Prize (winner), Art Gallery of New South Wales, Sydney

Platform, Metro Arts (Jan Manton) Brisbane

GROUPS WHO, Roslyn Oxley9 Gallery, Sydney

Out of Australia, The British Museum, London

Atonement, Bega Valley Regional Gallery

Imitation of Life: Memory and Mimicry, Canberra Museum and Gallery

Forever Young: 30 Years of the Heide Collection, Heide Museum of Modern Art, Melbourne

Curious Colony: A Twenty-first Century Wunderkammer, Newcastle Region Art Gallery

When Nature Speaks, Arc One Gallery, Melbourne

One-off: an exhibition of anomalies from the artist's normal practice, Greenaway Art Gallery, Adelaide

Art Forum Berlin, with Roslyn Oxley9 Gallery, Sydney

Melbourne Art Fair, with Roslyn Oxley9 Gallery, Sydney

Australian Masters, Solander Gallery, Canberra

MCA Collection: New Acquisitions in Context, Museum of Contemporary Art, Sydney

Bushfire Australia, Tarrawarra Museum of Art, Melbourne

New Horizons: The Collection of the Ishibashi Foundation, Bridgestone Museum of Art, Tokyo

The John McCaughey Memorial Prize: 50 Years, National Gallery of Victoria, Melbourne

Summer '07 '08, Roslyn Oxley9 Gallery, Sydney, 21 November - 15 December

Poets Paint Words, Newcastle Region Art Gallery, 24 March - 17 June

Prelude 2008, Art One Gallery, Melbourne, 6 June - 7 July

Let's call it a living room, Museum of Contemporary Art, Taipei,Taiwan

Prism: Contemporary Australian Art, Bridgestone Museum of Art, Tokyo, Japan

2006 Clemenger Contemporary Art Award, National Gallery of Victoria, Melbourne, 24 August - 22 October

Zones of Contact: 15^th Biennale of Sydney, Museum of Contemporary Art, Sydney

Deborah Hart, 'Imants Tillers-One World Many Visions', artonview, Issue 46, Winter 2006, pp6-13

Imants Tillers, 'Imants Tillers discusses Terra incognita and Terra negata', artonview, Issue 46, Winter 2006, pp14-15

A Sense of Place, Tarrawarra Museum of Art, Yarra Valley, Melbourne

Pitch Your Own Tent: Art Projects / Store 5 / First Floor, Monash University Museum of Art, Melbourne

Unscripted: Language in Contemporary Australian Art, Art Gallery of New South Wales, Sydney

Shoosh! A History of the Campfire Group, Institute of Modern Art, Brisbane

A Partial View: Australian Art in the UWA Art Collection, Lawrence Wilson Art Gallery, Perth

Arts de la Table, ANU Drill Hall Gallery, Canberra

One Of: Festivus 04, Sherman Galleries, Sydney

ANU Art Collection: Acquisitions from the Last Ten Years, ANU Drill Hall Gallery, Canberra

Sharjah Project: Artcard, Sharjah Art Museum, United Arab Emirates

Shanghai Art Fair, Australian Art Resources, Melbourne

The Joseph Brown Collection, National Gallery of Victoria, Melbourne

Imants Tillers, John Nixon and Louise Forthun, Conny Dietzschold Gallery, Sydney

Landscape in Me: Windows on Australian Art, Museum and Art Gallery of the Northern Territory, Darwin

Bushfire, National Gallery of Victoria, Melbourne

Fieldwork, National Gallery of Victoria, Melbourne

Synergies: A Fusion Event, Australian National University, Drill Hall Gallery, Canberra

Austral-Asia Zero Three, Sherman Galleries, Sydney

Empathy: Beyond the Horizon, Artspace, Sydney

Intergrafia: World Award Winners Gallery, International Print Triennale, Krakow, Poland

MCA Unpacked II, Museum of Contemporary Art, Sydney

First Beijing International Art Biennale, Beijing, China (awarded Prize for Excellence)

Kunst Nach Kunst (Art After Art), Neues Museum Weserburg, Bremen, Germany, 18 August - 3 November

The Big River Show, Wagga Wagga Regional Art Gallery, NSW

Lines II, Fire-Works Gallery, Brisbane

Deeper Places, Casula Powerhouse, Sydney

Mindscapes, Newcastle Region Art Gallery, NSW

Discomfort, Fire-Works Gallery, Brisbane

MCA Unpacked, Museum of Contemporary Art, Sydney

Empatia (Empathy: Beyond the Horizon), Pori Art Museum, Pori, Finland

Southern Exposure: Centenary of Federation, Hazelhurst Regional Gallery and Arts Centre, Gymea, Sydney

Art Chicago 2001, Chicago, Illinois ARCO 01, Greenaway Art Gallery, Madrid

A Studio in Paris: Australian Artists at the Cité Internationale des Arts 1967–2000, S.H. Ervin Gallery, Sydney

Colin McCahon: A Time for Messages, National Gallery of Victoria, Melbourne

Osaka Triennale 2001: 10^th International Contemporary Art Competition, Contemporary Art Space, Osaka, Japan (awarded Silver Prize)

Bennett, Nain, Parr, Tillers, Sherman Galleries Goodhope, Sydney, 23 November – 21 December

7^th NICAF: International Contemporary Art Festival 2001 Tokyo, Tokyo International Forum, Chiyoda-ku, Tokyo, 28 March – 1 April

A Selection of Important Twentieth Century Australian and New Zealand Paintings, Martin Browne Fine Art, Potts Point 20 March – 22 April

Group Exhibition, Sherman Galleries Goodhope, Sydney, 28 February – 17 March

Art and Furniture, Charles Nodrum Gallery, Melbourne

Spitting and Biting: Ten Contemporary Artists and the Print, Monash University Gallery, Melbourne, 19 September – 28 October

Artists in Focus – Iconography: Traditions and Influence, Holmes à Court Gallery, Perth, June

Restricting the Palette: Colour and Land, Canberra School of Art Gallery, Canberra, 31 March – 6 May

Australian Latvian Artists’ Society, Latvian House, Strathfield, Sydney, summer exhibition, 25 March

From Appreciation to Appropriation: Indigenous Influences and Images in Australian Visual Art, Flinders Art Museum, Adelaide, 5 March – 16 April

The Rose Crossing: Contemporary Art in Australia, Sherman Galleries touring exhibition, Brisbane City Gallery, Brisbane, 8 September - 23 October 1999; Hong Kong Arts Centre, Hong Kong, 29 November - 20 December 1999; Singapore Art Museum, Singapore, 10 February - 28 March 2000

Cinderella's Gems: Art and the Intellectual Mission. 20th Century Australian Art Selected from University Collections in New South Wales, Macquarie University, Sydney, touring to regional galleries, Noosa, 26 March - 25 April 1999, Toowoomba, Orange, Mosman, Bathurst, Lismore, Tamworth, La Trobe, Mildura, Horsham, 22 August 1999- 1 October 2000

1999 Visy Board Art Prize, Richmond Grove Winery, Tanunda, South Australia

Parr, Sachs, Tillers, Young, Orange Regional Gallery, Orange

Snowy! Power of a Nation: 50 years of the Snowy Mountains Scheme, Powerhouse Museum, Sydney

WORD, Museum of Contemporary Art, Sydney, 9 September - 29 November

Home and Away: Contemporary Australian and New Zealand Art from the Chartwell Collection, Auckland Art Gallery Toi o Tamaki, Auckland, 4 June - 22 August

Art 1999 Chicago: at Navy Pier, Festival Hall, Navy Pier, Chicago, 7 May - 11 May

Cinco continentes y una ciudad, Museo de la Ciudad de Mexico, Mexico City, November 1998 – February 1999

Ways of Being, Ivan Dougherty Gallery, Sydney, 22 October – 21 November 1998, touring to regional galleries in New South Wales and Gold Coast City Art Gallery through 1999

Remanence: Melbourne Festival 1998, Former Melbourne Magistrates’ Court and City Watch House, Melbourne, 17 October – 1 November

Expanse: Aboriginalities, Spatialities and the Politics of Ecstasy, University of South Australia Art Museum, Adelaide, 4 September – 3 October

On the ashes of the stars … STÉPHANE MALLARMÉ a celebration, Monash University Gallery, Melbourne, 24 August – 26 September

Proscenium, Artspace, Auckland, 9 June – 4 July

Landscape, Charles Sturt University, Wagga Wagga

In Place (Out of Time): Contemporary Art in Australia, Museum of Modern Art, Oxford

The Real Thing, Museum of Modern Art at Heide, Melbourne

Coded, Waikato Museum and Art Gallery, Hamilton, New Zealand

Visy Board Art Prize, Barossa Vintage Festival, South Australia (awarded First Prize)

Power, Corruption and Lies, Institute of Modern Art, Brisbane

The Archibald Prize, Art Gallery of New South Wales, Sydney; Victorian Arts Centre, Melbourne (exhibited portrait of Murray Bail)

A Thing of Beauty Is, Museum of Contemporary Art, London

Tokyo International Art Festival, Tokyo International Forum, Tokyo

Mike Parr, Imants Tillers, John Young, Sherman Galleries Goodhope, Sydney

Anon, Sherman Galleries Goodhope, Sydney

Objects and Ideas: Reinventing Minimalism, Museum of Contemporary Art, Sydney

Spirit and Place: Art in Australia 1861-1996, Museum of Contemporary Art, Sydney, 21 November 1996 - 3 March 1997

Viewing an Era: Monash University Collection, Monash University Gallery, Melbourne

Greg Weight Artists' Portraits, Manly Art Gallery and Museum, New South Wales

12th Biennial Prints Acquisitive Exhibition, Mornington Peninsula Gallery, Victoria; Karyn Lovegrove Gallery, Melbourne

Imants Tillers, Tracey Moffatt, Dale Frank, Geoff Lowe, Karyn Lovegrove Gallery, Melbourne

Osaka Painting Triennale, Osaka Mydome, Osaka

Rosalie Gascoigne, Robert MacPherson, Jacky Redgate, Rover Thomas, Imants Tillers: Some works from their present and their past, National Gallery of Australia, Canberra

