Jim Lambie
One of the leading artists of his generation, and one of the most significant colourists to have emerged from his home city of Glasgow, Jim Lambie creates incredible installations that can also be viewed as three-dimensional paintings. Lambie's artworks are sculptural yet they always focus on colour and its psychotropic affect on the viewer. Hugely influenced by his love of music, Lambie’s mixed-media sculptures and installations incorporate found objects with vibrant neon hues.
Group Show, The First 40 Years
Roslyn Oxley9 Gallery, 2024
Jim Lambie Wild Is The Wind
Roslyn Oxley9 Gallery, 2019
Group Show
Roslyn Oxley9 Gallery, 2016
Jim Lambie Zero Concerto
Roslyn Oxley9 Gallery, 2015
Jim Lambie
Fruitmarket Gallery, Edinburgh, 2014
Jim Lambie Beach Boy
Pier Arts Centre, Orkney, 2011
Jim Lambie Unknown Pleasures
Hara Museum of Contemporary Art, Tokyo, 2008-09
Jim Lambie Forever Changes
Gallery of Modern Art, Glasgow, 2008
JIM LAMBIE
Born 1964 in Scotland, UK
Lives and works in Glasgow, Scotland
EDUCATION
Glasgow School of Art, Glasgow, Scotland, UK
SOLO EXHIBITIONS
Jim Lambie, Anton Kern Gallery, WINDOW, New York, USA
Buttercup, The Modern Institute, Glasgow, United Kingdom
Year Unknown, Anton Kern Gallery, New York, USA
NORTHERN SOUL, Sadie Coles, London, United Kingdom
Wild Is The Wind, Roslyn Oxley9 Gallery, Sydney
Skin Shape, Anton Kern Gallery, New York
Totally Wired, Franco Noero, Turin
Spiral Scratch, Pacific Place, Admiralty, Hong Kong
Both Ends Burning, Konrad Fischer Galerie, Dusseldorf
Zobop (Viridescent), Anton Kern Gallery, New York (permanent installation)
Electrolux, The Modern Institute, Glasgow, United Kingdom
I am A Laser, VoidoidARCHIVE, Glasgow, Scotland
Le scala, Gerhardsen Gerner, Berlin
Derrick Alexis Coard, Glasgow International, Project Ability gallery, Trongate 103, Glasgow (Installed in collaboration with Jim Lambie)
Train in Vein, Anton Kern Gallery, New York
Zero Concerto, Roslyn Oxley9 Gallery, Sydney, Australia
Sun Rise Sun Ra Sun Set, Rat Hole Gallery, Tokyo
The Fruitmarket Gallery, Edinburgh
Answer Machine, Sadie Coles HQ, London
The Flowers of Romance, Pearl Lam Galleries, Hong Kong
Shaved Ice, The Modern Institute, Glasgow, UK
Gerhardsen Gerner, Berlin (Gallery Weekend Berlin)
you drunken me, Arch Six, Glasgow (with Richard Hell), UK
Everything Louder Than Everything Else, Franco Noero, Turin
Spiritualized, Anton Kern Gallery, New York (NY)
JIM LAMBIE BEACH BOY, The Pier Arts Centre, Orkney, UK
Goss-Michael Foundation, Dallas (TX), USA
Boyzilian, Galerie Patrick Seguin, Paris
Metal Urbain, The Modern Institute, Glasgow, Scotland
Atelier Hermes, Seoul, Korea
Jim Lambie: Selected works 1999-2006, Charles Riva Collection, Brussels
TELEVISION, Sadie Coles HQ, London
Hara Museum of Contemporary Art, Tokyo
8 Miles High, ACCA Melbourne, Melbourne, Australia
Secret Affair, Inverleith House, Edinburgh
Rowche Rumble, c/o Atle Gerhardsen, Berlin
RSVP: Jim Lambie, Museum of Fine Arts, Boston (MA), USA
Forever Changes, (Part of Glasgow International 2008), Gallery of Modern Art, Glasgow, Scotland, UK
The Prismatics, Anton Kern Gallery, New York (NY)
Directions, Hirshhorn Museum, Smithsonian Museum, Washington (DC), USA
Anton Kern Gallery, New York (NY)
P.I.L, Mizuma Gallery, Tokyo
Adidas Originals Store, London
The Kinks( Turner Prize 2005), Tate Britain, London
The Byrds, The Modern Institute, Glasgow, Scotland
Thirteenth Floor Elevator, Dallas Museum of Art, Dallas (TX), USA
Shoulder Pad, Sadie Coles HQ, London
My Boyfriend's Back, Konrad Fischer Galerie, Düsseldorf, Germany
Mars Hotel, Galleria Franco Noero / Galleria Sonia Rosso, Turin, Italy
Mental Oyster, Anton Kern, New York (NY)
Grand Funk, OPA, Guadalajara, Mexico
Jim Lambie: Male Stripper, Museum of Modern Art, Oxford, UK (cat.)
