New words and tech abbreviations, like exotic slang, are the way by which we negotiate relationships on keyboards and on consoles. Random quotation from networking sites forms the basis of comic video and sound works. The eloquence of a child gives voice to gaming enthusiasms and expertise.
Exhibition Dates: 12 November – 5 December 2009
Um, my favourite game is on Wii, it’s Benton Alien Force, um, like, because you get a … like do missions and like you can turn into aliens and beat up people like bad guys.
[…]
And it like goes to people and he’s the strongest alien. Well, it helps you do stuff, because like the null void projector which if there’s really bad aliens, like there was Vilgax which is Ben’s arch enemy, but he defeated him. Um. He, he could press the button of the null void and there is this ray and it would come out and suck them in, to the null void world. And if you took the top off and you did it and you pressed the button it would explode for half a mile, go for half a mile.
Google! lol!
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TV Moore has harvested the bumper crop of new linguistic fruits to come from the fertile soil of online life. New words and tech abbreviations, like exotic slang, are the way by which we negotiate relationships on keyboards and on consoles. Random quotation from networking sites forms the basis of comic video and sound works. The eloquence of a child gives voice to gaming enthusiasms and expertise.
At the heart of this investigation is the suggestion that such structures fail to fully meet the desires of its users – a search for connection / an affirmation of existence / a transcendence of ‘self’. A tension is formed between the virtual and the real.
From this a Bribie Island-era Ian Fairweather emerges as a figure that raises the question, how can we ‘escape’ in such a connected world?
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TV Moore holds a Master of Fine Arts from Calarts, Los Angeles. He has been exhibiting internationally since 2003. Group exhibitions include The 16th Biennale of Sydney (2008), The Busan Biennale (2008), The Inaugural Turin Triennale T1 - The Pantagruel Syndrome at the Castello Di Rivoli, curated by Caroline Christov-Bakargiev and Francesco Bonami (2005), City Dwelling Demons at the Contemporary Art space Osaka (2005). He was the winner of the 2009 Anne Landa Award at the Art Gallery of New South Wales. He was the recipient of the prestigious Samstag International Visual Art Scholarship as well as the Don Lucas Art Fellowship USA. This is TV Moore’s fifth solo exhibition with Roslyn Oxley9 Gallery.
Group Show
Roslyn Oxley9 Gallery, 2016
TV Moore With Love and Squalor
Australian Centre for Contemporary Art, Melbourne, 2015
TV Moore # E N Y A
Roslyn Oxley9 Gallery, 2014
TV Moore Rum Jungle
Campbelltown Arts Centre, Sydney, 2014
You Imagine What You Desire
19th Biennale of Sydney, 2014
Group Show, Dawson, Griggs, Moore
Roslyn Oxley9 Gallery, 2013
TV Moore Daze of being Wild
Roslyn Oxley9 Gallery, 2012
Group Show, Groups Who
Roslyn Oxley9 Gallery, 2011-12
Group Show, Head On Photography Festival
Roslyn Oxley9 Gallery, 2011
TV Moore
Roslyn Oxley9 Gallery, 2009
Group Show, Anne Landa Award
Art Gallery New South Wales, Sydney, 2009
TV Moore Escape Carnival
16th Biennale Of Sydney, 2008
TV Moore Fantasists in the age of Decadence
Roslyn Oxley9 Gallery, 2007
TV Moore APOCATOPIA (VOL 1)
Roslyn Oxley9 Gallery, 2006
TV Moore Across the Universe
Roslyn Oxley9 Gallery, 2005
TV Moore The Dead Zone
Roslyn Oxley9 Gallery, 2004
TV Moore The Neddy Project, 2001 - 2004
Artspace, Sydney, 2004