Perceptions and Perspective, Next Wave Festival, National Gallery of Victoria, Melbourne

The World Over/Under Capricorn: Art in the Age of Globalisation, City Gallery, Wellington; Stedelijk Museum, Amsterdam

Colonial Post Colonial, Museum of Modern Art at Heide, Melbourne

The John Kaldor Collection, Museum of Contemporary Art, Sydney

Systems End: Contemporary Art in Australia, Oxy Gallery, Osaka, 19 April - 19 May; Hakone Open-Air Museum, Tokyo, 31 May - 28 July; Dong-Ah Gallery, Seoul, 20 September - 16 October; Kaohsiung Museum of Fine Arts, Taiwan (with separate catalogue), November 1996

Exhibition of works on paper, Milburn Gallery, Brisbane

Atkins, Blackman, Borgelt, Firth-Smith, Jones, Lanceley, Mitelman, Parr, Partos, Storrier, Tillers, Guan Wei, Wolfhagen, Sherman Galleries Hargrave, Sydney, 30 August - 14 October

Text & Art, Logan Art Gallery, Logan City, Queensland, 19 May - 18 June

Smorgon Collection of Contemporary Art, Museum of Contemporary Art, Sydney

Australian Art 1940-1990. From the Collection of the National Gallery of Australia, The Museum of Fine Arts, Gifu, Japan, 28 July - 3 September

Baltic Presence, Latvian Centre, Strathfield, Sydney, 11 June - 17 July

The French Embrace, Alliance Francaise, Sydney, 14 June - 8 July

Australian Art: Colonial to Contemporary, Deutscher Fine Art, Melbourne, 19 May - 10 June

In Tandem, Sherman Galleries Goodhope, Sydney

Patrick Pound, Jacky Redgate, Imants Tillers, Milburn Gallery, Brisbane, 20 April - 6 May 1995

Seoul 600 International Art Festival, National Museum of Contemporary Art, Seoul, 16 December 1994 - 14 January 1995

Humanism and Technology: The Human Figure in Industrial Society, National Art Museum, Seoul, 16 December 1994 - 14 January 1995

Virtual Reality, National Gallery of Australia, Canberra, 10 December 1994 - 5 February 1995
Antipodean Currents: Ten Contemporary Artists from Australia, John F. Kennedy Center for Performing Arts, Washington, DC, 9-16 October 1994; Guggenheim Museum SoHo, New York, 21 June - 6 August 1995

25 Years of Performance Art in Australia, Ivan Dougherty Gallery, Sydney, 4 June - 16 July 1994; Institute of Modern Art, Brisbane, 4-27, August 1994; Perth Institute of Contemporary Arts, 17 November - 19 December 1994; Experimental Art Foundation, Adelaide, February-March 1995; Australian Centre for Contemporary Art, Melbourne, April-May 1995

Power Works - from the MCA Collection, Museum of New Zealand, Wellington, 19 February - 15 May 1994; Govett-Brewster Art Gallery, New Plymouth, 18 July - 4 September 1994; Waikato Museum of Art & History, Hamilton, 17 September - 13 November 1994; Dunedin Public Art Gallery, Dunedin, 11 February - 10 April 1995

Photosynthesis, Roslyn Oxley9 Gallery, Sydney, 18 November - 17 December

Sweet Damper and Gossip: Colonial Sightings from the Goulburn and North East, Monash University Gallery, Melbourne, 17 February - 26 March; Benalla Art Gallery, Benalla, 8 April - 8 May

Osaka Print Triennale, Mydome, Osaka, 28 November - 11 December 1994

Valsts, Soros Centre for Contemporary Arts, Riga, Latvia

Logan Art Award, Community Arts Centre, Kingston, Queensland

Fourth Australian Contemporary Art Fair, Royal Exhibition Building, Melbourne, 29 September - 2 October

Prime Television Painting Prize, Newcastle Region Art Gallery, Newcastle, 23 September - 23 October

The King's School Art Prize, The King's School, Sydney, 12 August - 14 August

Un/Peeled Art, Ballarat Fine Art Gallery, Ballarat, 29 July - 4 September

Faces of Hope: Amnesty International Art, Art Gallery of New South Wales, Sydney, 28 July - 10 August; auction 5 August

Virtuosi (limited edition print portfolio), Sherman Galleries Hargrave, Sydney, 30 March - 16 April

Identities: Art from Australia, Taiwan Museum of Art, Taipei, Taiwan, 11 December 1993 - 29 February 1994; Wollongong City Art Gallery, Wollongong, 29 April -5 June 1994

Collective Space: Works from the Monash University Collection, Monash University Gallery, Melbourne, 5 November 1993 - 12 February 1994

Looking at Seeing and Reading, Ivan Dougherty Gallery, Sydney, 1-31 July 1993; Institute of Modern Art, Brisbane, 31 March - 30 April 1994; Monash University Gallery, Melbourne, 19 May - 25 June 1994)

Osaka Painting Triennale '93, Osaka, Japan, 29 November - 11 December (awarded Grand Prize)

Arts Extraordinaire - The Cigar Box auction: for Accessible Arts, The ABC Centre, Ultimo, Sydney, 1-10 November

Dale Frank, Brent Harris, Mathys Gerber, Robyn Stacey, Imants Tillers, Karyn Lovegrove, Melbourne, 13 October - 13 November

Commitments, Institute of Modern Art, Brisbane, 9 September - 2 October; Artspace, Sydney

The Eye, Art Gallery of New South Wales, Sydney

Shaman Summer in Finland, Aineen Taidemuseo, Tornio, 1 June - 30 September

Imants Tillers, John Young, Dale Frank, Sherman Galleries Goodhope, Sydney

March, Michael Milburn Gallery, Brisbane, 10-27 March

Sight Regained, Ivan Dougherty Gallery, Sydney, 6-27 March

Installation and Objecthood, Martin Browne Fine Art, Sydney, 12 January; Michael Milburn, Brisbane, 2 April; Perc Tucker Regional Gallery, Townsville, June

Works on Paper, Michael Milburn Galleries, Brisbane

Sight Regained: Collaboration between Artists and Architects, Westpac Gallery, Melbourne

Inherited Absolute: Artists with Children, Australian Centre for Contemporary Art, Melbourne, 24 July - 23 August

20th Century Australian and New Zealand Painting, Martin Browne Fine Art at McDonald Street Galleries, Sydney

Domino 1: Collaborations between Artists, The University of Melbourne Museum of Art, Melbourne, 1 July - 15 August

The Selective Eye, Peter McCleavey Gallery, Wellington

The Living Mandala, Access Gallery, National Gallery of Victoria, Melbourne, 25 April - 11 May

Imants Tillers, Colin McCahon, Charles Tole, Peter McCleavey Gallery, Wellington

Distraction, Yuill/Crowley, Sydney, 5-29 February

Light Sensitive, Artspace, Sydney, 11 February - 6 March

Cologne Art Fair, Cologne

Opening Transformations, Museum of Contemporary Art, Sydney

41st Latvian Cultural Festival Art Exhibition, RSAS Gallery, Kintore, Adelaide, December 1991 - January 1992

Contemporary Art Archive Exhibition, Museum of Contemporary Art, Sydney

Contemporary Landscapes, Institute of the Arts, Deakin University, Geelong, 16 October - 22 November

Off the Wall/In the Air: A Seventies Selection, Monash University, Melbourne, 28 June - 10 August

Aberdare Art Prize, Ipswich City Council Regional Gallery, Ipswich, July (winner)

Preview Exhibition, Bess Cutler Gallery, Santa Monica

Porkkana Collection, The Museum of Contemporary Art, Helsinki

Selected Contemporary Australian Art, Deutscher Brunswick Street, Melbourne

Artists of the Gallery, Yuill/Crowley, Sydney, 23 February - 20 March

Tokyo International Art Show, Tokyo

Latvian Artists Side by Side, Australia Council, Canberra, 26 December 1990 – 19 February 1991

Art from Australia: Eight Contemporary Views, Gedung Seni Rupa Nasional, Jakarta, 30 Aug – 16 Sept 1990; National Art Gallery, Bangkok, 4 October 1990; Metropolitan Museum of Manila; National Art Gallery, Kuala Lumpur, April 1991; National Gallery, Singapore, June 1991

Osaka Painting Triennale ’90, Mydome Osaka, Osaka

Inland: A Spatial Heritage, Australian Centre for Contemporary Art, Melbourne, 1 November – 2 December

Conventional Practice: Still Life & The Model, from the Twenties to Tillers, Robyn Brady Pty Ltd at D.C. Art, Woollahra, Sydney, 6 October – 13 October

À rebours, Yuill/Crowley, Sydney, 5 September – 29 September

Shifting Parameters: Australian Artists Who Employ Photographic Images and Techniques in Their Prints, Queensland Art Gallery, Brisbane

Fakes, Galerie Nikolaus Sonne, Berlin

Artists for Greenpeace, Linden Gallery, St Kilda, Melbourne, 18 July – 29 July

Art with Text, Monash University Gallery, Melbourne, 10 July – 18 August

Latvian Art, National Art Gallery, Riga, 30 June – 6 October

L’été Australien à Montpellier, Musée Fabre, Montpellier, 30 June – 13 September

Australian Contemporary Art Fair, Royal Exhibition Buildings, Melbourne, 21–24 June

Fluctua, Art Dock, Noumea, New Caledonia, 8 June – 8 July

The Complex Picture: Australian Painting in the 1980s, College Gallery, South Australian College of Advanced Education, Adelaide, 22 February – 18 March

Balance 1990: Views, Visions, Influences, Queensland Art Gallery, Brisbane, 22 February – 29 April

Artists of the Gallery, Yuill/Crowley, Sydney, 21 February – 17 March

Institute of Contemporary Arts, Sotheby’s Benefit Auction, Nigel Greenwood Gallery, Marlene Eleni, Nicola Jacobs, Victoria Miro, London, 17–18 February

Strange Harmony of Contrasts, Roslyn Oxley9, Sydney, 24 January – 10 February; Canberra School of Art Gallery, Canberra, 22 March – 14 April