Kebabylon, Inverleith House, Edinburgh, Scotland, UK
Paradise Garage, The Moore Space, Miami (FL), USA
Hot Butter, Anton Kern, New York (NY)
Acid Trails?? Statements, Miami Basel, Miami (FL), USA
Salon Unisex, Sadie Coles HQ, London
The Breeder Projects, Athens
Modern Institute, Glasgow, Scotland, UK
Boy Hairdresser, Anton Kern Gallery, New York (NY)
Blank Generation, Jack Hanley, San Francisco (CA), USA
Galleria Franco Noero, Turin, Italy
Konrad Fischer Galerie, Dusseldorf, Germany
Galleria Sonia Rosso, Pordenone, Italy (cat.)
Fictional, Triangle, Paris
Black Gloss, Anton Kern, New York (NY)
Weird Glow, Sadie Coles HQ, London
Voidoid, Transmission Gallery, Glasgow, Scotland, UK (cat.)
ZOBOP, The Showroom Gallery, London
Ultralow, The Modern Institute Video Screening Carnival, London
Zero Concerto, Roslyn Oxley9 Gallery, Sydney, Australia
Sun Rise Sun Ra Sun Set, Rat Hole Gallery, Tokyo
The Fruitmarket Gallery, Edinburgh
Answer Machine, Sadie Coles HQ, London
The Flowers of Romance, Pearl Lam Galleries, Hong Kong
Shaved Ice, The Modern Institute, Glasgow, UK
Gerhardsen Gerner, Berlin (Gallery Weekend Berlin)
you drunken me, Arch Six, Glasgow (with Richard Hell), UK
Everything Louder Than Everything Else, Franco Noero, Turin
Spiritualized, Anton Kern Gallery, New York (NY)
JIM LAMBIE BEACH BOY, The Pier Arts Centre, Orkney, UK
Goss-Michael Foundation, Dallas (TX), USA
Boyzilian, Galerie Patrick Seguin, Paris
Metal Urbain, The Modern Institute, Glasgow, Scotland
Atelier Hermes, Seoul, Korea
Jim Lambie: Selected works 1999-2006, Charles Riva Collection, Brussels
TELEVISION, Sadie Coles HQ, London
GROUP EXHIBITIONS
Sydney Contemporary, Roslyn Oxley9 Gallery, Sydney
REPEATER, Sadie Coles, Kingly Street, London, United Kingdom
Big Medicine, GIANT, Bournemouth, United Kingdom
ColourSpace, Galleria Mucciaccia, Rome, Italy
A Collection without Boundaries: International Art since 1990, curated by Riccardo Passoni, GAM Galeria Civica d’Arte Moderna e Contemporanea di Torino, Torino, Italy
Exhibition, Winter Street Gallery, Martha’s Vineyard, USA
Tales of Manhattan, Anton Kern Gallery, New York, USA
Cassa Balla. From the house to the universe and back, MAXXI Museo nazionale delle arti del XXI secolo, Rome, Italy
NOW ON VIEW AT 16 EAST 55TH STREET, Anton Kern Gallery, New York, USA
Remix 2020, Kunsthalle Bremen, Germany
MY C ART OGRAPHY, The Ergling Kagge Collection, Sala de Arte Santander, Madrid, Spain
Reduct: Abstraction and Geometry in Scottish Art, RSA Royal Scottish Academy, Edinburgh, Scotland
Chairs Beyond Right and Wrong, R & Company, New York
Surface Tension, Carolina Nitsch, New York (screening)
Frieze London 2019, Sadie Coles HQ
Art Basel 2019, Sadie Coles HQ
Art Basel Hong Kong 2019, Sadie Coles HQ
The TURNER, The Royal Glasgow Institute of Fine Arts, Glasgow
Cut & Paste: 400 Years of Collage, Scottish National Gallery of Modern Art, Scottish National Gallery of Modern Art, Edinburgh
Alan Kane’s 4 Bed Detached Home of MetaL, The New Art Gallery Walsall
Eurovisions: Contemporary art from the Goldberg collection, Canberra Museum and Gallery, Canberra
Glasgow International at SUNDAY 2018, Glasgow International
Art Basel 2018, Anton Kern Gallery
Innovative Printmaking, Glasgow Print Studio, Glasgow
If I go there, I won’t stay there, Ltd Los Angeles, Los Angeles
Op Art in Focus, Tate Liverpool, Liverpool
The Anthropologist in me, Fórum Braga, Portugal
Five plus Five: Sculptures of China and Great Britain, Haikou Hainan Airlines Sun & Moon Plaza, Hainan, China
Open House, Jessica Silverman Gallery, San Francisco
ISelf Collection, Whitechapel, London
An Eyeful of Wry, Brynmor Jones Library gallery, University of Hull (Government Art Collection)
ISelf Collection, Whitechapel, London
EUROVISIONS: Contemporary art from the Goldberg Collection, National Art School, Sydney, Touring to Heidie Museum, Melbourne and Canberra Regional Museum, 2018
COLORI: L'emozione dei COLORI nell'arte', GAM - Galleria Civica D'Arte Moderna E Contemporanea, Turin
EUROVISIONS: Contemporary art from the Goldberg Collection, National Art School, Sydney, Touring to Heidie Museum, Melbourne and Canberra Regional Museum, 2018
