Kathy Temin’s sculptures are over the performance anxiety. They’re feeling much better now. More positive about their position in the world and, generally speaking, more confident.
Exhibition Dates: 25 October – 17 November 2007
Kathy Temin’s sculptures are over the performance anxiety. They’re feeling much better now. More positive about their position in the world and, generally speaking, more confident. The ‘problems’ with which they were beset back in the early days have been resolved and these mammalian objects are now blessed with robust good physical and mental health. More than this, their successes have so much multiplied that the once-ugly-duckling-hopeless-cases have upped the glamour quotient and gone on to achieve monumental celebrity status.
But even stars need looking after. Nurturing. A place to retire to away from the pressures of performance where personality can turn inwards. One is not possible without the other. So Temin creates cosy nooks for her show ponies to burrow in to. Comfort zones with a modicum of luxury where home-bodies are cottonwooled from the world. There the animal qualities show themselves. Abstract protuberances become soft cheeks, bosomy trees. Minimalism becomes sentimentalism. Botanical soft furnishings. Leaving us fans in awe of masterful harnessing of form and material in creation of tender life.
—Amanda Rowell
—
Since 1989 Kathy Temin has exhibited extensively in Australia and internationally. An exhibition of Temin’s work of the past five years was recently held at Victoria College of the Arts Margaret Lawrence Gallery, Melbourne as part of the completion of the artist’s PhD candidature. In 2006, she was included in a major exhibition of Australian and New Zealand contemporary art, High Tide, at the Zacheta National Gallery of Art, Warsaw and the Contemporary Art Centre, Vilnius, Lithuania. In 2005, she was selected for the group exhibition New05 at ACCA in Melbourne (curated by Max Delany). In 2001, her major installation work, My Kylie Collection, was included in the exhibition Art/Music at the Museum of Contemporary Art, Sydney (curated by Sue Cramer). Her work is held by most major public collections in Australia. She was the recipient of an Australia Council residency at PS1 in New York in 1997 and, in 1999, won the prestigious Moët and Chandon Art Fellowship. Temin exhibited regularly at the influential artist-run gallery, Store 5 in Melbourne, in the late ‘80s and early ‘90s. Her work is held in most major public collections in Australia, the Govett-Brewster Art Gallery, New Plymouth, New Zealand. Indoor Gardens will be Kathy Temin’s sixth solo exhibition with Roslyn Oxley9 Gallery.
Group Show, The First 40 Years
Roslyn Oxley9 Gallery, 2024
Kathy Temin Mothering Gardens
Roslyn Oxley9 Gallery, 2021
Group Show, State of Play
Roslyn Oxley9 Gallery, 2017
Group Show, Soft Core
Casula Powerhouse Arts Centre, 2016
Group Show, Solid State
Casula Powerhouse, 2015
Group Show
Roslyn Oxley9 Gallery, 2015
Kathy Temin Black Gardens
Roslyn Oxley9 Gallery, 2013
Kathy Temin Garden Islands
Fridcorp Commission, Melbourne, 2012
Kathy Temin My Monument: Black Garden
Art Gallery of New South Wales, Sydney, 2011
Group Show, True Story
Roslyn Oxley9 Gallery, 2010-11
Kathy Temin Indoor Gardens
Roslyn Oxley9 Gallery, 2007
Group Show, The First 20 Years
Roslyn Oxley9 Gallery, 2002
Kathy Temin My Kylie Collection
Museum of Contemporary Art Australia, Sydney, 2001
Group Show, All Stars
Roslyn Oxley9 Gallery, 2000
Kathy Temin Felt Habitat
Roslyn Oxley9 Gallery, 1999
Group Show, Wish You Luck
PS1 Contemporary Art Centre, New York, 1998
Kathy Temin Model Homes
Roslyn Oxley9 Gallery, 1996
Group Show, Stockroom
Roslyn Oxley9 Gallery, 1995
Kathy Temin
Roslyn Oxley9 Gallery, 1995