Information, Terrain Gallery, San Francisco, 4 January – 3 February

The Archibald Prize, Art Gallery of New South Wales, Sydney, 15 December 1989 - January 1990

Yuill/Crowley, Sydney, 4-22 November

Porkkana Collection, The Old Student House, Helsinki; Titanik Galeria, Turku; The Art Museum of Hyvinkaa; The Art Museum of Mikkeli; The Art Museum of Kuopio

Freestyle: Australian Art 1960s to Now, National Gallery of Victoria, Melbourne

Artists' Flowers, Ballarat Fine Art Gallery, Ballarat

ICI Contemporary Art Collection, Ballarat Fine Art Gallery, Ballarat, (touring)

Modern Muses: Classical Mythology in Australian Art, S.H. Ervin Gallery, Sydney

`Captive Nations Council of N.S.W. 25th Anniversary'. Commonwealth Savings Bank Head Office, Martin Place, Sydney, 23 August - 1 September

Installation #2: The Skin Area, 200 Gertrude Street, Melbourne

American Pi(e), Bess Cutler Gallery, New York, 29 June - 28 July

Edge to Edge: Australian Contemporary Art to Japan, National Museum of Art, Osaka; Hara Museum of Contemporary Art, Tokyo, 23 October 1988; Nagoya City Art Museum, Nagoya, 20 February - 25 March 1989; Hokkaido Museum of Modern Art, Sapporo

Images of Religion in Australian Art, National Gallery of Victoria, Melbourne

The Archibald Prize, Art Gallery of New South Wales, Sydney; Westpac Gallery, Melbourne

After McCahon: Some Configurations in Recent Art, Auckland City Art Gallery, Auckland

Australian Art Post 1960, Deutscher Gertrude Street, Melbourne

Pro Museum of Contemporary Art Collection in Finland, Vanhan Galleries, Helsinki

Italo Scanga, Imants Tillers, Robin Winters, Dorothy Goldeen Gallery, Los Angeles

Federation Pavilion, Yuill/Crowley, Sydney, 24 August - 14 September 1988

Yuill/Crowley, Sydney, 22 July - 17 August 1988

A Changing Relationship: Aboriginal Themes in Australian Art 1938-1988, S.H. Ervin Gallery, Sydney, June-July 1988

Redux: Michael Bidlo, Sherrie Levine, Doug Huebler, Phillip Taaffe, Richard Pettibone, Imants Tillers, Maloney Gallery, Los Angeles

Australian Biennale: From the Southern Cross, Art Gallery of New South Wales, Sydney, 19 May 1988, National Gallery of Victoria, Melbourne

Stories of Australian Art, Commonwealth Institute, London

Advance Australian Painting, Auckland City Art Gallery, Auckland; National Art Gallery, Wellington

Creating Australia: 200 Years of Art 1788-1988, Queensland Art Gallery, Brisbane; Art Gallery of Western Australia, Perth; Art Gallery of New South Wales, Sydney, 21 October - 27 November 1988; Tasmanian Museum and Art Gallery, Hobart; National Gallery of Victoria, Melbourne; Art Gallery of South Australia, Adelaide)

The Australian Bicentennial Perspecta, Art Gallery of New South Wales, Sydney, 14 October - 29 November 1987; Art Gallery of Western Australia, Perth, 5 March - 17 April 1988; Frankfurter Kunstverein, Frankfurt, September 1997 - October 1988; Wurttembergische Kunstverein, Stuttgart, March - April 1989

The Loti and Victor Smorgan Collection of Contemporary Australian Art, Australian Centre for Contemporary Art, Melbourne

Heroics: A Critical View, Walter Philips Gallery, The Banff Centre, School of Fine Arts, Banff, Alberta, Canada

Hybrid Products, S.L. Simpson Gallery, Toronto

What is this Thing called Science?, University Gallery, The University of Melbourne, Melbourne

In Print vol. 1 Artists' Books, Power Gallery of Contemporary Art, The University of Sydney, Sydney

Field to Figuration: Australian Art 1960-1986, National Gallery of Victoria, Melbourne

Contemporary Australian Art, Museum of Modern Art, Saitama, Japan

Painters and Sculptors: Diversity in Australian Art, Queensland Art Gallery, Brisbane

Art and the West, Art Gallery of New South Wales, Sydney

Avant Garde in the Eighties, Los Angeles County Museum, Los Angeles, 23 April - 12 July

State of the Art, Institute of Contemporary Arts, London

`New Concept' and the will to Misfit: Modern Art since 1984, Nexus Contemporary Arts Center, Atlanta, Georgia

Five Years On: A Selection of Aquisitions 1981-1986, Art Gallery of New South Wales, Sydney

Group Show, Stavaridis Gallery, Boston

When Attitudes Become Form, Bess Cutler Gallery, New York (with Richard Artschwager, Jennifer Bolande, Steven Parrino, Allen Ruppersburg, Philip Taaffe, Julia Wachtel and others)

Investigations, McIntosh-Drysdale, Washington, DC

6th Biennale of Sydney: Origins, Originality and Beyond, Art Gallery of New South Wales, Sydney

Contemporary Issues III: Works from the Collection of Robert and Nancy Kaye, Holman Hall Art Gallery, Trenton State College, New Jersey

How much beauty can I stand?, Australian Centre for Contemporary Art, Melbourne

Pharmakon, Yuill/Crowley, Sydney

Seeing is Believing: Travelling Art Exhibition 1985, Art Gallery of New South Wales, Sydney

Still Life, Art Gallery of New South Wales, Sydney

Little Works by Big Thinkers, Bess Cutler Gallery, New York

Group Show, Svetlana Achatz, Munich

Dot and Circle: A Retrospective Survey of the Aboriginal Acrylic Paintings of the Western Desert, Royal Melbourne Institute of Technology Gallery, Melbourne

Two Worlds Collide: Cultural Convergence in Aboriginal and White Australian Art, Artspace, Sydney

Visual Tension, Australian Centre for Contemporary Art, Melbourne; Institute of Modern Art, Brisbane

Production: Re-Production, Gallery 345, New York

New Work, Bess Cutler Gallery, New York

Architectura Picta, Ewing and George Paton Gallery, The University of Melbourne, Melbourne

Synthetic Art, Harm Bouckaert Gallery, New York

Drawing Sex, Yuill/Crowley, Sydney

Accents/Expressions, The Corcoran Gallery of Art, Washington, DC

An Australian Accent: Three Artists from Australia, P.S.1, New York, 15 April - 10 June; Art Gallery of Western Australia, Perth; Art Gallery of New South Wales, Sydney

Form> Image> Sign: Survey of Contemporary Art, No. 3, Art Gallery of Western Australia, Perth

Animal Imagery, Ballarat Fine Art Gallery, Ballarat

Tribute to Mervyn Horton, Art Gallery of New South Wales, Sydney

George Baldessin: Sculpture and Etchings: A Memorial Exhibition, National Gallery of Victoria, Melbourne

Artists' Books, Artspace, Sydney

Mattara Purchase Prize, Newcastle Art Gallery, Newcastle

The Ciminiera, n-space, Sydney

VOX POP: Into the Eighties, National Gallery of Victoria, Melbourne

Recent Australian Painting: A Survey 1970-1983, Art Gallery of South Australia, Adelaide

The Life of Energies, Artspace, Sydney

Minimalism x Six, Institute of Modern Art, Brisbane

Tall Poppies: An Exhibition of Five Pictures, University Gallery, The University of Melbourne, Melbourne

'Masterpieces': Out of the Seventies, Monash University Gallery, Melbourne

Project 40: Australian Artists at Venice and Kassel, Art Gallery of New South Wales, Sydney

3 Offset Attitudes, Sydney City Library, Sydney

Art in the Age of Mechanical Reproduction, Ewing and George Paton Gallery, The University of Melbourne, Melbourne

The Temple of the Winds, n-space at The Temple of the Winds, Royal Botanic Gardens, Melbourne

Documenta 7, Kassel, West Germany

Popism, National Gallery of Victoria, Melbourne

Eureka! Artists from Australia, Serpentine Gallery, London; Institute of Contemporary Arts, London

The Beacon, n-space at Cremorne Point, Sydney

Three Rejected Entries: Wynne, Sulman and Archibald Prizes, Art Projects, Melbourne

John McCaughey Memorial Prize (winning entry), National Gallery of Victoria, Melbourne

Australian Perspecta 1981: A Biennial Survey of Contemporary Australian Art, Art Gallery of New South Wales, Sydney

Australian Art in Prints, Queen Victoria Museum and Art Gallery, Launceston

Avago 1980, Experimental Art Foundation, Adelaide

3rd Biennale of Sydney: European Dialogue, Art Gallery of New South Wales, Sydney

The Work and its Context, Australian Embassy, Paris

Roadshow Exhibition 1: Works on Paper, Regional Development Program, touring regional galleries in New South Wales

Artists' Books: Book Works, Ewing and George Paton Gallery, The University of Melbourne, Melbourne; Experimental Art Foundation, Adelaide; Institute of Modern Art, Brisbane; Franklin Furnace, New York

Sets, Series, Sequences, Watters Gallery, Sydney

Watters at Pinacotheca, Pinacotheca, Melbourne

Post-Object Art in Australia and New Zealand, Experimental Art Foundation, Adelaide

Conversations with the Bride, South American tour of Australian works in Bienal de São Paulo

13th Bienal de São Paulo, Brazil

Phillip Morris Arts Grant, National Gallery of Victoria, Melbourne

The Wynne Prize, Art Gallery of New South Wales, Sydney

Ten Years, Watters Gallery, Sydney

Artists for Whitlam, Hogarth Galleries, Sydney

Boxes, Ewing and George Paton Gallery, The University of Melbourne, Melbourne

Gifts from Patrick White, Art Gallery of New South Wales, Sydney

Recent Australian Art, Art Gallery of New South Wales, Sydney.