ISelf Collection, Whitechapel, London
Artistic Differences, Institute of Contemporary Arts, London
GROUP SHOW, Roslyn Oxley9 Gallery, Sydney
Jupiter Artland, Edinburgh
Collected, Pier 24, San Francisco (CA), USA
Minnesota Street Project, San Francisco (CA), USA (curated by Anton Kern and Andrew Kreps)
Artificial Realities, East Wing Biennial, The Courtauld Institute of Art, London
The Revolutionary Suicide Mechanised Regiment Band, Rob Tufnell, Cologne
I still believe in miracles, Inverleith House, Edinburgh
Jennifer Herrema & Jim Lambie, VoidoidARCHIVE, Glasgow
Generosity. The Art of Giving, National Gallery of Prague, Prague
Artificial Realities, East Wing Biennial, The Courtauld Gallery
Devils In The Making: Glasgow School of Art & The Collection, Glasgow, Scotland
Unlimited, Art Basel, Basel, Switzerland
Summer Exhibition 2015, The Royal Academy of Arts, London
Zabludowicz Collection: 20 Years, Zabludowicz Collection, London
2015 White Columns Benefit Exhibition + Auction, White Columns, New York (NY)
A Secret Affair: Selections from the Fuhrman Family Collection, The FLAG Art Foundation, New York (NY)
Works from the British Council Collection, Dunedin Public Art Gallery, Dunedin
Sleepless-The Bed in History and Contemporary Art, 21er Haus, Osterreichische
Private Utopia: Contemporary Works from the British Council Collection, Tokyo
Station Gallery, Tokyo; Itami City Museum of Art / The Museum of Arts & Crafts, Itami, Japan; The Museum of Art, Kochi, Japan; Okayama Prefectural Museum of Art, Okayama, Japan
On The Devolution Of Culture, Rob Tufnell, London
Urs Fischer curated show, Sadie Coles HQ, London
DISCORDIA, Patricia Fleming Projects, Glasgow, Scotland, UK
That Petreolemotion, Metropolitan Art Society, Beirut
A Secret Affair: Selections from the Fuhrman Family Collection, The Contemporary Austin, Austin (TX), USA
Mutant Moments and Memorabilia, Voidoid Archive, 2014 Glasgow International, Glasgow, Scotland
You Imagine What You Desire, 19th Biennale of Sydney, Sydney, Australia
Alexander McQueen, women's store, London
Fading Nights, Gerhardsen Gerner Berlin, Berlin
Somos Libres, curated by Neville Wakefield, MATE, Lima
Sculpture in the City 2013, various sites, City of London, London
Beg Borrow and Steal, Palm Springs Art Museum, Palm Desert, CA
Lost Line: Contemporary Art from the Collection, LACMA, Los Angeles (CA), USA
Reliefs, Objects and Sculptures from the Marli Hoppe-Ritter Collection, Museum Ritter, Waldenbuch, Germany
AKA PEACE, ICA, London
Take off your silver spurs and help me pass the time, Galerie Nikolaus Ruzicska, Salzburg, Austria
Untitled (Works from the Martin and Rebecca Eisenberg Collection), Riverview School, Cape Cod (MA) USA
The Sculpture Show, Scottish National Gallery of Modern Art, Edinburgh, Scotland
Sculpted Matter, Paul Kasmin Gallery, New York (NY)
Look Now: Modern and Contemporary Art from Private Collections, Montclair Art Museum, Montclair (NJ), USA
Galerie Nikolaus Ruzicska, Salzburg, Austria
Accrocharge, Gerhardsen Gerner, Berlin
Home Alone, curated by Sarah Aibel, Sender Collection, Miami (FL), USA
Made in the UK: Contemporary Art from the Richard Brown Baker Collection, Museum of Art, Rhode Island School of Design, Providence (RI), USA
Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, HunterCollege, Times Square Gallery, New York (NY)
Vanishing Points: Paint and Paintings from the Debra and Dennis Scholl Collection, Bass Museum of Art, Miami (FL), USA
Terrible Beauty - Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary, Dublin
Government Art Collection: Selected by Cornelia Parker: Richard of York Gave battle in Vain, Whitechapel Gallery, London
At Work, Government Art Collection, Whitechapel Gallery, London
Nothing in the World but Youth, Turner Contemporary, Margate, UK
The 4th Edition: Lustwarande `11 - Raw, park De Oude Warande, Tilburg, Netherlands
Space Oddity, Centro Cultural Andratx, Mallorca
Compass, Gropius Bau, Berlin
Dwelling, Marianne Boesky Gallery, New York (NY)
Missing Beat, Sommer Contemporary Art, Tel Aviv
Highlights From The Collection, Goss Michael Foundation, Dallas
Nature, Gerhardsen Gerner, Berlin
