Whatever shape existence takes — sentient or insentient, person, tree or rock — has simultaneously tangible and intangible characteristics. The tangible is the physical and visible and the intangible is shadow realm comprised of the myriad and infinite shifting relationships that bring form into being — embodied reality.
Exhibition Dates: 15 November – 21 December 2012
Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
T.S Elliot
Whatever shape existence takes – sentient or insentient, person, tree or rock – has simultaneously tangible and intangible characteristics. The tangible is the physical and visible and the intangible is shadow realm comprised of the myriad and infinite shifting relationships that bring form into being – embodied reality.
Everything that is has a shadow. It is not possible to separate dark from light, form from formlessness, the material from the immaterial. The immaterial has no agency within the world except through matter. The material has no substance or reality except through the evanescence of the immaterial.
—Lindy Lee
—
Lindy Lee has exhibited her work nationally and internationally for three decades. In 2013 the University of Queensland Art Museum will present a survey show of her work curated by Michele Helmrich. Lindy Lee was recently awarded the New Century Garden commission to create a new public space in Sydney’s Chinatown. Lee is a founding member of Gallery 4A and she is currently a trustee of the Art Gallery of New South Wales. She is a former board member of Artspace and the Australian Centre of Photography, former president of the Asian Australian Artists Association and former deputy chair of the Visual Arts and Craft Fund, Australia Council. Lee’s work is held in a number of private and corporate collections including the National Gallery of Australia, the Art Gallery of New South Wales, the Museum of Contemporary Art, the Art Gallery of Western Australia and the Art Gallery of South Australia. Lindy Lee has been represented by Roslyn Oxley9 Gallery since 1986.
Lindy Lee Fire Over Heaven
Roslyn Oxley9 Gallery, 2014
Lindy Lee One Billion Worlds
Roslyn Oxley9 Gallery, 2012
Lindy Lee The Secret World of the Shadow
Roslyn Oxley9 Gallery, 2011
Group Show, True Story
Roslyn Oxley9 Gallery, 2010-11
Lindy Lee Flames from the Dragon's Pearl
Roslyn Oxley9 Gallery, 2009
Group Show, Lucky Town
Roslyn Oxley9 Gallery, 2008-09
Group Show, Process/journey
Australian Embassy and Redgate Gallery, Beijing, 2008
Lindy Lee Birth and Death
Campbelltown Arts Centre, Sydney, 2007
Group Show, STOLEN RITUAL
Roslyn Oxley9 Gallery, 2006-07
Lindy Lee Dark Star
Roslyn Oxley9 Gallery, 2006
Group Show
Roslyn Oxley9 Gallery, 2005
Lindy Lee Trueworld and the Pilgrim
Roslyn Oxley9 Gallery, 2004
Lindy Lee The Secret of the Golden Flower
Roslyn Oxley9 Gallery, 2003
Lindy Lee Birth & Death
Artspace, Sydney, 2003
Lindy Lee Ten Worlds, Ten Directions
Roslyn Oxley9 Gallery, 2002
Group Show, The First 20 Years
Roslyn Oxley9 Gallery, 2002
Lindy Lee Cycles Through a Chinese Landscape
Roslyn Oxley9 Gallery, 2001
Group Show, All Stars
Roslyn Oxley9 Gallery, 2000
Group Show, Gang of Four
Roslyn Oxley9 Gallery, 1999
Lindy Lee The dark of absolute freedom
Roslyn Oxley9 Gallery, 1999
Group Show
Roslyn Oxley9 Gallery, 1997
Lindy Lee Utmost Causation
Roslyn Oxley9 Gallery, 1997
Lindy Lee Because the universe is
Roslyn Oxley9 Gallery, 1995
Group Show, Photosynthesis
Roslyn Oxley9 Gallery, 1994
Lindy Lee Now!
Roslyn Oxley9 Gallery, 1994
Lindy Lee Cloud of Unknowing
Roslyn Oxley9 Gallery, 1993
Group Show
Roslyn Oxley9 Gallery, 1992
Lindy Lee Event without moment
Roslyn Oxley9 Gallery, 1992
Group Show, Christmas show
Roslyn Oxley9 Gallery, 1991
Lindy Lee
Roslyn Oxley9 Gallery, 1991
Lindy Lee
Roslyn Oxley9 Gallery, 1990
Group Show
Roslyn Oxley9 Gallery, 1990
Lindy Lee
Roslyn Oxley9 Gallery, 1989
Lindy Lee Unhistorical Fragments
Roslyn Oxley9 Gallery, 1988
Group Show, 7th Biennale of Sydney
Roslyn Oxley9 Gallery, 1988
Lindy Lee
Roslyn Oxley9 Gallery, 1987
Group Show, Chaos
Roslyn Oxley9 Gallery, 1987