Sculpturescape '73 (Fifth Mildura Sculpture Triennial), Mildura Arts Centre, Mildura

Object and Idea: New Work by Australian Artists, National Gallery of Victoria, Melbourne

The Joe Bonomo Show: A Show of Strength), Watters Gallery, Sydney

Contemporary Art Society Annual Art Exhibition, The Blaxland Gallery, Sydney

(joint winner, Hunter Douglas Prize)

Young Contemporaries Exhibition, Central Street Gallery, Sydney

Young Contemporaries Exhibition, The Blaxland Gallery, Sydney

Open Wide, Contemporary Art Society, Central Street Gallery, Sydney

Contemporary Art Society Annual Exhibition, The Blaxland Gallery, Sydney

Wrapped Coast, one million square feet, Little Bay, Australia, with Christo, Sydney

Wynne Prize, Art Gallery of New South Wales, Sydney (finalist)

Award of Honour, Kulturas Fonda, the World Association of Free Latvians

Winner of the Gold Award, Rockhampton Art Gallery

Winner of the Wynne Prize for landscape painting, Art Gallery of New South Wales

Finalist of the Archibald Prize for portraiture, Art Gallery of New South Wales

Winner of the Wynne Prize for landscape painting, Art Gallery of New South Wales

Doctor of Letters (Honoris Causa), University of New South Wales, Sydney

Prize for Excellence, First Beijing International Art Biennale, China

Silver Prize, Osaka Triennial 2001, Osaka, Japan

First Prize, 1999 Visy Board Art Prize, Barossa, South Australia

Lowenstein Sharp Arts 21 Fellowship, Melbourne

Bronze Prize, Osaka Painting Triennial, Osaka Triennial, Osaka

SCEGGS Redlands Inaugural Prize, Sydney

Sakai City Prize, Osaka Print Triennial, Osaka Triennial, Osaka

First Prize, Prime Television Painting Prize, Newcastle Region Art Gallery, NSW

Grand Prize, Osaka Painting Triennial, Osaka Triennial, Osaka

First Prize, Aberdare Art Prize, Ipswich City Council Regional Gallery, Ipswich

First Prize, John McCaughey Memorial Prize, National Gallery of Victoria, Melbourne

Avenue of Remembrance, tapestry commissioned by The Australian War Memorial in 2014 to commemorate the centenary of the Gallipoli campaign

Hymn to Sydney, commissioned by Dexus CPA Trust Pty Ltd and Cbus Property, 5 Martin Place, Sydney

The Attractor and Eight Women, Overflow Park, Sydney Olympic Park, NSW (collaboration with Alec Tzannes)

Terrain I and Terrain II, Westin Hotel, Melbourne

Founding Donors Commission, entrance lobby, Museum of Contemporary Art, Sydney

The Dome of the Federation Pavillion, Centennial Park, Sydney (collaboration with Alec Tzannes)

Elita Ansone & Mark Ledbury (eds), Journey to Nowhere, (exh. cat.), Latvian National Muse-um of Art: Riga and Power Publications: Sydney, 2018 (forthcoming)

Imants Tillers, Credo (working title), Giramondo Publications, Sydney, 2018 (forthcoming)

The Long Poem, exh. cat. Lawrence Wilson Art Gallery, University of Western Australia, Perth

Deborah Hart, Imants Tillers: one world many visions, Canberra: National Gallery of Australia, 2006

Christine Nicholls, 'Prism-Contemporary Art in Australia', Prism; Contemporary Australian Art Exhibition Cat, Bridgestone Museum of Art, Tokyo, Japan, pp 134-146

Graham Coulter-Smith, The postmodern art of Imants Tillers: appropriation 'en abyme', 1971 - 2001, London: Fine Art Research Centre, Southampton Institute and Paul Holberton Publishing, 2002

Wystan Curnow, Imants Tillers and the `Book of Power', Sydney: Craftsman House, 1998

Imants Tillers, ‘Credo: Selected Essays’, Giramondo Publishing Company, 2022

Tony Magnusson, 'Studio Visit - Imants Tillers', Look Magazine, Nov-Dec 2019, pp. 66 - 70

Katrina Chapman, 'Journey to Nowhere: The Surprising World of Imants Tillers,' Eyeline, number 89 2018, pp. 66 - 72

Ian McLean, 'Imants Tillers Journey to Nowhere', ArtLink, 13 August 2018

Alice Walker, 'Australian artist Imants Tillers embraces his Latvian roots in major exhibition in Riga', ABC Arts News, 11 Aug 2018

Linda Morris, 'No Longer Invisble - Bringing Australian Art to the TATE Modern', Sydney Morning Herald, 3 April 2018

Simon Wright, 'A Meeting of Minds,' Artlines, issue 2 2018, pp. 52 - 53

Ingrid Periz, 'On The World Stage,' Ingrid Periz, Art Collector, issue 83 Jan-Mar 2018, pp 84 - 85

Ingrid Periz, 'Review: The Skullbone Experiment: A Paradigm of Art and Nature, Feral Experimental: New Design Thinking,' UNSW Galleries, Sydney, Eyeline, Number 82, 2015

Patrick McCaughy, 'Strange Country: Why Australian Painting Matters', Miegunya Press, 2014

Dylan Rainforth, 'Imants Tillers Wins Gold Award', Art guide, Australia, online, 7 July 2014.

Sasha Grishin, 'Australain Art: A History', The Miegunya Press, Melbourne University Publishing, 2014, pp428, 479, 490, 497.

Adrian Newstead and Ruth Hessey, The Dealer is the Devil: An insider's history of the Aboriginal art trade, Brandl and Schlesinger, Blackheath, New South Wales, 2014, pp 220, 284, 325.

Betty Churcher, Australian Notebooks, The Miegunyah Press, Melbourne University Publishing, 2014, pp 13, 173-176, 177-178,

Tanya Buchanan, Topic of Capricornia, Belle Magazine, Aug/Sept 2014, pp 188 -192.

Dreamings: Australian Aboriginal Art meets De Chirico, Museo Carlo Bilotti, Rome, Sorello/Missina Collection, Rome, 2014, pp 117 - 138.

Ron Radford (ed.) , Terra Incognita, National Gallery of Australia Collection Highlights, Canberra, 2013, pp 169.

John McDonald, ‘More than face value’, The Sydney Morning Herald, Visual Art, Spectrum, April 20-21, 2013, pp12.

John McDonald, ‘Outlook leaves much to be desired in this artistic landscape’, The Sydney Morning Herald Newspaper, 2013, September 19, pp 6.

Christopher Allen, ‘Encounters with nature’, The Weekend Australian Newspaper, Review, 2014, August 16-17, pp 10-11.

Christopher Allen, ‘A shifting canvas: 50 years of Australian visual arts’; ‘Ten artists of the era’, The Australian Newspaper, 2013, June 22-23.

Mémoires Vives; Une Historire De L’Arte Aborigène, Musée D’Aquitaine, Bordeaux, 2013

Exhibition: The Archibald Prize, The Australian Newspaper, Arts, 2013, March 22.

Christopher Allen, ‘Portraiture that looks like a snap to paint’, The Australian Newspaper, Arts, 2013, March 15, pp 15.

Elena Guarracino, ‘Local artist finalist in Archibald Prize’, Cooma-Monaro Express Newspaper, 2013, March 14, pp 4.

‘Imants Tillers interviewed by Helen Hughes’ in Helen Hughes and Nicholas Croggon (ed.s) Impresario: Paul Taylor, The Melbourne Years, 1981 – 1984, Surpllus, Monash University Museum of Art, 2013, pp 241-244.

Betty Churcher and Lucy Quinn, Nature Speaks: AT in Treasures of Canberra, Halstead Press, Canberra, 2013, pp 106 – 107.

Daniel Thomas, Elizapethan Post-Colonial 1950-2013 in ‘Australia’, Royal Academy of Arts, London, 2013, pp 226 – 288

Graham Coulter Smith, “Imants Tillers' canvasboard works as a holistic system”, MCA Collection: Volume One, (Sydney: MCA, 2001)

Sasha Grishin, “A real life study in contrasts”, Canberra Times, August 29, 2012.

Helen Hughes, 'Review: Michael Nelson Jagamara and Imants Tillers', Frieze, Issue 151, October- November, 2012

Bridget Cormack, 'The Ethics of Cultural Borrowing', The Australian, December 18

Zubin Kanga, 'Seven composers, from emerging to venerable, each with a unique voice', The Sydney Morning Herald Newspaper, Arts & Entertainment, August 20 2012, pp 14.

Christopher Allen, 'Oh no, not you again', The Weekend Australain Review, Visual Arts, April 21-22 2012, pp12-13.

Beckett Rozentals, Imants Tillers pp 196-197 in Kelly Gellatly (ed.) 101 Contemporary Australian Artists, The Council of Trustees of the National Gallery of Victoria, Melbourne, 2012, pp 6-7.

Andrew Hugill, 'Pataphysics: A Useless Guide, The MIT Press, Cambridge, London, 2012.

Lucy Moore, Imants Tillers: Pure Beauty, in Ewen McDonald (ed.) Site, Museum of Contemporary Art, Sydney, 2012, pp 41 - 47.

Graham Coulter Smith, “Imants Tillers' canvasboard works as a holistic system”, MCA Collection: Volume One, (Sydney: MCA, 2001)

Ian McLean (ed), 'How Aborigines Invented the Idea of Contemporary Art', Institute of Modern Art, Brisbane and Power Publishing Sydney, 2011, pp 40-41, 46, 49-55, 64, 67-68, 105, 133, 159, 212, 219-220, 263, 264, 266, 269-271, 273-277, 302, 317, 319, 338.

Terry Smith, Contemporary Art: World Currents, Lasurence King Publishing, London, 2011

Stephen Jones, Synthetics: Aspects of Art and Technology in Australia 1956 - 1975, Massachusetts Institute of Technology, Cambridge, USA, 2011

Peter Hill, “Imants Tillers”, Australian Art Collector, Issue 56, Sydney 2011

Stephen Farthing (editor), Art: The Whole Story, Thames and Hudson, London, 2010

Ian McLean, “9 shots 5 stories: Imants Tillers and Indigenous difference”, Art Monthly, Issues 228 and 229, Sydney, April and May 2010.