Altogether Elsewhere, Rodeo, Istanbul
Selections from the Hara Museum, Hara Museum of Contemporary Art, Toyko
Undone: Making and Unmaking in Contemporary Sculpture, Henry Moore Institute, Leeds, UK
At Home / Not At Home: Works from the Collection of Martin and Rebecca Eisenberg, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson (NY)
The New Décor, Hayward Gallery, London
Languages and Experimentations, MART, Rovereto, Italy
The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London
Altogether Elsewhere, Rodeo, Istanbul
Peeping Tom (curated by Keith Coventry), VEGAS Gallery, London
SHAZAM!, Gerhardsen Gerner, Berlin
TONITE, The Modern Institute/Toby Webster Ltd, Glasgow
Le sang d'un poete, Hanger a bananes, ile de Nantes, Nantes
Running Time: Artists Films in Scotland 1960 to Now, Dean Gallery, Edinburgh
The Kaleidoscopic Eye: Thyssen-Bornemisza Art Contemporary Collection, Mori Art Museum, Tokyo
Colour Chart: Reinventing Colour, 1950 to Today, Tate Liverpool, UK
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, Museum of Modern Art, New York (NY)
Malcolm Mclaren: Musical paintings, ScheiblerMitte, Berlin
Sympathy for the Devil: Art and Rock and Roll since 1967, Musée d'art contemporain de Montréal (QC), Canada
Internationell Konstfilm Utställning (screening), Jönköping, Sweden
Towada Art Project, Towada Art Centre, Towada, Japan
Color Chart: Reinventing Color, 1950 to Today, MOMA, New York (NY)
Thyssen-Bornemisza Art Contemporary Collection as Aleph, Kunsthaus Graz, Graz, Austria
FILMS, Sadie Coles HQ, London
Martian Museum of Terrestrial Art, Barbican, London
Fit to Print: printed media in recent collage, Gagosian Gallery, New York (NY)
Wild West, Galerie Gebr. Lehmann, Berlin
Unmonumental: The Object in the 21st Century, New Museum, New York (NY)
Passion Complex: Selected Works from the Albright-Knox Art Gallery, 21st Century Museum of Contemporary Art, Kanazawa, Japan
Melting Point, Opera City Art Gallery, Tokyo
When We Build, Let Us Think That We Build Forever, BALTIC, Gateshead, UK
Reconstruction #2, Sudeley Castle, Winchcombe, UK
Collezione La Gaia, CeSAC, Caraglio, Italy
Ironie der Objekte, Museo d'arte moderna e contemporanea, Bozen, Italy
Domestic Irony. A curious glance at private Italian collections, Museion, Bolzano, Italy
Substance & Surface, Bortolami, New York (NY)
Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicago (IL), USA
BREAKING STEP / U RASKORAKU, Museum of Contemporary Art, Belgrade, Serbia
Echo Room, Alcalá 31, Madrid
Half Square, Half Crazy, Villa Arson, Nice, France
Off the Wall, Scottish National Gallery of Modern Art, Edinburgh, Scotland, UK
This is Not For You : Sculptural Discourses, Thyssen-Bornemisza Art Contemporary, Vienna
All Hawaii Entrées/Lunar Reggae, Irish Museum of Modern Art, Dublin
How to Improve the World, Hayward Gallery, London
Frontiers - Collecting the Art of Our Time, Worcester Art Museum, Worcester (MA), USA
Having New Eyes, Aspen Art Museum, Aspen (CO), USA
JaGGy-edge, The Travelling Gallery (touring), Scotland, UK
Among the Ash Heaps and Millionaires, Ancient and Modern, London
Life's a Beach, Sommer Contemporary Art, Tel Aviv, Israel
Strange Powers, Creative Time, New York (NY)
IMPLOSION, Anton Kern Gallery, New York (NY)
Gregor Schneider: Totalschaden / Total Damage, Bonner Kunstverein, Bonn,Germany
If it didn't exist you'd have to Invent it: a Partial Showroom History, The Showroom, London
abstract art now - strictly geometrical?, Wilhelm-Hack Museum, Ludwigshafen am, Rhein, Germany
In the darkest hour there may be light: works from Damien Hirst's murderme collection, Serpentine Gallery / Other Criteria, London
Experiencing Duration, Lyon Biennial of Contemporary Art, Lyon, France
Omaggio al Quadrato, Franco Noero, Turin, Italy
Minimalism and After IV, Daimler Chrysler Contemporary, Berlin
Extreme Abstraction, Albright Knox Gallery, Buffalo, New York (NY)
Prisms & Shadows (curated by Toby Paterson), Glasgow Print Studio, Glasgow, Scotland, UK
About Beauty, The House of World Cultures, Berlin
Works from the Boros Collection (Werke aus der Sammlung Boros), Museum für Neue Kunst, Karlsruhe, Germany (cat.)
