Group Show

Queerography

Featuring Michele Barker, Andy Davey, C.Moore Hardy, Rod McRae, Gerard O'Connor, Kaye Shumack, Lachlan Warner, and Lisa Zanderigo. Curated by Michelle Barker and Andrew Davey.

Exhibition Dates: 9 February – 5 March 1994


Lachlan Warner The Sight of Being, 1994; printed pages with ink and acrylic paint; exhibited in panels of 15; panel size 137 x 62 cm, 27 x 21cm each; enquire
Lachlan Warner The Sight of Being, 1994
printed pages with ink and acrylic paint
exhibited in panels of 15; panel size 137 x 62 cm, 27 x 21cm each
Gerard O'Connor Extremes, 1994; type C photographic prints; 7 parts, variable dimensions; enquire
Gerard O'Connor Extremes, 1994
type C photographic prints
7 parts, variable dimensions
Andy Davey X (actual photo), Parts 1 - 28, 1994; type C photographic prints, computer engraved perspex; 28 x 28 cm each; enquire
Andy Davey X (actual photo), Parts 1 - 28, 1994
type C photographic prints, computer engraved perspex
28 x 28 cm each
Michele Barker Sultry Beauty, 1994; from the series Lost in Hyper-space; computer manipulated images, type C photographic prints, face mounted behind perspex; 124.5 x 49 cm; enquire
Michele Barker Sultry Beauty, 1994
from the series Lost in Hyper-space
computer manipulated images, type C photographic prints, face mounted behind perspex
124.5 x 49 cm
Michele Barker Lesbians from Outer Space, 1994; from the series Lost in Hyper-space; computer manipulated images, type C photographic prints, face mounted behind perspex; 124.5 x 59 cm; enquire
Michele Barker Lesbians from Outer Space, 1994
from the series Lost in Hyper-space
computer manipulated images, type C photographic prints, face mounted behind perspex
124.5 x 59 cm
Michele Barker Female Robots, 1994; from the series Lost in Hyper-space; computer manipulated images, type C photographic prints, face mounted behind perspex; 124.5 x 49 cm; enquire
Michele Barker Female Robots, 1994
from the series Lost in Hyper-space
computer manipulated images, type C photographic prints, face mounted behind perspex
124.5 x 49 cm
Michele Barker Giant Dildos, 1994; from the series Lost in Hyper-space; computer manipulated images, type C photographic prints, face mounted behind perspex; 124 x 49 cm; enquire
Michele Barker Giant Dildos, 1994
from the series Lost in Hyper-space
computer manipulated images, type C photographic prints, face mounted behind perspex
124 x 49 cm
C. Hardy Seven Popular Sins, 1994; mounted R3 photographic prints; each 75 x 50 cm; enquire
C. Hardy Seven Popular Sins, 1994
mounted R3 photographic prints
each 75 x 50 cm
Rod McRae antibody, 1994; silver gelatin prints, polaroid transfer, polaroid prints/ negatives, colour laser copies, relief construction; 8 parts, dimensions variable; enquire
Rod McRae antibody, 1994
silver gelatin prints, polaroid transfer, polaroid prints/ negatives, colour laser copies, relief construction
8 parts, dimensions variable
Kaye Shumack Impasse, 1994; type C mural prints; 5 prints, variable dimensions; enquire
Kaye Shumack Impasse, 1994
type C mural prints
5 prints, variable dimensions
Lisa Zanderigo and Kaye Shumack The Suit, 1994; type C photographic print; 147 x 111 cm; enquire
Lisa Zanderigo and Kaye Shumack The Suit, 1994
type C photographic print
147 x 111 cm
Lisa Zanderigo and Kaye Shumack The Wig, 1994; type C photographic print; 112 x 150 cm; enquire
Lisa Zanderigo and Kaye Shumack The Wig, 1994
type C photographic print
112 x 150 cm
Lisa Zanderigo and Kaye Shumack The Handbag, 1994; type C photographic prints; 112 x 140 cm; enquire
Lisa Zanderigo and Kaye Shumack The Handbag, 1994
type C photographic prints
112 x 140 cm