John Barret Lennard, 'Imants Tillers-Written on the Land', Art and Australia, Issue 48 No. 10, Spring, 2010, pp100-111

'Favourite things: Marah Braye, CEO, Biennale of Sydney', The Sydney Morning Herald, Good Weekend, May 8 2010, p31.

John McDonald, `Breaking down the invisible walls', The Sydney Morning Herald Newspaper, The Critics, pp14-15.

Joan Kerr, A Singular Voice: Essays on Australian Art and Architecture, Power Publications, Sydney, 2009, p. 117

John Barrett-Lennard, A Partial View: The University of Western Australia Art Collection, Laurence Wilson Gallery and The University of Western Australia, Perth, 2009, p.121

Terry Smith, “Wrapped Up in Art”, The Sun-Herald, November 1, 2009, p.8

Deborah Hart, “Imants Tillers”, in William McAloon (ed), Art at Te Papa, Te Papa Press, Wllington, 2009, p. 299

Harriet Edquist, George Baldessin: Paradox & Persuasion, Australian Galleries with the Estate of George Baldessin, Melbourne, 2009, p. 15, 172, 185-93, 209, 225

Tony Godfrey, Painting Today, Phaidon, London, 2009, p. 439, 414-415, 76, 82.

Sophie Forbat (ed), 40 Years: Kaldor Public Art Projects, John Kaldor, Sydney, 2009, p. 144-53, 20, 26, 41, 44, 64.

Ric Spencer, “Spaces to engulf the eye” The West Australian, February 20, 2009.

Ashley Crawford, “The Shock of the Independent; Imants TIllers and Tony Clark in Melbourne”, Art Monthly Australia, No. 209, May 2008, pp 17-20

Ian Mclean, “9 Shots 5 Stories; Imants Tillers and Indigenous Difference”, Art Monthly, No 228, April 2009, 13-16

Shimada Norio, New Horizons: The Collection of the Ishibashi Foundation, Bridgestone Museum of Art, Tokyo

Australian Latvian Artists, Australian Latvian Artists Association, Sydney

Jake Townsend, 'Cultural Impressions', Aston Martin Magazine, Issue 4 Spring 2008, London

Maudie Palmer (ed.), Encounters with Australian Modern Art, Macmillan Publishers, Melbourne and Hermann Éditeurs, Paris

Ron Radford (ed.), Collection Highlights, National Gallery of Australia, Canberra

Ashley Crawford, 'The Shock of the Independent: Imants Tillers and Tony Clark in Melbourne,' Art Monthly Australia, number 209, pp.17-20

Lynne Seear and Julie Ewington, Brought to Light II: Contemporary Australian Art 1966 - 2006 from the Queensland Art Gallery Collection, Queensland Art Gallery Publishing, Brisbane

Sonia Payes, Untitled: Portraits of Australian Artists, Macmillan Art Publishing, Melbourne

Laura Murray Cree (ed.), Twenty: Sherman Galleries 1986 - 2006, Craftsman House, Melbourne

John MacDonald, Studio: Australian Painters on the Nature of Creativity, R. Ian Lloyd Productions, Singapore.

Bernard Smith, The Formalesque: A Guide to Modern Art and its History, Macmillan Publishers, Melbourne.

Anthony Bond and Wayne Tunnicliffe (eds), Contemporary: Art Gallery of New South Wales Contemporary Collection, Art Gallery of New South Wales, Sydney

Michael Fitzgerald, “Both Sides Now”, Time Magazine, 30 October 2006, pp. 64 - 66.

Prism: Contemporary Australian Art, Bridgestone Museum of Art, Tokyo, 2006

Charles Merewether, 2006 Sydney Biennale: Zones of Contact, Sydney: Biennale of Sydney, 2006

Sarah Thomas, “Imants Tillers: The Unpromised Land”, Clemenger Contemporary Art Award, Melbourne: National Gallery of Victoria, 2006, p. 23.

John McDonald, “From Japan with love”, Sydney Morning Herald, 16 - 17 September 2006, pp. 16 - 17 (Arts & Entertainment Section).

Michael Eather (ed), Shoosh!: the history of the Campfire Group, Fortitude Valley: Institute of Modern Art, 2005

Caroline Turner (ed.), Art and Social Change: Contemporary Art in Asia and the Pacific, Pandanus Books, Canberra, 2005

Leta Keens & Jean Wright, `Mountain frame', Belle Magazine, April-May 2005, pp. 108-111

Ivor Indyk, 'Imants Tillers' expresstionism', in Transmissions from here and there - works by Imants Tillers, Melbourne: Monash University Museum of Art, 2004.

Alan Cruickshank, 'Fragmented and fabricated: A biennial of what?', Broadsheet, June - August 2004, vol. 33, no. 2, pp. 14-15

Ann Stephen (introduction), 'Ian Burn and Imants Tillers in conversation', Art Monthly Australia, no. 159, May 2003, pp. 16-19

Peter Hill, 'The timing is appropriate', Spectrum, The Sydney Morning Herald, 10-11 May 2003, pp. 12-13

John Kavanagh, 'Tillers sampler, with wit and mischief', Business Review Weekly, 8-14 May 2003, p. 89

'A serious crush on high-powered art', The Sydney Morning Herald, 26-27 April 2003, p. 18

'the week's best', Metro, The Sydney Morning Herald, 2-8 May 2003

Daphne Guinness, 'Chance and the art of paradox', Spectrum, The Sydney Morning Herald, 18-20 April 2003, p. 3

Howard Morphy, 'Imants Tillers and the dislocation of the avant-garde', in Howard Morphy and Nigel Lendon (eds), Synergies, exhibition catalogue, The Australian National University Drill Hall Gallery, Canberra, 2003, pp. 43-50

Anna Gray (ed), Australian art in the National Gallery of Australia, Canberra: National Gallery of Australia, 2002

Ian North, 'Imants Tillers and positive value', Artlink, vol. 21, no. 4, 2002

Lenny Ann Low, 'Size does matter', The Sydney Morning Herald, 15-16 June 2002

Katrina Schwarz, 'Art as Theatre', Reviews, Monument, 46, February-March 2002

Benjamin Gennochio, 'The reign in Spain', The Weekend Australian, 2-3 February 2002

Charles Green (ed.), Postcolonial + art: where now?, Sydney: Artspace Visual Art Centre, 2001.

Andrew Sayers, Australian Art, Oxford History of Art Series, Oxford University Press, Oxford, 2001

Helen Armstrong, 'Shifting meaning: Multicultural Sydney's public realm', in Elizabeth Mossop and Paul Walton (eds), City Spaces: Art and Design, Craftsman House, Sydney, 2001

Martin Kemp (ed.), The Oxford History of Western Art, Oxford University Press, Oxford, 2000

Nicholas Thomas, Possessions: Indigenous art/colonial culture, London: Thames and Hudson, 1999

James, Bruce, ‘Tillers goes bush’, The Sydney Morning Herald, 5 June 1999

Benjamin Genocchio, ‘Grid tease from the Tillers man’, The Australian, 4 June 1999

Reid, Michael, ‘Bird-fanciers expected to flock to exhibition’, The Australian, 24–25 April 1999, p. 4

Dutkiewicz, Adam, ‘Democratic success’, The Advertiser, 14 April 1999

‘Visy Board Art Prize’, The Leader, 31 March 1999

Millard, Russell, ‘Lightning visit worth $40,000’, The Advertiser, 29 March 1999

Katrina Strictland, ‘Work for labour’s sake’, The Australian, 26 March 1999, p. 18

Andrew Frost, ‘Australia’s 50 most collectable artists’, Australian Art Collector, January–March 1999

Ian North, Expanse: aboriginalites, specialities, and the politics of ecstasy, Adelaide: University of South Australia Art Museum, 1998.

Stephen Radok, ‘The figure ground relationship’, Art Monthly Australia, 1998

Leon Paroissien, ‘The Book of Power’, Art and Australia, vol. 36, 1998

Tom Middlemost and Mary Eagle, Landscape, exhibition catalogue, Charles Sturt University, New South Wales, 1998

Helen Greenwood, ‘A love of objects from the exotic to the everyday, dictated the style of this Rose Bay house’, Sydney Morning Herald, 8 October 1998

Peter Wood, ‘Homing in on explorations of identity and landscape’, The Australian, 2 October 1998

Joanne Harris, ‘Merging pragmatism with spirituality’, The Advertiser, 12 September 1998

Joyce Morgan, ‘A brush with greatness’, The Sydney Morning Herald, 3 April 1998

John McDonald, 'Notes from the margin', The Sydney Morning Herald, 14 February 1998

Joanna Mendelssohn, 'Cerebral copies: The power of Imants Tillers in 50,000 pieces',

The Weekend Australian, 31 January – 1 February 1998

Michael Newman, ‘Imants Tillers’ in In place (our of time): contemporary art in Australia, Oxford: Museum of Modern Art, 1997.