54th Carnegie International, Carnegie Museum of Art, Pittsburg (PA), USA
From Aural Sculpture to Sound by Ink, Galerie Art: Concept, Paris
Brand New and Retro, Up Empire, London
Collage, Bloomberg SPACE, London
Synth, Kunstraum B/2, Leipzig, Germany
Into My World, Recent British Sculpture, The Aldrich Contemporary Art Museum, Connecticut (CT), USA
Stalemate, MCA, Chicago (IL), USA
Sodium & Asphalt, Museo Tamayo Arte Contemporaneo and Museo de Arte Contemporaro de Monterrey, Mexico City, Mexico
Ouroboros, CCA, Glasgow, Scotland, UK
Last Winter Spring Never Came, Platform Garanti Contemporary Art Center, Istanbul, Turkey
Genesis Sculpture - Experience Pommery #1, Domaine Pommery, Reims, France
Basic Instinct: Minimalism Past, Present, and Future, MCA, Chicago (IL), USA
Scottish Pavillon (with Simon Starling and Clare Barclay), 50th International Biennale of Arts, Venice, Italy (cat.)
Days Like These - Tate Triennial, Tate Britain, London (cat.)
The Fourth Sex, Fondazione Pitti Immagine, Florence, Italy
Painting Not Painting, Tate St Ives, St Ives, UK (cat.)
Il racconto del filo. Cucito e ricamo nell'arte Contemporanea (The Tale of the Other Thread: Sewing and Embroidery in Contemporary Art), MART - Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento, Italy
Object in Mirror Are Closer Than They Appear, Badischer Kunstverien, Karlsruhe, Germany
Architecture Schmarchitecture, Kerlin Gallery, Dublin
Cut Out, Barbara Gross Galerie, Munich, Germany
The Moderns, Galleria Franco Noero, Turin, Italy
Love Over Gold, Gallery of Modern Art, Glasgow, Scotland, UK
OUTLOOK, Athens
I Got Ants in My Pants, Gallery Side 2, Tokyo
Plunder, Culture as Material, Dundee Contemporary Arts, Dundee, Scotland, UK
Bad Behaviour from the Arts Council Collection (touring), Longside Gallery, Yorkshire Sculpture Park, Wakefield, UK; Aberystwyth Arts Centre, Aberystwyth, UK; Glynn Vivian Art Gallery, Swansea, UK; The Hatton Gallery, University of Newcastle, Newcastle, UK; Tullie House, Carlisle, UK
The Unhomely, Kettle's Yard, Cambridge, UK
VIP, Kunsthalle Palazzo, Liestal, Switzerland (cat.)
EU2, Stephen Friedman Gallery, London
Greyscale/CMYK, Tramway, Glasgow, Scotland and Royal Hibernian Academy, Dublin, Ireland (organized by NIFCA, Helsinki, Norway) (cat.)
New - Recent Acquisitions of Contemporary British Art, Scottish Museum of Modern Art, Edinburgh, Scotland, UK (cat.)
Jim, Jonathan, Kenny, Francis and Sol, Stedelijk Museum Bureau, Amsterdam
Roma Roma Roma, project by Gavin Brown, Toby Webster and Franco Noero, Rome
Early One Morning, Whitechapel Art Gallery, London (cat.)