Christopher Allen, Art in Australia: From Colonisation to Postmodernism, Thames & Hudson, London, 1997

Michael Archer, Art since 1960, Thames & Hudson, London, 1997

Jason Smith, ‘The John McCaughey Memorial Art Prize 1997’, Gallery, December 1997 – January 1998

Myfanwy Warhurst, 'Mid-career in high country', The Age, Melbourne, 12 December 1997

Robyn Usher, ‘Artsbeat: McCaughey Prize’, The Age, Melbourne, 2 December 1997

Dixie Gibson, 'Artist honours Monaro, Snowy', Cooma–Monaro Express, 27 November 1997

Lauren Hill, ‘Eight who have designs on city’, The Sydney Morning Herald, 21 November 1997

Robert Rooney, The Australian, 21 November 1997

Ben Hopkinson, 'Cash to “forgotten” artist', Diamond Valley News, 19 November 1997

Ben Hopkinson, 'Not so young at art but full of ideas', Doncaster Templestowe News, 19 November 1997

Maria Prerauer, 'Where art meets industry', The Bulletin, 18 November 1997

'High country work rewarded', The Bendigo Advertiser/Weekender, 15 November 1997

Susan McCulloch, 'More than land for Tillers's brush', The Australian, 14 November 1997

Rebecca Lancashire, 'Heading for the hills', Metro Arts, The Age, Melbourne, 11 November 1997

Helen Musa, 'Country project wins city approval', The Canberra Times, 11 November 1997

Damien Woolnough, 'Alpine lover's triumph', Herald Sun, 11 November 1997

'Artists in line for a $40,000 fellowship', The Bendigo Advertiser/Weekender, 8 November 1997

Usher Robin, 'Artists shortlisted', Metro Arts, The Age, Melbourne, 5 November 1997

Morgan Joyce, 'Yen for the big league', The Sydney Morning Herald, 31 October 1997

Susan McCulloch, 'No boundaries in our sense of space', The Weekend Australian, 2–3 August 1997

Judith White, ‘Australia’s most wanted’, Australian Art Collector, issue 1, July–September 1997

Giles Auty, 'Exuberance truncated', The Weekend Australian, 19–20 July 1997

'Exhibit eh? How selling art to Asia raised eyebrows in Sydney', Metro, The Sydney Morning Herald, 16 May 1997

Rex Butler (ed), What is appropriation?: an anthology of crital writings on Australian art in the `80s and `90s, Sydney: Power Institute of Fine Arts and Institute of Modern Art, Brisbane, 1996

Angela Bennie, 'Spirit and Place', Spectrum, The Sydney Morning Herald, 23 November 1996

Akihiko Takami, 'Compounding Australian identity', Bijutsu-Techo, August 1996

The Twentieth Century Art Book, Phaidon, London, 1996

Tamaki Harada, 'Probe into the present contemporary art in the southern hemisphere', Mainichi Gravure Amuse, no. 14, 24 July 1996

Joanna Mendelssohn, 'Perennial exile comes home at last', The Australian, 11 July 1996

Miki Yoda, 'Strong aspect of multicultural society', The Sankei Shimbun Newspaper, 7 July 1996

T. J. McGuire, 'Down under Asia', Asahi Evening News, 27 June 1996

Neilton Clarke, 'Beginning at the end', The Daily Yomiuri, 7 June 1996

Chris Ashton, 'Off again, on again', The Bulletin, 16 April 1996

Charles Green, Peripheral vision: contemporary Australian Art 1970 - 1994, Sydney: Craftsman House, 1995

Antipodean currents: ten contemporary artists from Australia, New York: Guggenheim Museum, 1995.

Miriam Cosic, 'To all foreigners: We have art as well as outback', The Sydney Morning Herald, 28 October 1995

Sonya Voumard, 'Imants: At last in control of his destiny', The Sydney Morning Herald, 29 August 1995

John McDonald, 'Tillers's white nights', The Sydney Morning Herald, 8 July 1995

Pepe Karmel, 'Antidotes for a cartoonish image', The New York Times, 23 June 1995

'Australian art in Japan', Tomodachi, December 1994 - January 1995

'Imants Tillers wins prestigious award', Flash Art News, May-June 1994, p. 54

Elwyn Lynn, 'Caught in the moment', Review, The Weekend Australian, 21-22 May 1994

'Imants Tillers' (article in Japanese), Nichigo Press, May 1994

Artnotes, 'Tillers wins Osaka Prize', Art Monthly Australia, March 1994

Anne Marsh, Body and self: performance art in Australia 1969 - 1992, Melbourne: Oxford University Press, 1993.

Deborah Hart, Identities: Art from Australia, Taipei: Taipei Fine Arts Museum and University of Wollongong, 1993.

Joanna Mendelssohn, 'Bunches of tens', The Bulletin, 7 December 1993, pp. 79-81

Julia Robinson, 'Imants Tillers' artful kaleidoscope', Artist Magazine, Taipei, Republic of China, September 1993

'A brush with success', The Sydney Morning Herald, 18 August 1993

Lynn Fern, 'A hero aground', The Sydney Morning Herald, 4 June 1993

Michael Hutak, 'Art heavies rage over Sulman', The Sydney Morning Herald, 12 May 1993, p. 2

Robert Berlind, 'Report from Australia: Winter walkabout', Art in America, April 1993, pp. 3-44

'Art of the country: The big picture', Australian Country Style, February-March 1993, pp. 141-143

'Fledgling gallery lays rivals on the canvas', The Sydney Morning Herald, 10 February 1993

Terry Ingram, 'Olsen top prize in gallery war', Australian Financial Review, 18 January 1993

Evelyn Juers, 'Imants Tillers: the phenomenon', The Adelaide Review, June 1992.

Peter Hill, 'A Life of Blank: Works by Imants Tillers', Art Monthly Australia, May 1992, p. 13

Bernard Smith and Terry Smith, Australian Painting: 1788 - 1990, Melbourne: Ocford Unversity Press, 1991.

Christopher Allen, 'Commentaries: Maloney; Hawkes; Tillers; Oliver; Rudyard; Grech; Henneman', Art Monthly Australia, July 1991, p. 14

Stephen Bann and William Allen (eds), Interpreting contemporary art, London: Reaktion Books, 1991

Michael Eather and Marlene Hall, Balance 1990: views, visions, influences, Brisbane: Queensland Art Gallery, 1990.

Mary Eagle, 'Imants Tillers' in Art from Australia: eight contemporary views, Melbo8urne: Australian Exhibitions Touring Agencey, 1990

Robert Atkins, Artspeak: a guide to contemporary ideas, movements and buzzwords, New york: Abbeville Press, 1990.

Stephen O'Connell, 'Imants Tillers', Art + Text, September 1990, pp. 146-147

Imants Tillers, 'Imants Tillers as a site of conflict', Art + Australia, vol. 27, no. 3, March 1990

Ashley Crawford (ed.), 'The 1980s: From leantime to dreamtime', Tension, no. 19, January 1990

Chris McAuliffe, 'A condition of suspended confusion', Art and Australia, vol. 27, no. 2, Summer 1989

Imants Tillers and Wystan Curnow, 'An exchange of notes', Antic, Auckland, no. 6, November 1989

John Hurrell, 'A brief look at Gilgulim, the doctrine of metempsychosis, and other tenets of Lurianic Kabbalism, as revealed on p.19301 of Imants Tillers's Book of Power when that was displayed in Wellington in 1989, and in his earlier books Rendezvous with and Three Facts', Antic, Auckland, no. 6, November 1989

Bridget Sutherland, 'Sign of the Cross', Antic, Auckland, no. 6, November 1989

Jenny Harper, 'Tillers' McCahons', Tension, no. 18, October 1989

Roy Murphy, 'Scene stealer', City Life, Sydney, vol. 2, August 1989

Nicholas Baume, 'The interpretations of Dreamings: The Australian, Aboriginal Acrylic Movement', Art + Text, no. 33, Winter 1989

Jenny Harper, 'Imants Tillers in Wellington', Art New Zealand, Auckland, no. 51, Winter 1989

Gundega Repse, 'Spraudisu netas globusa', Literatura un Maksla, Riga, 15 July 1989

Sally McMillan, 'Tillers: Next he takes Manhattan', The Australian, Melbourne, 1 June 1989

Michael Hubl, 'The Australian exhibition', Kunstforum, Cologne, March-April 1989

Nikolajs Bulmanis, 'Par Imants Tillers', Jauna Gaita, Hamilton, Ontario, issue 171, February 1989

Donald Richardson, Art in Australia, Melbourne: Longman Cheshire, 1988.

Eleanora Sturma, '6 Latvian Artists exhibiting in New York galleries', Latvian Art, Rockville, Maryland, vol. 14, 1988

Michael Archer, 'Bicentennial exhibitions in London', Art and Australia, vol. 26, no. 2, Summer 1988

Imants Tillers, 'Words of wisdom', Art and Australia, Bicentenary Special Issue, vol. 26, no. 1, Spring 1988

Nicholas Baume, 'Learning from the Dreamtime', Art and Australia, Bicentenary Special Issue, vol. 26, no. 1, Spring 1988

Justin Hoffman, 'Warum nicht Australien', Wolkenkrater, Hamburg, no. 4, July-August 1988

Michael Archer, 'Imants Tillers in London', Art Monthly, Sydney, no.12, July 1988

Terry Smith, 'Provincialism refigured', Art Monthly, Sydney, no. 13, August 1988

Jennifer Slatyer, 'The life-motif', Art Monthly, Sydney, no. 9, April 1988

Eleonara Sturma, 'Seven Latvian artists exhibiting in New York', Latvian Art, Rockville, Maryland, vol. 13, 1987

Sandy Nairne, State of the Art: Ideas and Images of the 1980s, Chatto & Windus, London,
in collaboration with Channel Four Television, 1987

Terry Smith, 'Imants' images: Fair borrowing is no robbery', Times on Sunday, Sydney, 29 November 1987

Jeffrey Rian, 'Imants Tillers', Art in America, November 1987

Peter Ward, 'Temple of light?', The Australian, Melbourne, 7-8 November 1987

Conrad Wolf, 'Imants Tillers in der Galerie Susan Wyss', Tages-Aneiger, Zurich, 9 October 1987

John Miller, 'Avant Garde in the Eighties', Artscribe, London, September-October 1987

Carl Pickering, 'Il punto di vista di Casa Vogue', Milan, no. 181, June 1987

Jude Schwendenwien, 'Refined vision', East Village Eye, New York, May 1987

Gunars Jurjans, 'From Venice to Melbourne', Australian Latvian News, Sydney, 10 April 1987

Kim Levin, 'Imants Tillers', Village Voice, New York, 7 April 1987

Vivien Raynor, 'Imants Tillers', The New York Times, 3 April 1987

Paul Foss, 'Mammon and millennial Eden', Art + Text, no. 22, March 1987

Juan Davila, 'Aboriginality: A lugubrious game?', Art + Text, no. 22, March 1987

Lois Allan, 'Issues for outsiders', Artweek, Oakland, California, February 1987

Michael Brenson, 'Two artists who flourish in a postmodern climate', The New York Times, 22 February 1987

Susan Morgan, 'Sydney Biennale', Artscribe, London, January-February 1987

Jennifer Slatyer, `An interview with Imants Tillers', The Australian bicentennial Perspecta, Sydney: Art Gallery of New South Wales, 1987.