Early One Morning - Five Young British Sculptors, Presentation at Tate Britain, London
My Head is on Fire but my Heart is Full of Love, Charlottenberg Museum, Copenhagen, Denmark (cat.)
Hello, My Name Is…, Carnegie Museum of Art, Pittsburgh (PA), USA (cat.)
Superlounge, Gale Gates et al, Brooklyn Museum of Art, New York (NY)
Electric Dreams, Barbican Gallery, London
Painted, Printed & Produced in Great Britain, Grant Selwyn Fine Art, New York (NY)
Life Is Beautiful, Laing Art Gallery, Newcastle, UK
There is a Light That Never Goes Out, Galleria Sonia Rosso, Pordenone, Italy
Painting at the Edge of the World, Walker Art Center, Minneapolis (MI), USA (cat.)
SchattenRisse/Shadows, Silhouettes and Cut-outs, Lenbbachaus Kunstbau, Munich, Germany (cat.)
Here and Now, Dundee Contemporary Arts, Dundee, Scotland and Aberdeen Art Gallery, Aberdeen, Scotland, UK (cat.)
2001 Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, Odense, Denmark (cat.)
Funktional Fictional, Kunsthalle zu Kiel, Kiel, Germany (cat.)
Tailsliding, British Council (touring) (cat.)
Hoxton HQ, Sadie Coles HQ at Hoxton House, London
British Art Show 5, Collective Gallery, Edinburgh, Scotland, UK (Hayward Touring Exhibition) (cat.)
Dream Machines, Dundee Contemporary Arts, Dundee, Scotland, UK
Mapin Art Gallery, Sheffield, UK and Camden Arts Centre, London (cat.)
Grant Selwyn Gallery, Los Angeles (CA), USA
Electric City, The Lighthouse, Glasgow, Scotland, UK
Off the Record, Bucknell Art Gallery, Lewisburg (PA), USA
Raumkörper, Basel Kunsthalle, Basel, Switzerland
Parking Meters, Cologne, Germany
What If, Moderna Museet, Stockholm
Black Gloss, Anton Kern Gallery, New York (NY)
Heart and Soul, Los Angeles (CA), USA
Papermake, Modern Art Inc., London
Creeping Revolution, Foksal Gallery Foundation, Warsaw
To be Continued…, The New Gallery, UK (cat.)
Dots and Loops, MK Expositeruimte, Rotterdam, The Netherlands
The Queen is Dead, Stills Gallery, Edinburgh, Scotland, UK (cat.)
Heart and Soul, 60 Long Lane, London
Silk Purse, Waygood gallery, Newcastle, UK
Galerie Krinzinger (curated by Mathew Higgs), Vienna
Lovecraft, Spacex Gallery, Exeter, UK (cat.)
All or Nothing, La Friche Gallery Triangle, Marseille, France
Slant6, Jacob Javit's Center, New York (NY)
Ultralow (solo video screening), Carnival Cinema, Soho, London
The Modern Institute @ Sadie Coles HQ, London
Host, Tramway, Glasgow, Scotland, UK (cat.)
Two Up, Property Gallery, Glasgow, Scotland, UK
This is…These are (curated by Kirsty Ogg), Norwich Gallery, at Norwich School of Art & Design, Norwich, UK
European Couples and Others, Transmission Gallery, Glasgow, Scotland, UK
The World of Ponce, Southpark, Glasgow, Scotland, UK
Brain Mail, Broad Studio 17, Cal Arts, Valencia (CA), USA
Girls High, Fruitmarket Gallery, Edinburgh, Scotland, UK (cat.)
Insanestupidphatfuctpervert, Cubitt, London
Sick building, Globe Gallery, Copenhagen, Denmark
Insanestupidphatfuctpervert, Concrete Skates, Glasgow, Scotland, UK
Art for People, Transmission Gallery, Glasgow, Scotland, UK
1996 Kilt ou Double, La Vigie Gallery, Nimes, France
In Stereo, Transmission Gallery, Glasgow, Scotland, UK
Mary Redmond & Jim Lambie, Assembly Gallery, Glasgow, Scotland, UK
Jonnie Wilkes & Jim Lambie, 115 Dalriada, Glasgow, Scotland, UK
BIBLIOGRAPHY
Michael Fitzgerald, 'Making sunshine: Jim Lambie’s ‘Wild Is The Wind’ at Roslyn Oxley9 Gallery', Art Monthly, 16 November, 2019
Elizabeth Fortescue, 'Serving Up Artistic Surprises with A Serve of Vegetables,' The Daily Telegraph, 31 October 2019
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Kotzé, Talitha. “Jim Lambie: Metal Urbain,” The List, Issue 657, May 18, 2010.
“Glasgow International Festival of Visual Art: various venus Glasgow,” Art Review, Issue 42, May 2010.
Bain, Alice, Neil Cooper, Isla Leaver-Yap and John Quinn. “Review: Glasgow International Festival,” Map, Issue 22, May 2010.
Wullschlager, Jackie. “Colour Chart: Reinventing Colour, 1950 to Today, The Financial Times,
May 30, 2009.
Searle, Adrian. “Pump up the Volume,” The Guardian, May 28, 2009.
Davis, Laura. “Tate is awash with colour,” The Daily Post, May 28, 2009.
Jones, Catherine. “Tate of the Art,” Liverpool Echo, May 28, 2009.
Brown, Christopher. “Art Colour Chart: Reinventing Colour, 1950 to Today,” Metro, May 26, 2009.
“Going out: Colour Chart: Reinventing Colour, 1950 to Today,” The Independent, May 23, 2009.
Davis, Laura. “We Won't Colour You Response,” Daily Post, May 22, 2009.
Richardson, Anna. “Wild hues,” Design Week, May 21, 2009.
Campbell-Johnston, Rachel. “Breaking the Colour Code,” The Times, May 19, 2009.
Campbell-Johnston, Rachel. “Does Colour have a meaning in art?” The Times, May 19, 2009.
Kremier, Julian. “Learning Through Colour,” Art in America, May 2009.
Smith, Roberta. “MoMA Pushes the Envelope in Works on Paper,” The New York Times, April 24, 2009, p.C27,C29.
Schafer, Owen. “Jim Lambie Makes Himself at Home,” Weekender, Vo.40, No.2, January 23, 2009.
Ukawa, Naohiro. “Jim Lambie: Unknown Pleasures,” Art iT, No.22, January 17, 2009.
Gombrich, Marius. “In the space,” The Japan Times, January 9, 2009.
“Here Comes the Sun,” Art of England,
July 2009.
Philippa, Lewis. “Colour Chart: Reinventing Colour, 1950 to Today,” Studio International,
June 23, 2009.
Cumming, Laura. “Custard yellow, sky blue, pea green...,” The Observer, June 14, 2009.
Lubbock, Tom. “Powerful Pigments,” The Independent, June 8, 2009.
McLean-Ferris, Laura. “Exhibitionist: The best art shows to see this week,” The Guardian,
June 5, 2009.
Park, Min-young. “Optical Illusions at Atelier Hermes,” Korea Herald, June 5, 2009.
Jones, Catherine. “Colour Chart (Review),” Liverpool Echo, June 1, 2009.
Musgrove, Jennie. “A Splash of Colour,” Concept for Living, Issue 127, June 2009.
Phillips, Sam. “Colour Chart: Reinventing Colour, 1950 to Today,” World of Interiors, June 2009.
Barachon, Charles. “Jim Lambie Passe En 22 Tours,” Technikart, June 2009.
Maerkle, Andrew. “Jim Lambie: Unknown Pleasures,” Art World, Issue 11, June 2009.
“Talking Points,” Harper's Bazaar, June 2009.
Darwent, Charles, “Slap on the Dulux and let there be light,” The Independent, May 31, 2009
Searle, Adrian. “What not to miss in 2009,” The Guardian, December 30, 2008.
Higgs, Matthew. “Kim Lambie, `Forever Changes',”Artforum, Issue XLVII, December 2008.
Seo, Jung-im.“Zobop, Jim Lambie's All That Record,” Public Art:The Monthly Public Art Magazine, November 2008.
Amazeen, Lauren Dyer. “Jim Lambie” Artforum International, September 2008.
Völzke, Daniel. “Der Scott Jim Lambie setzt sich in Glasgow gegen die Konsumwelt durch,”
Monopol, June 2008.
McLean-Ferris, Laura. “Glasgow International Festival,” Art Review, Issue 23, June 2008.
Lesso, Rose. “Jim Lambie: Forever Changes,” The List, Issue 601, April 24, 2008.
Burton, Johanna. “Primary Sources,” Artforum, April 2008.
Chie, Sumiyoshi. “JimLambie,” Time Out NY, May 17, 2007.
Churchill, Abbye. TokionV.2, Issue 2 Spring 2008, p.30. The New York Sun, February 2008. Front page.
Smith, Roberta, “A nervy Opening Volley,” The New York Times November 30, 2007
Armetta, Amoreen. “Jim Lambie at Anton Kern Gallery, ”Time Out New York, May 17-23, p.71
“Jim Lambie,” The New Yorker, May 21, 2007, p.15
Rosenberg, Karen “An Afternoon in Chelsea-Jim Lambie,” New York Magazine,
May 7, 2007, p.79.