Terry Smith, Constructing the history of Australian art: eight critiques, Sydney: Power Institute of Fine Arts, 1986.

Eleanora Sturma, 'Five Latvian artists in New York', Latvian Art, Rockville, Maryland, no. 12, 1986

Jurgen Hohmeyer, 'Durch die Wunderkammer', Der Spiegel, Cologne, no. 27, 1986

Ronald Millar, 'Venice Biennale and past futures', Art and Australia, Summer 1986

Terence Maloon, 'Imants Tillers and the museum without walls', Studio International, London, December, 1986

Peter Schjeldahl, 'A visit to the salon of Autumn 1986', Art in America, December 1986

Thomas McEvilley, 'Biennale of Sydney', Artforum, New York, November 1986

Paul Taylor, 'Biennale of Sydney', Flash Art, Milan, October-November 1986

Milton Gendel, 'Report from Venice', Art in America, October 1986

Michael Newman, 'Mysteries and mercenaries: The Venice Biennale 1986', Artscribe, London, September-October 1986

Peter Ward, 'The colour Tillers', The Australian, Melbourne, 6-7 September 1986

William Feaver, 'Venice: A user-friendly Biennale', Artnews, New York, September 1986

Catherine Millet, 'Venice: l'art et l'alchemie des prix', Art Press, Paris, September 1986

John McDonald, 'John McDonald and painter Imants Tillers go on a gallery crawl', The Sydney Morning Herald, 8 August 1986
Timothy Morell, 'Big drawings', Art and Australia, vol. 23, no. 3, Autumn 1986

John S. Weber, 'Venice Biennale offers art from the ingenious to the dismal', The Oregonian, Portland, 22 July 1986

Sophia Willems, 'Alles gesagt und nichts gemeint', Dusseldorfer Nachtrichten, 5 July 1986

John Young, 'Murmur of the soul', Tension, no. 9, May 1986

Ronald Fishman, 'Under 40 and on top', Good Weekend, The Sydney Morning Herald, 3 May 1986

Robert Nickas, 'The sublime was then (search for tomorrow)', Arts Magazine, New York, March 1986

Eleanor Hartney, 'Imants Tillers', Artnews, New York, January 1986

Michele Cone, 'Imants Tillers', Flash Art, Milan, December 1985 - January 1986

Carter Ratcliff, 'Modern life', Artforum, New York, December 1985

Paul McGillick, 'American visions, Australian accents', Art and Australia, vol. 23, no. 2, Summer 1985

Robert Nickas (ed.), 'Hunger for words', New Observations, New York, no. 29, 1985

Kim Levin, 'Imants Tillers', Village Voice, New York, 12 November 1985

John Russell, 'Imants Tillers', The New York Times, 8 November 1985

Robert Nickas, 'Inversion, perversion, subversion', Figura, Seville, Spain, no. 6, Autumn 1985

Nicholas Baume, 'Original sin', Studio, Sydney, August-September 1985

Kerry Leves, 'Creating works out of feelings', The Australian Financial Review, 26 July 1985

Donald E. Kuspit, 'Imants Tillers', Art in America, March 1985

Elizabeth Parsons, 'Imants Tillers', Follow Me, Sydney, February-March 1985

Paul Taylor (ed), Anyting goes: art in Australia 1970 – 1980, Melbourne: Art and Text, 1984

Kate Linker, ‘Imants Tillers’, Artforum, New York, December 1984

Ken Sofer, ‘Views from Down Under’, Artnews, New York, December 1984

Michael Brenson, ‘Imants Tillers’, The New York Times, New York, 5 October 1984

Kim Levin, ‘Upstarts from Down Under’, Village Voice, New York, 5 October 1984

Thomas McEvilley, ‘An Australian Accent’, Artforum, New York, October 1984

Thomas McEvilley, ‘On the manner of addressing clouds’, Artforum, New York, Summer 1984

Eric Gibson, ‘An Australian Accent?’, The New Criterion, New York, September 1984

Benjamin Forgey, ‘The edge of night’, The Washington Post, 22 July 1984

Robert Atkins, ‘Australians arrive at PSI’, Newsday, New York, 11 May 1984

Kay Larson, ‘Seeing Australia’, New York Magazine, 7 May 1984

Kim Levin, ‘PS1’s report card’, Village Voice, New York, 1 May 1984

John Russell, ‘The irony of Chirico’, The New York Times, 27 April 1984

John Russell, ‘3 vigorous artists from Down Under’, The New York Times, 20 April 1984

Ashley Crawford, ‘Imants Tillers’, Tension, no. 3, February 1984

John Roberts, ‘Principles of motion’, Art Monthly, London, no. 73, February 1984

Sue Cramer, ‘Vox pop’, Art + Text, nos 12 and 13, Summer 1983 – Autumn 1984

Daniel Thomas and Jonathan Fineberg, An Australian Accent: three artists, Mike Parr, Imants Tillers, Ken Unsworth, Sydney: John Kaldor, 1984.

Leon Paroissien, Australian Art Review 1983, Warner Associates, Sydney, 1983

Michael Archer, ‘We are not all in the same boat’, Art Monthly, London, no. 72, December 1983

Anna Murdoch, ‘One of a new breed’, The Age, Melbourne, 25 November 1983

Robert Rooney, ‘Tall Poppies’, Flash Art, Milan, November 1983

Catherine Millet, ‘Special Australie: Art, musique, literature, peinture, aborigine’, Art Press, Paris, no. 74, October 1983

Paul Taylor, ‘Art news: Artists in Paris’, Vogue Australia, October 1983

John Young, ‘Anything still’, Art + Text, no. 11, September 1983

Sue Cramer, ‘Masterpieces and Tall Poppies’, Art Network, June 1983

Terrence Maloon, ‘Son of Dada moves on to masterpieces’, The Sydney Morning Herald, 16 April 1983

Susan Hely, ‘Tillers seeks a sense of belonging’, The Sydney Morning Herald, 7 April 1983

Germano Celant, ‘From alpha trainer to subway’, Art + Text, no. 9, March 1983

Paul Taylor, ‘Popism: The art of White Aborigines’, On the Beach, Sydney, no. 1, March 1983

Leon Paroissien, Australian Art Review 1982, Warner Associates, Sydney, 1982

Margaret Plant, 'The encounter of Baldessin and Tillers on an etching plate according to des Esseintes 1976', Art Bulletin of Victoria, Melbourne, no. 22, 1982

Paul Taylor, 'Popism', Real Life, New York, no. 9, Winter 1982

Annelie Pohlen and Wolfgang Max Faust, `Documenta 7', Kunstforum International, Cologne, September 1982

Stuart Morgan, 'Kangaroo Court', Art Network, no. 7, September 1982

Richard Dunn, 'The pursuit of meaning: A strategy of parts', Art + Text, no. 6, June 1982

Suzy Gablik, 'Report from Australia', Art and Australia, vol. 18, no. 4, June 1981

Margaret Plant, 'More than just coincidence', The Australian, Melbourne, 6 August 1981

Mary Eagle, 'Tillers' facts', The Age, Melbourne, 12 November 1981

John Young, 'From Three Facts to', Art + Text, no. 4, December 1981

Suzi Gablik, 'Report from Australia', Art in America, vol. 69, no. 1, January 1981

Dianne Beevers, 'According to des Esseintes', Artemis, Newcastle, vol. 9, no. 4, October 1978

Imants Tillers and Michael Scullion, 'Dialogue on False Mount Hayward', ZX, Sydney, no. 2, August 1978

Mary Eagle, 'Picture of Duchamp a success', The Age, Melbourne, 12 July 1978

Donald Brook, 'Imants Tillers and the redefinition of art in Australia', Art and Australia, vol. 13, no. 1, July 1975

Ian North, 'Link exhibitions at the Art Gallery of South Australia', Art and Australia, vol. 12, no. 2, Spring 1974

Imants Tillers, 'Moments of Inertia', Contemporary Art Society Broadsheet, Sydney, January 1974

Donald Brook, 'Peeling the onion in post object art', Nation Review, Sydney, 14 September 1973

Julie Ewington, 'The Joe Bonomo Story: A show of strength', Art and Australia, vol. 10, no. 3, January 1973

John Barrett-Lennard, Imants Tillers: The Long Poem, Laurence Wilson Art Gallery and The University of Western Australia, Perth, 2009.

Olivia Sophia, Imants Tillers: Melancholy Landscape, Arc One Gallery, Melbourne

Michael Eather, Michael Nelson Jagamara: from the studio, Fireworks Gallery, Brisbane

Robert Leonard (ed.), Richard Bell: Posititivity, Institute of Modern Art, Brisbane

Rex Butler, Imants Tillers: The Last Australian Painter, Jan Manton Art, Brisbane

Deborah Hart, Imants Tillers: one world many visions, National Gallery of Australia, Canberra.

Imants Tillers: Land Beyond Goodbye, Sydney: Sherman Galleries, 2005

Ivor Indyk, Transmissions: from here and there - works by Imants Tillers, Melbourne: Monash University Museum of Art, 2004.

Imants Tillers, Adelaide: Greenaway Art Gallery, 2004

Imants Tillers, Melbourne: Australian Art Resources, 2003

Graham Coulter-Smith, The Postmodern Art of Imants Tillers: Appropriation en abyme, 1971 - 2001, Fine Art Research Centre, Southampton Institute & Paul Holberton Publishing.

Imants Tillers: not yet post-Aboriginal, Sydney: Hazelhurst Regional Gallery and Arts Centre, 2002

Imants Tillers, Melbourne: Span Galleries, 2002

Imants Tillers: Nature Speaks, Sydney: Sherman Galleries, 1999

Charles Merewether, Towards Infinity: works by Imants Tillers, Mexico: MARCO Museo de Arte Contemporaneo de Monterray, 1999.

Ian North, Imants Tillers: 1997 Lowenstein Sharp Arts 21 Fellow, Melbourne: Museum of Modern Art at Heide, 1998

Imants Tillers: the enigma of arrival, Sydney: Sherman Galleries, 1997

Diaspora in context: connections in a fragmented world. Imants Tillers makes a painting by Georg Baselitz, Joseph Beuys, Bernhard Blume, Carlo Carra, Giorgio de Chirico, Mike Kelley, Byatutas Landsbergis, Colin McCahon, Arnulf Rainer, Nicholas Roerich and Isidore Tillers, Pori, Finland: Pori Art Museum, 1995

Imants Tillers: JUMP, Sydney: Sherman Galleries, 1994

Telepathic music: Imants Tillers, Brisbane: Michael Milburn Gallery, 1994

Diaspora: Imants Tillers, Sydney: co-published by Imants Tillers and the Museum of Contemporary Art, Sydney, to accompany the exhibition at the National Museum of Art, Riga, 1993

A life of blank: works by Imants Tillers, Hobart: Plimsoll Gallery, University of Tasmania, 1992

Mary Eagle, Imants Tillers: Poem of Ecstasy, Deutscher Brunswick Street, Melbourne, 1990

Bernice Murphy, Rene Daumal, John Young and Imants Tillers, Imants Tillers: One Painting, Cleaving, Wollongong City Art Gallery, Wollongong, 1990

Jennifer Harper, Imants Tillers 19301, National Art Gallery, Wellington, 1989

Iwona Blazwick, Michael Newman, Jennifer Slatyer and Paul Foss, Imants Tillers: Works 1978-1988, Institute for Contemporary Arts, London, 1988

John S. Weber, Australian Appropriations: The Recent Paintings of Imants Tillers, Reed College Art Associates, Portland, Oregon, 1987

Kerry Crowley (ed), Imants Tillers: Venice Biennale 1986, The Visual Arts Board of the Australia Council, Sydney and Art Gallery of South Australia, Adelaide, 1986

John Nixon and Imants Tillers, One Painting with Many Titles, Art Projects, Melbourne, 1983

Paul Taylor, Imants Tillers: White Aborigines, Matt's Gallery, London, 1983

One painting: one horizon, Brisbane: Institute of Modern Art 1982

Peter Myers, Imants Tillers: Survey 13, National Gallery of Victoria, Melbourne, 1980

52 displacements, one year's work 1979, Sydney: n-space, 1980.

Imants Tillers and Noel Sheridan, Rendezvous with Configuration P, Experimental Art Foundation, Adelaide, 1978

Brian Lindman, Have you ever been taken the same way?, Royal Melbourne Institute of Technology, Melbourne, 1978

Charles Merewether and Imants Tillers, Imants Tillers, George Baldessin: XIII Bienal de São Paulo, The Visual Arts and Crafts Board of the Australia Council, Sydney, 1975

'Imants Tillers' in The Skullbone Experiment; A Paradigm of Art and Nature, Tasmanian Land Conservancy, Launceston, 2013

'The Emergency of Being' in 2013 Archibald Prize, Art Gallery of New South Wales, Sydney, 2013

An Auspicious Entanglement' in The Loaded Ground; Michael Nelson Jagamara & Imants Tillers, Australian National University Drill Hall Gallery, Canberra, 2012

'Images of Flow' in Ariel Hassan; About Madness, Greenaway Art Gallery, Adelaide, 2012

'Permanent Revolution: Mike Brown and the Australian Avant-Garde 1953 - 1997', Art & Australia, vol. 50:2, pp 316.

'Nature Speaks', in 'Imants Tillers; Nature Speaks',Greenaway Art Gallery, Adelaide, 2011

Papunya painting ins conceptual art, 1983, White Aborigines, 1982 , Post-Aboriginality, 2001 with Ian North in Ian McLean (ed), `How Aborigines Invented the Idea of Contemporary Art', Institute of Modern Art, Brisbane and Power Publishing Sydney, 2011, pp 138 - 139, 160 - 162, 320 - 321.

'What was I thinking?' in Paul Greenaway (ed), Fairweather, Paul Greenaway Gallery, Adelaide, 2010

'Leap of Faith', Greenaway Art Gallery, Adelaide, 2009

'The Faith' on Marianne Baillieu, The Unquiet World, Australian Centre for Contemporary Art, 2008

'In Two Minds' in Imants Tillers; In Two Minds, Greenaway Art Gallery, Adelaide, 2007

'Land Beyond Goodbye', in `Imants Tillers; Land Beyond Goodbye', Sherman Galleries, Sydney,

'When locality prevails', Heat, no. 8 new series, 2004

'Bringing forth a world', in Marketta Seppala (ed), Empathy: beyond the horizon, Pori, Finland: Pori Art Museum and FRAME Finnish Fund for Art Exchange, 2003

'Mexico, etcetera and Surrender', in Marketta Seppala (ed), Empathy: beyond the horizon, Pori, Finland: Pori Art Museum and FRAME Finnish Fund for Art Exchange, 2003

'Five portraits of Murray Bail', Heat, no. 8, 1998

'Perbutations in the image field', in Wystan Curnow and Diorine Mignot (eds), The world over/under Capricorn: art in the age of globalisation, exhibition catalogue, Wellington and Amsterdam: National Art Gallery and Stedelijk Museum, 1996

'Poetic justice: a case study (due allocation of reward of virtue and punishment of vice)', Midwest, no. 5, 1994

'Imants Tillers as a site of conflict', Art and Australia, vol. 27, no. 3, autumn 1990.

Imants Tillers with Wystan Curnow, `An exchange of notes', Antic, no. 6, November 1989

'Words of wisdom', Art and Australia, vol. 26, no. 1, Special Bicentennial Issue, spring 1988.

Dick Watkins: XVIII Bienal de Sao Paulo, Sydney: Broken hill City Art Gallery and The Visual Arts Board of the Australia Council, 1985

The classicism of Tony Clark', Follow Me, Sydney, June-July 1985

'In perpetual mourning', ZG/Art + Text (joint issue), New York, July 1984

'Style master: Dick Watkins', Express Australia, New York, April 1984

'One painting', in Bernice Murphy (ed), Project 40: Australian artists at Venice and Kassel, exhibition catalogue, Sydney: Art Gallery of New South Wales, 1983

'Fear of texture', Art + Text, no. 10, June 1983

'Koala-boy', Virgin Press, Melbourne, no. 24, April 1983

'Interview with James Gleeson', Art + Text, no. 8, December 1982

'The temple of the winds', Virgin Press, Melbourne, no. 19, November 1982

One Painting, One Horizon, Institute of Modern Art, Brisbane, 1982

'Locality Fails', Art + Text, no. 6, June 1982

Three Facts, Double Vision, Melbourne, 1981

'Some impressions', Art and Australia, vol.18, no. 3, March 1981

Fifty-two displacements, one year's work 1979, n-space, Sydney, 1980

'Moments of inertia', Contemporary Art Society Broadsheet, Sydney, January 1974

91 Missing Works, Sydney, 1973

Projecting Skullbone Plains, Steve Thomas, Steve Thomas, Matt Newton, ABC Television

The Deepend, Sasha Grishin, ABC Radio National, 10 August 2006, (Producer: Debra McCoy)

Poles Apart, Rymer Bayly Watson, Sydney, for SBS, 11 November

Eye to Eye with Betty Churcher: Imants Tillers, ABC television, Sydney (Director: John Lewis)

Snapshot: Imants Tillers, ABC television, Melbourne (Director: W. Proud)

Millennium Day Broadcast, ABC television, Canberra (Director: Arthur Hill)

Es Esmu Latvietis, Riga Film Studio, Riga, Latvia (Director: Ansis Epners)

State of the Art: Ideas and Images in the 80s, Channel Four Television, London (Producer: John Wyver)

L'Object d'Art a l'Age Electronique, La SEPT, Paris (Director: Geoff Dunlop)

Australian Artists: ABC Radiovision Feature for Secondary Schools, Australian Broadcasting Commission, Sydney (Producer: Harvey Broadbent)

Art Gallery of New South Wales, Sydney

Art Gallery of South Australia, Adelaide

Art Gallery of Western Australia, Perth

Auckland Art Gallery Toi o Tāmaki, New Zealand

Australian Embassy, Paris

The Australian War Memorial, Canberra

Ballarat Fine Art Gallery, Victoria

Bendigo Art Gallery, Victoria

Bridgestone Museum of Art, Tokyo

Canberra Museum and Gallery, Canberra

The Chartwell Collection, Hamilton, New Zealand

Christchurch Art Gallery Te Puna o Waiwhetu, Christchurch, New Zealand

Floridablanca Collection, Madrid

The Global Center for Latvian Art in Cēsis

Heide Museum of Modern Art, Melbourne

High Court of Australia Collection, Canberra

Kiasma Museum of Contemporary Art, Helsinki

Latvian National Museum of Art, Riga

Lila and Gilbert Silverman Collection, Detroit

The Loti and Victor Smorgon Collection, Museum of Contemporary Art, Sydney

Maitland Regional Art Gallery, Maitland

Metropolitan Museum of Art, New York

Monash University Collection, Melbourne

Museo de Arte Contemporáneo de Monterray (MARCO), Mexico

Museum and Art Gallery of the Northern Territory, Darwin

Museum of Contemporary Art, Sydney

Museum of New Zealand Te Papa Tongarewa, Wellington

National Gallery of Australia, Canberra

National Gallery of Victoria, Melbourne Newcastle Art Gallery, New South Wales

Orange Regional Gallery, New South Wales

Parliament House Art Collection, Canberra

Pori Art Museum, Finland

Prudential Insurance Company Collection, New York

Queen Victoria Museum and Art Gallery, Launceston

Queensland Art Gallery, Brisbane

Sakai City Collection, Osaka, Japan

Sordello/Missina Collection

TarraWarra Museum of Art, Healesville, Victoria

Tasmanian Museum and Art Gallery, Hobart

Tate Modern, London

University of Technology Art Collection, Sydney

University of Western Australia Art Collection, Perth

Wagga Wagga Regional Art Gallery, New South Wales

Westpac Bank Collection, New York

Westpac Corporate Art Collection, Sydney

Wollongong City Gallery, New South Wales

Zuzeum Art Centre, Riga, Latvia