Feaver, William. “Turner Prize 2005,” Art News, February 2006, vol.105 no.2.
Smith, Roberta. “Art in Review: Strange Powers.” The New York Times, September 8, 2006.
Velasco, David ”Critic's Pick -Jim Lambie,” Artforum, September 2006.
Gayer, John. “Jim Lambie, Art Papers, September 2006.“
Brian Calvin/Jim Lambie,”The New Yorker, October 2, 2006, p.21.
Pham Do, Katherine. “Jim Lambie -P.I.L.,” The Japan Times, May 4, 2006.
Calcutt, John. Jim Lambie,” The Guardian, February 5, 2006.
Williams, Eiza. “Headline Headline Headline...,” Creative Review,December 2005.
Macmillan, Duncan. “Confronting an art scene...,” The Scotsman, October 25, 2005.
Kennedy, Alexander. “Caught on Tape,” The List, October 6, 2005.
Moos, David. “Extreme Abstraction,”ArtUS, October-November 2005.
“The House that Simon Built (after Sailing it a Few Miles Down the Rhine).” The Guardian October 18, 2005.
Kutner, Janet. “Yipes Stripes!” The Dallas Morning News, August 8, 2005
“Review Jim Lambie -Dallas,” The Art Newspaper, No. 158, May 2005, p.3.
MacMillan, Ian. “
Awop Bopa Loopbop Zobop Bam Boom,” Modern Painters, May 2005.
Sholis, Brian. “Jim Lambie -Sadie Coles HQ,” Artforum, April 2005.
Volk, Gregory. “Report From Pittsburgh. Let's Get Metaphysical Terranova,” Art in America, March 2005.
Charissa N. “From Classical to Candy -Colored New,”Dallas Observer, Vol. 25, No. 28, 2005.
Bracewell, Michael, and Luisa Buck. “Turner Prize 2005: Jim Lambie, audio transcripts,”
Mulholland, Neil. “Use Your Illusions,” Tate etc., Issue 4, 2005.
Jeffrey, Moira. “Mexican Lights,” Review of “Sodium & Asphalt” at Museo Tamayo, Map, Issue 1, January 2004.
RESIDENCIES
Below another sky, Scotland
Triangle, New York (NY)
Triangle, Marseille, France
COMMISSIONS AND AWARDS
Zobop (Cerulean) Stairs, Central Museum, Utrecht
Spiral Scratch, commission for Swire Properties, Pacific Place, Hong Kong
A Forest, commission for Jupiter Artland
Korea Hermés
Turner Prize, TATE Britain, London (finalist)
BBC Underground 2003 Award
Paul Hamlyn Foundation Award for Artists, London
British Council award for residency at Triangle, Marseille, France
'Ultralow' commission for the Modern Institute, Glasgow, Scotland, UK
COLLECTIONS
Albright Knox Museum, Buffalo, NY
Aberdeen City Art Gallery Collection, UK
Arts Council Collection, London, UK
British Council Collection, London, UK
Carnegie Museum, Pittsburgh, PA
Cincinnati Art Museum, Cincinnati, OH
Cleveland Museum of Art, OH
Contemporary Art Society, UK
Damier Chrysler Contemporary, Berlin, Germany
Dallas Museum of Art, Dallas, TX
Deste Foundation, Athens, Greece
Edinburgh National Gallery, Glasgow, Scotland
Gallery of Modern Art, Glasgow, UK
Galleria Civica d'Arte Moderna e Contemporanea, Turin, Italy
Government Art Collection, London, United Kingdom
Hara Museum of Contemporary Art, Tokyo, Japan
Hirshhorn Museum and Sculpture Garden, Washington D.C.
Instituto Horizontes, Belo Horizonte, Brazil
Jumex Collection, Mexico City, Mexico
Jupiter Artland, Edinburgh, UK
Middlesbrough Institute of Modern Art, UK
Mora Foundation, London, UK
Museum of Modern Art, New York, NY
Museum of Fine Arts, Boston, UK
New Museum of Contemporary Art, New York, NY
Pace Foundation, San Antonio, TX
Pier Arts Centre, Orkney, UK
Rhode Island School of Design, RI
Rosa and Carlos de la Cruz, Miami, FL
Rubell Family Collection, Miami, FL
Scottish National Gallery of Art, Edinburgh, Scotland
TATE, London, UK
Towada Art Center, Towada, Aomori, Japan
Walker Art Center, Minneapolis, MN
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Roslyn Oxley9 Gallery
8 Soudan Lane
Paddington NSW 2021
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